Section 182: Exquisite Ancient City (1)
Xiao Fei and I found the next detailed address left by Mr. Wang Dalong in the pagoda, Zeng Lu was not to be outdone, took the things we had already prepared to stay in the pagoda, as he wished, only to see the next place written on it, we knew the destination and then we were satisfied with everyone all the way to the west, did not expect to walk in the yellow wind and sand for a long time, and there was a beautiful, dreamlike, pleasing ancient country in front of us, like a mirage so abruptly appeared in front of us。
The ruins of this ancient city are located on an ancient oasis that has been buried in yellow sand at the end of the Niya River. The ancient ruins are scattered between the dune chain of the Gunya River Valley, with the pagoda as the center, extending 25 kilometers from north to south in a belt, and 5~7 kilometers from east to west.
In this long and narrow area, there are many house ruins, yards, cemeteries, pagodas, Buddhist temples, fields, orchards, corrals, canals, ponds, pottery kilns and smelting sites scattered in various scales, various shapes and colors, beautiful and scattered, densely packed with many house ruins, yards, cemeteries, pagodas, Buddhist temples, fields, orchards, corrals, canals, canals, ponds, pottery kilns and smelting sites.
We walked in this ancient city that had been sleeping for 1,600 years, and there was a kind
"The strange feeling of disappearing the concept of time
We believe we're walking through
"An ancient village, walking on a country road from exactly 1,600 years ago
“。 When the wild and unbridled wind of the desert blows up the dead leaves on the ground, we even feel that they have just fallen from the clusters of dead trees that have been scattered, and even the traces of the last inhabitants of this place have been trodden. We couldn't wait, and we searched the ancient city with hunger, looking east and west, looking for more monuments, but when we went deeper into it, we were still stunned by what we saw inside— The stacks of thick piles in the storeroom that still faintly exude a clear fragrance of large and full grains show the golden color of orange and gold, and the beautiful doors of the golden halls are still so tightly closed, as if someone was still in it a second ago, but as if they had just quietly left here, time and space seemed to have stopped and froze here. We searched for a long time, and finally found that the British explorer Stein also saw the wooden tablets and parchment written in the Lulu script and Chinese script in the Niya ruins, especially an ancient wooden board with characters with characters, which attracted our attention and was fascinating. Xiao Fei, who has a deep foundation in writing, can recognize at a glance that the characters on the wooden board are the ancient characters of the long-lost Mauryan era in India. This is naturally also due to the need for his relevant professional knowledge, and it must be a lot of hard work, he is full of enthusiasm, gushing to tell us that the Luwen first originated in ancient Gandhara, is the 3rd century BC Indian Mauryan Dynasty of Ashoka period of the text, the full name
"The text of the louse
It was first used in northwestern India and present-day Pakistan, and was widely spread in Central Asia in the l-2nd century AD. With the tragic demise of this dynasty in the middle of the 4th century AD, the mysterious Luwen disappeared with it. At the end of the 18th century, the Luwen script had already become a kind of dead script that no one could recognize, and it was not until 1837 that the British scholar Prinshepp discovered the mystery of the Luvin. Wang Gongzi chattered again, and the wooden block mentioned the name of the local place
"Cad'ota" Kantar. And the essence in Chinese is the transliteration of cad'ota, so here it was originally the four characters of the ancient kingdom of jingjue.
This is the ancient city of Pompeii in the desert, and this is a great discovery. My heart moved, my heart was so good, this time it was so smooth, I found the next place that Mr. Wang Dalong explained to us without much effort, God helped me, the emperor lived up to his heart, I was so happy.
And everywhere we go is countless, countless, beautiful, brilliant ancient and incomparable cultural relics, these things are really valuable, immeasurable, a little take a piece back to the modern society is a villa, more than a dozen sports cars, see we are all dazzled, dizzying, heart flower road, eyebrows and smiles, there are hundreds of Lu Wen wooden slabs, dozens of pieces of Han Jane and others such as exquisite workmanship, beautiful, meticulously carved all kinds of Han Dynasty bronze mirrors, all kinds, all kinds of copper coins, All kinds of silk and bamboo orchestral instruments of different forms, glittering bows and arrows, colorful glassware, bejeweled crystal ornaments, antique, gorgeous, lifelike, finely carved wood carvings, thin cicada wings, silk wool fabrics inlaid with gold and jade, beautiful, flowery carpets, classical atmosphere, unique lacquer fragments and other precious cultural relics, are really too well preserved, really beyond our expectations.