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Wu Hongqin was very involved when she played, of course, she couldn't be distracted at all at this time, even if it was the original author Qin Fangge, when playing such a difficult pentatonic fugue, she had to pay full attention. {Dagger Qiqi Chinese Novel }

It is especially worth mentioning that Wu Hongqin did not read the score, but was completely memorizing the score, which is unimaginable for many students.

But Xiao Yuran, who is familiar with her, knows very well how deep Wu Hongqin usually puts into these preludes and fugues, she practices the piano every day, and the first thing she plays is the prelude and fugue, and she feels that she is about to form her body's instinct.

Deng Hongmei also strongly asked them to memorize the score, and not only the memorization score, but also the analysis and understanding of the repertoire required them to understand it thoroughly. is the only way to play better, and they also have Qin Fangge, the original author, by their side to guide, and they are much luckier than other students.

For them, Deng Hongmei doesn't want them to be as perfect as Qin Fangge's performance, but she wants to squeeze out every bit of their potential and let them work hard to break through their own limits. It's not just about practicing the piano, it's more about asking them to understand and think. Wu Hongqin also showed extraordinary talent in such music.

If Xiao Yuran wants to play works like preludes and fugues, it is impossible to kill her to achieve the level of Wu Hongqin, and Xiao Yuran's advantage is not on this.

Wu Hongqin's performance also has very high requirements for the audience's musical literacy.

Fortunately, this was a particularly high-end piano master class, and most of the students who came to listen to the class had a few years to more than ten years of piano practice. It is definitely impossible for them to play as well as Wu Hongqin, but everyone still knows whether it is good or bad to listen to.

Such a five-part work can be interpreted to the level of Wu Hongqin, and Qin Fangge is only the only one who has heard it before them. Of course, Qin Fangge's guy is a pervert and can't be judged by common sense.

If you have to compare the two of them, Wu Hongqin is still a lot inferior, but this does not detract from her glory. Everyone thought that Xiao Yuran had made the most progress before, but after Wu Hongqin's performance ended, the audience suddenly discovered that Wu Hongqin's progress was no less than Xiao Yuran's.

Wu Hongqin's talent and basic skills are higher than Xiao Yuran's, it stands to reason that the bottleneck of progress will be greater, and many people are speculating about what method Qin Fangge used to make them make such significant progress.

Deng Hongmei's merits must also be there, but it is definitely not as high as Qin Fangge, otherwise, Wu Hongqin would have been able to practice it a long time ago, without waiting until now.

Fu Tianxia was also very excited, and when applauding with the audience, he did not forget to praise Wu Hongqin, "Senior Sister Wu's progress is obvious to all, and her performance is especially good in this difficult prelude and fugue." The timbre of several voices is very good, clear and distinct, and the connection between the voices is also very good, and more importantly, in your performance just now, I heard the melodies one after another, and I feel like I am building a sacred and magnificent temple, which is really a magical sight!"

Wu Hongqin must be modest, and also said that the gap with Qin Fangge is quite big, Fu Tianxia smiled, "It's not impossible to take Qin Fangge as a goal, you can motivate yourself to work harder to practice." ”

Then, according to the usual practice, Fu Tianxia also had to say something somewhat, although he himself felt that it would be better to let Qin Fangge say it. But this will be obviously unlikely, Fu Tianxia also said to the audience, "I will talk about my own opinion, polyphonic music, when we practice the piano, is a hurdle that must be overcome, if everyone still wants to continue to improve." ”

"These preludes and fugues of Qin Fangge are particularly difficult to control in terms of technique alone. The most basic musical feeling is to have a keen sense of hearing multiple voices, as well as good finger independence and harmony, which requires all of us to practice hard, and we may have done a lot in the past, but I would say that learning never ends. On top of this, we can say that the expressive power of music is more comprehensively enhanced. This kind of polyphonic music can be said to be the source and starting point of everything, and it is not an exaggeration to regard these preludes and fugues as the best teaching materials for training in this area. ”

Moreover, judging from Qin Fangge's creation of these preludes and fugues, he must have hoped to make a series. From C major onwards to C minor, C sharp major, and this first C sharp minor. I'm looking forward to seeing him finish all the preludes and fugues as soon as possible, and bring more surprises to everyone!" Fu Tianxia burned the fire on Qin Fangge's head at the right time.

Fu Tianxia cherished these works of Qin Fangge, and he even called on the audience, "I have time to listen to the prelude in C major at the beginning! Concise and simple and moving! Without thinking much about anything, an absolute balance and smooth lines instantly cleanse people's hearts into a clear and serene one." ”

Then, Fu Tianxia talked about his views on this prelude and fugue series, thinking that it was the same as the one that everyone called the "Divine Comedy", and Qin Fangge himself explained that Zhou Xiuying's wife composed a "lullaby", and the other world called it the "Gothenburg Variations". All of them are all-encompassing, and a lot of emotions are hidden in them, joy and pain, peace and anxiety, light and darkness, freshness and obscurity, etc., in these piano pieces, Fu Tianxia believes that there are the most profound and detailed descriptions.

Moreover, the music is not entirely rational and stereotyped, even if it sounds like it on the surface.

But Fu Tianxia also said that you need to calm down and listen slowly. In fact, all emotions are hidden deep in the bottom, and they are only presented in a more restrained way, simple and moving. All that is needed is patience and a gradual journey into that wonderful realm, which is a very long process. Perhaps there is no need to think so much about expressive skills, and the listener can simply appreciate them as a keyboard game, and there seems to be no need to speculate about emotions, all entry is pure nature.

From these words, it is not difficult to see that Fu Tianxia's evaluation of Qin Fangge's works is quite high.

Time passed quietly, and before I knew it, more than three hours had passed, and it would be almost six o'clock in the afternoon, which meant the end of this piano master class.

Fu Tianxia is also a person who has been in trouble for a long time, seeing that the time is about the same, he will stop at the right time, which will make everyone hungry, and it will not be interesting to go any further.

The host, Yan Huanhuan, also appeared at the urging of Deng Hongmei and loudly announced that the piano master class was a complete success.