Qin Fangge and Zuo Shuqin are also very aware of this, so they don't feel anything bad at all when they take out these shows that they have performed.

The vast majority of the bar's patrons have never heard of it, and that's enough.

Even if they have heard it, it would be a good thing for them to revisit it!

Moreover, when several of them performed on stage, they all devoted themselves to it.

The communication that we rely on is the tacit understanding that we have cultivated on a daily basis, and through each other's eyes and the beautiful music played by the instruments in our hands, we can play amazing and magical music together without words.

Canon is indeed a classic song that people never get tired of listening to, not to mention a music lover like Xi Wanqing who has just gotten a glimpse of the door, and even a senior musician like Zuo Mengfeng is fascinated when he listens to it again.

Especially several people on the stage are very expressive, Xiao Yuran plays the piano with great momentum, she learned from Qin Fangge, and pursues the power of rock and roll. When she plays classical music, she encounters highly emotional pieces that are even more exaggerated, such as Goethe's "Revolutionary March" and Strong's "Home", and the mood changes even more. Playing rock and roll is not difficult for Xiao Yuran at all.

Huang Jing, the girl, has been shouting to use the erhu to rock up before, and she does have such superb skills, pulling up the erhu like crying, the erhu closest to the human voice is also the most shocking.

Moreover, Huang Jing is very fanning on the stage, although she is not the most beautiful, but when she and Erhu are together, the whole person seems to become more temperamental, not just confidence, she seems to be more beautiful.

Not to mention Zuo Shuqin and Teng Shuting, they were exposed to rock and roll at a very young age.

The two little girls even followed Teng Jianhui to see the rock scene of the brilliant band, although the rock and roll in the back has gradually declined, their focus is also on folk music.

But when they rock and roll, the emotion seems to come from the bones, even if the body sways slightly, people can feel the huge energy contained in it, the kind of power that directly stimulates people's psychology and wants to shout and rock together.

Qin Fangge flicked the guitar in his hand, he was the one with the worst stage performance, he played passionately, but his body was very stable, and he didn't dangle like them.

Because the song they chose, as well as their own performance, even if they had something to manage, was more subtle.

In other words, Canon's tunes are relatively high-spirited, and they won't rock to the point where they take off their clothes and smash their guitars like crazy like many rock stars make the audience completely high.

The two canons were played quickly, and the audience was still unsatisfied.

Fortunately, a few people on the stage did not come down, and the song just now was not announced, but Huang Jing on the stage spoke, "Let me bring you a song by Qin Fang composed for our Jinse Huanian Orchestra, "The Only Flower in the World". ”

Huang Jing didn't even say anything like "I hope everyone likes it!" Her purpose is very clear, that is, she wants to demonstrate to the woman who covets Qin's songs. There was a mature and charming goblin Xi Wanqing before, and now there is a pure and lovely beauty star Xu Xinyi, and I don't know what kind of woman will appear in the future.

It was not the first time that Xi Wanqing in the audience had heard Huang Jing say such things, Huang Jing was hostile to her, and Xi Wanqing naturally felt it.

At this time, she just smiled and smiled, and at the same time admired a woman's intuition in her heart, which was really terrible!

Xu Xinyi didn't have this consciousness and awareness, and smiled and said to Xi Wanqing next to her that she really envied them.

Xi Wanqing didn't answer, Qin Fangge on the stage and their performance started again, Huang Jing's erhu took the lead, and at the beginning, she ostentatiously added a colorful color, a dazzling quick bow pulled out a dazzling shadow, and at the same time brought beautiful music, which was a passionate variation of the original prelude music.

Qin Fangge couldn't help laughing when he heard it, Zuo Shuqin and Teng Shuting also smiled, knowing that Huang Jing was holding his breath in his heart, Xiao Yuran was a little dazed, and he didn't know what Huang Jing was going to do.

However, Qin Fangge and the others seemed to be very tolerant, and Xiao Yuran still had this adaptability, trying to keep up with their rhythm.

When it was time to sing, Huang Jing, Teng Shuting, and Zuo Shuqin took turns singing, and Qin Fangge and Xiao Yuran only joined in when everyone sang together.

They have all been rehearsed many times, and everyone has a good understanding of the division of labor and cooperation.

They are all beautiful and youthful beauties, standing on the stage, even if they don't do anything, they can get a lot of applause. What's more, each of them is so talented. Whether it is the piano in front of Xiao Yuran, or the erhu in Huang Jing's hand, the bass held by Zuo Shuqin, and the keyboard in front of Teng Shuting, it seems to have life.

The wonderful notes of the instruments, and their voices that have not been eroded by commercialization, spread like a virus.

The difference is that the virus brings disaster, while their music brings people full of positive energy, youth, beauty, confidence, dreams, struggle, unity, and strength......

In the ears of many people who have entered the age of establishment, what they played and sang is exactly what they lost in their best youth, and now in retrospect, only regret and sigh remain.

At the end of the performance, they sang together under the leadership of Zuo Mengfeng and Chen Yushan, this is actually not difficult, such a beautiful and moving melody.

Chen Yushan can be said to be a direct witness to Qin Fangge every time she comes to the bar, and her thoughts are the same as Zuo Mengfeng's.

Huang Jing played very well, and pulled the chorus part of the ensemble for a long time, and Qin Fang sang and laughed and did not stop it.

In the end, Huang Jing was embarrassed to continue, and finally ended the song with a gorgeous brilliance.

Zuo Shuqin and Teng Shuting were relieved, and they both laughed, ready to go down, Zuo Shuqin also said, "We can only help you get here today!"

Huang Jing was kind and asked Qin Fangge, "Do you want me to help you for a while?"

Qin Fangge said okay, but Zuo Shuqin stretched out her hand to drag her, "Huang Jing, don't make trouble!"

Huang Jing pouted and said, "I won't make trouble, I have the most tacit understanding with my apprentice! Let's play "The Girl's Troubles" together! I haven't played an ensemble for a long time, I don't know if I'm rusty. ”

Xiao Yuran applauded, and got up to make way for Qin Fangge and asked him to play the piano, Qin Fangge's "The Troubles of a Girl" written to Huang Jing is a piano erhu ensemble, Xiao Yuran himself has heard it many times. Huang Jing's experiences, and these girls who study music, all feel the same way. In fact, it's not just them, the growing pains have plagued almost everyone.

Hearing her say that she wanted to play "The Girl's Troubles" in the ensemble, Zuo Shuqin didn't say much, "This is good! ”

"You two original creators must cooperate much better than me!" Teng Shuting also said with a smile, Huang Jing's final performance of this piece last semester was to invite Teng Shuting to accompany the piano.

Qin Fang sang, "Each must have its own merits! Senior Sister Teng's strength and talent are known to everyone." ”

Huang Jing also revealed that her ensemble with Teng Shuting was highly rated by Erhu professors.

Teng Shuting smiled, and then went down with Zuo Shuqin and Xiao Yuran, and they were greeted by warm applause from the audience. I am used to listening to pop music, occasionally change my taste, and feel the high-end atmosphere and high-grade music, everyone is not excluded.

The two on the stage were not in a hurry, and Huang Jing also joked with Qin Fangge, saying that he was still the most handsome when he sat in front of the piano.

"I think when I play the erhu, I'm also very handsome!" Qin Fangge replied with a rather narcissistic smile.

"Yes!" Huang Jing nodded with a smile, "You are one of the erhu players I can admire!"

"I should have said this to Senior Sister Huang Jing!" The two guys praised each other on stage, and waited for Zuo Shuqin and the others to go back to sit down, and the applause stopped before they were ready to start.

Huang Jing also began to announce the curtain, "It's still a piano erhu ensemble composed by Qin Fangge, "The Girl's Troubles"!"

At this point, even the most innocent Xu Xinyi began to understand, "This is the song that Qin Fangge composed for her?"

Zuo Shuqin and Teng Shuting nodded with a smile, and Xiao Yuran also added, "Very poignant and beautiful!"

"Qin Fangge still understands his daughter's heart so well!" Xu Xinyi sighed, everyone laughed, and when Huang Jing's erhu sound on the stage was together, they all converged and listened carefully to their piano erhu ensemble.

Since it is "The Troubles of a Girl", the protagonist is naturally Huang Jing's erhu, and as soon as she came up, it was like a slap in the face. In fact, it is not only limited to girls, when Qin Fangge composed the tune, he wrote all the confusion and ignorance when he was born.

The score of the erhu part is really a collection of growing pains, and all the emotions such as willfulness, selfishness, confusion, jealousy, etc., are included without omission.

Even some people who don't know music, after listening to it, can deeply feel the strong negative emotions in it. Moreover, these emotions are directly transmitted to the deepest part of people's hearts through the erhu that is close to the human voice.

Huang Jing's erhu for more than ten years is not practiced in vain, this piece specially created for her is the song she spent the most effort on, and it is also the song that can best grasp the emotions when she plays.

When she performed at the final concert, even the professors of the Department of Folk Music were impressed.

This release also incorporated her own deeper understanding, and played her perception of life.

As Xiao Yuran commented, the erhu part is really quite poignant and sad, and if there is no cooperation of the piano part, it is estimated that many people can listen to it with tears.

Because these emotions are almost experienced by everyone personally.

Fortunately, there is the piano part of Qin Fangge, which is full of vitality and positive energy, which neutralizes a lot of negative emotions in the erhu, and also makes people realize that there are still many beautiful places in life.

Qin Fangge and Huang Jing's cooperation is even more speechless, even if they don't look at each other, they can cooperate seamlessly with just a pair of ears.

Even if Qin Fangge's eyes are off the keyboard, he can smoothly play the notes he wants and the emotions he wants to express.

It can be seen that Huang Jing, who is intoxicated by the performance, is very charming, even if she is now playing an erhu movement full of negative emotions.

At the end of the song, even if Zuo Shuqin took the lead in applauding, it failed to arouse much reaction.

This kind of music is much more serious than the canon just now, or rather, the style is higher.

Behind the good sound, it can arouse everyone's resonance and arouse everyone's thinking.

Huang Jing herself was forced by the professor to write the analysis of the work of this piece, from structure to emotion, from musicality to artistry, and it really tired her enough.

But after she really finished it, she also had a huge sense of pride and accomplishment in her heart.

Even though the applause was not intense, Huang Jing was still very happy, and she also went over to give Qin Fangge a generous hug, "Thank you very much! ”

Qin Fangge smiled, "Senior Sister Huang Jing, this is too polite!

Huang Jing let go of her hand and smiled, "It's necessary! ”

"This is not like the Senior Sister Huang Jing I know!" Qin Fangge said.

Huang Jing smiled, "There are still a lot of things you don't know about me! I'll go down first, looking forward to your new song." ”

Qin Fangge said, "Work hard not to let you down!"

Huang Jing went down in a dashing manner, and when she sat down next to Zuo Shuqin, Zuo Shuqin laughed at her, "Yo, Huang Jing, you are getting bolder and bolder now!"

Huang Jing was not shy at all, and said with a smile, "I am extremely pure, grateful for the hug!"

Teng Shuting also smiled, "It's just that the beautiful death Qin is singing!"

"This is what he deserves!" Huang Jing said, she secretly glanced at Xu Xinyi twice, but collided with Xu Xinyi's gaze. Huang Jingcai was not stage frightened, but Xu Xinyi was a little embarrassed, so she looked away and turned to Qin Fangge, who was sitting in front of the piano on the stage.

When Qin Fangge was alone, the newspaper curtain was relatively simple, he only said two words, "Girl!"

Many people who are not familiar with Qin Fangge may not know it very well, but anyone who knows anything about Qin Fangge knows that "Girl" is a piano piece, which is very beautiful and beautiful, and contains a strong sweetness.

Huang Jing even called this "Girl", as well as "The Girl's Troubles" written to her, and another piano piece "The Girl's Prayer", called Qin Fangge's "Girl Trilogy".

However, these two simple words are enough to arouse everyone's interest, whether they know Qin Fangge's works or those who don't know his works, the word girl seems to have infinite magic.

Girl, in everyone's impression, symbolizes beauty and youth, lively, beautiful.

Of course, there are also individual composers who associate girls with death, darkness, and so on, and create pieces like "The Girl and the Grim Reaper".

But Qin Fangge's performance of "Girl", just listening to the prelude, everyone knows that it is indeed a song praising the girl.

As the saying goes, girlish feelings are always poetry.

This girl, that is, another world, is the classic "To Alice" by St. Beethoven, which is indeed a popular piano piece.

Simple, beautiful, warm, just like the girl around you, it makes people miss.

With Qin Fang's level of singing, it can be said that there is no difficulty at all to control such a song.

But the simpler the piece, the harder it is to impress people, because you have to play it very well.

And this piece, purely technically, is not only not difficult for piano undergraduate students like Xiao Yuran, but also can play well with a piano level like Xi Wanqing.

The key is still emotional, not only for the piano, but also for all instruments, all music, and there is no one of the most difficult problems.

Music can directly communicate with people's hearts, relying on the emotions conveyed by the performers, which can resonate with the audience.

This song of the girl expresses the purest, most beautiful, and most youthful image of the girl.

There are a lot of women present, and they all have such a flowery girlhood, but it is a pity that no one composed such a song for them, leaving an eternal memory for their youth.

Although he didn't know who Qin Fangge's piece was for, or if it was simply for all the girls in the world, when he played it, when he heard what was in their ears, it naturally became that it was played for them.

The beautiful years, the fleeting youth, in the piano sound of Qin Fangge, passed little by little.

Although everyone wants to keep it, time is really out of anyone's control.

Only that beautiful feeling still exists in everyone's hearts and has not dispersed for a long time.

As for what to play next, Qin Fangge hadn't thought about it for a while.

Seriously, playing such a piano piece on an occasion like a bar is already the limit of classical music.

If he wants to make pieces like preludes and fugues, except for a few music majors, ordinary music lovers are really difficult to understand.

Although Qin Fangge's current level, he has been able to interpret multi-part works such as preludes and fugues to the realm of supernatural perfection.

Qin Fangge was stunned there, and some customers thought he was asking for applause, but they were never stingy about this.

As listeners, all they can give is applause and cheers.

Qin Fangge didn't expect this, and under the encouragement of Zuo Shuqin and Huang Jing, the applause became more and more intense.

In response to them, it was a female audience who had just been immersed in the beauty of music, Qin Fangge played their best years, which deserved their loud applause and applause.

Xu Xinyi said excitedly, "Why does he know women so well?"

Xu Jing replied, "I heard that composers are imaginative, delicate and sensitive. Looking at so many works, not only musical, there are only a few women who write the best about women, and more of them are men who grasp women's minds and refine them! But I do have an idea, is it possible that Qin Fangge was actually a woman in his previous life?"

Xi Wanqing laughed and scolded her for talking nonsense, and Xu Xinyi also glared at Xu Jing.