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Lin Baoqing drove over early as usual and stayed at Qin Fangge's side for a while, she had a taste for the first time, and she always felt that there was not enough time. Although Qin Fangge is a busy person, he can still spare this little time, and there is no problem in coaxing her.

In addition to attending classes, Qin Fangge also went to watch Lin Baoqing's training at noon. Of course, their arguments are for him to guide, to advise, and to put forward practical advice.

Because I have to go out on the weekend to have a good time, I usually have to work harder.

Professor Long Fujin and Professor Wu Yifen also followed closely and came to see their training in advance.

Teng Shuting is one of the best students in the composition department, and Long Fujin has high expectations for her. Not only in the rehearsal of this work, he and Wu Yifen took the trouble to analyze, dissect, sort out their thoughts and emotions for this work, and strictly demanded them, hoping that Teng Shuting could learn from it and one day, he could also create music works of the corresponding level.

Qin Fangge naturally had to be modest, saying that he just remembered the role of throwing bricks and jade, and he was also looking forward to seeing Teng Shuting and their own works. also generously said that if there is something that needs his help, just mention it, this is said to Long Fujin and them.

Now the two professors of the composition department also know that Qin Fangge's piano concerto has been completed and is working on a new opera work.

Qin Fangge's creation at such a fast speed, whether it was Long Fujin or Wu Yifen, they were no longer surprised.

But both professors spoke highly of his works, especially this Piano Concerto in F minor. The piano part alone makes them feel particularly perfect, the sweet happiness, the taste of warm and beautiful love, no matter when, as long as there is love in everyone's heart, it will never go out of style.

And they also said that they would take it seriously.

Teng Shuting complained in private, saying that Qin Fangge was giving problems to the students of their composition department again.

Because the way professors take it seriously is to take it to the classroom and study it.

This is really a very high-level treatment, and the students of the composition department all said that Long Fujin and they had already treated Qin Fangge as a musician. Although his works, it is not the first time that he has analyzed and studied in class, dissecting everything from all sides. The previous piano works were used as examples and assignments. However, works like "Goldberg Variations", Long Fujin and they think are too profound, even if Qin Fangge has already played it, they have listened to the record many times. But it was very difficult for these professors to understand, and there were many controversies, so they didn't use it to harm the students, and it also made Teng Shuting and them feel like they had escaped.

It's really hard for Teng Shuting and them, if they want to assign homework to works like the Gothenburg Variations, it is estimated that many people would rather die head-on. If you don't have enough experience, you don't dare to comment on this work at all, which is already the consensus of everyone.

For example, the music works of other classical musicians, because they have been composed for a long time, and countless people have already conducted the most comprehensive and detailed analysis and summary, and students can refer to different opinions from other music critics. There will definitely be controversy, but it is precisely these controversies that make these classic works even greater.

Qin Fangge's works are different, because they are newly created, and if you want to go to the Internet or the library, you can't find some reference.

Especially Long Fujin and Wu Yifen, their requirements are quite strict, and the homework between students is similar or something, which is absolutely not allowed. They are also very serious and careful about their students' homework, Teng Shuting and they can't be lazy if they want to.

Qin Fangge's musical works, especially classical music works, are particularly artistic. The composition techniques and techniques alone are enough for these undergraduates in the composition department to have a headache for a long time. As for the melody, the professors do not insist on it, but the rhythm, structure, texture, harmony, counterpoint, polyphony, etc., they must carefully analyze and hope that they can learn it for their own use.

The composition department, like the vocal music department, has a five-year education system, in short, during these five years, they are destined to be poisoned by Qin Fang's works.

Teng Shuting did not shy away from telling Qin Fangge about these troubles in private, and the girls were also very sympathetic to them, and they were all glad that they only needed to concentrate on playing, and their brain cells didn't have to die so much. Qin Fangge's own words were laughed at.

This piano concerto, Long Fujin and Wu Yifen also attach great importance to it, with Teng Shuting as a spy, the professor of their composition department can also get the score as soon as possible, Qin Fangge doesn't care about the outflow of the score.

Deng Hongmei's piano department, after getting the score, all they thought about was practicing the performance.

The composition department is mainly research-oriented, and of course, they also know that Deng Hongmei is in charge of the school symphony orchestra and that she has called her most proud student Fu Tianxia back from abroad.

As far as they know, the students and teachers of the piano department are quite arrogant, even desperate to save face. Obviously, I want the help of the orchestra department, but I can say that it is an opportunity for the school's youth symphony orchestra to practice and learn.

However, relatively speaking, Zhou Xiuying of the Department of Vocal Opera is much more domineering, Qin Fangge's opera has not been completed, and the best opera house and opera singers in China have been booked, although the orchestra level of the National Center for the Performing Arts is not the best in China, but when it comes to the experience of playing opera, no one dares to say that they are the first.

In any case, for Long Fujin and their composition department, Qin Fangge's writing of a piano concerto means that his level is closer. The creation of orchestral music is much more responsible than the creation of pure piano works, and there are so many more things to consider and the changes contained in them.

And the amount of music in an opera is much richer than that of a piano concerto.

According to Teng Shuting, the opera is initially expected to last more than three hours, and the orchestra will basically play it uninterrupted. Of course, not all instruments are played all the time, not even the violin groups, let alone the wind players.

What they didn't know was that Qin Fangge still had a plan to condense the music of the entire opera on the piano.

This kind of thing, Liszt has already done, and quite successfully, "Don Juan's Memory" is a difficult piano work, so that many piano students sigh.

On the basis of this song, Qin Fangge made corresponding adaptations, not too easy.

And, with a piano concerto, will the symphony be far away?