When Teng Shuting's mother came back from outside for dinner, she was not surprised to see that there was an extra Teng Shuting in the house, and asked them with concern, "Why didn't Baoqing come over for dinner together?"

Zuo Shuqin smiled and said, "Baoqing and Qin Fangge are romantic, and only me and Shu Ting are left behind." To see the latest chapter of this book, please go to 800 (.)"

Teng Shuting is not as hippie and smiling as Zuo Shuqin, only saying that the two of them should be discussing the repertoire to be played in the Shangqin Fangge Concert.

Wu Ruhui nodded, whether it was Teng Shuting or Lin Baoqing, or Li Ruoli, who rarely came to the house, she was treated like a daughter. However, the personalities of several people are different, Zuo Shuqin is more outgoing and lively, and she is also the master of mischievous mischief many times, and she is basically the one who takes the lead. Lin Baoqing is more traditional and quiet, usually doesn't talk much, and does everything calmly. Teng Shuting is between them, but no matter who they are, they are very assertive. As for Li Ruoli, she is completely a little girl who has not grown up and needs the care and care of her sisters.

Wu Ruhui is also concerned about the affairs of their orchestra, especially the future development. She also said at the moment that it is very good to join the school organization first and exercise for a year, she actually doesn't want them to enter the society so early, and she also said that life in school is very precious and difficult to defend the right of wife when you are small. Those of them who have come over can't turn back if they want to, so they can only pin their hopes and memories of their youth on Zuo Shuqin and them.

The two girls naturally listened carefully, and Wu Ruhui didn't want them to be too utilitarian, hoping that they would make their dreams formal and what they wanted, rather than simply making money and becoming famous.

If they join the school organization, they can also have many opportunities to perform, even if they go abroad for exchanges, like other Western countries, showing Chinese civilization and music is also Wu Ruhui's mission to them.

She, the director of the Ministry of Culture, naturally stood at a very high angle, Zuo Shuqin and Teng Shuting both nodded.

Wu Ruhui also asked them to practice their own works more if they were free, and they couldn't spend all their energy on this music. Now the spread is not too widespread, and when it really becomes popular, it is foreseeable that all kinds of controversies and criticisms will definitely be indispensable. Wu Ruhui also asked them to prepare mentally in advance, and said that this work is indeed gorgeous and romantic, elegant and moving, but if others want to provoke, they have something to say.

Zuo Shuqin and they didn't dare to tell her, and now someone within the conservatory jumped out to accuse them. This is also one of the prices of fame, they can actually see it quite clearly, but they are still a little unhappy when they are scolded.

And at this time, Zuo Shuqin and Teng Shuting are also very envious of Lin Baoqing, she should be quite happy now!

Huang Jing, the girl, called over after they had just finished eating and asked Zuo Shuqin if she wanted to go to their bar!

Zuo Shuqin said that it was cold and lazy to go out, if she wanted to go, she could go by herself, or she could call whoever she could go with.

"Boss, you're too cold!" Huang Jing complained, "We're going to take care of your business!"

Zuo Shuqin smiled and said that she didn't care too much, anyway, she wouldn't want to move, and Teng Shuting was even more reluctant to go.

Huang Jing could only be defeated, and said that she didn't want to review, just pass the exam. Of course, it refers to non-professional courses, and in professional classes, Huang Jing wants to be the first in their grade Erhu, and she usually pays special attention to it.

She also asked Zuo Shuqin if she knew what Qin Fangge was doing, and no one answered his call, so Zuo Shuqin laughed at her, "People are romantic, what are you doing to make a scene!"

"Who are you romantic!" Huang Jing has been gossiping, "Baoqing?"

"Otherwise, Huang Jing, what are you thinking about?" Zuo Shuqin asked her.

Huang Jing grinned, "I'm still thinking about last night! Of course I hope he's dating Baoqing......

The girl gossiped endlessly, and asked Zuo Shuqin if she knew more about the inside story, of course she said she didn't know, and then asked her to find something to do by herself, so she accepted the phone.

And as they expected, Lin Baoqing and Qin Fangge really didn't do anything else, they were just engaging in art and playing music.

The two share a hobby of music, and Qin Fangge's attainments in traditional folk music after a long time of making up for it will be deeper than Lin Baoqing's cannon fodder codex

。

The good news he said, that is, what he had done, and he planned to work with her at the concert, "Spring River Flower Moonlight Night".

The real "Spring River Flower Moonlit Night" was created based on Zhang Ruoxu's famous article.

He also transcribed it in a regular manner, made it into a manuscript, and sent it to Lin Baoqing.

Although Lin Baoqing has experienced a lot, and she has just complained to Teng Shuting before, she was still dizzy and dizzy by this sudden happiness, and her heart was rippling.

"If my wife likes it, let's change it together!" Qin Fangge, this guy is still very good at coaxing girls.

Lin Baoqing, who was moved in her heart, immediately replied, "As long as it is music created by my husband, I like it." ”

Qin Fangge said with a smile that it was not too late to wait for her to read it before making a conclusion.

Lin Baoqing's ability to read music is particularly strong, and the Conservatory of Music is also more strict, and every student's solfeggio ear training must pass the test, otherwise they will not graduate, in the words of the ear training teacher, "We don't want the students of the Huaxia Conservatory of Music to go out, because the basic skills are not enough, and we will lose the face of our school." ”

This is also a piece for piano and flute ensemble, and it is also a classic combination of classics.

The sound of the guqin is relatively low, and so is the sound of the flute, two by two, complementing each other. If it is replaced by a flute, or other such as a guzheng, the high-pitched sound can easily overpower the sound of the guqin, and the requirements for both the composer and the performer are particularly high.

Lin Baoqing was still very interested in such a repertoire, but Qin Fangge said again beside him, "It's okay to adapt it into a guqin solo piece." ”

Lin Baoqing thought more, and she didn't forget her good sisters, "What about the adaptation into a folk music ensemble!"

"Of course it's not a problem!" Qin Fangge is also full of confidence in this, even when the two of them are there, he is not afraid of being a little more numb, "It all depends on what you mean, wife." ”

Lin Baoqing immediately decided, read it first.

She is also very familiar with Zhang Ruoxu's poem "Spring River Flower Moonlight Night", and she can also recite it backwards. It is impossible for any of her other sisters to do better than her, Huang Jing and Wang Zizi, even when they encounter such poems, they have a big role.

"The tide of the spring river is even with the sea, and the bright moon on the sea is born together. ”

When Qin Fangge was in the prelude, he started with the topic, and with an unusually beautiful melody, he sketched a magnificent picture of the moonlit night of the Spring River.

When Lin Baoqing looked at the notes on the manuscript, he hummed softly in his mouth, Qin Fangge, this guy, in terms of melody creation, is indeed the same as Explosive Wealth, he has extremely rich resources, which can be used by him.

The river tide is connected with the sea, and the moon is full of tides.

The river tide is vast, just like connecting with the sea, the momentum is magnificent, and the waves are magnificent.

Subsequently, a round of bright moon, with the tide surging, a spectacular scene, the heart of the heart surging fast wear male protagonist is my latest chapter

。

When Lin Baoqing tasted this poem before, he could understand the deep meaning very well. Ancient poetry, in terms of word choice and sentence construction, can be said to have been tempered a lot.

The word "life" gives the bright moon and the tide a fresh and flexible life.

Qin Fangge, a genius musician, also used music on this basis to compose brilliant musical chapters through various composition techniques and subtle changes.

The music after the prelude is like unfolding a picturesque and beautiful picture, the moonlight shines for thousands of miles, and the spring river is everywhere under the moonlight, bright and sparkling.

Just like the interaction with the guqin and the sound of the flute, Qin Fangge also takes great pains to create dreamlike colors when weaving harmonies and textures.

"Thousands of miles with the waves, where there is no moon in the spring river.

The river flows around Fangdian, and the moonlit flowers and forests are like hail;

The frost in the air does not fly, and the white sand on the Ting cannot be seen.

Jiangtian is colorless and dustless, and the lonely moon wheel in the bright sky. ”

When Lin Baoqing was reading music, all that was hovering in his mind were the original verses.

The music made by Qin Fangge also added a large number of variations, and used canon and other forms, which were related before and after but would not be repeated, making people feel that they were wave after wave. This also makes the musical image more rich and wonderful in details.

Lin Baoqing felt it more profoundly.

The linkage of the sound of the guqin flute is like a river winding around the spring field full of flowers and plants, and the moonlight pours on the flowers and trees, like a layer of white snow.

When I got here, I really cleverly paid the title of "Spring River Flower Moon Night".

Zhang Ruoxu's observation of the moonlight is extremely subtle, and the moonlight cleanses the colorful colors of all things in the world, and dyes the world into a dreamlike silver glow. Therefore, "the frost in the air does not fly, and the white sand on the court cannot be seen", and only the bright moonlight exists. The delicate brushstrokes create a fabulous and wonderful realm, making the moonlit night of the Spring River look particularly beautiful and tranquil. These eight sentences, from big to small, from far to near, the pen and ink are gradually condensed on a round of solitary moon.

Qin Fangge is based on the predecessors, to expand and enrich at a deeper level, not only in the subtleties and details, but also in the pattern, but also a lot, otherwise, this music will end soon.

Later, Qin Fangge also followed the poems and changed his emotions, of course, more importantly, in terms of ideological connotation.

"Who first saw the moon on the riverside? When did Jiang Yue shine at the beginning of the year? Life has been infinite from generation to generation, and Jiang Yue is only similar every year. ”

Under the moonlit night of the Qingming Dynasty, in the vast universe, it is easy for people to leap into their minds and explore what everyone has been thinking about for a long time, the philosophy of life and the mysteries of the universe. Lin Baoqing herself has a deep understanding of this, and when she reads this, she feels even more emotional. Fortunately, whether it is poetry or music, although there is a short period of sentimentality, it is more about the pursuit of life and ideals and the latest chapter of the love for the bride in red

。

The final grievances and sorrows could not affect her emotions.

If we carefully study and analyze the chapter structure of "Spring River Flower Moonlight Night", we will find that the whole poem is based on neatness, and the changes are intricate.

Thirty-six lines of poetry, divided into nine groups, one group for each four sentences, one group with three rhymes, and the other group must be switched to another rhyme, like nine quatrains. That's the neat side of it. Its intricacies are reflected in the flat changes of the nine rhymes. At the beginning, the first and third groups use flat rhyme, the second and fourth groups use rhyme, and then the five, six, seven and eight groups all use flat rhyme, and finally end with rhyme. In terms of sentence structure, a large number of comparative sentences, dual sentences and flowing water pairs are used, and the beginning and end are wonderful, and the article has infinite rhyme.

When Qin Fangge was composing, he also profoundly grasped the laws in it, and applied such laws to the creation of music.

In this poem, Zhang Ruoxu writes closely with the background of spring, river, flowers, moon, and night, and takes the moon as the main body.

Qin Fangge's "Spring River Flower Moonlight Night" is also the same, and he seems to be better at this kind of creation.

"Moon" is a scene in the poem, it beats the pulse of the poet, like a life bond in the whole poem, running through the top and bottom, and the poetry ups and downs with the birth and fall of the moon ring.

Among them, the main musical image of the moon is prepared to be played by the guqin.

The moon goes through the process of rising overnight, hanging high, slanting westward, and setting.

Under the illumination of the moon, the river, the beach, the sky, the wilderness, the maple tree, the flower forest, the flying frost, the white sand, the flat boat, the high-rise building, the mirror platform, the anvil, the flying wild goose, the diving fish and dragon, the sleepless woman and the wandering wanderer, constitute a complete poetic image, showing a picture full of life philosophy and life interest. This painting is light and strong in tone, although it is sketched with ink, but "ink is colorful", from the black and white complementary, virtual and real life show a brilliant and colorful artistic effect, just like an elegant Chinese ink painting, reflecting the beauty of the artistic conception of the moonlit night of the spring river.

Although the sound of the flute exists as a background most of the time, the influence of this background is not small, and it cannot be easily ignored.

After Lin Baoqing read it in its entirety, she also pondered in her heart that if she really changed it to a guqin solo piece, it would be a considerable test for her own skills.

In the final analysis, the expressiveness of the guqin is still not as rich as that of the piano.

In the same way, if this piece is changed to a piano piece, with the level of Qin Fang's song, it is not a problem to produce five or six parts. It's not hard to make it even more colorful.

In the case of guqin music, it can absolutely only be deleted, not added. Even if Qin Fangge himself went into battle, plus the three heads and six arms, the characteristics of the instrument were decided.

But Lin Baoqing doesn't feel sorry or anything, she is not a selfish person, she is also very happy, if it can be adapted into a folk music ensemble, she will definitely be able to show more things, these are all treasures in traditional culture.