In terms of pleasing effect, Lin Baoqing standing on the stage will not be worse than Qin Fangge. ▲ text ◆ ■■● '--.、 But when she sat in front of the guqin, her whole mind was immersed in the guqin, as if between heaven and earth, only she and Qin Fangge were left. The reason why this point is emphasized is because this is a piano and flute ensemble, and the sound of the piano she wants to cooperate and interact with the sound of Qin Fangge's flute, just like on the road of life, supporting each other, and the husband sings and the wife follows.

Qin Fangge's performance is absolutely reassuring, and it also allows Lin Baoqing to spend less time on other places and focus most of her energy on her own beloved guqin.

For Lin Baoqing, this piece is very difficult, even after a month of assault practice, she still feels that there are still many things worth thinking about and pondering. If it weren't for such a tight concert schedule, she would definitely have to practice again before performing on stage.

In this performance, she didn't dare to be negligent, because the audience here can almost be said to be the top music connoisseurs in the world. Not only for Western music such as piano sonatas, etudes, etc., but also for folk music.

Lin Baoqing's parents also invited a lot of friends to come, not only to cheer for their daughter, but also to deepen their understanding and investigation of Qin Fangge. Her mother Qu Jiayun is quite satisfied with him, but the things she worries about are actually the same as Ning Xiupei, she is afraid that there are too many girls around him and it is easy to lose herself.

It's just that, judging from the current situation of what he has shown, it's still pretty good, there are so many beauties around him, so he only invited Lin Baoqing to perform with him.

The two still have a very tacit understanding in art, not to mention the previous "Smiling Proud Jianghu", which is a bit pediatric and can be regarded as an entertainment work.

A work like "Spring River Flower Moonlight Night" is definitely appreciated by both the elegant and the vulgar, and Qin Fangge, a melodic tyrant, did not forget to add a beautiful and moving melody to it when composing. This can really only be eaten by talent, other composition skills can be learned, if you are not inspired, if you want to write beautiful melodies, it is really impossible.

Before they started playing, everyone could guess that this "Spring River Flower Moonlight Night" must be very different from the previous works of the same name. And some versions of the Spring River Flower Moon Night are adapted from Bai Juyi's "Pipa Xing".

With the interpretation of Lin Baoqing's guqin and Qin Fang's song flute, the audience gradually understood that this is the real "Spring River Flower and Moonlight Night".

The song is inspired by Zhang Ruoxu's poem "Spring River Flower Moonlight Night", and for Chinese audiences, the natural sense of substitution is more sufficient. If you have crooked nuts, you won't have a deep understanding of this, but you can also guess from the name of the track, the combination of spring, river, flowers, moon, and night light is particularly beautiful and romantic, and you can also know what you want to play.

There are a lot of folk music people here, and needless to say, the professors of the Department of Folk Music at the Conservatory of Music have basically switched from performers to educators, and now there are many opportunities to perform on stage. They couldn't be more familiar with Qin Fangge, when he followed the girls to learn folk musical instruments, he also visited them, and he was also their students, and he also called them sweetly, Huang Jing, Chen Tianhong, Wang Zizi, they all became his senior sisters. Huang Jing and Huang Jing all went back to discuss the music he wrote for their orchestra, and when they were rehearsing, the professors would come over to see it when they had time.

Qin Fangge's "Spring River Flower Moonlight Night", the professors got the score very early, and they didn't want to express any opinions on his talent and amazing learning ability.

In addition, for example, Xiao Jingru's father Xiao Mingshan is a famous flute player in Jiangnan, who was born in a family of silk and bamboo in Jiangnan, and also has natural environmental advantages and excellent music genes. Under the family education and subtle influence since childhood, Xiao Jingru's performance is also remarkable, and in the orchestra, it is also the existence of stability and aura, which do not conflict.

Xiao Mingshan's attainments in traditional culture are not shallow, although he can't memorize the full text of Zhang Ruoxu's "Spring River Flower Moonlight Night" (there are really not many people who can memorize the full text of such a long poem), but he still knows a lot about it. He can also play the dong flute, and his level is much higher than that of his daughter, but after listening to Qin Fangge's performance, he feels that Qin Fangge is really a strange guy, and even the flute is more proficient than him. This must be due to his high talent, he is tall, his lung capacity is also abundant, even if he blows for a few minutes, it doesn't seem to be a difficult task.

Now that this is the ensemble of piano and flute, and it can give him a lot of respite, he is even more at home.

Of course, these are just some scattered thoughts of Xiao Mingshan in addition to appreciating music, and his main energy is still on appreciating music.

The two talented players on the stage, who were in perfect harmony, played this national music, won his heart. In fact, the theme of Spring River Flower Moon Night is not a very good object of composition, there are too many things that need to be expressed, and how to arrange it properly is a problem. The premise is that the composer is inspired, and not only the scenery, but also the ideological connotation is important. Not to mention the melody is euphemistic and simple, the smooth and changeable rhythm, and the ingenious and delicate soundtrack.

Qin Fangge has done a very good job in this regard, and the romantic and beautiful melody can attract everyone's attention in the first time. For example, the opening "Spring River Tide and Sea Level, Bright Moon and Tide on the Sea", a piano and a flute, show such a beautiful night scene very vividly.

They are not lyrical as soon as they come up, but through the slow display of the beautiful scenery through the notes, and then from the scenery to the feelings, they express more feelings of life, and then rise to the laws of the entire universe.

The music played by Lin Baoqing's guqin focuses on showing the image of the moon, and the sound of Qin Fang's flute is the other background, and the two blend with each other and show the beautiful scenery of the moonlit night in the spring river.

After more than 20 minutes of performance, the ensemble finally enters the final stage, and the piano and flute ensemble returns from the emotional world to the scenery, which can be regarded as closely following the theme.

There are a lot of literary and artistic audiences in the audience, let them describe the feeling of listening to this song. The ensemble of the piano and flute is described as a continuous picture scroll, "in the tone is light and strong, although the ink is outlined and dyed, but the "ink is colorful", from the black and white complementary, virtual and real life show a brilliant and colorful artistic effect, just like an elegant Chinese ink painting, reflecting the beauty of the artistic conception of the moonlit night of the spring river. ”

Qin Fangge and Lin Baoqing were in charge of the performance, and the audience could show their rich imagination wings and outline the most beautiful "Spring River Flower and Moonlight Night" in their hearts.