Han Wei's welfare photos to Qin Fangge were not her own, but the beautiful scenery she used her mobile phone to secretly Teng Shuting, Zuo Shuqin, and Li Ruoli when they changed clothes, but Han Wei only dared to take it secretly, let alone tell them, she also believed that Qin Fangge would not tell it, this was for his welfare, and it was a little interest to pay him.

Before that, when they were bathing in the hot springs together, he also saw everyone wearing swimsuits, but the feeling was different depending on the occasion. Han Wei wasn't worried that he didn't like it, this guy was originally an amorous seed. And he doesn't have to do bad things himself, he should steal the fun. She even thought that he might pretend to be some kind of pretending to be and counting her down or something. Unexpectedly, he quickly replied with two words, "Thank you!"

Is this a disguised encouragement? Han Wei, a spy, has a somewhat complicated mood. But she soon lost her mind to it, and like the rest of the orchestra, she put her mind away and focused on the upcoming performance.

In fact, Wu Yue, the director of this concert, was more anxious than them, but fortunately, Wu Yifen calmed their emotions in time and made him full of gratitude to Wu Yifen. If you want to perform a bad concert in the evening, he, as a director, is also responsible.

At 9:20, Huang Jianhua's erhu solo ended, Wang Zizi and the others didn't have the heart to be angry with him, and even when he walked off the stage, the girls who had lined up early to take the instrument and prepared to go on stage only treated him as air and turned a blind eye.

Wang Zizi, the image spokesperson of the orchestra, hugged Zhongruan at the forefront, and in terms of the beauty of her face, she can definitely kill those beautiful female stars who frequently appear on the camera in seconds. Moreover, unlike her usual funny image in the orchestra, in the eyes of outsiders, Wang Zizi is definitely a cold and noble type, which seems to be the privilege of beauties.

Huang Jianhua, who was completely ignored by them, didn't sneer anymore, but just had a cold face, the director Wu Yue had communicated with him before, and asked him not to do anything again, so he almost didn't say that they were something you couldn't afford to offend.

The curtain fell on the stage, and the host introduced them first, and this was the time for them to prepare for the stage. The staff was also ready for a long time, and the meeting was also rehearsed according to the rehearsal, and helped to send the stools and musical instruments to the stage in an orderly manner. This kind of platter-like concert has this disadvantage, especially for groups with many instruments, and there is a lot of preparation time. They are actually not the most troublesome, the opening national orchestra, but there are seventy or eighty people.

The girls didn't speak after they came on stage, everyone only communicated with their eyes and expressions, and Teng Shuting, the pillar of the pillar, was full of confidence, and this confidence would also be transmitted.

When they were ready, the host's introduction to them was just over, and the curtain was raised, which also made the audience in the concert hall shine. They are still in a classic positional arrangement, except for Teng Shuting, who plays the keyboard, the other girls are sitting.

And the audience who is a little familiar with them knows that when the Jinse Huanian Orchestra plays, it doesn't need a music stand, even if it is as long as an hour, when it has the same name as their orchestra, it is the same!

Among the audience, there were many people who heard their live performances for the first time, but they were only slightly confused, and then they diverted their attention. Their youth and beauty alone are particularly noteworthy, as introduced by the previous host, they are an orchestra composed of school students, which is very different from the new folk orchestras that stand and play outside. The music they play is also difficult to hear anywhere else. When they were preparing, the host also introduced the last piece to be played, composed by Qin Fangge, performed by Jin Se Huanian, tonight, is the premiere of this music work in public. For the legend of Liang Shanbo and Zhu Yingtai, Chinese are no strangers, a classic love tragedy.

They had a faint smile on their faces, no one spoke, and with a look that Teng Shuting handed Xiao Jingru, she nodded lightly, and then blew out a clear and melodious introduction. Then the drums and erhu double basses sounded one after another, but the sound was extremely low, only as a background. With the rhythm of the introduction, the audience with a rich sense of musicality and strong associative ability can even make up the picture by themselves.

The graceful, gentle sound of the bamboo flute is like a colorful butterfly, passing past the ears of the audience and flying forward, landing on the side of the flowery stream. A good picture of spring, birds and flowers. The alto sheng and the alto suona blow out the theme tones taken from the music of Yue Opera, and the story of Liang Shanbo and Zhu Yingtai slowly unfolds.

Even the introduction is very attractive to the audience, because the melody is very strong, which is also the easiest thing for Chinese audiences to understand.

For Western audiences and those who have a deeper understanding of serious music, they will pay more attention to rhythm, harmony, and form, and not so much to melody. Even so, this melody is particularly pleasing to all audiences.

In terms of the relatively weak rhythm and harmony of the original song, the version after Qin Fangge's adaptation completely makes up for these shortcomings. With the cooperation of different ethnic instruments, Zuo Shuqin's classical guitar and Teng Shuting's expressive keyboard, a unique style has been formed.

Of course, the whole introduction is still based on national instruments, and it also shows music with a strong Chinese style, after all, it is Liang Shanbo and Zhu Yingtai, not Romeo and Juliet.

After the introduction, it officially enters the presentation part of the whole piece, and in this part of love, the overall melody is even more ear-catching. In another plane, it is also the most widely known part.

Song Xian's guzheng is clear and elegant, Wang Zizi's Zhongruan is simple and elegant, and finally, the two instruments that play the main theme continue to go up and down, as if to express Liang Zhu's yearning and pursuit of a happy life and beautiful love, and to go down seems to indicate the twists and turns in their lives and the painful feelings of lovers who are difficult to marry.

Then the guzheng moved from the treble area to the middle range, and Zhongruan "sang and joined" with the guzheng in a chic tone, forming a dialogue, as if depicting the scene of Liang Zhu's "grass bridge worship".

Immediately afterwards, the whole band played this theme with full emotion, fully showing the mutual appreciation of Liang and Zhu.

Even for a while, I can't analyze so many audiences, but I can be infected by the beautiful and ups and downs of the emotions, listen to other difficulties, and the main theme is basically no problem for every audience. If you have a good sense of musicality, you can even sing silently in your heart.