After the balcony meeting, Liang Shanbo fell ill and finally died after returning home. 2. The third movement of the opening section is about "weeping, complaining, and throwing into the grave." It is also the emotional explosion of the whole repertoire, the fast performance of Allegro, like the news of Shanbo's death after returning to his hometown, which made Yingtai unacceptable, Yingtai promised to put on a wedding dress and go out of the sedan chair, on the condition that he hang a white lantern and pass by in front of Shanbo's grave, and then Yingtai knelt in pain in front of Shanbo's tombstone. The sorrow of the erhu, sanxian, and double bass is indescribable, and there seems to be remorse, unwillingness, and grief intertwined in these allegro sounds, crying out of dissatisfaction with all this, and driving all other instruments, including the drum kit, to express the sadness and desolation in unison and anger. Here, whether it is rhythm, harmony, orchestration and overall processing, the expression techniques of opera are used to portray the grief of Yingtai in three points.

Just like the scene of wind and rain, lightning and thunder in front of Liang Shanbo's grave, it seems that God can't stand it.

Then the gongs and drums sounded in unison, and various emotions such as resentment, sadness, and sympathy erupted, and the music also reached the highest point. Many viewers made up the scene where Zhu Yingtai jumped into the tomb of Shanbo split by thunder and lightning without hesitation.

If it were a music review, it would have been written in more depth and in more depth, with words such as "expressing the final revolt against the dark feudal forces" that would have similarly summarized the central idea of the essay.

But when you actually listen to music, you really don't need to explain it so clearly, and what the author wants to express will definitely not be what many music critics explain.

For example, Qin Fangge, basically doesn't say what his music wants to express, everything is left to the audience to feel and imagine.

This "Liang Zhu" is the same, different people will have different feelings when they hear it, even if Qin Fangge, the author himself, jumps out and says what he wants to express here, the audience may not necessarily listen to him.

But there is no doubt that the whole piece is coming to an end, and the audience in the entire concert hall is attracted by this particularly Chinese-style music.

With the addition of Liang Zhu's story background, even ordinary audiences can feel more things besides melody. The music goes up and down, the different styles change, whether it is romantic and charming, or joyful, as well as low and depressed, sad and helpless, etc.

For example, the reappearance at the end of the end is also the whole song, and the most romantic and moving part of Liang Zhu's story, turning into a butterfly!

The previous theme is repeated, and the beautiful and moving melody sounds again, and if you compose a song and fill in the lyrics and sing it, I believe many people will be able to sing along.

The sound of the bamboo flute is soft and slow, which seems to bring the whole music back to a peaceful and tranquil atmosphere. The beautiful melody played by the lingering interweaving of the sounds of several musical instruments such as erhu, pipa, dulcimer, guzheng, double bass, etc., echoed in the concert hall and lingered in the ears of the audience. As if turning into colorful butterflies, the dancing Liang Zhu duo, who lived and flew together, failed to continue when they were alive, and composed their romantic love story after turning into butterflies.

When the last note ended, the girls playing on the stage naturally did not make any big movements, and the movements of their hands stopped, but they did not stand up. They all sat quietly, with a slight smile on their faces, and made eye contact with each other.

Many viewers still don't seem to want to believe it, and this is the end of the song. But I know more, and after hearing the reappearance of familiar themes, I understand that the end is not far away, the common musical structure!

Xiao Yuran, who studied piano, was forced by Deng Hongmei to do a lot of music research and write articles, which was similar to other people's graduation theses. She knew this the first time she heard them play in their entirety. And Chen Yushan beside her, she didn't have much time to watch Teng Shuting and them practice, but she also knew when the music would end for the first time, she had been by Qin Fangge's side for so long, and her musical literacy had improved quite significantly. Just with Xiao Yuran, you can learn a lot of things, it's time to applaud!

It's just that Xiao Yuran and Chen Yushan looked at the other audiences around them, and they seemed to be still immersed in the romantic and charming music just now, and they didn't notice the fact that the music was over. Some audiences who don't know much about the structure of the song don't dare to applaud casually, just like between the previous movements, there will be times when there will be excess.

Someone has to take the lead, Xiao Yuran and Chen Yushan looked at each other and smiled, and immediately took action, and almost at the same time as they applauded, there was warm applause from different positions in the concert hall. In addition to those who have heard rehearsals before, there are many people in the audience who reacted in time, and there is no need to look for excuses at all.

This kind of sanity is actually a good thing, because after the applause was enthusiastic, everyone came out of the music they had just created and applauded along with it.

Many viewers can't even tell what kind of feeling they feel in their hearts now, with a sense of emotion, sympathy and happiness, and a poignant and romantic melody that seems to still linger in their hearts. It seems that the wonderful performance of a group of girls on the stage just now took them through a journey through time and space, and came to the scene of the love story between Liang Shanbo and Zhu Yingtai, watching them meet each other and regret not resisting and throwing themselves into the grave.

As the finale of this concert, Qin Fangge composed the music and the Jinse Huanian Orchestra played the "Liang Zhu", which did not disappoint everyone. Their excitement and excitement are also overflowing, and the emotions are particularly sensitive and delicate, especially women, who have long burst into tears. Although they knew before listening to it that this was a love tragedy, in the weeping, desolate and mournful music they played, the emotions in their hearts were completely carried away by the rhythm of the music on the stage.

Now when I listen to a concert, I can hear the music with my ears and the expressions of the performers on stage. This is also very infectious, such as Wang Zizi and Huang Jing, when they play, they are very devoted, and their faces, bodies, hand movements and expressions are integrated into the atmosphere of music.

The audience in the front row sees it most clearly, and the more deeply it feels. If they don't participate in it, how can they play music that moves the audience?

In this way, the audience's emotions are more difficult to control, and after accumulating for half an hour, it is finally time to vent, and the method is naturally to use applause and cheers to share the feelings of listening to the music with others.

And the girls on the stage also bloomed brighter and more beautiful smiles in the warm applause and cheers.