Huang Zewen and several old men also shouted loudly for Zuo Shuqin to introduce the beauties of their orchestra, which caused everyone to laugh. The girls on the stage are many beautiful, and they are also quite temperamental. There are also sharp-eyed people who can see that the girl holding Ruan on it has the most beautiful face.

It's a pity that Zuo Shuqin didn't let them get their wish, and they had to sign up voluntarily.

Qin asked Qin Fangge to help again tomorrow, which caused another burst of laughter, and Qin Fangge also expressed respect for women.

Wu Ruhui frowned, obviously dissatisfied with Zuo Mengfeng's friends. Lin Baoqing was on the side to soothe her emotions, she was empathetic, and quickly talked about their creativity, and then Qin Fangge arranged it.

On the stage, Wang Zizi held back a smile and spoke with the instrument in his hand.

In this song "Jianghu Road", the protagonist in the accompaniment is her most beloved Ruan.

Ruan has a long history of being introduced to China, and its name is due to Ruan Xian in the "Seven Sages of the Bamboo Forest". He was a brilliant musician, and he liked to play this instrument the most, and he was playing the stereotyped Nguyen. Due to Ruan Xian's good playing and the society's admiration for the Seven Sages of the Bamboo Forest at that time, this instrument became popular all over the country for a while, and became the main instrument for solo, ensemble or accompaniment to Xianghe songs. Later, due to social unrest, Nguyen was lost for a time. Ruan Xian is simply called Ruan, which began in the Song Dynasty. At the end of the 10th century, the Song family increased Ruan Xian from four strings to five strings, but did not call it five strings Ruan Xian, but called "five strings Ruan", and the name of Ruan began from there.

In modern times, the ruan has also been reinvented and has a variety of different voices, such as the treble ruan, the small ruan, the middle ruan, the big ruan and the bass ruan.

Now what Wang Zizi is holding is Zhongruan, which is a mid-bass instrument. In fact, Wang Zizi can handle Ruan with various voices, and choosing alto Ruan is also the need of the orchestra. In this song, the rich artistic expression of Alto Ruan can also be extremely high.

And after having a professional accompaniment, Qin Fang has a lot less to sing, just concentrate on singing.

The prelude was naturally handed over to Wang Zizi and them to complete.

Wang Zizi is particularly beautiful, and because of this, she plays a good song, which is also quite emotional. In that often said phrase, you can obviously rely on your face to eat, but you have to rely on your talent, so that others can be embarrassed.

Wang Zizi used to work outside, in addition to her beautiful face and perfect figure, the ruan in her hand was the real reason for her to receive her remuneration with peace of mind. Although when she was working, there were not many people who could appreciate this instrument. Others pay more attention to her other strengths.

For Ruan's practice, Wang Zizi did not relax for a moment, and was able to fight her way out of the encirclement and successfully entered China's top Huaxia Conservatory of Music, not because of her beauty.

But whether at school or outside, or even on such a stage, people still value her beautiful appearance more. She has many suitors, many of whom are rich and handsome, but none of them really make her heartbroken.

Professionally learning national musical instruments, Ruan's solo opportunities are actually a lot, but Wang Zizi still chose to be with good sisters, and also sacrificed a lot of opportunities to play. There are very few cases like this.

However, with Wang Zizi's psychological quality, there will never be any problems, and when she is working, she can deal with more situations calmly. This is especially true in the current situation.

As she said before, when playing, she substituted herself into a strong martial arts, a sword and a sword, chic and calm heroine.

And Qin Fangge poured water in order to please the girls, or it was said to further enhance the expressiveness of national musical instruments and set off the theme. In the prelude, interlude and even the epilogue, Ruan's roles are particularly numerous, and the time is long enough.

Fortunately, with Qin Fangge's current composition ability, no matter how much he pours water and drags the play, the melody is always particularly beautiful. The same melody is particularly splendid after he has changed it through various compositional techniques, such as variations, modulation, canon, fugue, and counterpoint.

In the "Goldberg Variations", Qin Fangge also learned a lot of processing methods from Bach, which made even the arrangement part particularly wonderful.

Then it was played by Wang Zizi's Ruan master, and Huang Jing and the others helped to play the concert, and the effect was also top-notch.

Before Qin Fang started singing, the atmosphere of the whole song had already been perfectly set off.

So much so that Huang Zewen sighed in his heart, "Qin Fangge's pickling skills are much more clever than ours." This can be seen from this arrangement. But this guy is indeed talented, even too much to use up, otherwise, how could he spend so much thought on arranging the music!"

It's worth it for him to put so much effort into it.

Not to mention that Wang Zizi is quite satisfied, in the eyes of professional musicians such as Zuo Mengfeng, Chen Yumo, Qin Mingming and Du Rui, they can be regarded as textbook-like arrangers and orchestrations.

Although the situation of using Ruan as the protagonist of the orchestration has basically never been seen in the previous pop music scene.

But as a martial arts song, it is very normal and quite logical to use these national instruments as the protagonists. After all, it is China's unique martial arts culture, and at that time, there were no Western musical instruments like now, and national musical instruments were active on the stage at that time.

Fuqin flute, drumming and sheng, pipa and huqin or something, is the mainstream.

The first lyrics of Qin Fang's song sang a chic and uninhibited and proud taste.

"I have no regrets, I go my way, and I can't go to the end of the world. ”

For the girls who have already heard him sing, it is also quite beautiful and durable.

Most first-time listeners feel the same way.

Moreover, Qin Fangge also really sang the taste of the rivers and lakes.

The wind and clouds are surging, the sword is light, and tears are better than blood.

Everyone calls themselves heroes, and in the end, they all fight it out through bloody battles.

Of course, there is no wind and snow in the rivers and lakes, and tenderness lingers.

Qin Fangge's singing voice, just like what he sang, has no regrets, and is chic and free.

Don't be dragged down by the trivial things in the rivers and lakes, and be your true self.

Wang Zizi's Ruan also made a new annotation for the rivers and lakes. She and Qin Fangge's cooperation is also quite tacit, and she is willing to finish for him.

Qin Fangge suddenly remembered that the martial arts TV series of "Jianghu Road", "Lotus Battle" and Xiaoao Jianghu actually have something to do with it.

"Lotus Battle" is more like a work that combines "Meteor Butterfly Sword" and "Smiling Proud Jianghu". is just the movie version of "The Undefeated East" and "The Comeback", in which Lin Qingxia played the role of the undefeated in the East, which can be called a classic in the adaptation.

In "Lotus Battle", the role created by Bai Yuchuan's Talen Toya is also classic. And the majority of fans talk about it, even if they can't remember the plot, they still remember the classic role of Bai Yuchuan.

The song "Jianghu Road" is also remembered by everyone and has been sung for a long time.

As he expected, after the end of this song, it can be regarded as the prelude to the martial arts night.

At the very least, let everyone have a basic understanding of the martial arts, rivers and lakes in his mind, and the attitude he holds.

And the audience's requirements are actually not high, it sounds good, as long as they can understand.

"Jianghu Road" is such a song, it can be said that the threshold for appreciation is not high, and it is easy to sing. It is foreseeable that anyone can hum a few words along with it, "I will go my way without regrets, and I will not be able to go to the end of the world".

What makes Huang Zewen and Du Rui sigh is that music works like Qin Fangge are destined to follow film and television works. This also invisibly reduces the difficulty of distribution a lot, and many works that are not very good may also become popular with popular film and television works.

For Qin Fangge's bold use of Ruan's arrangement to sing the leading role in it, Huang Zewen and they spend the belly of a gentleman with the heart of a villain, of course they think that Qin Fangge is to pick up girls.

The girl who didn't watch Dan Ruan was the most beautiful of that group of girls?

If such a work is to be released directly, it is extremely feasible to hit the street. Judging by their experience as a music producer, this is definitely the case. In fact, not many listeners can accept such a national instrument style.

But Qin Fangge can be willful and doesn't care about these.

Because his main business is not here, whether it is "Men Should Be Self-Improvement", or "Jianghu Road", or even when he is composing the soundtrack for "Will Enter the Wine", he can be regarded as playing tickets.

The profound attainments in classical music also gave him this capital capriciousness.

And it seems that the right time, place, and people are also on Qin Fangge's side, and there is a big fire to laugh at the bottom of the rivers and lakes, and after the TV series version is filmed, it is a big director like Zhang Zhiwen who personally guides him, and it will not be bad no matter what. Even with the music inside, the probability of catching fire is quite high.

Qin Fangge can also make money while picking up girls.

When several old men saw Qin Fangge talking and laughing with the beauties on stage, he felt even more grateful that he was a ginseng winner. Du Rui also said with a smile, judging from this situation, there is no need to worry about Qin Fang's reputation as a talent!

Zhang Zhiwen and Chen Yumo, as well as the two screenwriters, came this time, in addition to giving Qin Fangge face, they also wanted to learn more about his understanding of martial arts through his music. Then, it can be better used in this TV series.

Needless to say, Zhang Zhiwen, a great director, naturally doesn't want the first martial arts TV series he filmed to be scolded by everyone.

Lei Hao and Gao Ming, two screenwriters, also want to absorb more inspiration from his music and serve the adaptation of the script.

Even Chen Yumo is wondering what plot Qin Fangge's music works can be used in the TV series.

Xu Xinyi's words are more about appreciating music.

Especially Xu Jing, He Ruyun, and Xue Min, who have no worries. They have nothing to do with Qin Fangge's martial arts and the upcoming TV series, and they can be calm.

Qin Fangge's talent or something, everyone has known it for a long time, but after really feeling his musical works, they also found that they still didn't know enough about him.

Xue Min sighed, "A man is a book that can never be finished!"

Xu Jing laughed at her for being too modest, "How do I feel like another world!"

"Geniuses and us mortals are not in the same world. He Ruyun said, "If it is so easy to understand, it cannot be regarded as a genius." ”

Zuo Shuqin's words already have enough immunity to a musical genius like Qin Fangge. After resting for a while, let everyone reminisce and taste for a while, and then continued to preside, "The world is out of my generation, just like the years of the rivers and lakes." In the joke of the emperor's hegemony, it is not like a drunk in life. ”

This is also made by Qin Fangge, it is said that Mr. Jin Yong wrote it at the request of director Tsui Hark, and appeared in "Smiling Proud Jianghu: The East is Undefeated".

He didn't feel much about copying too much, but it fell into the ears of Zuo Shuqin and others, but it was an out-and-out good poem.

It's not that any classics can compare with the classic works of those top poets, but it is especially suitable for such occasions.

"Many people have had the ideal of fighting swords, wandering the world, and making the world their home. The chivalrous men are even more so, it seems that the end of the world is where they belong, there is helplessness, sadness, and more prodigal feelings. The song brought to you below is "The End of the World"!"

Zuo Shuqin once commented that this song is relatively white, but pop songs are like this, sometimes the whiter the better.

As for Qin Fangge, doing these is simply playing tickets, just take them out for entertainment, and it's better if someone likes it.

But in terms of arrangement, Qin Fangge is very serious, and he doesn't dare to be lazy. The girls are sharp-eyed and sharp-eyed!

This time, the arrangement and orchestration is Yu Xiaoxia's three strings as the protagonist.

Yu Xiaoxia is not very outstanding among many girls, whether it is her personality, appearance, or even her musical instrument performance.

But the three strings she plays have their own uniqueness.

As a very old traditional national plucked instrument, the sanxian has a long history and is extremely difficult to play.

As the saying goes, a thousand days of pipa and a hundred days of zheng, half a lifetime of three strings can not be learned.

Yu Xiaoxia is actually not particularly outstanding in music, compared to Huang Jing Kanako and their top talents, she is just an ordinary student of a conservatory. and Lin Baoqing, as well as Qin Fangge, they can't be compared.

Even when playing the improved three strings, she is still struggling to figure it out. Moreover, her professor is also worried about the three-string work.

And after Qin Fangge learned the three strings with her for a while, he also understood that it was difficult to learn, and it was not unreasonable.

Among the three strings, the "stamen" is the most difficult, and the upper handle of the three strings has no handle, unlike the pipa, whether it is by tone or pitch, the requirements are particularly high. In addition to proficiency, the auditory requirements are also particularly high, which makes it more difficult to perform. In addition, the three-stringed barrel is relatively small, and the difficulty of playing is multiplied, so you have to work hard to play a bright and crisp sound.

Previously, when Qin Fangge composed the folk music ensemble of Jinse Huanian, he spent a lot of thought on the three strings. However, if this is used as a soundtrack for pop music, it is not so particular, and it does not need to die so many brain cells.

Especially for songs like "The End of the World", you only need to play the artistic conception of the end of the world.

This is not much difficulty for Yu Xiaoxia.

But she still went all out, and Zuo Shuqin also told Qin Fangge, saying that when Yu Xiaoxia went back, she was also practicing hard.

Yu Xiaoxia, from Chaozhou, Guangdong Province, has been exposed to the sanxian since she was a child, but she still has a constant sense of awe for this ancient instrument.

Of course, Zuo Shuqin also hopes that Qin Fangge can help Yu Xiaoxia go further, and in the entire orchestra, she treats every member of the orchestra equally.

Qin Fangge can only take his time, starting with the easiest.

Yu Xiaoxia is also used to it, and in the previous folk music ensemble, Qin Fangge gave Sanxian a very high status. When Sanxian sings the leading role, it shows its characteristics. It's hard, but as long as she works hard, she can reach her goal. Qin Fangge was not created to make things difficult for her, and even her professors praised Qin Fangge's creation for being meaningful.

For the audience, the three strings are not an unfamiliar instrument, and they usually play a very important role in the accompaniment of various drum books, but those players are basically old connoisseurs who are over half a hundred years old.

Yu Xiaoxia is so young, but her performance, coupled with the concertos of her sisters, is more than enough to deal with the current scene.

Qin Fangge's singing voice has a little elegant, a little indifferent, and there are a lot of jokes and ridicule.

Miyuki Nakajima, who was once an important contributor to Chinese pop music, is quite in line with the standards of Chinese people in the creation of melodies.

Ren Xianqi's singing skills don't need to be discussed, Qin Fangge only borrowed his version of the lyrics, and he didn't copy the original version, arrange the music or anything, and even redid it.

In singing, he is even more freewheeling, pursuing chic and romantic, and calmly wandering the world.

With such a mentality, the songs he sings are quite popular.

Even if many people don't understand the meaning, for example, Huang Zewen is particularly puzzled, what the hell does Qin Fangge mean by using three strings in the arrangement and orchestration, it stands to reason that it should be more brilliant with other instruments.

But it can't be denied that Qin Fangge's handling of this kind of treatment is actually quite good.

Zuo Shuqin, who thought that this song was relatively white, said to Qin Fangge with a smile after listening to their performance, "I have changed my opinion, you have the ability to turn decay into magic!"

Qin Fangge put the credit on Yu Xiaoxia, "It's because of her three-string strength! If there is no sense of heaviness of the three-string there, I sing such a song, it is purely floating." ”

Zuo Shuqin thinks about it, and Qin Fangge sings this song, and he also completely uses the attitude of game life. If you don't have the three strings as a foundation, it's like a rootless ping, which will seem particularly erratic. He said that Yu Xiaoxia's three strings are great, and he is not nonsense