read336();

Huang Jing and the others still didn't end up dancing the waltz after all, and they only blamed Qin Fangge and Zuo Shuqin, the two perverted guys, for dancing too well, which made her a little angry.

After Zuo Shuqin skipped the waltz, satisfied everyone's wishes, and asked Teng Shuting to send the score to everyone's mailbox, he also began to direct everyone to do their business.

The so-called business is to study and discuss how to make the song "Dawn of Heroes" together.

Because they often need to print music scores, there is a printer in the corner of the classroom in 201 that they bought with money. At this time, they also printed out a dozen copies so that everyone could see the score.

This song composed by Yokoyama Jinger for the cartoon movie "Three Kingdoms" has a strong Chinese style, including the soundtrack of Chinese instruments such as erhu, pipa, and guzheng, or specially invited Chinese performers to record. This is also the consistent and serious work habit of Japanese musicians, and folk musicians such as Jia Pengfang have also been stationed in Japan for a long time to collaborate with them.

Originally, although there were a lot of folk music performances in this piece, in the end, it was electronic music made with electronic synthesizers.

Japanese musicians, on the other hand, are indeed quite good at fine electronic synthesizers, especially when combined with Chinese folk music. For example, the Forbidden City series of music of the Divine Thinker, Kitaro's "Silk Road" and "Song Dynasty", Sojiro's "The Original Scenery of Hometown", etc., are all quite classic Chinese-style electronic music.

Qin Fangge himself doesn't have so much research on electronic synthesizers now, and it is still too reluctant to achieve the level of these Japanese music masters in a short period of time.

He simply decided not to follow the same path as them, focusing on national musical instruments and taking a more pure Chinese style route.

In the cartoon movie "Romance of the Three Kingdoms", the main theme of "Dawn of Heroes" has also been adapted and varied many times, and played with different instruments for different scenes.

Qin Fangge also plans to do this, so that all kinds of musical instruments in Jinse Huanian can be useful.

After Huang Jing and the others got the score, they also began to practice, and the sounds of various instrumental music came and went, and the scene was very lively.

Qin Fangge was mainly discussing with Teng Shuting, Zuo Shuqin, Lin Baoqing, and several main composers, what kind of scenes, and those musical instruments. There is no problem with the main theme, the epic vicissitudes of life, full of praise for the heroes who saved the troubled times, and infinite emotion for the magnificent history.

Teng Shuting and the others have their own opinions, mainly based on the characteristics of various musical instruments. For example, when parting, you can use the erhu as the main play, highlighting the feelings of parting, and at the same time, using the poignant and complaining erhu sound to strengthen the appeal of the uncertain future. When used in festive scenes, you can use suona and flute, which are also the most likely instruments to reflect the joyful and warm atmosphere.

Similarly, the low dong flute can be used for the tragic scene of corpses all over the field after the war, and the pipa zither is used for battlefield killing, which is the most suitable, "drunk and lying on the pipa immediately urge" is the best portrayal, the pipa was used as a military messenger in the Tang Dynasty, and the expressiveness was quite strong.

"I have guests to drum and play the sheng", at the banquet, in line with the era of the qin, sheng, zheng, ruan Konghou can all play.

mentioned this, Zuo Shuqin was discussing with Teng Shuting and them whether the orchestra should recruit more Konghou in. The ability to express melody and harmony is particularly strong, coupled with the charm of the timbre of vertical string instruments, in short, it is quite gorgeous. In the folk orchestra, it is equivalent to the status of the harp in the symphony orchestra, and the two are actually of the same origin. It is quite good for enriching the timbre of the orchestra and enhancing the expressiveness.

However, the Huaxia Conservatory of Music only recruits one Konghou student every year, and even if they want to recruit them, others may not necessarily be willing to come to their underground orchestra, which has not yet been recognized by the school.

As for the richness of the content, the antique guqin can show more places, and it is not only used for this song. In Qin Fangge's plan, Zuo Shuqin's guqin will play the main beam, playing many classic pieces such as "Wolong Yin", "Guangling San", "Ambush on All Sides", "Autumn Moon in the Han Palace", "Hu Ji Eighteen Beats" and many other classic pieces.

So, the situation at the moment is that everyone has to practice this piece well, because there will definitely be many versions.

This also mobilized the enthusiasm of the girls, and those who did good things, such as Huang Jing and Chen Tianhong, after practicing for a while, felt that they could get started, so they called everyone to have a big ensemble.

Teng Shuting and Qin don't care about them when they put on songs, the big ensemble version will definitely need it, and it's also excellent to start practicing now.

Of course, the final version will definitely not be like the current one, and the texture must be arranged reasonably, and the timing and order of each instrument and how long it lasts are particular, which is also quite a brain-consuming thing.

But for now, Huang Jing doesn't care about this, as long as they have fun by themselves. Indeed, when a dozen instruments are played together, there is no difference between the chaotic scene when practicing alone.

In terms of momentum alone, it is completely different, and the effect is surprisingly good, making them themselves very happy.

Huang Jing also sighed, "I can't believe it, such a magnificent and domineering momentum is really played by us." ”

Everyone laughs, and then they make a summary, and the first time they play, it's definitely not perfect. In addition to self-examination, they also point out the shortcomings of others.

For example, Xiao Jingru made Ye Xiuling's suona timbre slightly lower, and in the big ensemble version, if each instrument wants to pursue individuality, the final result will definitely be miserable.

Ye Xiuling was also as good as a stream, and nodded to indicate that she understood.

Huang Jing, don't look at her usually jumping up and down, when she really plays, she is also calm. Qian Shuyuan also asked her to discuss her performance skills, and Huang Jing did not hide her secrets, and discussed with her and Feng Lulu.

The three of them often do this kind of communication, at the very least, to keep the rhythm and timbre of the same pace, rhythm, and timbre, otherwise it will be messed up.

Even if Teng Shuting and Zuo Shuqin did not participate, such good communication between other girls could be maintained, they were all top students of the Conservatory of Music, proud daughters of the sky, and music was everything to them. When they go all out, the energy that bursts out is also quite amazing. They also consulted with each other not to enter all the instruments together at the beginning, but to enter according to the melody, and then they continued to practice.

Qin Fangge and they also heard it quite clearly, and the effect this time was much better than the previous one. After all, it is coordinated, and there is no situation where each instrument is in a hurry to express itself and makes the whole out of harmony.

Of course, there are still many things that need to be improved, and they are constantly trying. Whether the effect is good or not, play it out, let the ears judge.

Qin Fangge also envied the deep and tacit understanding between their sisters.

Zuo Shuqin also sighed, "How nice it would be if you were a girl!"

Teng Shuting also smiled and agreed, "Yes, then we can also be intimate and cooperate tacitly." Qin Fangge, why don't you go to Thailand for surgery!"

Lin Baoqing was still snickering beside him, Qin Fangge shook his head and insisted, "That's not good, things of principle can't be changed." ”

When a few of them joined in, the scene became even more lively, and the song "Dawn of Heroes" played became more and more vicissitudes.

Huang Jing also asked Qin Fang to sing, because he himself marked where to sing on the score.

Qin Fangge is thick-skinned, but if he is alone, he still can't show the majestic and tragic momentum of the choir. But his chanting is still quite infectious, and Huang Jing said after listening to it that the effect is quite good, showing the momentum of the majestic mountains and rivers.

Teng Shuting, who had just asked him to have sex reassignment surgery, also said, "Sure enough, at this time, you still need a deep and majestic male voice." ”

Zuo Shuqin also smiled, "It's right that you insist on not going to Thailand." ”

Her words also aroused Huang Jing's curiosity, and after figuring out what they were talking about, a group of girls who were tired of practicing began to gossip. They are also fantasizing that if Qin Fangge becomes a girl, the picture must be quite beautiful, Pan Lina also envy his good figure, and if he becomes a woman, he will definitely be much better than her, the princess of Taiping. Chen Tianhong said that at that time, Wang Zizi had to give way and give up the image representative of Jin Se Huanian.

Their eyes saw that Qin Fangge was furious, and he hurriedly went to Lin Baoqing to discuss learning guqin with her, and said that it was quite an urgent matter.

Lin Baoqing couldn't help but laugh softly, her pure smile soothed Qin Fangge's panicked heart. Lin Baoqing understood his feelings, but she also understood the desire of the good sisters, she didn't have that idea herself, so she discussed with Qin Fangge the arrangement of teaching him to learn the guqin. Lin Baoqing didn't worry about his homework, he had plenty of time, and Qin Fangge said that he planned to stay in 201 these days. The talented girls of Jinse Huanian usually have to practice with the professor, and they have to deal with the final exam, and they are even poorly dragged to the graduation concert of their brothers and sisters. And for their own words, under the arrangement of the professors, it is also the most common thing to hold a final summary concert with a few classmates.

Huang Jing and the others made a fuss for a while, and after practicing for a while, they said goodbye happily and went back to their respective homes to do their own things. Huang Jing knew that Qin Fangge wanted to learn the guqin, so he didn't bother them much.

Qin Fangge followed Lin Baoqing to learn the guqin until the power went off in the classroom in the early morning, Lin Baoqing also said to send him back, Qin Fangge didn't dare to drive her, she had already delayed her a lot of time.

Lin Baoqing insisted on this, and said that she came by car anyway, and sent him back by the way, and asked him if he didn't want them to know where he lived.

The most difficult to accept the grace of the beauty, Qin Fangge had no choice but to take her car back, it was too late, Lin Baoqing didn't go in, and after putting Qin Fangge down outside the alley, he drove home.