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Now that the words have been spoken, Gong Jingyu is not remorseful, although she is a professor in the Department of Folk Music, she also knows that Qin Fangge has many professors in the Conservatory of Music who want to teach him. She doesn't pay so much attention to it, such as what kind of apprenticeship ceremony she does, just let Qin sing and call the teacher.

Then she inspected Qin Fangge's erhu level in the classroom, and Qin Fangge could only honestly play what she wanted to hear and see according to what she said, and she still used Huang Jing's erhu. I heard that he had only practiced for a few months, and Gong Jingyu's understanding of his genius became more and more profound.

As far as the song "Tianya" just now is concerned, there are still many places to discuss in Qin Fangge's performance, but his most genius and what makes her want to accept him as a student the most lies in his emotional processing and expression.

Huang Jing is also a genius, but she is far less powerful than Qin Fangge in handling the feelings of the erhu. Her advantage lies more in the processing of technology and skills, which is also the result of her more than ten years of studying erhu.

It's still understandable to Huang Jing and Gong Jingyu, after all, it's just a little girl under twenty years old, and it's still very difficult for her to understand too deep feelings and express them, without experience and experience, just by imagination.

As for Qin Fangge, he is already a genius recognized by everyone, and geniuses are always very powerful. Hearing that it was the first time he had played this piece, Gong Jingyu felt more and more that he had something to create. She even thought that if Qin Fangge concentrated on practicing erhu, he would definitely become an erhu master who surpassed all previous erhu masters. It's a pity that Qin Fangge's mind is not on this, and learning erhu is also to better create related works.

Since Gong Jingyu accepted him as a student, no matter what, she wanted to teach him well. Qin Fangge learns quickly and has a lot of benefits, she can save worry and effort, and teach her skills to the fullest.

As the so-called skills are not pressing, Qin Fangge will definitely be useful in the future.

Huang Jing, Gong Jingyu's official student, can only listen obediently to the side.

Even so, she will still be affected, and if she doesn't teach Qin Fangge well, Gong Jingyu will settle the account on her head. It was also Huang Jing's fault to rashly let him play a tune like "The End of the World".

Poor Huang Jing can't refute it yet, she can't tell Gong Jingyu that she let Qin play songs in order to regain her self-confidence!

When Ye Xiuling and the others came to 201 at night, they saw Huang Jing drooping her head, completely lacking her previous arrogance.

Gong Jingyu also found out that this was not a good place for her to teach, she was originally teaching other students, but after accidentally accepting Qin Fangge, a student, she was also too excited, and almost forgot about it. Gong Jingyu also knew that if he didn't hurry up and teach him, it was estimated that he would not have much time in the future.

So, Gong Jingyu asked Huang Jing to go up and inform her other student that she had something to do temporarily tonight and would make up for it later.

Huang Jing could only agree to come down and do so, Qin Fangge couldn't say anything, so let her go by herself.

Ye Xiuling and Xie Xiaojuan are both students of the Department of Folk Music, and of course they all know that Huang Jing's teacher is Professor Gong Jingyu. This will Gong Jingyu directly want to teach Qin Fangge to learn erhu, Huang Jing, the master, will definitely not be able to be a master, at most a senior sister. Thinking of Huang Jing's usual self-proclaimed Master Qin Fangge, they felt funny, but this time, they could only snicker in their hearts.

Because they still have to deal with Professor Gong Jingyu's questioning, the professors actually see the activities of the student orchestra in Jinse Huanian, and they also have their acquiescence, and they also see that they all really love music, not the kind of orchestra that is messing around. Otherwise, Gong Jingyu would definitely let Huang Jing quit.

Gong Jingyu is most concerned about their own repertoire and the situation of group rehearsals.

Ye Xiuling said that if Qin Fangge helped them compose the music, they would not worry about the lack of rehearsals, but everyone's time was relatively tight, and it was not easy to coordinate well. But the sisters are all working together to forge a new path.

Gong Jingyu was very satisfied with their answers, and said that with the help of a genius like Qin Fangge, their future path should be smoother.

After Huang Jing finished her business and returned to 201, Gong Jingyu encouraged Ye Xiuling and them a few more words before taking Qin Fangge and Huang Jing upstairs.

Ye Xiuling and Xie Xiaojuan, who were so happy, hurriedly informed the other sisters of this sudden incident, and everyone expressed their deepest sympathy for Huang Jing's experience. They can completely imagine that Huang Jing will definitely ask them for comfort and hugs later.

Now that Qin Fangge has begun to practice "Tianya", Gong Jingyu, the teacher, told him this song for the first song.

This is the most famous piece of Zhou Yanjun, a generation of erhu masters, based on the ups and downs of his life, after 30 years of several revisions. When Zhou Yanjun pulled it up by himself, it was really sad for those who heard it and cried when he saw it, which was deeply liked by Chinese and foreign people, and was generally considered to be the most profound and artistic conception of erhu music.

"You know the background of this song, right?" Gong Jingyu asked Qin Fangge.

Qin Fangge nodded and said that Huang Jing had told him.

Gong Jingyu glared at Huang Jing again, this girl completely lost her temper in front of the teacher, and endured it silently.

If no outsiders are there, Gong Jingyu can explain to her heart's content.

On this piece, Professor Gong Jingyu, who has been a student for so many years and is also a master of erhu performance, does not dare to say that he must have grasped Zhou Yanjun's original intention. The current erhu players have their own opinions on the understanding of this piece, and no one can convince anyone.

Gong Jingyu can only talk about how she felt when she played this piece herself, and she also planned to give Qin Fangge a demonstration in person.

Huang Jing hurriedly patted the horse, "Qin Fangge is very lucky, I just learned from Teacher Gong, and I had the opportunity to enjoy Teacher Gong playing such a classic repertoire." I've been with Mr. Gong for so long, and I've never heard of it before. ”

Fortunately, Gong Jingyu is no longer as angry as before, otherwise Huang Jing will be criticized again, she can only glance at her, let them listen carefully, and carefully watch her playing techniques.

Huang Jing nodded hurriedly, "We will definitely be serious, many performance techniques are not clearly marked on the score." ”

Qin Fangge also nodded.

Gong Jingyu is worthy of being a famous erhu artist, and this song "The End of the World" is really like crying. Moreover, her technique is extremely skillful, and there are really a lot of things outside of textbooks.

Qin Fangge couldn't take his eyes off it, and his ears didn't let go of any detail.

The requirements for the performance logic of this piece are also quite high, although a melody is repeated several times, but each section is really different. The contrast between strength and weakness, the level of dynamics, the slow rhythm, and the emotional ups and downs are all quite exquisite.

Gong Jingyu's erhu pulls out that kind of inner and subtle timbre to express the character's inner loss, and the feeling of trembling in pain.

Especially in the climactic paragraph, Gong Jingyu pulled it even more dazzling for the two of them, and they listened to it trendy.

Her handling of strength and timbre made Qin Fangge feel impeccable. In the process of marching, the contrast of crescendo and weakening is used to highlight the inner feelings of the characters.

In the last paragraph, Gong Jingyu even pulled out Zhou Yanjun's feeling that he had already suffered a lot of pain in his heart, but he was unwilling to express it, and he stopped talking about it, which made people feel extremely sympathetic.

Moreover, Gong Jingyu's skills gave Qin Fangge the feeling that it had reached the pinnacle. The techniques that Huang Jing usually shows off in front of him are really too jerky and immature in comparison.

After Gong Jingyu finished this song, Huang Jing was a little stunned, with tears in her eyes, but she didn't burst into tears like before.

Qin Fangge is okay, although he can make Huang Jing cry himself, it is not easy for others to make him cry easily, even if the other party is an erhu master like Gong Jingyu.

Gong Jingyu didn't care about this, and only asked them if they had gained anything.

"Teacher Gong's performance is really a natural sound from the heart, which makes me very moved, and the harvest is also quite great!" Although Qin Fangge couldn't squeeze out tears, his heart was indeed quite impacted.

Gong Jingyu asked him to talk about it specifically.

Qin Fangge didn't hide it, just said that what he really felt, such as the bow movement skills she used, such as the sound before the second paragraph is good at bowing, the sound is pulling or pushing the bow, and the way of kneading the strings at different points in time is also different, so there is nothing to talk about in the score. There is also her expression of feelings through the erhu's modulation, crescendo and weakening, and finally ending with glissandos to give people infinite reverie and so on.

Qin Fangge said a lot of this, which also aroused Gong Jingyu's infinite emotion, "It's true that you are a genius, just your ears are already the most keen-hearted among the people I have ever seen." And your observation and comprehension are the strongest among the students I have taught. Huang Jing, work harder in the future, see Qin Fangge is so talented, and he works so hard. Your talent is not as good as his, and if you don't work hard, you really don't know how far you will be left behind. ”

Huang Jing, who had been tragic all night, could only nod, and she didn't dare to make any small moves in front of the extremely strict teacher.

Then, Gong Jingyu explained to them in detail what needs to be paid attention to when playing this piece.

Before this, she didn't forget to spur Huang Jing, "Originally, I didn't want to teach you this piece so early, whether it is your technical accumulation or emotional accumulation, it is far from enough to play this piece well, if you force it to practice, you can only embarrass yourself." Fortunately, with Qin Fangge here, you can try to learn how he handles emotional expression, you are both about the same age, you should learn from each other and make progress with each other, so that you can get acquainted in vain. ”

All right!

Huang Jing felt that she was completely faceless this time, she couldn't be his master, but she had to learn from him, and the gap was too big.

But at this time, no matter how wronged Huang Jing was, she could only agree first, otherwise, she would definitely provoke Gong Jingyu to scold.