These meaningless scolding battles are not important to the fans, although they are fighting to protect the honor of their idols, but these opponents feel like robots, and there is no reason to talk about it at all, that is, brainless and brainless.

So much so that they all sighed in the forum and in the wild goose group and other places, "Victory is not martial arts, victory is not martial arts!"

"You can never wake up someone who wants to pretend to be asleep!"

"This kind of bad pen is to pull everyone's IQ to the same level as him, and then beat us with rich experience, don't be fooled. If you continue to entangle with them, you will undoubtedly play into their hands!"

"The most important thing at the moment is not to argue with them, nor to play jokes. Or step up the translation of relevant reports in foreign media, and use facts to slap the faces of these people who refuse to wake up! Call the fans who know Czech and German......

"Pay more attention to the CCTV report, I feel that Chen Dong is quite reliable as a reporter!"

"I also searched more on social networks, there were so many viewers at the scene last night, there must have been photos and comments. Collect them all, post them on the forum, speak with facts, and let the world know that my song is a musical genius that truly shocks the world!"

I have to say that these fans of Qin Fangge are still full of action. It seems that after having some kind of ideals and pursuits (fan idols chasing idols can also be regarded as a kind of faith, especially in the fast-paced period when modern beliefs lack the supremacy of money), they can burst out with incomparable, even earth-changing power. Of course, this also requires the right guidance, rather than falling into meaningless blackmailing and doing meaningless things. In this regard, Xi Wanqing's role in forming a professional team is indispensable, as well as senior guides such as Sister Song Zixuan.

Although many fans believe that Qin Fangge's musical talent does not need to be recognized by everyone, even if he has all kinds of bad things, as long as the fans like it. Just like there was a revelation before that Qin Fangge's beauties are like clouds, and she is also a suave character, feminists and love and loyalty may not be able to accept it, and there are also people who have lost their fans for this. But more fans believe that this is one of the necessary qualities to become a great musician-songwriter artist, and also cite countless romantic musicians in history as proof. It shows that without enough rich experience and broad spiritual world, it is difficult to achieve impressive results and create wonderful musical works.

But if you want to convince others, you still have to come up with evidence.

Moreover, Qin Fangge has been recognized by more professionals, and for fans, the more it proves their vision, the higher the level and status of the idol, the more proud and proud the fans will be.

Thanks to their efforts, reports, music reviews, and personal reviews published abroad have been translated and reposted on Qin Fangge's forum. Fans watched it and felt a sense of accomplishment.

As far as the personal comments on social networks are concerned, there is nothing to say, they are all shocked, shocked, excited, excited, tearful, trembling, scalp numbness, etc., and the most mentioned is naturally the most wonderful treble C when Qin Fangge performed last night, this kind of sound that challenges the limits of human beings, not only can give the audience the ultimate **, listening to the recording and video, you can feel this almost magical charm.

No, many viewers are evaluating the last Chinese soprano bel canto song, saying that it plays the tenor's skills to the extreme, even if you can't understand it, you can feel the most shocking beauty.

Domestic fans can also laugh at those foreign audiences, "I say no, but I am still quite honest in my heart, and the tall foreign audience, in addition to their high requirements in other aspects, has no less love for the treble C than us." ”

In addition to the comments of ordinary audiences, there are also a lot of reports from various media, after all, last night, the president and wife of the Czech Republic, the prime minister and the mayor and a large number of high-ranking officials and dignitaries went to Qin Fangge to cheer for him, and he was successfully given a fan, not to mention the hype, it is always necessary to give them some face.

Besides, reporters from many media were also on the scene, and they were also fans of Qin Fangge's amazing performance. Coupled with other factors, various reports have made domestic fans happy.

In particular, Qin Fangge also made unprecedented headlines in major newspapers such as the Czech Daily, Czech **, Prague Times, Prague Post, etc., in addition to affirming Qin Fangge's name as the world's No. 1 tenor, praising his wonderful performance last night, which shocked Czech President Minash First Lady Ivana, etc., and applauded with the audience until his hands hurt and so on. The newspapers also called him a great envoy of cultural exchanges between China and the Czech Republic, built a strong bridge, praised him as the greatest tenor singer of all time, the youngest king of opera, the prince of sopranos, and so on.

In the same way as when it was performed at the Teatro dell'Opera di Roma in Italy, not only did the media get into a carnival and make a big splash, but professional music critics also published columns.

Among them, a super-long report by Carlos, the editor-in-chief of Opera magazine, gave the highest praise, which was also translated by fans, posted in the forum, and later reprinted by domestic media websites.

For many bel canto lovers, the death of the famous tenor Corelli last August marked the end of the golden age of Italian tenors, when the headline was that opera was dead. In addition to being sentimental, we are more about remembering that golden age. In that era when Caruso, Skippa, Gigli, Bergonzi, Sfonno, Monaco and others were active on the stage, it was the era of real singers, and the director had to listen to the singers' opinions first, and the fit between the voice and the character was the most important criterion, which is why the records left at that time were so classic. As the only remaining fruit of that era, Corelli also made his grievances public, but said that he was not completely pessimistic, saying that opera had only temporarily entered a difficult period, after which the value of tradition and classics would be recognized. When the rules and requirements of classical art were re-respected, the art of opera still maintained its rightful place. ”

"Today, we are fortunate to have a musical genius from the Old Orient, whose musical talent and unparalleled singing voice surpassed that of all tenors who have ever had it, and who has succeeded in arousing enthusiasm for opera all over the world! ”

"The opera master Corelli once said that the sound of opera does not simply come from the vocal cords, but forms a sound field in front of the mouth, which is the resonance of the head, chest and abdominal cavity in the body, and drives the final effect of the vocal cords. Beautifully and brilliantly, it is completely different from the thin and sharp feeling of a soprano, and it is the richest and most exciting high-pitched and great voice. The higher a good tenor, the more powerful it is. Unlike musical instruments, the sound of musical instruments can be copied and played, while the human voice is different, and good sounds are definitely hard to come by. The penetrating effect and resonance that can be brought by people are definitely not comparable to the musical instruments. ”

Corelli himself, on the other hand, undoubtedly represents the finest combination of the brilliant virtuosity of the Italian bel canto tradition and the operatic tradition. Throughout his career, he has used technical standards far beyond today's times, and he gives us a real taste of the pure bel canto tradition of the nineteenth century. His unique vowel articulation permeates all registers, from low to high, and his flabby palate allows his treble to rise and rise without burden. His singing flexibility and his passion for theatre are all used to serve theatre. Orthodox dramatic tenors like him can be said to be rare on the opera stage of the twentieth century. Today, Corelli is away from us, even though it has been a long time since we have heard his singing voice or seen him appear. ”

"I thought I would never be able to hear the traditional bel canto like Maestro Creley live in my life, but Qin's two opera performances completely shocked me and successfully changed my stereotype of tenor. In the feelings of many other audiences, Qin's performance, to them the deepest impression, is more talented than Rossini, Puccini vocal cords, so that Qin's treble is rich and powerful, clear and natural, elastic, and the treble C is even more trembling! ”

"At such a young age, Qin successfully completed the challenge of the tenor forbidden area, especially "Beautiful Scenery", but everyone also had a lot of worries about it after listening to it, afraid of the fall of genius. Maestro Corelli once said in his interview that as a vocal artist, you must always be like a practitioner in order to maintain your artistic youth, which is also the secret of his long-term artistic state. He once said that some people were very popular when they were young, but when they reached the peak, they couldn't find their voices, why? Singing works that are not suitable for them to sing too early is one thing, and on the other hand, it is caused by not caring for oneself, living casually, and even being inappropriate. People who like to enjoy themselves will not work hard in art. So, even though some people are still standing on the stage and singing, you hear that they are not as vocal as they used to be. Being a singing artist is indeed one of the best professions in the world, but you also give up too much. In the end, he was pleased with the applause and flowers from the audience, and being recognized by the audience is the greatest honor for a singing artist. ”

But fortunately, Qin's tenor performance skills are very good, and even compared to opera masters like Corelli, not only are they not inferior, but they are getting better and better. His vocalization, pronunciation, and phrasing have their own unique ways, allowing the vocalization to rely on breathing, while focusing on the performance of legatos, and the processing of musical phrases is even more undulating and intermittent. I have to mention here that Qin is another important composer, he even wrote his own operas, and his adaptations of classic arias are even more wonderful!"

"Qin's breathing luck and breath control are superb, and he has even created a unique vocal technique, which is to mobilize the cavity of the whole body to form a perfect resonance. In the past, such a technique, which only existed in legends, could complete the resonance of the head cavity and chest cavity, and he could be called a great tenor singer. Qin's vocalizations went up from the abdominal cavity, and every muscle in his body was fully utilized. I sat in the front row on the first floor, and my body was resonating with it, experiencing the synchronous cavity resonance. This also gives his timbre a rich and sweet texture like gelato, and is particularly grand and dramatic.

In addition, Qin Neng perfectly integrated into the culture of opera, and expressed those emotions full of humanistic care and life, all kinds of humorous and witty, romantic and lyrical, melancholy and sad, and crying and complaining. ”

"Corelli also said that the tenor is to be bright, and the young man is hot and vigorous, if your treble is particularly easy, it is unnecessary for you to make so much energy, go up naturally, just get to the point, don't do anything too hard. Originally, the treble is very beautiful, but if you play with it too much, the sound will not be good. He also repeatedly emphasized the word "nature" in every class, which is also the master's consistent requirement for students. Don't try to be brute, the more you pay attention to your youth so that your career can last for a long time. A phrase often used by the master is "Be quiet and take your time"!

In this regard, Qin has also set a very good example, not only thanks to the fact that he has a teacher with a lot of experience in acting and teaching. In communication with him, he also talked about his success by standing on the shoulders of giants and learning a lot from the older generation of tenors such as Corelli and Jill. This also allows him to be calm and comfortable when dealing with it. ”

"We all think that with Qin's state, it is no problem to raise the tenor by one or two keys! but his performance is very restrained and rational, which is also a sign of responsibility for his artistic career. Although for us viewers, it could be a much more enjoyable audio-visual feast. ”

"Starting with Rossini and Puccini, the commercialization of tenors was inevitable and created the false impression that as long as you have a good voice, you can sing. But it's not like that, it's a matter of what kind of work you sing, if you sing the genre of realist composers, like Puccini and others, you can sing it if you have a voice. But singing the operas of the composers of the Romantic period is not something you can sing with a voice. Romantic works are grand dramas, while realist works have a bit of comedy in them. It's not about holding a microphone and singing, that's disrespectful to the opera!"

“…… Having said all this, in the end, I look forward to the genius Qin being able to bring more surprises and miracles to our audience in the future!"