Even if Qin Fangge wanted to run, they wouldn't let him succeed, and after eating in the cafeteria, Wang Zizi and Huang Jing escorted him to classroom 201.

On the way, Wang Zizi also joked with Qin Fangge, "Is it okay to send me home at night?"

Huang Jing and the others were next to them, oh oh weird laughing, Wang Zizi also said seriously, "It's such a cold day, I don't want to trouble the boss too much! ”

Qin Fangge said that he had to ask Lin Baoqing's opinion, and Huang Jing and the others laughed, "I didn't see that you are so afraid of your wife!"

"Where do you all want to go, I want to ask Baoqing if you still want to practice later. "Qin Fangge was quite speechless to these guys.

"Explanation is a cover-up!" Ms. Huang said.

Chen Tianhong said with a smile, "I think he feels sorry for Baoqing and cares about her performance! Alas, it's all because Wang Zizi is too charming, and Qin Fangge is also afraid that he won't be able to control it, right?"

Qin Fangge would not be led by them to the crooked path, but they thought it was quite interesting.

However, Wang Zizi sincerely said that their sisters were super good to her, and sent her home every day, but they didn't need it very much, the traffic jam was more serious in the morning, and the girls also wanted to sleep more in the morning.

But Chen Tianhong and Huang Jing are proud of the benefits of living in school, they can save the time on the road to sleep beauty sleep or something, and deliberately stimulate Wang Zizi.

Qin Fangge is used to the way they get along like this, these girls will not be better off if they don't fight one day.

Lin Baoqing also knew early that this was actually a group of jokes, no matter what happened or not, they could make a fuss to stir up the atmosphere.

After arriving at the old teaching building, Xiao Yuran obediently went upstairs to the piano room to practice the piano by himself.

Wang Zizi and Huang Jing, who were funny, also converged and entered professional mode.

Their main rehearsal is still "Liang Zhu", and Professor Wu Yifen also took time to watch them in the morning and gave them encouragement and suggestions.

They can't move much faster, and the presentation is the longest in the whole piece.

The introduction to the scene and the part of the love theme have been completed, and the reappearance of the theme of the grass bridge worship has also come to an end for the time being.

The progress has reached the colorful part of the connection department, which not only shows off its skills, but also plays a role in connecting the past and the future.

Behind is the deputy department of the three classmates, the emotional tone is quite beautiful and romantic, the melody is lively, and the dance reflects the happy life of the two getting along.

In expressing such emotions, it is also the best thing for girls.

It is also what they feel the same way, because they are actually at such a stage now, even if Qin Fangge does not appear, their sisters will play music together, enjoy the good time as students, and spend the good years of their youth together.

But the connection is in stark contrast to the previous theme of love, which is relevant to the topic.

After all, there is a difference between friendship and love, although love develops over time, from pure and sincere friendship, and then through various events to get along with each other, get to know each other, and finally come naturally.

The difference is that they only have one Liang Shanbo here, and there are quite a few girls who want to be Zhu Yingtai. But this does not affect their understanding and research of this piece. And if you want to play well, it is best to substitute your own emotions into it.

Despite the addition of the last romantic butterfly, on the whole, the love between Liang Shanbo and Zhu Yingtai ended in tragedy. Such romanticism also gives a little hope to Orientals who do not like tragedy. For example, Romeo and Juliet in foreign countries really ended in tragedy, but it did not affect the fact that they became classics in the minds of Westerners. In this regard, it is also due to the differences between Eastern and Western cultures.

Not only the girls, but almost everyone who has heard Liang Zhu's story knows how they ended up.

When they played, they also knew that such a romantic and beautiful happy time could not last long after all. And when Qin Fangge was composing, he also laid the foreshadowing in it, and the double bass played by Han Wei was deep and low, which seemed to indicate such a future.

The other girls may not think about it that much, but they can be a little sad.

When playing music, they all maintain a sensitive and delicate heart, and use their hearts to experience and play.

Like Lin Baoqing and Chen Tianhong, they can't help but think of their current situation. The time of student life is actually very short, and from Liang Zhuzhong, they can experience it more profoundly.

Lin Baoqing has actually always been hesitant and contradictory, and he is not very sure where the love between her and Qin Fangge will go in the future, strictly speaking, he is not the kind of good object that can be entrusted for life. Not to mention the question of whether he is attentive or not, whether he is fraternity or not, his ability to attract bees and butterflies alone makes many women shy away. Of course, more women will flock to it.

She once said that one day, it is not impossible for her to choose to kick Qin Fangge away. It is also her own true thoughts, she has a gentle temperament and a good temper, but she also has a bottom line. If Qin Fangge wants to be unscrupulous, she can't bear it.

Where to go in the future, Lin Baoqing is not sure, even if she can achieve an absolute advantage in the competition with Xi Wanqing, who can guarantee the future situation!

As for Chen Tianhong, her mind is even heavier, and she is even more optimistic about the future of He Qin Fangge. feels more difficult to accept than Liang Shanbo and Zhu Yingtai, which is more difficult for his family and the world to accept. Now that the status of women has improved, awakened women are also seeking a higher social status, and they are not willing to be only vassals of men. This trend is becoming more pronounced as the gap between men and women widens.

She also expected the possible outcome a long time ago, but since she made a decision, she would not regret it.

Many sisters plan not to fall in love before the age of thirty, and she had the same idea before, but unfortunately she met Qin Fangge, a natural nemesis. made her unable to extricate herself, and she fell deeper and deeper. But she also thinks very clearly, no matter what happens in the future, just live well now, and she is in charge of her youth.

Time is short, years are fleeting, and beauty is difficult to last long, if you don't take advantage of your youth to go crazy, you will soon get old.

The others who know the inside story are Teng Shuting and Zuo Shuqin, when rehearsing such a love-themed "Liang Zhu" music, it is difficult not to let them think of Qin Fangge, as well as the entanglement between him and Lin Baoqing, who is a sister and a sister.

It's just that Qin Fangge is not as stupid as Liang Shanbo, he is full of rebellious spirit, but I feel that he is too rebellious. Both fish and bear paws want, Teng Shuting was angry when she thought of this, this guy wanted too many things, beware of the end of the bamboo basket in vain. To put it bluntly, if Lin Baoqing breaks up with him in the future, she will not feel strange at all, and she will applaud.

But in art, everyone's attitude is the same, serious, and never perfunctory.

As the mainstay of the orchestra, Lin Baoqing's attitude is particularly distinct.

At nine o'clock, after the collective rehearsal, she didn't leave in a hurry, let alone transfer her position, so she discussed with Qin Fangge in the classroom about "Spring River Flower Moonlight Night". She also said frankly, "If it was as difficult as pipa walking, I would definitely not be a guest." ”

Wang Zizi also wanted to ask Qin Fangge to send her, "I also want to stage a modern version of Yang Guifei and Emperor Tang Ming!"

The girls who cleaned up the musical instruments all laughed, and Zuo Shuqin laughed and scolded her for thinking too much, "If you want to be Yang Guifei, go and gain weight first! Besides, Qin Fangge doesn't look like Emperor Tang Ming, except for being amorous." ”

Qin Fangge hurriedly shouted injustice, but the girls didn't believe him, and he was quite helpless.

Zuo Shuqin said that she was responsible for sending Wang Zizi home, so that she didn't have to worry, and asked her, "Zizi, don't you love me?"

After Wang Zizi looked left and right, he said, "It turns out that the boss is true love!"

The girls are used to her teasing, Teng Shuting does not force everyone to continue, they have been practicing for a long time today, and the combination of work and rest is the last word. But it will continue tomorrow, but she can't stop them from continuing to work overtime to practice their own. Lin Baoqing occupied the classroom, so they planned to find another place to practice, or simply go back to the dormitory to rest.

Lin Baoqing didn't wait for them to leave completely, and she was never afraid of being watched. Xiao Jingru and Huang Jing really watched for a while before leaving, and Qin Fangge and her were really obsessed with art, and there was no show of affection. For Lin Baoqing, practicing this piece well and not dragging Qin Fangge back at the concert is her greatest wish at this stage.

Xiao Yuran finished practicing the piano at about eleven o'clock, and when she came down from upstairs, she could still see the light shining through the crack in the door, and she could also hear the sound of the guqin inside.

Chen Tianhong is also working overtime, and after she got the pipa, she has to find time to practice every day. It's the same today, she has a better time, and when she went downstairs, it happened that Lin Baoqing and Qin Fangge were also closing the door and preparing to go home. Everyone said hello, and Lin Baoqing also asked Chen Tianhong how he practiced his new tune.

Chen Tianhong also pretended to complain about Qin Fangge, "He made it too difficult, and he felt like he was about to torture the dead." ”

Lin Baoqing said with a smile, "He must have done it deliberately, testing people's patience!"

Qin Fangge admitted that he was particularly difficult for her, and said that the tunes of other girls were the same, in short, they couldn't be so easy.

Chen Tianhong laughed at his bad intentions, and laughed at the parking lot, and Chen Tianhong went directly back to the dormitory.

The two of them drove over by themselves, and Qin Fangge couldn't send her home, and Lin Baoqing said that he didn't need to send her. They also knew Qin Fangge's arrangements for tomorrow, and he also said that they would have dinner together tomorrow, Lin Baoqing nodded and agreed, and also knew his worries, so he called him when he got home.

drove home separately, Chen Tianhong didn't get too entangled, only left a message to him Hongyan, there was Huang Jing in the dormitory, and she didn't dare to disappear for too long.

Wang Zizi, the girl, was most worried about the creation of "Song of Long Hatred", and also left a message for Qin Fangge, asking him if he was inspired and if he needed help, she could do her best.

Qin Fangge drove home quite quickly, and arrived home earlier than Lin Baoqing. Now Ning Xiupei and the others are not waiting for him, and the two sisters Song Zixuan are also driven to sleep. Chen Yushan, who used to work in a bar and was a night owl every day, also changed her schedule after the training.

He also sent a message back to Wang Zizi saying that he would have a steady stream of inspiration when he could see her often. Of course, he was still a little guilty, because without her knowledge, he received interest from Chen Tianhong. It's just that he will definitely not tell him about this matter, otherwise, Chen Tianhong will not let him go first.

Lin Baoqing arrived home safely, and he didn't talk to him when he called, so he packed up and went to wash and rest, after all, there are more things in the girl's house.

Chen Tianhong's words also know how to grasp the balance, or rather, women are born actors, and they have not been found to be abnormal by other sisters.

After calling Xi Wanqing again, Qin Fangge was able to do his own thing with peace of mind.

He promised Zuo Shuqin to send her the songs to be played in the bar first, so that the sisters could also go on stage to have fun together. She also has Zuo Mengfeng to help him and Chen Yushan too much, and Qin Fangge himself also regards going to the bar as a good way to entertain and relax, so he is not hypocritical.

It's just that on the pop music side, Qin Fang can be lazy if he can be lazy, and what he is going to take out this time is a song from another time and space. Chen Sheng's "One Night in Beijing" is quite an interesting song. He doesn't care if such a thing is popular now, just have fun and entertainment together.

When Chen Sheng first wrote this song, there were still some interesting stories, also because he was sounding the movie, but he couldn't find inspiration, and when he ate mutton shabu, he unintentionally made a few simple bars into a pop music work. It was originally a rock style, but with the addition of Peking Opera singing, it sounds quite emotional.

Qin Fangge simply adapted it and then used it for his own use, such a Peking Opera singing voice should be no problem for Zuo Shuqin, anyway, he is counting on this recording.

He struck while the iron was hot and did the arrangement well, and for him, it was purely a game of building blocks, and it didn't take much effort at all.

After finishing it, he thought about it again and composed a song for Li Bai's poem "Qingping Tune" praising Yang Guifei. In another world, Teresa Teng only recorded half a song, and then Faye Wong and her had a duet in the air.

However, he did not follow the tune, but recomposed it according to his understanding. He has been studying these days, hating things like Yang Guifei and Ni Clothes and Feather Clothes. It's even more ambitious to make a full-length masterpiece, and it's not that difficult to pick some inspiration and compose music for these few poems that are not long. The core theme is actually so short, as simple as a propositional essay.

Li Bai's "Qingping Tune" praised Yang Guifei very much, not only praising her as a flower girl, but also comparing her to a fairy in Yaotai, and her appearance is indeed worthy of it, and the scene of people and flowers is even more beautiful.

Qin Fangge shows a strong Tang Dynasty music style in the pipa line, this shorter stream music, with the help of poetry, it is easier to show the beautiful, elegant, dignified, and romantic and amorous style in it, so that ordinary audiences can understand it as soon as they hear it.

After making these two songs, Qin Fangge continued to hold Ruan while playing to find inspiration, and when he was ready to exercise, he passed these two pieces of music to their Hongyan group.