When the live broadcast rooms were noisy and lively, after Qin Fangge was ready to play, he didn't waste much ink time, and started his performance directly.

It's just that he is very energetic at the beginning, he has adapted "Ambush on All Sides", but the main body has not changed, the first part is of course the introduction, which are "Camp", "Drumming", "Applause", and "Fire".

According to the music critics, the introduction is mainly to create an orderly lineup of soldiers, drums and horns, and a scene of ready to go.

Qin Fangge kicked off the music with wheel fingers and rolling fingers, showing a fast pace and a strong tense atmosphere, which made people feel a burst of murderous energy. However, his own expression was still the same as his usual performance, calm and relaxed, not slow or hurried. He doesn't want the audience to focus on his movements and expressions, but more on the music itself. In this regard, he was quite successful, and now everyone is used to his expression, and he didn't play any tricks to attract everyone's attention.

And the prologue of this introduction alone is enough to shock the audience, the high-definition equipment of Hongyan live broadcast is very close, and the audience watching the live broadcast can clearly see the movements of his hands, which also makes the audience boil in an instant.

"Murderous!"

"My dog is blind! Is that an afterimage?"

"It feels like there are a million soldiers!"

"Demon Zero?

"Worship, complete master-level level!"

"Really kneel! This strength can only be played by Qin Fangge!"

"People can't help but think of the glow-in-the-dark glass of grape wine, and the poem that wants to drink the pipa immediately urges!"

"Damn, I've been single for twenty-five years and I haven't had such a hand speed!How long has Qin Fangge been single?"

"I feel sorry for the pipa for a second!"

"Brother, please take my knees, really kneel!"

"The murderous aura is too heavy, and I get goosebumps all over my body when I hear it!"

"If you want me to go, you don't have to fight, I'm scared to death!"

"This momentum is simply invincible!"

In Hongyan's official live broadcast room, the barrage is so intense, also because the song "Ambush on All Sides" is too deeply rooted in the hearts of the people, and everyone is not particularly unfamiliar with him.

Needless to say, Qin Fangge's fans knew in the live broadcast room, and there was absolute praise.

"There is no doubt about my brother's strength, we knew it when we were in "General Order"!"

"I never expected that the pipa playing skills of my song are so powerful!"

"It's too high-energy! What should I do if I can't stop at all......"

"My brother plays the pipa and looks so picturesque, it's over, I'm really in love!"

"This killing aura, I have been practicing the pipa for more than ten years and have not been able to practice it, and when my teacher plays, he doesn't have such a full momentum!"

"My brother is completely a pipa master!"

Qin Fangge only played an introduction, and it caused chaos in the world, and Xiaoqian's live broadcast room was no exception, but she didn't care about talking and watching the barrage at all, she only watched the live broadcast with all her attention, and her eyes and ears were full of the picture and sound of Qin Fangge playing the pipa, at this moment, she couldn't wait to be there in person, so she didn't have to endure such sound quality and pictures. But even if this pipa sound is quite compressed and lost through the Internet, it still makes her feel the soaring murderous aura in front of the screen, and what kind of shocking audio-visual effect will the scene bring?

In Xiaoqian's live broadcast room, fans and sailors usually listen to her play the pipa, but there are basically more pop music after the adaptation, and most of the songs she wants to practice are literary songs, and martial arts songs like ambush on all sides have basically never heard her play. For the audience, this contrast is really huge.

The so-called "expert kung fu as soon as you shoot, you will know if there is one!"

The performance of music is actually the same, Qin Fangge's performance is the first to be impressive, full of momentum, pure timbre, clean and neat, never dragging mud and water, what is even more commendable is that when he played the pipa, the overall atmosphere created by him really gave people the feeling of being grand and magnificent, but it was cold and cold, which made people shudder.

Subsequently, Qin Fangge depicted the scene of the Han army beating the drum and blowing the horn through fingering techniques such as finger flicking, wheel fingers, twisting strings, kneading, belting, pushing, pulling, etc., and rendered the solemn and tense atmosphere of the military formation before the war.

And when he plays, he also shows the tense atmosphere of the imminent war by changing the rhythm from fast to slow, as if people can foresee the fierceness and cruelty of the upcoming big war. As the ten-fingered pipa of his left and right hands is played, the music is constantly changing in high and low notes, and the rhythm of the music is slow and fast.

Among them, Qin Fangge has made adaptations, but he is not too vulgar in terms of fingering, especially inheriting the characteristics of a certain genre. Because he didn't follow a teacher of a certain genre like other pipa students, when he studied with Chen Tianhong, he was also learning from the strengths of a hundred schools. In his understanding, it is not advisable to be too stubborn in the view of the sect, at least, for him.

When Qin Fangge communicated with Chen Tianhong and the professors of the Department of Folk Music, they all insisted on focusing on musical performance, no matter what fingering, style, tradition and the like, in the final analysis, it is still necessary to serve music.

In this introduction, what is to be expressed is the inspiring scene of the golden drums and battle trumpets sounding in unison and the shouts of the crowd before the expedition. He also did not stick to the rules, and the traditional music of "Ambush on All Sides" gradually faded from scatter to speed, and the compound and alternating changes of the key were carried out to increase the instability of the music in order to achieve such an effect. Moreover, the adapted styles of each faction are also different, and Qin Fangge still follows his own understanding.

Even, when he was playing, he didn't think that he must think that he was going to the ancient battlefield to experience those epic war scenes and so on.

He also often told Chen Tianhong that for a performer, it is more important to focus on the technique of playing in hand. Because the basis of these imaginations and emotional expressions is ultimately achieved through playing techniques. The performer should not be the same as the audience, but should play from the composer's point of view. He has also been emphasizing the details, and when communicating with them, he is also ruthlessly deducting every detail, and then composing a movement from the details.

As for other things like substituting feelings and developing rich imagination, Chen Tianhong has talked too much about the music education they have received since childhood. This is also the same as their body language and expressions when they play, they don't need to be mentioned by Qin Fangge, they are all used to it!

Qin Fangge himself said so, and he did so, and when he could play, he made the most perfect demonstration for Chen Tianhong and them.

They will also observe the stage at close range, even if it is a concert performance, their orchestra can stay on the stage, because if there are many people and all the instruments are removed, it is a waste of time, so they will simply be treated with the symphony orchestra. If that happens, they won't want to leave.

If Qin Fangge's performance touches anyone the most, it must be Chen Tianhong, her pipa professional, and she also brought Qin Fangge to the beginning. It's just that Qin Fangge's progress is too fast, and all kinds of whimsical ideas are endless, and even some fresh fingering techniques have been used by him, either inheriting the experience of his predecessors, or transplanting from guitar, violin and other performance techniques, of course, it must be in line with the performance of the pipa. For Qin Fangge, what he cares about the most is the final musical effect, in his words, "This is the ultimate standard for testing fingering skills!"

Yes, no matter how fancy the fingering is, it is meaningless to play the terrible musical effect.

Qin Fangge's own words are not a show of skills, he actually doesn't like it, let alone encourage it to show off his skills, what he cares about most is the music performance.

After his adaptation of this version of "Ambush on All Sides", the opening is high-energy, and it has successfully attracted the attention of the audience, which can only be regarded as the bonus effect of his pursuit of musical performance, and more importantly, it is still necessary to impress and shock the audience through the musical effects of the performance.

Speaking of a long story, when he played, he did not stop, and after the introduction, he soon entered the second part, that is, the pre-war preparation stage. This part is also the theme part of the whole piece.

"Blowing the door open" is the theme melody of the pre-war preparation part, followed by the "point general", "array", "ambush" are all based on it to develop and progressive, the second part and the first part of the strong lyrical atmosphere, a strong sense of rhythm, so that the solemn and solemn atmosphere of the army prepared before the war is brought out, as if you can see the grand army of soldiers lined up in a neat and orderly manner, waiting.

When Qin Fangge played this section, he used his skillful skills to add a lot of color to the whole piece, giving the battlefield scene depicted in the original narrative a sense of dynamism. The music here is changeable, the rhythm is rapid, in the performance, Qin Fangge is the continuous use of dizzying and dizzying, playing, sweeping, wheeling, twisting, rolling, braking, and other techniques, vividly showing a picture of thousands of troops and horses hoarsely shouting, swords and swords and shadows of the earth-shattering fierce battle of the majestic war scene, more people seem to be immersed in the scene, which is also the best embodiment of his performance art appeal is particularly strong.

The high-definition camera can't even fully record the various movements on his fingers, as many viewers said, "I can really only see the afterimage of his fingers!"

In all fairness, this "Ambush on All Sides" is actually not the fastest and most difficult of all pipa songs in terms of playing speed, but this strength and what needs to be expressed are really not comparable to other songs. Such a grand and magnificent and tragic war scene can only be found in such a song as ambush on all sides.

In the whole piece, the "ambush" section can also be regarded as the most exciting movement, the name is "Ambush on All Sides", and the artistic conception to be expressed in this section is also the same as the whole piece. Qin Fangge also put a lot of effort into this section, the so-called "ambush", that is, the enemy is in the light and I am in the dark, braking with static, and racing against time. Through the long note of the pipa, that is, the performance of the long wheel technique, he depicts the scene of the Han army rushing forward quickly, quietly, and rushing to the ambush point, in which the rhythm of the rapid rolling reflects the uneasy factors caused by the ambush, and the alternating appearance of the long note and the rolling gives the whole pre-war preparation a sense of tension and mystery.

"Ambush" is also a piece of music with a particularly deep connotation, if you analyze it from the perspective of music theory, you can know that it is the use of a relaxed contrast of rhythmic patterns and modulated and developed melodies to depict the tension and horror of war scenes. It also made the audience feel as if they were on the scene, and saw that under the cover of night, a team of Han troops, under the leadership of the generals, rushed to the predetermined location with titles and horses, and laid out ten ambush formations.

At this moment, the sky is low and the clouds are dark, the autumn wind is whining, the bleak moonlight is eclipsed, and only the stars blink their cunning eyes, peeking at the murderous opportunities lurking in the silent night. It is shown that on the eve of the decisive battle, the Han army ambushed the troops under the wall, a quiet and tense atmosphere, and paved the way for the next two sections.

When Qin Fangge was playing, the performance of the pipa was full of tension, and the various atmospheres were appropriately accentuated, and it was also dizzying, and there was no effort to slow down at all, and then it entered the third part, the battle chapter!

This part from the "Small War" to the "Wujiang" section depicts the scene of the Great Battle of Chu and Han.

In the "Small Battle of Jiming Mountain", the pipa played by Qin Fangge used the unique "brake string" technique, vividly showing the scene of a skirmish between the two sides. The so-called "brake strings", the sound produced by the pipa is not a pure musical sound, but an effect containing a metallic sound, like a sword, a gun, a sword and a halberd hitting each other. Coupled with the gradually increasing speed and the upward and downward modulation of the melody, the mood is more tense, and the melody is ups and downs, exciting, and fully prepared for the climax of the next big battle.

"The Battle of Nine Mile Mountain" is the climax of the whole music.

In this piece of music, Qin Fangge combines the experience and techniques of his predecessors, and uses a variety of pipa techniques to express the momentum of millions of soldiers and the thunderous power of iron horses. At the same time, he also used the playing skills of pushing and pulling the strings on the pipa to express the tragedy of the entire battlefield situation. People are intertwined, horses neigh, swords and swords, blood flows all over the ground, Xiang Yu's Chu army was ambushed by the Han army and had to try to escape, and the Han army followed closely behind.

The subsequent "shouting" section shows that after discovering that the Chu army had entered the encirclement, the ambush army of the Han army suddenly appeared. The shouting shook the sky, and here, Qin Fangge used the strong string playing, the double string and the three strings and the most difficult four strings to depict the scream that shook the world and the world. The "Great War" is on the verge of breaking out, and the depiction of "embattled" in the "Great War" segments of various genres is reflected through Zhang Liang's flute sound. Qin Fangge was also very conservative and did not make any special changes, still replacing the soldiers and Ming Chuge with the sound of the flute simulated by the pipa, this paragraph indicated that the "Great War" was about to end, but at this time, Qin Fangge's live performance had an accident.

(End of chapter)