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A few people didn't delay, and after eating, they went straight to their base for Jinse Huanian, classroom 201 of the old teaching building.

When they arrived outside the classroom, they also heard the sound of guqin and electronic synthesizers coming from inside, and Huang Jing immediately said, "It should be Shu Ting and Baoqing, I don't know what new tricks they want to play." In the case of the guqin, the solo is very charming, but it is quite difficult to match with other instruments. ”

Qian Shuyuan said, "It's not like that, isn't it said that the piano and the song and the ensemble of the qin and flute are all rumored to be a good story for a while? The key is to see how well the composer and the performer are level." If you combine it with electronic music, it is not lost as a good way, but it is not easy to do well. ”

When they entered, Teng Shuting and Lin Baoqing did not stop their movements.

Qin Fangge and Huang Jing kept quiet, feeling that they were indeed experimenting with new forms of music.

After their period was over, Huang Jing still asked them with concern if they had had dinner, and Teng Shuting said that they came when they were ready, so they didn't have to worry about eating. Today is the weekend, and the two of them are from Yanjing, and they don't live in the dormitory, so they will rush over the school, which is also quite a face-saving for Qin Fangge.

Then, Teng Shuting also asked them how they felt when they listened, and Huang Jing said that the situation was very novel, with great potential, and it was worth trying.

Qian Shuyuan also nodded, saying that she couldn't be obsessed with the old form.

Ye Xiuling was not afraid, and said that it still sounded very messy.

Xie Xiaojuan said that if the recording is done, the post-production effect should be better.

Then Teng Shuting turned her gaze to Qin Fangge, and threatened him to tell the truth.

Qin Fangge said, "I feel that they have already spoken what they can say! As far as the effect of the live performance just now is concerned, it is still a little out of tune, and the keyboard is too noisy." I suspect that if you join the electroacoustic instrument and engage in a folk band, it is to enrich the situation and content of folk music. But when it comes to each section of each piece, unless it is an ensemble session, the main key must be determined at other times. ”

Lin Baoqing also said with a smile, "Well said, I also feel this way." I'm not in a hurry, since there is no ready-made way to go, it's better to take my time and try all kinds of methods!"

Teng Shuting is from the composition department and the main staff of the Jinse Huanian Band, and she carefully noted down their opinions.

After their busy affairs came to an end, Huang Jing asked Qin Fangge to start playing the erhu, and also contributed her own erhu.

Qin Fangge laughed at him, the master is a local tyrant, and he uses the best erhu.

Huang Jing scoffed, her family was originally engaged in the erhu business, and she must use it well! It doesn't have much to do with the local tyrants.

Lin Baoqing also asked Huang Jing if she wanted to wait for everyone to arrive.

Huang Jing said no, she wanted to have a sneak peek! As for those who didn't arrive! It's easy to do, just let Qin Fangge play a few more tunes when the time comes.

Her idea was good, but Qian Shuyuan and the others all nodded in support, and said that Qin Fangge could be regarded as an exercise, and she would talk about it first.

Qin Fangge could only smile bitterly, but he didn't dare to say no, it was nothing to see it, and he regarded it as a practice.

But Huang Jing didn't think so, as soon as he came, he asked Qin Fangge, "Let's play a track that you are best at first!"

Qin Fangge actually wants to say that I am very good at many repertoire, but saying it will definitely hit their morale in learning erhu. He said very calmly, "Then I'll play a song of "Yangguan Three Stacks" that I have practiced the most! If you don't play well, don't laugh at me!"

Huang Jing and the others simply ignored the words behind him, and only let him play at a high level.

The erhu version of "Yangguan Three Stacks" selected by Qin Fangge is a work after Hu Yaohua, a famous erhu artist in this world, has been edited and adapted according to the guqin music of the Tang Dynasty. It is Wang Wei's famous poem "Sending Yuan Er Envoy Anxi": "Weicheng is light and dusty, and the guest house is light and willow-colored; Because there are two names in the poem, "Yangguan" and "Chengcheng", it is also called "Yangguan Song" and "Weicheng Song", and "Yangguan" has also become synonymous with sending friends to sing. Triassment refers to the three sections of the whole piece, which is basically a change of tune repeated three times, and this piece is no different.

When Qin Fangge played the first phrase, he showed his quite genius side.

He used a thick and deep timbre, because this piece expresses the feelings of parting that have been recited to this day. Especially in ancient times, transportation was not developed, and a parting was basically a farewell, and it was also rendered with a special flavor in the pen of ancient literati.

Huang Jing understood that Qin Fangge wanted to use this to express that full, thick, and inner emotion.

Chinese emotions have always been very restrained, and this is also true before parting. What I pursue the most is the feeling of simplicity and returning to the basics.

The technique he uses is also very particular, kneading the strings very little, the amplitude of kneading the strings is very small, and the frequency is very slow.

Since this piece is adapted from a guqin song, Lin Baoqing also feels very deeply about it.

The kind of natural, deep, and heartfelt feelings expressed by Qin Fangge made her feel the same way.

Moreover, Lin Baoqing also saw that he felt that he had borrowed from the guqin in terms of ornamentation and portamento, and he didn't know if Huang Jing taught him.

By the time of the second phrase, Qin Fangge not only changed in speed, but also in strength, and the overall emotion also changed greatly. Yangguan three stacks, as the name suggests, the same melody is changed three times.

In addition to the technical difficulty being overcome, Qin Fangge also grasped it quite appropriately emotionally. The subsequent paragraphs became high-spirited, whether it was the frequency and amplitude of kneading the strings, but it was not the feeling of jumping out of the air, but more like encouraging friends, not to worry about the meaning of having no friends in the future.

The most gorgeous part, especially when the big ups and downs of the scale go up and down, Qin Fangge's handling is even more remarkable, I feel that the rhythm is very free, and the changes are very natural. As the melody progresses, the speed and strength of his bow movement have changed significantly, making the expression of emotions, especially the climax, more and more vivid, making the music full of tension.

In the epilogue, this paragraph in the original word is the emotion of exclamation, and the erhu song also inherits this characteristic. The gradual slowing and weakening of the strings makes the timbre change, and it is obvious that it is the kind of erhu characteristic that is like crying and complaining.

Huang Jing and Qian Shuyuan have been immersed in erhu for more than ten years, and have learned erhu from many famous masters.

After Qin Fangge finished playing this Yangguan Three Stacks, Huang Jing said with great emotion, "At your level, you can be a teacher!"