After a Strong's ultra-difficult show-off piece "Butterfly", Qin Fangge took a short break and adjusted his feelings, and then began to play the next one, Strong's first sonata.

This sonata was originally Xiao Yuran's repertoire, and she herself was naturally too familiar with it. But at this moment, Qin Fangge popped up, as far as Xiao Yuran's own feelings are concerned, Qin Fangge's realm is better than her, although she doesn't dare to say that it is the peak, but she feels that there are really only a handful of people in this world who can play this song almost like Qin Fangge. Although Senior Sister Chu in front of her has also held a lot of piano solo concerts, it is still too reluctant for her to play this sonata with such a taste.

Needless to say, Strong's "Butterfly" before, girls always have to suffer because of their small hands when they play such dazzling tunes.

Then Qin Fangge continued to play Strong's song "Home" full of strong patriotic feelings, and under the guidance of a well-known piano professor like Deng Hongmei, Qin Fangge did the best in expressing his feelings.

When it should be tender like water, Qin Fangge will not spare his tenderness and affection. When it was time to be fierce and angry, he played sonorously and powerfully, without wasting his much physical fitness beyond ordinary people.

Deng Hongmei and Xiao Yuran's performance was okay, because they had already listened to Qin Fang's songs and played these tunes before, but now they feel that his performance in the recording studio is better and completely acceptable. After all, compared with the practice piano in the piano room, this truly performance-level grand piano has a touch tone several grades higher, and the sound layout effect is also in line with the acoustic principle, and it is really a unique enjoyment to hear it in their ears.

For ****** Chujie and Teacher Huo, who had never heard Qin Fangge play before, it was a real spiritual shock.

In terms of knowledge, none of them are bad.

is also a well-known piano professor at the Huaxia Conservatory of Music, and I don't know how much I have listened to the concerts of international pianists, and Qin Fangge has not listened to these classic piano songs played at the moment, but he feels that the performance of those pianists seems to be no better than this fledgling Qin Fangge.

What a strange thing!

Is there really going to be a real pianist in our country?

Some people can't believe their ears, but they force themselves to put away those cranky thoughts and listen carefully to his interpretation, whether it is picky or encouraging, if you can't listen well, you can't make the most correct judgment.

As for Qin Fangge's level compared to his proud disciple Chu Jie, ****** didn't have to think about it, she should know it in her own heart.

Indeed, Chu Jie was a little dumbfounded when he heard him play.

If Deng Hongmei arranged the repertoire for him before, she still had doubts and good intentions in her heart, and when Qin Fangge played a butterfly, she completely understood that in addition to being a genius, this guy might have to add a few adjectives of demon monsters.

He's just not going to give people a way to live!

The dazzling "Butterfly" plays so well, and he can master such pieces as legato sonata and "Home" so smoothly and skillfully, he feels no worse than those international pianists. At his young age, in addition to being beyond ordinary people and even beyond geniuses, I am afraid that more than ten years of diligent practice is also essential.

Moreover, the most terrifying thing about Qin Fangge's guy is that his ability to control his feelings, or in other words, the rich feelings he expresses when he plays the piano, the kind of infectious power is absolutely world-class. What's even more terrifying is that he is not limited to a few feelings, it seems that he can handle every emotion well.

The song "Homeland" is the best touchstone.

In addition to the difficult skills, the ten-minute piece is also quite rich in the emotions that Strong wants to express, which tests the emotional and artistic expression of the pianist more than "Butterfly".

The warmth and beauty of the homeland, the picturesque scenery, the panic and tension of the enemy's invasion, the desperate struggle with the enemy, the heroes who regard death as home, the bloody feelings of hardship and hardship but never bow their heads, and finally the victory and victory, people rebuild their homes with good expectations and confidence.

Qin Fangge's performance on this piece feels perfect and impeccable.

Through the glass of the recording studio, she seemed to see the notoriously arrogant musical genius Strong, and the heart of a fist hidden beneath his bohemian surface.

But the next two Luther etudes, "Starry Sky" and "Night Rain", made Chu Jie sigh again, Qin Fangge will become a "piano poet" again.

His calm and confident, romantic and graceful, personable, and unconcealable, seems to be innate, with a touch of melancholy and sadness, Qin Fangge is vividly reflected in the interpretation of these two beautiful and romantic etudes.

For a moment, Chu Jie felt that she was about to fall in love with this tall and handsome boy.

Indeed, the same romance and sorrow as the piano poet Luther is like a glass of colorless and tasteless poisonous wine, which makes the girls love and feel distressed, completely unguardable, and willingly drink it stupidly.

After two Luther's romantic and melancholy etudes, Qin Fangge played Luther's first ballade "King Arthur".

Teacher Huo, who was in charge of the recording studio, couldn't help but glance at Deng Hongmei a few times, she was staring intently at Qin Fangge in the recording room at the moment, without any worry on her face, more expectation and appreciation.

Teacher Huo said in her heart that she had confidence in him, and it was not for nothing.

Not to mention anything else, just Qin's ability to recite music and other pianists is worth writing about, and it is worth hyping and planning.

With so many piano songs, Qin Fangge didn't use piano scores at all, and played them all by heart.

In the eyes of Mr. Huo, who has been recording for well-known pianists at home and abroad for a long time, there is not a single wrong note in the repertoire played by Qin Fangge, and this talent is really breathtaking. You must know that when many pianists hold solo concerts, they have prepared piano scores just in case, so many high-quality audiences, and especially discerning music critics. If the skills are not handled well and the feelings are not in place, they will be criticized, not to mention low-level mistakes such as mispronunciation.

Qin Fangge didn't seem to have to worry about these things at all, he was as confident and calm as ever, and he didn't need to stop and re-record or anything.

This is also a good thing for Huo Yaohua, saving him a lot of effort and allowing him to have more effort to enjoy the music he plays.

As far as the first Luther ballade he is playing is concerned, many people come to the studio every year to record this piece at the Huaxia Conservatory of Music. Huo Yaohua also listened to too many uneven performances, but like Qin Fangge, from the first note, he could grab his ears and let him listen smoothly all the way.

That feeling of being fierce and passionate gradually was hidden and buried deep in my heart as the years passed. But at this moment, Huo Yaohua listened to the piano sound played by Qin Fangge, and it seemed to resonate, and all the pride and ambition in his heart were inspired. It seems that every man has a heroic dream in his heart, hoping to save the world, calm the troubled times, and be a great hero who will be famous for the ages.

This "King Arthur" wants to express such an epic story, Huo Yaohua seems to follow the piano notes he plays, and experience the magnificent life of King Arthur together.

When Huo Yaohua still felt unfinished, Qin Fangge started his new journey after a short pause.

This time, instead of playing someone else's tune, he played his own preludes and fugues!

****** and Chu Jie, who had never heard it, were more concentrated, and pricked up their ears, feeling like they were afraid of missing a single note.

Although it can be seen from Xiao Yuran's previous performance of "Puppy Waltz" that Qin Fangge's creative ability is quite strong, it is a waltz, and inspiration is the most important. However, in order to write well in this prelude and fugue, the difficulty is even higher, in addition to inspiration, other aspects of the composer's qualities are also more exquisite, such as the handling of textures, which requires a strong sense of time and space, as well as logical ability and melodic talent. Serious music has a strict structure in terms of composition, and it is not just a matter of making a good piece from any person.

Qin Fangge's talent in piano performance is so good, it can also be said that he is a unique genius, if he is also excellent in composition, these guys who were once called geniuses should really commit suicide.

So, several people are quite expectant of these two preludes and fugues of his.

And Qin Fangge's interpretation of the first prelude and fugue surprised them.

As a veteran piano professional, several people know that in the prelude and fugue, the handling of various parts has always been a problem for pianists.

But Qin Fangge obviously showed superhuman skills in the processing of each voice at this time, and he seemed to give each voice a different timbre. That kind of colorful feeling, with their sensitivity, of course, they can distinguish it, although they may not want to admit it in their hearts, but this is the case, Qin Fangge brought people more shock when he played the music he composed himself.

If Chu Jie were to play it by herself, just to pop a few parts of her voice into their own colorful and gorgeous colors, it would take her at least several months to practice.

This also made her feel ashamed, in the prelude and fugue, her effort was too little compared to Qin Fangge.

In fact, it wasn't just her, even ****** felt embarrassed after hearing it, and asked him to play it himself, and he felt that he couldn't do it better than Qin Fangge.

Aside from playing or not playing, this prelude and fugue with a baroque religious flavor are not something that Qin Fangge's age and experience can make.