At the end of the three-hour opera, the opera singers on stage, the orchestra and the conductor in the orchestra pit can take a break after the last note.

And these professional classical music peers also gave their wonderful performances the warmest and sincere applause, there is no doubt that this opera is excellent, Qin Fangge and Shen Jianping and other opera singers are also impressive.

The applause lasted for several minutes, and the opera singers who were originally performing on the stage did not immediately retreat to the backstage, and even Qin Fangge was pushed out by the other backstage staff, asking him to come to the stage to accept the applause of the audience.

Fortunately, he will still put on his shirt, otherwise, it is estimated that the scene will be even more out of control.

The Japanese and Korean classical music colleagues did not skimp on their applause, and the female compatriots were even more excited. Whether it's the Korean soprano Kim so-ho or a few cute Japanese girls, the more sensitive Mitsuko Ito is still shouting something in their native language. It is as if all the emotions accumulated during the opera have been released at this moment.

Foreign friends are so powerful, the female classmates of the Conservatory of Music did not let them specialize in beauty at all, their enthusiasm is even higher, even if Qin Fangge plays the unlucky ghost who has been chasing women but has suffered failure and was dragged to hell in the end!

Qin Fangge also pretended to be an artist who didn't like applause, he relied on his loud voice, waved his hand and said that everyone is a peer, so there is no need to be so polite.

But there are few people who bird him, and the applause is still fierce, and these applause are not only for him, but also for the chief director Zhou Xiuying, other opera singers, orchestras, and hard-working behind-the-scenes personnel.

Qin Fangge said something again, "No matter how much you applaud, you won't return! Today is just a rehearsal, and only a formal performance can ......"

Even if the audience below was teased and shouted "Encore" in unison, he did not change his mind, Zhou Xiuying let them walk off the stage after everyone enjoyed the applause and praise, and had a more intimate interaction with the audience, which was also the time to get the audience's final evaluation and feedback.

The applause gradually subsided, and some classmates did not give up, and asked Qin Fangge if he really didn't return, Zhou Xiuying gave a positive answer for him, and no one dared to say anything. Everyone knows that if it is a return, it must be the tenor that the audience likes to see the most, who called Qin Fangge the title of "the world's No. 1 tenor", he sang baritone this time, and the superficial audience may not buy it. It can only be said that the fame is too big, and sometimes it is really a burden.

But everyone has nothing to complain about, otherwise it will really become a shengmi enmity!

This will be able to go to dinner, but no one has left, Qin Fangge and Shen Jianping have not even had time to change their makeup and interact with everyone without taking off their costumes, that is, peers like them have such good benefits.

The Japanese and Korean counterparts on one side also seem to have come to their senses, and they only blame the teachers and students of the conservatory for being too enthusiastic to squeeze into their circle at all. But they don't have to worry about having nothing to do, and the purpose of coming today has been achieved, and they should be treated coldly under the eaves of others and bow their heads, whether they are Koreans or Japanese, they are particularly able to bend and stretch.

When Qin Fangge and their teachers and students were exchanging, Koreans and Japanese also held groups separately to exchange their views on this opera.

Putting aside emotions outside of art and objective judgment, the conductor of the Tokyo Metropolitan Symphony Orchestra, Ishi Sato, said, "This opera is perfect, and every section shines with brilliant brilliance!"

"The contradiction and entanglement between the beauty of art and the evaluation of morality are also the reasons for Don Juan's greatness," commented Masao Tanaka, artistic director of the new National Theater.

As for the female compatriots, there are even more reasons to like it, "Don Juan is noble-born, looks handsome, has elegant manners, speaks gently, has a good voice, and is a suave master of love." At the same time, he is also a kind of human being, a unique charismatic special person who is both good and bad, and there is no shortage of such people around us. Art is not a moral judge, it is only a reflection of reality, an acknowledgment of the complex existence of human beings, and I think this is the reason why Qin Jun used music to create the image of Don Juan. ”

"And Don Juan's maverick, never give up, and would rather die than give up the pursuit and yearning for freedom is very touching!"

"Don Juan's pursuit of women can not be regarded as a rebellion against the old social order and rules, in that era, such an outrageous thing is also the most radical thing that he, a person from an aristocratic background, can do!"

After enjoying this opera live, Shizuka Fujiwara, Noromi Nakamura, and Mitsuko Ito were overcome by his charm and became completely fans of him. The evaluation they gave was quite high, especially Fujiwara Shizuka, who was the most proficient in dancing and ink, and even more diverged, saying that Qin Fangge completely brought Don Juan to life. The original image of Don Juan is actually quite vague, at most, I know that he is a well-known prodigal in Europe, with bad morals, many lovers, and a big "love saint".

But in this opera by Qin Fangge, Don Juan ignores the constraints of social class, and he doesn't care whether he takes love with a knife. He not only loves one woman, but also all women, there is an original saying in the opera, "Loyalty to one woman is cruelty to other women!" is similar to Qin Fangge's own style of doing things, which has long been famous for his romantic style, everyone thinks that he is talking through Don Juan's mouth, which is not unreasonable.

Qin Fangge also used Don Juan to present the audience with the themes of eternal sin and remorse, love and death. It is a living legend to truly interpret him as a great "love saint" who loves women deeply.

As for morality or something, it really has nothing to do with art, and the protagonist setting like Qin Fangge can also be understood by Fujiwara Shizuka as a deeper excavation and exploration of human nature, ruthless ridicule of the society at that time, and so on.

There are too many examples in the opera world, and if you want to expand it to the art world, it is even more pediatric. In the art world, the exposure of moral immorality and the dark side of human nature is more direct and prominent, just look at how many of those world-famous paintings are fruit. Not to mention the family of Zeus Venus in Greek mythology, all kinds of ***, violence, blood, betrayal, conspiracy, silver chaos and other darkest parts of human nature are displayed without omission.

Fujiwara Shizuka's rich associative power also associates Don Juan with these "gods", "Don Juan also has a rather divine side, and his image has the characteristics of the "collective unconscious". In this respect, Don Juan and Zeus are so similar that they both have endless energy, and they both like to chase women and make it their own responsibility. ”

Fujiwara Shizuka said this, and other people thought about it, and Zeus didn't say it, the big silver stick with the number one in the sky, cloth \ planted in the world, leaving countless love histories, and countless illegitimate children. There are many reasons for this, such as the fact that the Greek city-states made up stories about their ancestors being the illegitimate sons of Zeus in order to gain legitimacy for their power.

The world-famous painting "Leda and the Swan" is the best representative, and painters of different eras have drawn inspiration from this theme. While Lida was bathing, Zeus came to play with her in the form of a swan. After that, Leda became pregnant and gave birth to two golden eggs. One hatched the Gemini de Agully brothers, and the other hatched the peerless beauty Helen in the world.

Since then, the metaphor of the swan in the West has been said to be because the swan's neck resembles a male organ, and it also has part of the credit of Zeus, and humans and beasts are enough......

Zeus's throne came from killing his father, and he was also ***, engaging in homosexuality, playing with humans and beasts, in comparison, the love history is more acceptable all over the world. His rich love history, a love saint like Don Juan has to bow down, Zeus is a queen and princess or something, don't have too much fun with all kinds of NTRs, and leave seeds everywhere.

See, Zeus's first spring on earth was in Thebai. Thebes had a beautiful princess, and Zeus, who had always liked to collect beautiful women, was even more overjoyed when he heard that the old husband and wife in the family had no fun, so he turned into a handsome man and went to please the princess. Love veteran VS innocent girl, the result can be imagined. At the same time that the young girl was pregnant with the child of Zeus, Hera, the original partner, learned about the adultery. Could it be that the plot of the original match fighting the junior is about to begin? NO, Hera will not take such a little woman in her eyes! Hera became the princess's nurse, instigating her to ask Zeus to come to see her as a god, the ignorant girl is pregnant with Liujia, and she is deeply trapped in the quagmire of love and cannot extricate herself, she can't resist this temptation, Zeus has no choice but to agree.

Receiving the lesson of Princess Thebais's destruction, Zeus never dared to meet the human woman in his true form again. Argos had a prophecy that the child of Princess Danaya would threaten the throne of the old king. The princess was imprisoned in the tower by the old king. The child born to Danaya was the famous hero of the world, Perseus, King of Tirins.

At the same time, Zeus fell in love with Alcmene, a princess of Argos. The princess was already married to Amphitryon at this time, and because of the discord between the husband and wife, Zeus took advantage of the situation and quickly attacked the young woman's heart. By the time the husband returned, the wife was pregnant—yes, Zeus's child again. This child is Hercules, the great hero who saved Olympus in later generations.

At a gathering of nobles in Phoenicia, Zeus took a fancy to the young and beautiful woman - Europa. However, Zeus, who has a long history, has long been targeted by Hera, and in order to avoid Hera's tracking, Zeus turns into a bull to approach the princess. Later, Europa and Zeus gave birth to three children, namely Dalamantis and Minos, the judges of the underworld, and Sarpedon, king of Lycasia in Asia Minor.

In addition, Zeus did not even spare the sacrifice of the queen of gods - he hooked up with Io, the priestess of Hera, gave birth to the Egyptian king Epaphos, and gave birth to the god Hermes, the goddess of storms, and so on.

It's really a Greek myth that destroys all three views, but the Japanese like to worship the strong, and the fertility cult is also quite marketable in Japan, and they also like to study these, and they themselves are not far behind. Those great artists also gained endless creative inspiration from Greek mythology, and "Leda and the Swan" alone has been created by countless painters on this theme.

In addition to Zeus, Venus was also a favorite object of painters, and the Greek name of Venus was Aphrodite, which means "out of sea foam" in Greek. The fact is that Zeus's father, Cronus, the second king of the gods, at the instigation of his mother Gaia, cut off his father Ouranos's little Tintin with a scythe, threw him into the sea, and killed him, which is the famous "scythe seizure". In the end, Tintin turned into a bubble and became the goddess Venus, completely ruining the three views.

Of course, Cronos, who killed his father, ended up in the same situation as his own father and was killed by his son Zeus......

The famous painting "Birth of Venus" depicts the goddess rising from the sea, cheered by many sea gods and little goddesses of love. It seems that the painter used this subject to express the beauty of the human body. Venus's body changes in an S-shaped curve, standing among the gods, revealing his whole body, and the painter depicts the posture of the goddess of beauty with flowing curves, undulating rhythms, and delicate and amorous brushstrokes.

But those who know more about the inside story have more to say, and they can't listen to "to be the strongest bubble" anymore, and the impact of Ding Ding Chengjing is too great.

Others, such as the realistic depiction of the world's famous painting "The Origin of the World" and the profound metaphor of "Sister Estére", do not feel as much connotative and dirty as this "The Birth of Venus".

And Masao Tanaka and Ichiro Watanabe expressed their agreement with Fujiwara Shizuka's views, how similar to Don Juan's things are with Zeus's amorousness, this is also a particularly "divine" place, ordinary people are not so strong to chase women's desires, God's desires will be magnified thousands of times more than ordinary people, whether it is advantages or disadvantages, it will be particularly obvious.

Then, they also thought of Qin Fangge, a genius, did he also have something in common with Don Juan and Greek gods like Zeus!

The answer is obvious, Qin Fangge can write such an opera and perform it himself, which also shows that he has such a nature in his bones. Not to mention that before this, he had been praised by various media and peers as, "Godlike!", "God's general existence", "God's spokesman in the world", and even Rossini can be called "God's blessed voice", Qin Fangge, this is a more awesome existence than him, and the level can't be lower!

So, when it was finally Qin Fangge's turn to meet Fujiwara Shizuka Tanaka Masao again, these Japanese, regardless of men and women, their bowing and praise for Qin Fangge were even more exaggerated to the point that everyone else was dumbfounded, including the Koreans, who were dumbfounded by the side, and they couldn't figure out what kind of nerves these Japanese people had, and they really regarded Qin Fangge as a "god"?

(End of chapter)