Li Guangming, the most famous science fiction master in China, enjoys a certain reputation even in the whole world!

Li Guangming was born in a "science fiction family", and his father is the famous science fiction artist Li Yinhe!

Li Yinhe is one of the founders of "Science Fiction World", and the founder of domestic science fiction, the Galaxy Award is named after him, you can imagine his status!

And Li Guangming's achievements are not inferior to his father, and even surpass, he has developed domestic science fiction to another level!

The father and son look at the world together, which is a good story!

And this time Li Guangming was attracted by "The Three-Body Problem", he didn't think that domestic science fiction authors could still create such a grand background, such a magnificent and awesome work!!!!!!!

He feels that "The Three-Body Problem" has surpassed all his previous works, which makes him very gratified, because this means that Chinese science fiction is constantly progressing and surpassing its predecessors!

Li Guangming commented on "Three-Body Problem 1" on his blog!

In the first sentence of the beginning, he set a comment on "Three-Body Problem 1": ""Three-Body Problem" can be called the greatest contemporary work!"

Maybe others can't be convincing when they say this about "The Three-Body Problem"!

But Li Guangming has this qualification, because he is the most prestigious, the most authored, and the oldest science fiction writer in China!

He is a judge of the Galaxy Awards, honorary chairman of Science Fiction World magazine, and chairman of the Chinese Science Fiction Association。。。。。。。

He has made too many achievements, and his life is the history of Chinese science fiction from the trough to the rise!

"Judging from the content of the story, the three-body problem is simply a matter between human civilization and an alien civilization, and the content may be simple, but it is by no means mediocre. ”

"In science fiction works, the relationship between human civilization and extraterrestrial civilization can be divided into three categories if it is simply summarized:

Friendly, sinister, unfriendly and not sinister (neutral)

According to the difference in the level of science and technology, civilization is roughly divided into "low technology" and "high technology", and the current scientific and technological level of human beings or lower is regarded as "low science", and at the same time, it is set that with the existing scientific and technological military strength of human beings, it is difficult to have the strength to fight in the front

Then the difference in the level of science and technology between human beings and extraterrestrial civilizations is probably as follows: human low science, alien low science, human high science, alien high technology, human low science, alien high science, human high science, alien low science. ”

"Fuyun gives the most unbelievable environment in the three-body problem———— if you are weak for advanced civilizations, you are an ant, but he still wants to kill you, and has every reason to have to kill you, and he is very serious, what should you do?

This is a very bold idea, there are very few foreign science fiction literature circles that are set up like this, and in the field of domestic science fiction literature, Fuyun used the three-body problem to try an unprecedented ultra-difficult theme, and it was done quite well.

Isn't that nothing?

So take it a step further, how to resist in the face of an advanced civilization that is much stronger than yourself?

Generally speaking, there are two paths: self-reliance and external force.

Then, Fuyun continued to pick up the sledgehammer and smashed these two roads one by one:

Want to be self-reliant?

If you want to use external forces, not only the three-body problem, but the entire universe wants to kill you, and it is even more frenzied.

How to break this game?

"It's no longer a matter of setting, but a story that has never been seen before, with a whole new perspective and content. ”

"How should this story be written in a different environment, in a different position, in a different perspective?

In writing, people often say that dancing in shackles, then the three-body problem is that Fuyun has created a brand new pair for himself, no one has ever worn shackles, and he has danced a dance that no one has danced and no one dares to dance.

Isn't that nothing?

So one step further, Fuyun is not only wearing brand new shackles and dancing a dance that no one has danced before, but this dance is not pompous or illusory. ”

"It is based on the real society, through various detailed descriptions to create a background that seems to be real, and connected to some problems in the real world (such as the Fermi paradox, such as the call of human beings to space, etc.) as the background, so that people feel the novelty at the same time will subconsciously feel a chill down their backs. ”

"The setting of "The Three-Body Problem" is also perfect, in my cognition, a good setting is a multifaceted standard, rigorous, self-consistent, meticulous or atmospheric is one thing, and it is also very important to use it. ”

"The setting in the Three-Body Problem, aside from some of the things that have to do with physics in reality and so on (of course, there are no mistakes or omissions in science, there are enough professionals or non-professionals who have found out a lot, regardless of whether it is right or not) Some of its own original settings, including background settings, story settings or detailed settings, their utilization rate is quite high, and it can basically be said that it is interlocking with the plot (except for the third book, which will be said later)

Here are a few typical examples

First of all, the game of the three-body world,First of all, it's clear that Da Liu really doesn't play games much.,I don't understand the game.,What kind of game is the three-body world is too vague.,It's not like an online game.,It's not like a stand-alone machine.,The characters in it will be NPCs for a while.,A while like a real person.,But aside from this problem,The setting of this game is very good。

First, it uses elements of human history to interpret the evolution of the three-body world, and it is progressive, analyzing the situation of the entire three-body world in simple terms, and the wonderful thing is that the reader accepts it very smoothly, instead of throwing out a bunch of new concepts to an unknown alien civilization that is completely different from human civilization and then throwing it to the reader to chew the joke slowly. ”

"Second, through this game, ETO can develop and select members of the organization, and at the same time, this game is also a tool for ETO members to communicate with each other. ”

Third, the entire story of the Three-Body Problem is interspersed and intertwined with Ye Wenjie's memories, Wang Miao's experience in the real world, and Wang Miao's experience in the Three-Body World game, avoiding the tedium and boredom of a single narrative, and as a more realistic first part, the surreal plots and scenes in it are basically presented in the Three-Body World game (such as the applauded human column computer, the tragic three-day volley, the big tear, and the Zhizi plan that is very, very important for the later text)

It can be said that this setting kills three birds with one stone, a multi-functional and multi-functional setting with very good effects, and it also constitutes an interesting story structure that slowly progresses, unveils layer by layer, and is interspersed and intertwined in the first part of the entire three-body problem. ”

。。。。。。。。。。。。。

In the end, Li Guangming added: "Therefore, "The Three-Body Problem" is well-deserved to be selected for this year's Galaxy Award!"

It can be said that Li Guangming has a very high evaluation of "The Three-Body Problem", as if he has become a fan of "The Three-Body Problem"!

Li Guangming is the most famous science fiction boss in China, it can be said that he is an authority in the field of science fiction, and his evaluation of "The Three-Body Problem" can be said to be a complete justification of "The Three-Body Problem", which is a classic!

And Zhu Guang and others no longer have an excuse to deny the fact that "The Three-Body Problem" is a classic!