As for the other students, when they practiced, they basically sang standing up. Such a posture is the most comfortable for them. The vocalization, inhalation, and breath circulation are all optimal. Especially when singing bel canto, the organs of the whole body are working together in coordination, and the consumption of physical strength and energy is particularly huge.

Sitting and singing like Qin Fangge is only a very rare exception, and the teacher does not advocate it at all.

There are also classmates who took out their mobile phones and prepared audio and video recordings, but everyone knows that they can't be spread at will, so they basically keep them for themselves to reminisce slowly.

Of course, Qin Fangge can also be sung a cappella without accompaniment, but in this way, the overall artistic expression will undoubtedly be much weaker, and the impact of accompaniment or absence is still great. He himself has such conditions, and he can naturally be capricious.

No, he hasn't even started singing yet, and just the accompaniment played in his hands is enough to make the teachers and students present enjoy it.

It is not too much to say that this is the welfare that Shen Jianping is fighting for everyone.

A student like Song Yu has long since lost even jealousy, and his earliest feeling is despair, there is no way, the gap between people is too big, and he begins to doubt life. I felt that in front of Qin Fangge, it was no different from an insignificant insect. After the soul was critted, he slowly adjusted, and by this time, he could already calmly appreciate the genius's performance and feel the infinite artistic charm.

"Among Qin Fang singers, a piano is comparable to a symphony orchestra!"

People have commented on this more than once, whether it is an ordinary music lover, a professional music critic, a senior professor at a conservatory, or an ordinary music student, all surprisingly hold the same opinion.

Today, students like Zhou Shiyu and Song Yu of the vocal opera department also express such feelings. When he is like a butterfly, his fingers are flying on the piano keys, one note after another is clearly and unmistakably transmitted into everyone's ears, layer upon layer, one after another, and various voices are intertwined and entangled, which is particularly gorgeous and brilliant.

Teacher Zhang Xiaolin, who graduated from the piano performance department, was even more fascinated by it, Qin Fangge, the demon who played the accompaniment casually, and directly killed them from the elementary school piano to scum!

The multi-part polyphonic fugue that makes piano students have a headache or something, is simply easy to come by under Qin Fangge's fingers. For a piano to play a symphony orchestra-like effect, multi-part is the most basic. At the very least, there must be three voices, high, medium and low, in fact, Qin Fangge's current performance is much more complicated than this. The connection between the various voices, the internal connection, and the various counterpoints and harmonies are all complex and confusing.

After Zhang Xiaolin consciously took the score, it is estimated that he will have to practice hard for several months before he can barely see people, and he doesn't even think about sight-reading or anything. He still specializes in piano accompaniment in the vocal opera department, and if other people learn piano, the learning speed will be much slower. It is said that there is a specialization in the art industry, and the piano performance alone, the musical works of each composer are enough for people to spend a lifetime studying.

Not to mention how Zhang Xiaolin's heart fluctuates, here, in the "practice" of this aria, the piano accompaniment is actually only a supporting role. Qin Fangge's vocals are the well-deserved protagonists.

This song "In This Silent Night" is no stranger to everyone. But after Qin Fangge's adaptation, it became unfamiliar again, or it became fresh, and even the accompaniment was changed accordingly. Not only the piano accompaniment this time, but also the symphony orchestra accompaniment during the performance in Prague.

But the main melody and rhythm have not changed much, and the most intuitive feeling is that Qin Fangge has raised the entire aria, giving everyone the overall feeling, and suddenly it has been raised to a higher level.

Even if I haven't heard it yet, everyone is a person who understands music, and they are still peers, and they are looking forward to his performance more and more. If it were other people, such as Song Yu, who dared to sing in such an ascending tone, they would definitely be laughed at by everyone for not knowing whether to live or die and to die a big death. Everyone is full of confidence in Qin Fangge, and when he was in Prague, there was also a precedent for successful performances.

As the music progressed, Qin Fangge's singing voice also led everyone present into a wonderful journey to the top.

Both teachers and students know that the singing method of this opera bel canto is grand, strong, broad, and magnificent, and it also requires the mobilization of the organs of the whole body, resonance, and the final breath, and then through the vocal cords, the voice is transmitted. They usually practice like this, and now Qin Fangge's on-site demonstration is also very effective.

Especially in this close proximity, the enclosed space is much smaller than that of the opera house, and everyone's feelings are more and more profound. Their bodies are also resonating with each other, and the more sensitive girls will also have a slight tremor. In terms of how to make a sound, Qin Fangge has also communicated with his classmates a long time ago, when he was a "teaching assistant" before.

This is also particularly helpful for other students to learn and learn from, Qin Fangge is simply a "living specimen"!

It is especially worth mentioning that although they are all professional practitioners of vocal opera and have heard a lot of loud singing, the volume of Qin Fangge's singing at this moment is still beyond everyone's imagination. It's normal to think about it, when he is on stage, he has to transmit his singing voice to the entire grand opera hall, and if the volume is not enough, he will not be able to hear the sound if he sits farther away.

Although their ears were trembling, the students who stood relatively far forward were still reluctant to take even half a step back, and there were many benefits to observing it up close. Combined with the vocal skills and breath use he talked about before, everyone seems to be able to empathize. With the resonance of each body, you can experience the wonderful taste of mobilizing the body cavity and using the breath to sing.

Shen Jianping has been emphasizing the coherence of sound. In fact, it is not only in the singing of opera bel canto, but other singing methods also have the same high standards for the coherence of the voice.

Qin Fangge's singing is like the most perfect demonstration for the students, allowing them to stand in the perspective of tenor singers, not just ordinary audiences, to appreciate this "exercise".

The most relaxed and immersed in beautiful music on the scene is Zhang Xiaolin, the piano accompanist teacher, because he doesn't have to think about this, and even he gives up treatment when he is learning from piano performance.

When the first expected "highc" came, everyone was excited, from the body to the mind, and the feeling of ** was even more exciting than the poison and love. But this is just the prelude to **, the next movement, Qin Fangge's piano performance and high-pitched singing, take them through a fantasy adventure.

The rhythm after the adaptation is very good, the feeling of up and down is just right, hearing the first four treble C, many students have completely forgotten to learn from this thing, and they are intoxicated by the song and can't extricate themselves. But everyone knows that the most important place has not yet arrived, and so much foreshadowing and tossing and turning in front of it is all for the final gorgeous glory.

When the last highc came, the strong resonance made many people almost unable to stand, feeling in the clouds, the body was completely uncontrollable, and made a completely unconscious reaction. And the eleven seconds of highc, for physiology, is completely the strongest stimulation, and that kind of refreshing feeling cannot be described in words. And the body is also the most honest, just like many people, they are very arrogant in their mouths, and when things come to an end, they will still respond subconsciously.

At this moment, the teachers and students present also have the same experience, this feeling of listening to the sounds of heaven and climbing to heaven also makes many people can't help but wet their eyes.

After this fifth treble C, the music becomes soothing, whether it is the piano accompaniment or his singing, it is like the afterglow of **, leaving room for people to slowly reminisce, and also gradually calming down everyone's excitement and excitement.

After Qin Fangge's practice was over, the two teachers, Shen Jianping and Zhang Xiaolin, replied quickly, but they didn't applaud rashly, they only nodded and smiled at him, as if they didn't want to disturb the other students.

Needless to say, Qin Fangge's singing voice is extremely magical, powerful, infectious, rich in expressiveness, and full of emotion, any point taken out alone can detonate the audience. What's more, he also combines these advantages in one.

After the students came to their senses, the applause could not be suppressed. This is the best way for everyone to respect Qin Fangge's wonderful performance just now.

Qin Fangge himself was still quite modest, and his classmates were not too hypocritical, they gave him face, and applauded for about a minute before stopping. If you want to put it in the opera hall, how can you do it in about ten minutes!

After the applause stopped, whether it was a teacher or a classmate, there were more things to say to Qin Fangge. Everyone is a peer, and they understand more and more how untouchable his singing at such a level is.

"It's not too much to describe it as a natural sound, I don't think I have touched the essence and soul of it!" Shen Jianping commented.

"I have nothing to say except for the word!" Zhang Xiaolin wants to say too much, and the piano performance of Qin Fangge alone is worth writing about. If you want to spread it, I don't know how much sensation it will cause and how many foreigners' eyes will be shocked. But such a video will basically not be circulated.

For this reason, Shen Jianping also emphasized this point to the students, without Qin Fangge and her permission, the videos in the classroom are not allowed to be transmitted. There are only these people at the scene, and if it really spreads, you will definitely be able to find out who did it. Although Qin Fangge didn't really care much about it, it could be regarded as propaganda for him in disguise. Shen Jianping also told Qin Fangge not to be modest, so that when he has spare energy, he will help other students and improve the overall level of the Chinese opera industry!

"I've heard too many good words, if my practice is really helpful to everyone, it's the best! When the students practice, if you have any questions, you can find me, I'll do my best!" Qin Fangge is not modest, and he is really welcome, but he has enough confidence and capital. It's just that in the face of the grand goal of improving the overall level of the Chinese opera industry, he can only do his best as he said!

There is no need for Shen Jianping to remind them, and the astute classmates also know that it is best to grasp the present. Usually Qin Fangge, the dragon sees the beginning but not the end, such a good time, if you don't know how to grasp it, you will be really stupid. Although it was time for the end of class, everyone was reluctant to leave, including the piano accompanist Zhang Xiaolin, who was also willing to stay as a witness.

Qin Fangge was naturally not in a hurry to leave, but in view of the variety of classmates and the questions he asked, Shen Jianping simply asked him to combine the exercises just now and mainly talk about the coherence of the voice. She also knew quite well that it would be unrealistic for the other students to sing such a wonderful and gorgeous tenor aria just like him after listening to it, right?

For this problem, Qin Fangge naturally has considerable experience and experience. In bel canto singing, the melodic lines are required to be as accurate, rounded, coherent, and relaxed as a violin or flute playing. It can be said that whoever does not know the connection of singing sounds, he does not know how to sing well. In many Chinese and foreign vocal music treatises, many people believe that the essence of bel canto singing is the coherence of the voice, which shows that the coherence of the voice in singing is very important.

Qin Fangge also started with what is the coherence of the sound, and the coherence of the sound is generally referred to as "legato" in vocal terminology: the "legato" in the musical symbol means legato, and the original Italian word is "legato".

He also emphasized that "the true legato is the instantaneous connection between the tones without a single crack." Just like a line, it can't be strong or weak, and the sound can't come out one by one. The articulation between the notes should be quite coherent, and it should be smooth and smooth, and there should be no traces of "severance". The attack should be accurate and stable, the timbre should be unified and beautiful, the sound wave should be stable and natural, and the parts of the singing voice should be unified and coherent. ”

Shen Jianping once said that every word when singing is like a pearl, and the voice is like a line, and the sparkling pearls of the same size should be threaded together with the line of sound.

After figuring out the concept, Qin Fangge also shared his experience, first of all, it is necessary to have good inhalation support, that is, the often emphasized, breath practice.

Correct breathing is the most solid foundation for opera bel canto singing, good breath support is the driving force of singing, without breath support, you can't sing, well-trained breathing support is essential. The interval changes and the connection between the notes in the progress of the music is particularly important if you want to be coherent and free. If the breath is inhaled too shallowly, or too full, the voice will be stiff or breath-holding, and the sound lines will not be smooth and coherent; if the breath is not controlled steadily and unevenly, such as being strong for a while and weak for a while, the throat will be loose for a while and tight for a while, and the sound will inevitably come out one by one, which will destroy the coherence of the sound.

Qin Fangge has the talent and experience to be a teacher, he was a teacher before he crossed over, he can not only make correct demonstrations, but also make wrong demonstrations, which often makes everyone laugh out loud. (To be continued.) )