He has such a charming talent in voice, Xi Wanqing deeply appreciated it on the first day of knowing him, he would be in the bar, and the songs he sang were all songs from the bottom of his heart, whether it was a song dedicated to his mother Ning Xiupei, or other songs and music played, it was easy for people to resonate.

The half-hour of the intermission also passed quite quickly, and it passed in their mutual communication. Regarding Qin Fangge's performance on the stage, facing not only their audience, but also other audiences, especially female audiences, there is no doubt that there must be quite a lot of people who feel the same way and inspire their hearts and bodies to tremble, Xi Wanqing said, "It doesn't matter what they feel, anyway, he is us at night, so we have to watch him closer!"

This also got Xue Min and the others to nod their heads in agreement, in such a matter, they have always been very united, even if they sometimes deliberately make jokes about Qin Fang's song and tease him with words, but basically they didn't give him a chance to go out alone. If he wants to go out after they sleep, they really can't take care of it.

In fact, he is not so prodigal, there is not much time left in the day, Qin Fangge has to hand over the music career he loves, and he insists on practicing and creating every day. He once said that for composers, this is the daily work, and it is not necessary to be inspired to create, even if a genius is like him, it is not always possible to burst out with super inspiration, composition is not much different from other work, more writing and more practice is the king.

In the second half of the performance, the Czech National Opera Orchestra took the lead, and when conductor Mendel came to his stage, the audience at the opera house also fell back into place. If they are late, they will not be allowed to enter, and after experiencing the baptism of sound on the stage in the first half, they are reluctant to miss even a single note.

It is said that a tenor singer does not just have a HIGHC, and his vocal skills in other aspects are the factors to measure whether he is qualified, even if Qin Fang sings, there is no way to guarantee that he can sing a high C in every performance. But I have to say that whether or not you sing the high C is completely different for the audience. People are animals with physiological desires, and HIGHC really tickles the hearts of the audience.

The performance of the two acts in the second half of the opera is not particularly difficult, but if you want to perform it well, you still need a very solid foundation. Cubez was unfortunate enough to be pulled out by the audience and became a target. This is also something that can't be helped, who told him to have performed such a tenor role recently or even last night! Even though he is in his twenties older than Qin Fangge, engaged in the opera career, and has more than 20 years of performance experience on the stage, in the handling of this role, not to mention the voice, the handling of emotions alone is not as delicate and accurate as Qin Fangge.

Qin Fangge can accurately use his performance and singing voice to show the temperament of the actor Lyman as an artist, joy, anger, sorrow and sorrow. Not to mention his appearance, Qin Fangge's whole person has aged a lot after putting on makeup, but regardless of his temperament or appearance, he still ruthlessly hangs on Kabez, giving the audience the feeling that his life experience is much richer than that of Cabetz.

The unfathomable emotional world, the appearance of the peak of the sky, and the most touching singing. On this small stage, Qin Fangge successfully played the impoverished artist Lyman, and perfectly expressed his love for music, optimism about life, dedication to love, and cherishing friendship.

Life is the best source of inspiration for art, but the poor material life makes Lehmann's spirit richer, which is also the truest portrayal of many artists. In the harsh living environment, he adhered to the great ideals and sentiments, and created countless classic works of art that have been passed down for centuries.

This is a comedy, but it makes the audience watch mixed tastes, since they sympathize with Lyman's misfortunes, and are excited by his strong humor in life, through singing into the role of Lyman, they themselves seem to incarnate this genius, experience the world together, the ups and downs of love, and finally usher in a brilliant ending. When Wenceslas wrote this opera, he gave the audience hope.

It has been commented that in the end, the protagonist Lyman is seriously ill and dies, and his lover is snatched away by the earl, which is a masterpiece, and among works of art, the complete tragedy is the most memorable. Counting them down, there are really many classic tragedies, and tragedy is the destruction of beautiful things for others to see.

But the audience obviously still prefers the ending of the great unity, which can undoubtedly bring them more expectations in life. Otherwise, like Lyman, despite sticking to his beliefs and working hard to live and pursue persistently, he is still miserable, which inevitably makes people feel that society is too dark and life is really cruel.

In other words, this comedy itself is enough to tear up, and if you do it like that, Wenceslas will not be angry with the audience at that time!

After experiencing the first half of the performance, the audience was successfully fans of Qin Fang's singing circle, and some of the audience still had some expectations in their hearts, hoping that there would be some surprises in the second half, and then a high-pitched C aria or something. It's just that Qin Fangge didn't let them get their wish, but with his moving voice and wonderful performance, he once again let the audience experience the bumpy life and mental journey of the artist Lehmann. You don't have to get high to the treble C, it's still exciting, and you don't even have the heart to do anything else and think about something else.

In the midst of joyful and festive music, all the actors on stage sang the final aria to complete the opera.

The performances of the opera singers and orchestra are officially over, and it is time for the audience to perform. No one took the lead, and after the familiar music ended, the audience spontaneously stood up and applauded, and the intensity of the applause was no worse than at the end of the first half. At that time, everyone was emotional, excited, and almost fanatical about wanting to express the emotions in their hearts. This, on the basis of that mood, is a little more anticipating, that is, everyone shouts feverishly, "E!"

But the opera singers and orchestra members are still leaving, and as a general rule, operas rarely return, unless they are performed by big-name singers who are particularly popular with the audience. In many cases, the audience will not ask for a return.

Today's situation is not the same, and the audience also inquired very clearly, when Qin Fangge performed at the Roman Opera House, he was "moved by the enthusiasm of the audience", and the repertoire was still the same. They must not be left behind, and they must also make him feel the warm welcome and heartfelt love of Prague for artists.

As for their exit, this is not unusual, and the return is also a formality, isn't it? No one said that they would leave the venue immediately, and if Qin Fangge was willing to return, it would be worth a big deal tonight! In particular, many spectators still crossed the Atlantic and made a special trip from North America.

Soon, shouts such as "Qin!" and "Encore!" rang out with warm applause, and gradually increased, with an increasingly fierce momentum.

Backstage at the opera house, director Berdych was not panicked at all, whether Qin Fangge returned or not depends entirely on the audience's performance and enthusiasm. Orchestra conductor Mendel still had time to chat with Qin Fangge, who was removing his makeup and changing clothes, and in addition to congratulating him on his perfect performance, he also asked him to rest a little longer and then return.

The other opera singers also congratulated Qin Fangge, and he also modestly said that everyone cooperated well, the opera singers were very powerful, and the orchestra and conductor played very perfectly.

The applause and shouts in the opera hall have not stopped, especially the sound of shouting for Qin Fang's return to the scene, which has become the mainstream, converging into a huge sound wave, rippling back and forth in the opera hall. Director Berdych actually didn't have to explain anything to Qin Fangge, he was also a veteran, but he still dutifully reminded him.

Whether it is customs or rules, Qin Fangge still returns to the stage to thank the audience for their support, which will not be a big name. A few minutes or even ten minutes of waiting, for the audience, is not a problem at all, they all know that it is not easy to want opera singers to return, performing an opera is a huge test of physical strength and ability, after singing on the stage for so long, there is no chance to drink water.

Qin Fangge's reappearance on the stage also made the audience's enthusiasm more and more high, because they found that he had changed his clothes and washed off the makeup on his face, revealing his true handsome appearance.

The female audience was dazzled, and the male audience was also envious, jealous and hated in their hearts, which was enough to go against the sky, and the appearance was still so high, so that other men would not be allowed to live!

This also made the audience feel very lucky to know Qin Fangge up close when he was the youngest and most talented. Qin Fangge's well-defined face and starry eyes are more shocking than other tenor singers at their peak. Especially his face is tender and temperament is quite mature, even when accepting the applause and cheers of the audience, he is quite stable, and the strong contrast makes many women suddenly love motherhood!

Qin Fangge also followed the usual practice, bowed and thanked the audience, and continued to leave.

Then the audience invited him out with more enthusiastic applause, which meant that if he did not return, he would continue to applaud and call. After tossing back and forth like this a few times, the audience who failed to do so became more and more energetic, because it also shows that the hope of returning to the show is getting bigger and bigger. Although this is also a special test for the palms and throats of the audience.

When they saw the orchestra re-entering, the audience's hearts immediately felt stable, but the applause was still boiling, and the voice of shouting "Qin" became more and more high-pitched, and many audience members were dumb but still didn't know it.

Even Zhou Xiuying and Xi Wanqing, who were closest to him, were not exempt from vulgarity, and they were all applauding and shouting together. Xu Jing and the others thought it was quite interesting, and when Qin Fangge didn't decide to return, no one even sat down first. Including the largest Czech president and prime minister, they are all the same, they are in the box, and the people downstairs can easily see them, but this time, everyone pays attention to the stage rather than them.

Xue Min was still saying, "This will be completely equal between the box ticket and the standing ticket!"

After the orchestra and conductor were in place, Qin Fangge took the stage for the fifth time after the opera, once again pretending to be an artist who didn't like applause, waving everyone to be quiet and sit down, which was really a toss for the audience.

Then Qin Fangge expressed his gratitude to the audience in Chinese and reported the repertoire. He could have had more options, such as the arias that the audience wanted to hear the most.

Not many people in the audience could understand Chinese, but English was about the same, so he said the next song in English.

It can be said that the vast majority of the audience at the scene didn't know this song, it was not a familiar opera excerpt, and Qin Fangge did not advertise that it was a song composed by himself. Audiences who really know more about Qin Fangge are no strangers to this, and even look forward to it, the difficulty of this song is not low, and singing such a song in Chinese is even more difficult than German, Italian, etc.

But what Qin Fangge decided was not something they could change, they were tired of standing, their hands hurt from clapping, and even their voices were hoarse, so they all sat down and waited quietly for the encore to begin, as if the excitement and boiling in the opera hall before were completely absent.

Mendel and the orchestra he conducted had no problem with it, the score had already been printed, and they had practiced it before, and if their orchestra couldn't even get the accompaniment of the piece, they really wouldn't have the face to meet the audience.

After their side was ready, Mendel could start communicating with Qin Fangge, and his side would naturally not be a problem. However, unlike when he sang it in China, Qin Fangge raised the song this time, and singing Chinese songs abroad can be said to be a bit thankless, and it is definitely not possible to come up with something. Qin Fangge is not stupid, Zhou Xiuying's brain is also very sober and flexible, as long as it is within Qin Fangge's ability, she supports it if she tries more.

For example, Zhou Xiuying's dedication to promoting Chinese opera and opera singers also requires strategies and steps. No, Qin Fangge's encore song is also an attempt, as for the specific effect, if Qin Fangge can take it, there is no need to worry about it at all. This is also Zhou Xiuying's most confident and confident place, in front of a large number of high-ranking officials such as the president and prime minister of the Czech Republic, Zhou Xiuying can also be calm and calm, she also believes that this song of Qin Fang can bring the audience another new surprise and excitement. According to her, Qin Fangge's performance can best represent the country to entertain the highest-level foreign guests.