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Not only is the host making statistics on the stage when Yan Huanhuan is on stage, but Song Zimo is also turning her head to look around to see how many people went to last night's concert-

The result is still very gratifying, in the concert hall of the conservatory, it is now almost full, about 1,000 people. And about one-third of those who have attended Fu Tianxia's concert at the National Centre for the Performing Arts Concert Hall are a little more.

Huang Jing is still saying that they are dragging the country back.

Yan Huanwan was also a little surprised, "I didn't expect that so many people would still go to Master Fu's piano concert when the ticket source was so tight! Of course, everyone knows the reason for the tight ticket supply, at last night's concert, Qin Fangge did not disappoint everyone and gave us the most special surprise." Romantic and beautiful, warm and enthusiastic, the piano concerto on the eternal theme of love, the composition and performance are flawless, and it has also won everyone's enduring applause. ”

"Those who didn't have the opportunity to enjoy it yesterday have the opportunity to listen to such a symphonic love poem that has been hailed as the most romantic and moving of all time. Do you want to hear it?" asked Yan Huanhuan asking the audience with the microphone.

Of course, there will be no one in the audience who will say that they don't want to listen to it, they all say that they want to hear it, even if they know that it can't be Qin Fangge who plays it himself. Xiao Yuran's group of relatives and friends, Kanako Ye Xiuling, and they were particularly enthusiastic, and the applause was the most enthusiastic.

Yan Huanwan smiled and said that she felt everyone's enthusiasm and expectation, and then said, "The following applause, I invite Xiao Yuran to bring you the "Piano Concerto in F Minor" composed by Qin Fangge, the conductor Professor Zhang Houzhong, and the Symphony Orchestra of the Huaxia Conservatory of Music. ”

She didn't deliberately introduce Xiao Yuran, but also at Deng Hongmei's request, Xiao Yuran herself has no glory to get her hands on, it is better to let her strength speak.

Xiao Yuran took the stage in applause, and Deng Hongmei sat backstage, so she didn't need to worry too much, just follow the arrangement. And her senior brother Fu Tianxia and senior sister Wu Hongqin all cheered her on.

She's not particularly pretty, but she's better than youthful, and even though she doesn't have too many expressions on her face, it's really unrealistic to say that she's not nervous.

Xiao Yuran also rehearsed according to the previous rehearsal, first bowed to the audience and said hello, and then saluted with Conductor Zhang and the symphony orchestra, the picture is quite warm.

Then, Xiao Yuran sat down in front of the piano.

For her, having a symphony orchestra at the front and playing the prelude can also give her a little more time to regulate her emotions.

The beautiful symphony of songs permeated the concert hall under the baton of Zhang Houzhong.

What does not match Zhang Houzhong's name is that the symphony orchestra he leads plays romantic and lingering music, which has nothing to do with Houzhong.

The audience is also mentally prepared, this is originally a musical work about love, if it is too deep and heavy, the audience will despise and spurn.

When it was Xiao Yuran's turn to perform the piano, she was perfectly integrated into it at the most appropriate time.

Xiao Yuran has her own understanding of this piano concerto, and Deng Hongmei also said early on that she can't learn Qin Fangge. Abandoning imitation, she can only pursue progress on her own basis.

Obviously, with the careful guidance of Qin Fangge and Deng Hongmei, coupled with her own hard practice these days, her progress is very gratifying.

Whether it is timbre, sound quality, or the speed and strength of the performance, Xiao Yuran has her own unique style, although Deng Hongmei does not call this style, at most it is a characteristic of Xiao Yuran herself.

But to the ears of other audiences, Xiao Yuran's progress can be described as speed.

Especially the students of the piano department of the Huaxia Conservatory of Music, their impression of Xiao Yuran is that he is a student of Deng Hongmei and has a good relationship with Qin Fangge. The last time she performed on stage, it was at the freshman party, and she played the black key etude composed by Qin Fangge, although it was very novel, but for the students of the piano department of the Conservatory of Music, as long as they practiced more, they could reach her level.

And now, as if such a big stage has a bonus, perhaps the concerto of the symphony orchestra can also make the players even more excited. Xiao Yuran has fully exerted her own strength, and even surpassed her level, such a phenomenon is very common, and everyone understands it.

As the music progressed, Xiao Yuran also completely put aside the tension and other negative emotions, and devoted himself to the performance, and the results of his daily hard practice also bloomed at this time.

Aside from the basic skills of piano playing, Xiao Yuran's handling of emotions is also remarkable.

As a woman, her mind is more delicate. But on the basis of delicacy, Xiao Yuran's talent is also brought into play, that is, her smart and lively side, the music she plays, like a butterfly wearing flowers, flying in the flowers, dancing, romantic and colorful.

For love, Xiao Yuran has no personal experience, so he can only rely on imagination and longing to interpret it.

If Qin Fangge is playing, it is more about happiness and satisfaction.

Xiao Yuran's performance carried more beautiful expectations and longings.

Both of them played picturesquely, and in the quiet concert hall, they were particularly touching the deepest strings of the human heart.

Love is also the most primitive throbbing in the bottom of human hearts.

By the time of the second movement, when Xiao Yuran was dealing with it, his style was not quite the same as Qin Fangge.

The Lin Baoqing in Qin Fangge's eyes and the Lin Baoqing in Xiao Yuran's eyes will also be different. But without exception, the musical images they play are all beautiful oriental women with classical beauty, intellectual, gentle, and demure like water.

Xiao Yuran's light or ethereal performance style also makes this image have the aura of a fairy, making people feel like a fairy in the world.

In Qin Fangge's performance, there doesn't seem to be such a veil of mystery, and it is also because he has more contact with Lin Baoqing and understands it better.

The third movement is the most enthusiastic and gorgeous, and here, Xiao Yuran also did her best to play the grand and brilliant ball-like gorgeous scene in her mind.

She can't be as perfect as Qin Fangge, just as Deng Hongmei said, playing her own highest level is. Inevitably, there are also unsatisfactory places, but Xiao Yuran can't care about so much, and continues to play all the way.

Half an hour passed, and the whole piano concerto came to an end in a gorgeous and splendid ensemble.

Qin Fangge was not ashamed, and followed Kanako and Ye Xiuling to applaud Xiao Yuran for the first time. The applause of the others also rang out, dedicated to Xiao Yuran, the hard-working performer on the stage, and Qin Fangge, the composer.