The Queen Mother took out a stack of overlapping scrolls and said, "We have already seen this calligraphy, let's enjoy the painting now." Pen, fun, pavilion www. biquge。 The term info Chinese painting originated in the Han Dynasty, the Han Dynasty people believed that China was the one who lived in heaven and earth, so it was called China, and the Chinese painting was called Chinese painting, referred to as Chinese painting, which refers to the scroll painting painted on silk, rice paper, silk and framed. Chinese painting emphasizes the creation of foreign teachers, and obtains the source of the heart, requiring the use of form to depict the gods, both forms and gods, so that the intention is the pen first, and the painting is full of intentions. Zhang Yanyuan, a painter in the Tang Dynasty, once said: Since ancient times, those who are good at painting, Mo Bandits, well-dressed and noble, and high-ranking people, have been wonderful for a while, and they have passed on thousands of rituals, which is not what Lu Yan can do, emphasizing the relationship between the identity of the painter and his personal cultivation. It is believed that people who are good at painting have a higher level of cultivation. Therefore, the emperors and generals have always liked Danqing, and legend has it that Emperor Wu of the Han Dynasty created a secret pavilion and collected calligraphy and paintings. Emperor Yuan of the Han Dynasty placed Shang Fang painters, Emperor Ming of the Eastern Han Dynasty Ya Hao Danqing, set up painting officials, ordered Shang Fang painters to paint the images of Ban Gu and Jia Kui; also painted the image of the dream of the golden people; and made a picture of riding thousands of rides around the tower three turns on the wall of the White Horse Temple. Therefore, calligraphy and painting is an elegant art, which can be seen.

Chinese painting is divided into two subjects: stroke painting and freehand painting, and it also works part-time with freehand painting. With concise, bold and sprinkled brushwork, he depicts the shape of the image, expresses the author's feelings, uses generalization and exaggeration, and rich associations. With less is more subtle artistic conception, the pen should be accurate, the pen is skillful, and it can be handy, and the pen is followed. Painting more on the shengxuan, the vertical brush swaying, the ink color flying, more than the fine brush painting can reflect the charm of the depicted scene, freehand painting advocates god-like. Painting landscapes is the best only freehand ink. The shape and quality of Bi Xiao have no charm, and the color is different, and there is no brushwork.

Gongbi painting is neat and meticulous with a brush, the color is rendered layer by layer, the details are clear and detailed, and the image is depicted with extremely delicate brushstrokes, which must be painted on silk or rice paper that has been processed by alum. Gongbi painting generally needs to draw a good manuscript first, a complete manuscript needs to be repeatedly revised to finalize, and then there is a rice paper or silk with alum, first outlined with a small pen, and then with the same color, layer by layer rendering, so as to achieve the artistic effect of both form and spirit. Gongbi painting to the best of its subtlety, by taking the spirit to get the form, to the line to stand the form, to the shape to achieve the meaning to obtain the perfect unity of the demeanor and the body. In Gongbi painting, whether it is a figure painting or a flower and bird painting, it is all about resembling the form, and the form occupies an important position in the Gongbi painting.

Chinese painting is a self-contained system, according to its subject matter and the object of expression can be roughly divided into figure painting, landscape painting, flower and bird painting, boundary painting, flowers, melons and fruits, feathers, animals, insects and fish and other painting disciplines; Dense and blank space and other expressive techniques to depict the image and business location, framing layout, wide field of vision, not confined to the focus of perspective, according to the form of expression there are murals, screens, scrolls, albums, fans and other forms of painting, supplemented by traditional framing techniques and decoration. According to the materials used and the methods of expression, they can be subdivided into ink painting, heavy color, light silk, fine brush, freehand, white drawing, etc.

Han Yu's "Writing Table" said that the appearance of Qiankun, the light of the sun and the moon, knowing that it cannot be painted, forced to do it, in order to plug the edict. The art of calligraphy and painting must be made by will, and it is not something that a cowardly man can do. The law is self-drawn, the painting is self-established, there is no way to do it, and finally there is a law and it is not. Therefore, painting is in the lawless. The nature of the pen and ink are all based on the temperament of the person. It is a rational person, and the first task of the book is also. God and the heart will meet, the heart and the qi together, the line has to be done, the stop has to stop, there is no intention to seek work, and the strange place of the work is outside the pen and ink. East, west, north and south, Waner present, spring, summer, autumn and winter, born in the pen. However, it is difficult to paint ghosts, and the guest is a painter of the King of Qi, and Qi asked: Which is the most difficult to paint? Which is the easiest? What is it? Dogs and horses know it, and once they see it at dusk, it cannot be liked, so it is difficult. The ghost and the invisible one are not seen by anyone, so it is easy. All paintings, people are the most difficult, the second landscape, the second dog and horse, the Taixie must have ears, it is difficult to make and easy to do well, and it is wonderful not to wait for the imagination, so the more familiar things are, the more difficult it is to paint. Painting needs to be confident, so the painting bamboo must first become a bamboo in the chest, the pen is familiar, is to see what it wants to paint, anxious from it, vibrate the straight then, in order to chase what it sees, such as a rabbit falling down, less longitudinal is gone. First need to set the shape, first from the tree to outline the branches, a little bit of treetop ink, the color to fine-tune, red and green to be pure, dyed on the top of the treetops, the tree head thick ink, pine to put the atmosphere, the branches and strong mountain soul near the pine leaves to be bright, far pine slightly clear! The leaves are dyed with dark green, the stem should be yellow and clear, the miscellaneous branches should be thin, the leaves should be distinct, not too thick, not too thin...... Before painting, you must think quietly, be patient and steady when painting, paint well and need to reminisce, see if you can improve, this is the meaning of the painting, the artistic conception is difficult to understand, realize to the deep thought, good painting is natural. When painting figures, the eyes are the most important thing, the ancients painted, especially the vividness of the rhyme, the eyes are the voice of the heart, and the eyes in the ancient paintings are the place where the rhyme flows. ”

I saw that the figure paintings in the slowly unfolding scroll did not mention the size and proportion of the various parts of the figures, and the men in the paintings looked strange and had an unproportionate head. The woman has eyebrows and cherry lips, shaved shoulders and thin waist, not seeking to resemble the form, but to seek the resemblance of the god. Among them, there are Gu Kaizhi's "Luo Shen Fu Tu" of the Eastern Jin Dynasty, Han Rong's "Wenyuan Tu" in the Tang Dynasty, "Han Xizai's Night Banquet Tu" in Gu Hong of the Southern Tang Dynasty of the Five Dynasties, Li Gonglin's "Vima Statue" of the Northern Song Dynasty, Zhou Fang's "Hairpin Lady" and "Fan Ladies" of Zhou Fang in the Tang Dynasty, Zhang Xuan's "Pounding Practice", "Lady of the Kingdom of Qiu" and so on. Landscape paintings are magnificent and atmospheric, such as Li Bai's "When Tu Zhao Yan Shaofu Fan Tu Landscape Song" Emei is higher than the West Pole sky, and Luofu is directly connected with Nanming. Minggong deduced the idea of waving the color pen, driving the mountains and the sea in front of him. The hall is empty and green as if it can be swept, and the red city is full of smoke. Dongting Xiaoxiang is slim, and the three rivers and seven zes are along the way. Where the turbulent waves go, the lonely boat is gone. The sail does not move or spin, as if falling to the sky with the wind. When can you reach the top of the three mountains? The west peak is a magnificent jet spring, and the horizontal stone is rippling and the water is surging. The east cliff is covered with light mist, and the deep forest is empty and dense. In this obscurity, day and night are lost, and there is no cicada in the silence. The following feather guests of the long pine sat silently Nanchang Xian. Nanchang immortal Zhao Fuzi, the wonderful year of the Qingyun scholars. The court has nothing to do, and Luo Zhongbin is as if he is in Danqing. The five-color pink picture is full of treasures, and the true immortal can be all my body. If you wait for the success of the clothes, Wuling Peach Blossom laughs and kills. Du Fu's "Fengguan Yan Zheng Gong Hall Minshan Tuojiang Painting Ten Rhymes" Tuoshui flows in the middle seat, Minshan to this hall. The white wave blows the powder wall, and the green ridge is inserted into the carved beam. The cedar pine is cold, and the water chestnut is suspicious. The snow clouds are dotted, and the sand is faint. The ridge geese follow the end, and the Sichuan Ni drinks and practices the light. The red continent is chaotic, and the stone is long. The dark valley is not about rain, and Danfeng is not frost. Outside the autumn garden, next to the scenery cave. The painting is extraordinary, and the excitement is exciting. I have never thanked Taifu, and the hills and ravines are unforgettable. Du Fu's "Drama Theme Wang Zai Painted Landscape Pictures and Songs" painted a water on ten days and a stone on five days. can do things without being forced to do things, and Wang Zai is willing to leave true traces. The magnificent Kunlun square pot is hung on the plain wall of the high hall. Baling Dongting in the east of Japan, the red shore water and the Milky Way pass, there are clouds with the flying dragon. The boatman and the fisherman enter Puli, and the mountains and trees are full of sub-flood winds. You Gong is far away from Gumobi, and it should be thousands of miles away. Yande and state fast scissors, cut Wusong half of the river water.

There are a variety of paintings in it, including Gu Kaizhi's "Wild Goose and Water Bird", Shi Daoshuo's "Goose", Lu Tanwei's "Half Goose", Gu Jingxiu's "Cicada Bird", Yuan Qian's "Cangwu Picture", Ding Guang's "Cicada Bird", Xiao Yi's "Deer Picture" and Han Gan's "Horse Herding Picture". The flower and bird paintings include Han Gan's "Illuminating the Night White", Han Rong's "Five Oxen Picture" and Dai Song's "Half Ox Picture", etc., Yan Liben's "Emperor of the Past Dynasties" and "Bu Yuan Map". Dong Yuan's "Xiaoxiang Map", "Summer Mountain Map", "Creek Bank Map" and so on. There is actually the most famous "Imperial Dragon Map" silk painting in the Spring and Autumn Period and the Warring States Period. Among them, there are naturally indispensable all-round painters, figures, ghosts, landscapes, pavilions, flowers and trees, birds and beasts are omnipotent, and hundreds of paintings of saint Wu Daozi are all excellent, which are placed in an orderly manner, there are "Heavenly King Sending Son", "Eighty-seven Immortal Scrolls", "Confucius Xingjiao Statue", "Bodhisattva", "Ghost Uncle", "Baoji Bingara Buddha Statue", "Guan Gong Statue", "Hundred Sons Picture", "Wu Daozi Baye Ye Rulai Painting", "Shaolin Guanyin", "Daxiong True Holy Statue", "Daozi Mobao", "Valley Map", "Confucius Xingjiao Statue", " Eighty-Seven Immortal Volumes" and so on. There is also Su Dongpo's admiration of the taste of the poem, there is a painting in the poem, the painting of the observation of the poem, the painting of Wang Wei who has a poem in the painting, as his landscape idyll as tranquil and quiet, fresh and natural, go to the poor place of water, sit and watch the clouds rise, the bright moon shines between the pines, and the clear spring stone is upstream. It's really as bright as the stars, and there are too many to count.

The Queen Mother then said sprinkledly: "Yue'er, you see, there are some new Western paintings in the palace, too realistic, I don't like it very much, in contrast, it can be seen that the two are very different, Chinese painting is full of lines, foreign painting lines are not significant, foreign portraits are real, and Chinese paintings are not like real objects, at a glance it is a painting." Chinese painting pays attention to artistic conception, while Western painting focuses on perspective. Chinese painting does not emphasize anatomy, Western painting emphasizes anatomy, and Western painting focuses on realism, which must be the same as real people. Chinese painting does not emphasize the background, and Western painting emphasizes realism, so the background must be depicted. Chinese painting emphasizes the spirit and close-ups its subject matter in order to make the impression stronger. The subject matter of Oriental painting is mainly nature, while the subject matter of Western painting is mainly human figures. "Indeed, the oil painting is rich in color, overlapping and stacking colors, strong three-dimensional, very realistic, very realistic, as if taken by a camera, lifelike, vivid, look at these famous masterpieces "The Nameless Girl", "Venus Sleeping", "Mona Lisa", "Female Fortune Teller", "Gong E", "Pearl Girl", "Piper Boy", "Sunflowers", "Sistine Madonna" can get a glimpse of the leopard. It is also unique, valuable, far-reaching, enduring, each has its own merits, the ruler is short, the inch is long, it should be inclusive, learn from each other, and the stone of other mountains can attack the jade attitude, however, I am afraid that the Queen Mother will not like these words, so I will be silent and continue to listen to her tirade.

The Queen Mother continued to say with great interest: "Let's enjoy a few paintings below, first of all, Gu Kaizhi's "Luo Shen Futu". He is an outstanding painter in the Eastern Jin Dynasty, and his whole painting is fine and simple, just like a spring silkworm spinning silk. The painting method of mountains, rivers, trees and stones is naïve and simple, the so-called people are greater than the mountains, and the water is not allowed to be widespread, this picture scroll is worthy of being a treasure in classical Chinese painting in terms of content, artistic structure, figure shape, environmental depiction and brush and ink expression. As soon as this volume came out, no one dared to draw this picture again, so it became the most influential masterpiece and the most famous painting praised by the world for thousands of years.

This picture is based on Cao Zhi's "Luo Shen Fu". tells the story of the protagonist on the way back to the Eastern Domain from the imperial capital and the story of the goddess Mi Concubine of Luoshui. It shows the author's sadness and helplessness in reality. Gu Kaizhi modified the ending, ending with the protagonist and Concubine Mi finally becoming a family. The story unfolds in the form of a comic strip in different scenes in the same frame, showing the love story as romantic and touching. Unfolding the picture scroll, we can see Cao Zhi's expression standing on the shore condensed, and Qiushui looked at Luo Shen on the water waves in the distance with affection, infatuated and yearning. And combing a high cloud bun, giving Luo Shen on the water waves a sense of fluttering immortals. She wanted to go and stay, and between her expectations, she revealed admiration. After the first meeting, the painter arranged for Luo Shen to meet Cao Zhi again and again, and he fell in love for a long time, but in the end, Luo Shen still drove the six dragon cloud car in the clouds, leaving Cao Zhi on the shore, thinking about it all day long, and finally left unbearably. Gu Kaizhi's "Luo Shen Futu" exerts superb artistic imagination, poetic and vivid.

Although Gu Kaizhi's "Luo Shen Futu" is a figure painting, it is set against the background of a large number of landscapes. As Zhang Yanyuan described in our "Records of Famous Paintings of the Past Dynasties": "The Wei and Jin dynasties have fallen, and the famous deeds are seen in the people, and the landscape is painted with the momentum of the peaks. Reflect the place. In the form of a row of plants, stretch out your arms and cloth your fingers. From the point of view of the line color itself, the lines in the picture are thin and powerful, tight and continuous, the circulation is exceeding, the style is easy to adjust, the wind tends to be electric, the intention is to save the pen first, and the painting is intended. Implicit in the inside, with the expression of the attitude first. The structure of the mountain stone trees is monotonous, and the shape is flat, but it is decorative. In addition, the shaping of the characters in the picture is also extremely successful, although the characters are scattered between the mountains and rivers, they take care of each other and are not isolated, and the echo of the look of the expression makes the characters have an organic visual connection, which cannot but be attributed to the author's accurate portrayal of the characters' demeanor.

The characters in the painting are lifelike, vivid, and vividly appear on the paper, Cao Zhi and his entourage, contemplating on the shore of Luoshui, as if seeing the long-missed Luoshen. Luo Shen, who came from Lingbo in the distance, had flowing clothes and belts, dynamic and euphemistic, and his eyes were fixed, showing a look of concern and hesitation. The feelings of longing between the two are overflowing and touching. The colors of the whole picture are bright and bright, the lines are accurate and smooth, full of dynamism and poetic beauty.

The Empress Dowager unfolded another painting with golden gongs: "This pair is the hand-me-down work of the outstanding painter Zhan Ziqian of the Sui Dynasty, "You Chun Tu", which is a unique style of Chinese landscape painting, and is the oldest existing scroll landscape painting. Before the advent of The Spring Tour, early Chinese landscape paintings were usually more human than the mountains and the water was not permissible. The shape of the figure in the painting is larger than the mountain, but for the painting of water, it will not have a sparkling form, but will stay on the canvas like a pool of stagnant water. After the appearance of "Spring Tour", this restriction is broken, and the whole picture shows a kind of beauty of emptiness, and the sparse arrangement of figures and landscapes is very appropriate, showing the alternation, exchange and overlap of the natural world. The reason why it can become a representative work of Chinese landscape painting is not only because of the content presented in the picture, but also because it is different from the creative techniques and aesthetic orientation of its predecessors, showing the artistic characteristics of a square inch of land. The composition is magnificent and quiet, the colors are ancient, and the decoration is full of elegant meaning, reflecting the style of connecting the previous and the next. ”

The Queen Mother continued to say: "Let's take a look at Li Sixun's works, the Tang people respect his works as the first in the country's landscape, a family of five and good Danqing, his son Li Zhaodao, known as General Xiao Li." In "Records of Famous Paintings of the Past Dynasties", Zhang Yanyuan praised his paintings of landscapes, trees and stones, the brushwork is strong, the turbulence is surging, the clouds are ethereal, and the things of the gods are seen from time to time, and the caves are secluded in the rocky mountains. "Famous Paintings of the Tang Dynasty" said that he and Zizhao Daozhong had the wonder of mountains and rivers, and the people of the time were called Da Li and Xiao Li. Si Xun Ge is high and strange, and the landscape is wonderful.

Although he and Wu Daozi have different painting styles, they are the same and their achievements are extraordinary. The achievement in landscape painting is to develop the delicate and dense, prosperous and magnificent painting style of green landscapes, and become a family of its own. The subject matter has an obvious aristocratic color, and there are fairy stories from time to time, which are still ethereal. In the technique, it is mostly outlined into a mountain, colored with large blue green, and counter-dyed with snail green bitter green, and the painted leaves are mostly painted with a pen, and filled with stone green. It breaks the simple sketch and coloring, and uses the outline with changes to express the structure of the mountains and stones, and then fills in the thick green and heavy color, and the color is magnificent, showing the glorious atmosphere of the art of the Tang Dynasty, forming the artistic characteristics of the golden brilliance.

Li Zhaodao's change of father is wonderful and excessive. Li Zhaodao's landscape techniques have indeed developed on the basis of Li Sixun, and the painting of "Ming Emperor Xingshu Picture" is steep and steep, and the mountain path is circuitous. The picture was originally a depiction of the emperor covered with dust, but the painter cleverly avoided this point, only at the front end of the painting painted Zhu riding out of the flying mountains, the first sight of the flat land, the horses were shocked, and the emperor saw the small bridge, as a wandering state." This subtle depiction not only expresses his state of mind, but also does not damage the majesty of the emperor, which shows the originality of the painting. The whole painting is drawn with fine brushes, without the method, and the heavy color is applied with stone blue, stone green, and Dan powder, which looks magnificent and subtle. The trend of becoming a father is wonderful again

The Queen Mother unfolded several beautiful and radiant pictures of beauties, and said, "The Tang Dynasty was the prosperous stage of lady painting, and it must be said that the Tang Dynasty lady painting was dignified and gorgeous, graceful and elegant, the most outstanding of which was Zhang Xuan's "Lady of the Kingdom of Qiu" and "Pounding Practice" and Zhou Fang's "Hairpin Lady", "Fan Lady" and the late Tang Dynasty's "Palace Music Picture". The "Tang Palace Ladies" series shows the portraits of ancient ladies, looking back and smiling, captivating the country and the city, and the portraits of beautiful women in the Tang Dynasty.

"Lady Waving a Fan" depicts thirteen concubines and palace maids with their heads in high buns, small eyes and round faces, and long skirts dragging to the ground. Sitting with a fan, untying the piano, making up on the mirror, embroidering the case, waving the fan for leisure, etc. Pay attention to the rhythmic changes of horizontal density and tightness, and the vertical high and low staggered layer changes, which are orderly and colorful, mainly red, with blue, gray, purple, green and other colors. The warm and cold tones contrast with each other, revealing the delicacy of the character's skin and the luxury of the fabric. The lines of the clothes are nearly iron line drawing, round and delicate, full of strength and flexibility, and more accurately outline the various postures of the characters. "The Lady of the Kingdom of Qiu" depicts the eleventh year of Tianbao, the third sister of Yang Yuhuan, the favorite concubine of Tang Xuanzong, and her dependents traveling in full costume. The work focuses on the inner portrayal of the characters, through the thin line drawing and the laying of tones, it is rich and elegant without losing its elegance, and the precision is not sluggish. The composition of the whole painting is dense and natural. The movement of people and horses is soothing and calm, which is in line with the theme of spring tourism. The painter does not have a background, but only uses a wet brush to point out the color of the spotted grass to highlight the figures, and the artistic conception is empty and fresh. In the picture, the thread is slender, round and delicate, and charming in the strength. The color is elegant and rich, decorative, and the style is lively and bright. The picture is full of grace, self-confidence and optimism of the Tang Dynasty.

"Pounding Practice" depicts the scene of women in the Tang Dynasty when they were pounding, winding, ironing, and sewing. The movements of the characters in the painting are condensed and natural, and the details are vividly depicted, which makes people see the slight backwards and leans back when pulling the silk, showing the artist's meticulous observation. Its lines are fine and vigorous, the colors are rich, and its "fat body" figure shape shows the typical style of Tang Dynasty lady painting. The characters in the painting are outlined with fine and round, rigid and soft ink lines, supplemented by soft and bright heavy colors, and the characters are dignified and plump, and the mood is vivid.

"Hairpin Lady" high hairpin, faint eyebrows, open-chested shawl, plump and thick body style, reflecting the image of the ladies in the Tang Dynasty, you take a closer look at these ladies, at first glance they look similar, but they actually have their own characteristics, each has its own merits, and it is different. The first person from the right wears a long vermilion skirt with a purple gauze smock and a vermilion drapery. Insert a branch of peony flowers on his head, lean sideways to the right, and tease the puppy with the dust in his left hand. The lady standing opposite is wearing a light-colored gauze shirt, a long vermilion skirt decorated with purple-green flowers, and a purple veil painted with flowing cloud and phoenix patterns. She lightly lifted the collar of the gauze skirt with her right hand, as if she was overwhelmed with stuffiness. The third is a maid holding a fan. The expression is serene and deep, in stark contrast to other frolickers. Next is a noble woman with lotus flowers in a bun and a white checkered shirt, holding a branch of red flowers in her right hand, and is watching intently. A fifth lady seemed to be approaching from a distance, wearing a begonia flower, a scarlet cloak, a purple gauze shirt, and her hands tugging at the gauze cover. The headdress and clothing are extremely gorgeous, surpassing everyone else, and the expression seems to be proud of everything. The last noblewoman, with peony flowers in her bun, wears a light purple gauze shirt, the wide band of the skirt is decorated with a mandarin duck pattern, and the white ground is painted with colorful cloud cranes. She held the butterfly she had just caught in her right hand. In the abundance and bodybuilding, it also shows a slender and graceful posture. The lines are simple, round and powerful, and the colors are rich and rich. It can accurately express a variety of different gestures with simple and powerful lines. The depiction of the pattern of the garment and the pattern of the dress is written in letter, which seems to be regular but very fluid. The depiction of the characters is mainly based on gossamer drawings, and the brushstrokes are light and soft, evenly and peacefully, and the smooth skin and transparent tulle are appropriately reproduced, conveying a soft and tranquil beauty.

"Gong Le Tu" depicts ten concubines in the harem, sitting around a huge square table, some drinking tea, and some performing wine orders. The central four are responsible for playing music. The musical instruments used, from right to left, are the 筚篚, the pipa, the guzheng and the sheng. One of the two maids standing next to her tapped the tooth board and beat them to the beat. Twelve women of the harem sit in the ring, or taste tea, or perform wine orders; four of them, and play music to help the fun, and the musical instruments they hold, from right to left, are Hu Ji (also known as 筚篥), lupa, guzheng and sheng. Among the two people who stood, there was a woman who struck the clapper and thought it was rhythmic. We can see many things from the "Gong Le Tu", such as the tea soup is boiled and put on the table, and the procedures for preparing tea, boiling tea, grinding tea, decoction water, throwing tea, and boiling tea should be completed by the maids in another place; The tea cup is bowl-shaped, with a ring foot, which is easy to hold.

This Yan Liben's "Bu Yuan Tu" is based on the historical event of the marriage between Songtsen Gampo, the leader of Tubo, and Princess Wencheng in the fifteenth year of Zhenguan (641), and depicts the scene of Tang Taizong receiving Lu Dongzan, the Tibetan envoy who came to marry Princess Wencheng. The right half of the picture scroll is Tang Taizong sitting in the chariot surrounded by palace maids, and the three people on the left are the ceremonial officials in front, Lu Dongzan in the middle, and the interpreter in the back. Tang Taizong is the focus of the whole picture, in the painting, Tang Taizong has a handsome face, deep eyes, and a solemn expression, fully revealing the demeanor and majesty of the Ming monarch of the Tang Dynasty. The structure is from right to left, from tight to gradually sparse, focused, and rhythmic. The outline of the clothes and utensils is rounded and smooth, and sometimes tenacious, smooth but not slippery, paused but not sluggish; the expressions and demeanors of the main characters are vivid, and the portrayal can convey the charm even more; the images are partially blended, such as the wrinkles of the boots worn by the characters, which appear to be very three-dimensional; the color of the whole volume is thick and pure, and the large area of red and green blocks are staggered, which is rich in rhythm and distinctive visual effects. From the point of view of painting art, the author's expressive skills are quite proficient. The outline of the clothes and utensils is rounded and smooth, and sometimes tenacious, smooth but not slippery, paused but not sluggish; the expressions and demeanors of the main characters are vivid, and the portrayal can convey the charm even more; the images are partially blended, such as the wrinkles of the boots worn by the characters, which appear to be very three-dimensional; the color of the whole volume is thick and pure, and the large area of red and green blocks are staggered, which is rich in rhythm and distinctive visual effects. "The Queen Mother's mouth is like a hanging river, all in one go.

I couldn't help but sigh and blurted out: "Niangniang, these are indeed Song Huizong's eagles and Zhao Ziang's horses, they are all good paintings." ”

The Queen Mother was puzzled and said: "Yes, since the founding of the Great Song Dynasty, why haven't I heard of Song Huizong?" ”

The Queen Mother muttered to herself: "I seem to remember that Tang Huizong's handwriting is not bad, as if I haven't heard of his paintings very good." ”

I reluctantly said, "Actually, I'm also hearsay." "Although I am not too sensitive to paintings, and I have a general hobby of calligraphy and painting itself, I still have a good sense of numbers, and I still remember a report I saw on the Internet before the crossing, and I will never forget it.

NO1. Huang Tingjian "Pillar Inscription"

Auction house: Poly turnover: 436.8 million. Lot value: This calligraphy is the most important calligraphy treasure of the Northern Song Dynasty calligrapher Huang Tingjian. The content is the "Pillar Inscription" written by Wei Zheng, the prime minister of the Tang Dynasty who was most respected by Huang Tingjian during his lifetime, with a full text of more than 600 words. The volume has a large number of inscriptions and seals from collectors in the Song Dynasty, Xiang Yuanbian in the Ming Dynasty, and the Republic of China in the Qing Dynasty.

NO2. "Watagawa Migration Map"

Auction house: Poly turnover: 402.5 million.

NO3. Qi Baishi "Pine and Cypress Gao Litu Seal Book Four Words Couplet"

Auction house: Guardian turnover: 425.5 million. Lot value: This work is a birthday work painted by Qi Baishi to Chiang Kai-shek.

NO4. Wang Xizhi's cursive "Peace Post"

Auction house: Guardian Turnover: 308 million. Lot value: This post was first seen in the book of "Xuanhe Book Spectrum", and was later engraved into the famous series of posts in the Northern Song Dynasty.

NO5. Xu Beihong "Ba people draw water"

Auction house: Hanhai Turnover: 171 million. Lot value: "Ba People Drawing Water" is a true record of the hard work of the people of Chongqing, and is known as one of Xu Beihong's four masterpieces with the most popular nature and the spirit of the times. It is known as "a rare work in 500 years".

NO6. Southern Song Dynasty Anonymous "Autumn Picture of the Han Palace"

Auction house: Poly turnover: 150 million. Lot value: Autumn in the Han Palace is a masterpiece of the Song Dynasty painting academy based on the story of the Queen Mother of the Emperor Wu of the Han Dynasty.

NO7. Wang Meng "Autumn Mountain Xiao Temple"

Auction house: Poly turnover: 136 million. Lot value: Wang Meng, Ni Zhan, Huang Gongwang and Wu Zhen are known as the "Four Yuan Families". Yuan Dynasty paintings have been rare to this day, and this masterpiece has considerable historical significance in the history of Chinese painting.

NO8. Qian Weicheng "Wild Goose Swing Picture"

Auction house: Poly turnover: 129.9 million. Lot value: "Wild Goose Swing" is a representative handscroll of Qian Weicheng, the hand-scroll of the Qianlong Emperor, and is one of the two most famous long scrolls in Qian Weicheng's life.

NO9. Bada Shanren "Bamboo and Stone Mandarin Duck"

Auction house: Xiling Seal Society Turnover: 118.7 million. Lot value: This work was painted in the year of Bada Shanren's death, representing the most mature and mellow stage of his style. In the lower left corner of the picture, two mandarin ducks are nestled on the boulder, and the upper right is the boulder hibiscus, which looks like the two echo each other and is quite wild.

NO10. Chen Yu "Love Rhyme Ink Flower"

Auction house: Guardian turnover: 113.7 million. Chen Li's "Love Rhyme Ink Flower" is Qianlong's favorite work of the Ming Dynasty, Qianlong wrote ten poems, and more than 30 square seals were stamped before and after, which can be seen to be extremely cherished. Chen Yu is the son of Chen Daofu, the founder of the Chinese painting history, and has few works due to his untimely death.

NO11. Zhang Daqian "Love Trace Lake"

Auction house: Guardian Turnover: 100.8 million. Lot value: The huge splash of color on silk, "Love Trace Lake", and Zhang Daqian's monumental "Ten Thousand Miles of the Yangtze River", both created in 1968, depict the view of Lake Aachen in Switzerland.

Moreover, Wang Zhongjun, chairman of Huayi, also spent 377 million yuan to photograph a Van Gogh masterpiece, which also became the biggest news in the entertainment industry not long ago. Hundreds of millions seem normal to people in the industry, but this number is really unbelievable in the eyes of ordinary people. Because the lifespan of ancient calligraphy and painting is only about 1,000 years, and the well-preserved ones are even more precious. The ancient paintings and calligraphy that can still be seen today have either become the treasures of the major museums, or they are privately treasured and not easy to sell, and it is difficult to find, so it is a treasure that is difficult to measure in money. However, collecting calligraphy and paintings is a matter for the rich, and the poor can only look at it, looking at it and sighing, but these numbers are really shocking, exciting, exciting, ecstatic, dancing, and full of joy, so I still remember it vividly.

The Queen Mother carefully selected a few paintings, and said: "Yue'er, these calligraphy and paintings, Niang Niang will give them to you, you are good to study and study, and we will paint them next time." After the battle, the art of war is constant, the use of the wonderful, there is one mind, as long as you gather your mind, you will definitely make progress. “

"I heard it right, it's not true," the heart was surging, the blood was boiling, and he said casually: "Niangniang, can you give me more picture scrolls, I can read them carefully one by one, and better improve my painting skills." ”

The Queen Mother said happily: "There is no problem with this, you are free, anyway, I have a room of paintings here, it is rare that you love to learn so much, and you have a soft spot for calligraphy and painting, if you are willing to take a few pieces, take it over, observe it well, paint,"

"Niangniang, then I can take a dozen more pictures, anyway, I see a lot of pictures here, as vast as a sea of smoke, countless," I said like a turkey, with red eyes and insatiable greed. The Queen Mother smiled and said: "Of course you can, a piece of cake, no problem, whatever gold, silver and jewelry you want, I can give it to you, the family doesn't talk about two families, why do you want to see the outside like this? "These calligraphy and paintings are worth more than gold, silver and jewelry, but the Queen Mother is so generous and bold, and she is an adult. I felt grateful to the Queen Mother in my heart, I took dozens of calligraphy paintings, but it was too heavy, I couldn't lift it, and suddenly thought of being a kind person, so I reluctantly put down some, elated, carefully put down a dozen carefully selected ancient paintings, each painting is a hand-me-down, each painting is priceless.

I suddenly remembered that Wang Jianlin, the richest man in modern society, put forward a piece of advice from young people: "It is right to be the richest man, this is the direction of struggle, but it is best to set a small goal that can be achieved first, for example, I will earn it 100 million first." You see if you can use it for a few years and earn 100 million. "Well, now I have reached this small goal in just one day, and I have billions, so I made a move, and a billionaire was born in the land of the Great Song Dynasty in an easy move. And if this is converted into money, how much yuan will be spent in vain, and it will not be enough to use several trucks. As mentioned above, a painting has to sell for hundreds of millions, and so many of my paintings are priceless, tens of billions. If I'm lucky enough to go back, Ma Yun, Ma Huateng, they all have to stand aside for me on the Forbes list, by the way, they are all listed companies, I can simply go public, but what do I use to go public, or go to the pig market? By the way, maybe I will replace Wang Sicong and become a well-known national daughter-in-law at that time, but I won't only like Internet celebrity faces like him, I want to be like a fake, the original packaging of the face, but also talented, poetry and songs, tall, more than 1.8 meters, obedient to me, obedient to me, wholeheartedly only love me one, by the way, but also have a good character, kind-hearted, by the way, and have a good temper, gentle as water, however, I have such high requirements, can I still find a partner on the earthIt's really not good, I only have to find the alien from the stars, but I think his eyes are not big enough, his appearance is not enough, of course there are many kinds of handsome, but he is not the kind I like, I can only say, such a picky selection, the flowers gradually want to charm the eyes, so that the vision is getting higher and higher, and then go down, no one in the eyes, is it lonely and old? Forget it, I don't want to,

The Queen Mother was overjoyed to see me, laughing wildly, and she was also very happy:" Painting Chinese painting splashed ink, happy dripping photo, after learning painting is very interesting, busy with trivial things at the same time, improve appreciation, self-cultivation, do not paint do not know the greatness of the master, the mountains look up, do not paint do not know the exquisiteness of nature, you will see, every leaf is incomparable, you will find, every flower is different, unique flavor, when you look at the world again with the eye of painting, you will see a different landscape, bright galaxy, the vast earth, have been dozens of light years, and life is like morning dew, such as floating, white horses through the gap, in the complicated and impetuous mundane affairs, let the heart have an empty moonlit night, take Lao Zhuang Pan a lonely boat to travel between heaven and earth——"

The Queen Mother changed her words again: "But you are so strange today, suddenly interested in calligraphy and painting, I see that you are bored with playing the piano and chess." A few days ago, you were silent and silent, but your performance today is unusual, very active, very different!"

In order to show that my motives are simple, I talked a lot of nonsense in a mess, and I don't know when I learned Xiaofei? If a man doesn't even know poetry and songs, and he can't write books and paintings, then what does he want to express his feelings for a girl he has loved for a long time, throw his eyes, hug and hug, what is it? But if he is suave, poetry and song can do everything, calligraphy and painting are all proficient, and he doesn't need to take the initiative to confess, male talent and female appearance, any woman will be excited, and he must take the initiative to give it to him, so people must understand calligraphy and painting, and be a cultural person. The same woman is dignified and repaired, and can read and appreciate paintings, what a pleasing thing to the eye, how attractive it is to everyone. I believe that after learning calligraphy and painting, the men who like me will be like the carp crossing the river, countless, the Queen Mother, you don't have to be anxious about my life's events, the Queen Mother, you must also know the story of the merry and talented Tang Bohu to order autumn incense, everyone knows it, so there is a culture that is different, the heart yearns for it, I don't know what to do, I am in love, isn't it, I have to say it is reasonable. ”

The Queen Mother was puzzled and said: "By the way, who is Tang Bohu you just said? What are you talking about, and what is the story of Tang Bohu ordering autumn incense?"

I said disappreciably: "Niangniang, how can you not have heard of it, what a famous talent, everyone knows it, Tang Bohu is called Tang Yin, the word Bohu, the character is wild and uninhibited, and it is unique in painting, self-contained, with a chic and elegant rhyme." His calligraphy comes from Zhao Mengfu, handsome and elegant, quite skillful. He also has a profound literary and artistic accomplishment, has experienced ups and downs, has seen and heard a wide range of things, and has a profound understanding of life and society. When will things happen, when will they stop harming others, and when should they be settled, and each of them should look back at the future. He blended the northern and southern schools of painting, with fine brushwork, sparse layout, and elegant style. The figure paintings are colorful and elegant, with beautiful posture and accurate shapes; His flower and bird paintings are longer than ink freehand, free and easy. The calligraphy is strange and handsome, and it is taken from Zhao Mengfu. In terms of poetry and writing, he is known as the four talents of Wuzhong with Zhu Yunming, Wen Zhengming, and Xu Zhenqing. In painting, Shen Zhou, Wen Zhengming, and Qiu Ying are called the four families of Wumen and the four families of Ming. Tang Yin's works include "Riding a Donkey and Thinking of Returning", "Mountain Road Pine Sound Map", "Tea Picture", "Wang Shu Palace Prostitute Picture", "Li Duanduan's Residence Map", "Autumn Wind Fan Picture", "Dry Crane Picture" and other paintings. The body of the tree is written in flying white, and the vine is written with a broad pen of ink. The picture is staggered, the charm is flying, and it is very beautiful. Although he is chic but also informal, one day, Wuxi Wang clan Hua bachelor's wife led the servant to Wuzhong to take the painting boat to Wuzhong incense, happened to meet Tang Bohu. At this time, Tang Bohu saw that there was a beautiful and elegant maid among the people in Washington, whose name was Qiu Xiang, and she was Mrs. Hua's favorite maid. Tang Bohu smiled when he saw her, love at first sight, in order to pursue her, Tang Bohu did not hesitate to change his casual clothes to Washington to apply for a teaching teacher, named Hua'an, and finally Qiu Xiang was impressed by his talent, and finally Tang Bohu hugged the beauty. "The Queen Mother listened to a large number of celebrities who didn't know what to do, and looked at me inexplicably.

After talking for a long time, I suddenly remembered that Tang Bohu was from the Ming Dynasty, and I remembered that I was wrong, so I said with a whim: "Mr. Tang Bohu is actually our big landlord there, dashing, and a famous talent, famous far and wide, I thought everyone knew him." “

The Queen Mother was eager to seek talents, and she was thirsty for talent and said: "I will personally recruit him into the palace another day and test him, if you really say, talented people will be hired immediately, and let him serve the country." “

It's not good, the Queen Mother actually wants to see someone a hundred years later, where can I find it, he is now in the Ming Dynasty and has not yet been born, I have to talk nonsense, "Because he is talented, jealous of talent, and has become ill from hard work, he has been made an ancient last year, which is really too inopportune." “

"It's a pity, it's a pity that Da Song has a lack of talent, it's a pity, it's a pity, I'm very moved by what you said, and I also want to see him to see if you are so eloquent, it's really jealous of talent. The Queen Mother said with regret.

The turkey suddenly seemed like a tornado, and the strong wind blew in, she shook her head, and said mysteriously: "Queen Mother, I found it, I found it, I finally found it." "What did you find, could it be Wang Dalong's treasure, but it's impossible, there are so many places, and everyone is tight-lipped, there shouldn't be any rumors, by the way, that's to find something good, do you find the Heavenly Sword, the Dragon Slayer Sword, or find the Wu Mu testament that dominates the world, haha, I'm really imaginative, this is also relevant, it's really the sequelae of reading too many martial arts novels all day long."

The Queen Mother's face even showed a charming smile like Monla Lisa, but looking at their excitement, I think it must be a good thing.