The first act came to an end, and almost as soon as the curtain fell, the opera hall burst into applause. 2. This is also a conventional etiquette, and only at this time applause will not be regarded as impolite, and the audience who has been holding back for a long time can also take the opportunity to cough or something. But almost no one spoke, and Xi Wanqing also observed the expression of Pedro, an old opera fan next to him, who applauded very hard, and had an expression of surprise on his face instead of a stinky face of dissatisfaction.

Although they are accustomed to such results, they are still satisfied.

Pedro's positive and enthusiastic attitude certainly has his own reasons and judgments, and he has listened to many operas starring in Varano, and this Macbeth has watched no less than three times. Varano is an Italian baritone opera singer, best known for his role as Macbeth. But there is no harm if there is no comparison, Qin Fangge's performance today is simply a complete Varano is not good enough, he can sign a contract at the Roman Opera House and become a big name, which is enough to show his excellence and excellence. But Qin Fangge, who can't stand the comparison with him, is too powerful, not to mention other external images to perform these things, just singing voice, Qin Fangge will throw him off a lot, or when his tenor sings baritone.

Qin Fangge actually didn't show too much surprise, this opera didn't have much room to wield. Even so, his majestic, full, and penetrating singing voice still makes the audience enjoy it very much.

And when he sang, the audience could see it clearly, and it seemed that he was paying more attention to the performance. He is burly and tall, and he plays a triumphant general like Macbeth, and as soon as his aura opens, he is really a king.

The most rare thing is that his beautiful voice mobilizes all the cavities of the body, so that the load on the vocal cords is smaller, and the effect is more three-dimensional. The audience sitting relatively far in front can even feel their bodies resonating with them. It's not easy to do this, the "king of soprano" Puccini sang the nine-treble C "Beautiful Scenery" with chest resonance, which caused a sensation and was praised by everyone as the world's No. 1 tenor. Qin Fangge is one step closer, compared to those who simply use their head voices, such as Rossini, they don't know where Gao Ming is.

This is still based on the fact that he did not sing high notes, and an old opera fan like Pedro can easily judge that Qin Fangge did not do his best, and he is more looking forward to what it is like for him to sing the high note C live. In terms of external physical conditions alone, he has such an ability, and the tall Qin Fangge is placed in a group of European and American opera singers, and he does not fall behind at all, but has the feeling of standing out from the crowd. Not to mention his large lung capacity, his breath is even longer, and his bel canto singing skills are even more powerful, so I don't know how he practiced it. When it comes to what others say about him, Pedro can only be described as a genius.

Pedro is actually quite easy to satisfy old opera fans of the Roman Opera House, as long as the opera singers have the strength to give them wonderful performances.

Lu Qi Zhou Yan Ren Yu and they are like this, the audience who was originally a fan of Qin Fangge, when they can't speak, their excited and excited expressions can only be expressed through applause! Lu Qi also took this opportunity to communicate with the sister next to him with his eyes, and he was surprised to see that this foreign girl slapped harder than him, and it seemed that there was also a tendency to become a fan of Qin Fangge.

Their applause didn't last long, and the second scene of Act 1 began.

The second scene is played by Suzanne as Lady Macbeth, who learns about the witch's prophecy after receiving a letter from Macbeth. Susanna's plump body seems to be the standard configuration of opera singers, without such a physique, it is not easy to sing a full and rich high note. Suzanne also did not hesitate to show off her career line, which is very commensurate with her posture, and it also dazzled many audiences.

And in the most important singing, Suzanne did not disappoint everyone, her role as Lady Macbeth was not exchanged for her appearance.

In the second scene, this opening aria of Lady Macbeth, "Come here, light the fire!", is particularly difficult and is the structure of the main singer of the opera in the standard Italian "bel canto" era: long recitative – lyrical passage in three or six beats – chorus or supporting interlude – short recitative – fast singing in two or four beats.

Susanna's performance also lives up to its name, laying out Lady Macbeth's character, ambitions, and plans in full swing in this section. In terms of timbre, volume, vocal range, temperament and so on, she showed the excellent characteristics of a dramatic soprano. It can be said that she perfectly created the image of "the most poisonous woman's heart", and her high ambition instigated and pushed Macbeth to do whatever it took to ascend to the throne. When she learned from her servants that the king would come to the castle tonight to celebrate Macbeth's triumphant return and spend the night at the castle, she shouted "Tonight is a good time to assassinate the king", and then sang the horse race song "Arise, hell officer", showing her greater ambition and **.

When Macbeth returned, the lady whispered to him, "Kill the king with this dagger tonight!"

Soon welcome music was heard, and King Duncan of Scotland, accompanied by General Banquo, nobleman Macdoff, and son Malcom, entered the hall. Lady Macbeth instructed the servants to ring the bell when the banquet was ready. At this time, a bloody phantom of the dagger appeared in front of Macbeth, and Macbeth timidly sang a monologue to the sword in the phantom, "The road I saw in my dreams, you have to go first".

After the feast, Macbeth made a miraculous attempt to enter the king's bedchamber. Immediately after that, Lady Macbeth appeared, and at this time Macbeth had already killed the king in the king's bedchamber, and staggered out with a bloody dagger, and timidly told the lady the horrific scene of killing the king.

The two collaborated on a duet: "Fatalistic Wife ......"

Madame cheered him up and tried to blame the guards, but Macbeth was terrified and refused to go in again.

The fierce Lady Macbeth herself went into battle, snatched her husband's short sword, killed the drunken and sleepy guards herself, and then fled the scene with her husband.

After daybreak, Markdoff went into his chamber to wake the king, but now that the king had been killed, he came back in a panic and called out loudly. When everyone heard the news, they all showed fear on their faces when they heard about this terrible accident, and of course Macbeth and his wife also came, pretending not to know, and cursed the unknown murderer in unison with everyone, and sang the concerto: "Hell, open your door", and the wonderful first act officially ended.