The double bass, like the cello, has a particularly high ceiling on the skill and musicality that can be expressed as long as the player's level is high enough. Han Wei originally studied cello, and her cello solo ability is quite good, and there are many cellists who are active in the classical music scene now, but she is now used to playing double bass, and she has no intention of switching back to cello. Qin Fangge is a genius again, although the difference between the double bass and the cello is still quite big, but when he is composing, especially when he is a piano and double bass ensemble, the difficulty coefficient is not much greater than working with the cello.

Qin Fangge's double bass was introduced with Han Wei, but he has a strong learning ability and makes rapid progress, and after absorbing all her technical essence, he can carry out more expansion and innovation. The performance of the double bass is also divided into many genres, such as the Italian school, the German school, the French school, etc., Qin Fangge is a combination of the advantages of these genres, he does not have much awe of the founding masters of each school, it can be said that he is willful, and he himself plays how he thinks it is good.

Han Wei is now wearing a pair of pants with him, the double bass instrument itself is constantly changing and improving, and now it is used in the national orchestra, there are more improvements, and the roles played are roughly the same, but there are also changes, after all, they are two different symphony orchestras.

Qin Fangge first determined the theme and basic sense, and then created it. This source of inspiration, in addition to the original poem "Death and the Maiden", is more based on Han Wei's own character and thoughts, she is an outlier in the Jinse Orchestra, and the only person who is particularly interested in things like the mystery of death. This time, when the two of them were doing a role-playing game between the Grim Reaper and the girl, she was also particularly able to bring it in. Of course, she improvised on a double bass, while Qin Fangge used a piano, and Han Wei also asked, "Does this count as helping me take composition lessons?"

That's right. Qin Fangge said that his composition has basically become instinctive now, and all kinds of composition techniques, chord collocations even have his special style and routines.

"Then you should actually find Shu Ting to come with you. Han Wei said, "I still don't understand a lot of knowledge, Shu Ting will definitely be able to understand it." ”

Qin Fang smiled and said, "It's not surprising that Shu Ting's composition department has more theoretical knowledge and practical experience than yours, but we don't just talk about composition skills. Besides, it's not good to disturb or hit her. ”

"That's right, Shu Ting's self-esteem is very strong, but it's a pity that I met you!" Han Wei giggled, she knew all this, and Teng Shuting was not the only one who was arrogant, the students of the Conservatory of Music were all about the same, and the ones with excellent grades were just outstanding.

Qin Fangge didn't have much to do about it, but when he discussed performance techniques with the girls, he never just talked about performance, but asked them to form a joint song, forcibly instilling various composition techniques and skills to them, so that they only deeply understood the author, and then paid attention to details, and then practiced diligently.

This time with Han Wei, she also fully understands the background of the story of the Grim Reaper and the girl. Inspired by Greek mythology: Palmephone, the daughter of Zeus and Demere, the goddess of the earth, was kidnapped by Hades and taken to the underworld to marry Hades and become the queen of the underworld. Demurel was very grieved, and as a result, everything on the earth stopped growing. The sun god Helichos could not bear it, so he told the goddess of the earth the whereabouts of Demur. Zeus, unable to regenerate all things on earth, had to send a god to bring Persephone back. However, Palsephone has already eaten 6 pomegranate seeds, so he has to return to the underworld for 6 months every year. It was only in the six months that Demur and his daughter were together that everything on the earth grew by leaps and bounds.

Listening to her play improvised music, let her completely follow her inner feelings, the nostalgia for the world when the girl faces the inevitable death, the sadness and helplessness in the heart of not wanting to die, and weave beautiful lies in death, saying "I am here to make friends, not to insult you." Be brave, I am not an abomination, lie on my arm, and you will sleep peacefully." The wavering and hesitation in the girl's heart, all kinds of extremely complex emotions must be expressed through music.

And Han Wei's improvised double bass can only be used as a reference for Qin Fangge, and he can't write all the movements she improvised into the ensemble, and more importantly, the emotions in them, especially the inner world of the beautiful girl.

As the Great Demon King Death, he must have created his own melody for various counterpoint chord variations. However, he can also improvise first, with Han Wei's double bass, to inspire her, and really use the language of music to communicate. He and the girls around him who love music and regard music as their lifelong ideal have long had such a tacit understanding.

When Qin Fangge was carrying out such creative activities, his brain was full of power, and his serious work made Han Wei particularly obsessed.

However, Han Wei was not very satisfied with her performance, and after her improvisation, she also asked Qin Fangge's opinion and said, "Why do I always feel that something is still missing......

Qin Fangge felt that it was okay, and comforted her, "We have just started, we don't have to be so demanding of perfection!"

"I don't feel like I have a talent for composing, even improvisation. Perhaps, we should find more inspiration?" Han Wei had already put down the double bass and stood next to the piano to meet his eyes, "There will be fierce conflicts between the god of death and the girl, but there are also times of mutual tolerance, especially in the end, the girl finally returned to the arms of death." This does not mean the end of life, but more like the beginning of another reincarnation, is there love between mortals and gods?"

Qin Fangge stared into her eyes and said, "Wei Wei has a point, whether it is Greek mythology or Eastern culture, there is quite a lot of love between humans and gods, even the god of death that represents destruction and the end is the same. This world, in the final analysis, is still a world of love, and there are all kinds of love. ”

"The love between me and you is like the love between man and God. Han Wei nodded again and again, "I think we should experience and feel more of this kind of love!"

"The difference between you and me is too great!" Qin Fangge didn't think so.

But Han Wei really thought like this, and said seriously, "It's not just me, many people treat you as a god, and all the miracles you show are completely described as miracles." ”

"You don't have to be so entangled, isn't it also the tradition of our Eastern mythology for mortals to become gods?" Han Wei then added, she also smiled and said, "You must know that women's fantasy ability is not bad at all, whether it is seen as a daydream by others or whatever, there is nothing surprising to fantasize about falling in love with a god like me!"

Han Wei is a thorough man of action, adhering to the principle that love should be said and done, she forcibly flirted with him at the beginning, and now she doesn't shy away from these, and her expression becomes more and more excited, "Such a forbidden love is the most exciting and exciting, and the feeling of giving women is also extraordinarily fresh and exciting, and I can't avoid vulgarity." Moreover, in front of you, he is really a mortal. Take me away, Grim Reaper, and take me to experience the edge of life and death, and feel the wonderful dance of death. Come on, let's dance together, in the cold winter, the snow is all over the ground, under the silver moonlight, the gray forest, under the dark tombstones is another place of endless darkness......"

This is Han Wei's normal state, Qin Fangge has long been used to it, her words like this also aroused strange ripples in his heart, people have a dark side, and he is naturally no exception. In those years of endless dark soul wandering, the emotions of life and death he experienced were much deeper than Han Wei's. However, Han Wei is the only one who can talk about these topics with the people around her, and there is no pressure to talk about these topics, which is also one of the reasons why Han Wei attracts him and likes her very much.

Han Wei firmly believes that love can bring inspiration, and it can also increase her experience and experience, especially for a genius like Qin Fangge, otherwise he would not be keen on it, and she has a lot of truths, "On the road of pursuing truth, goodness and beauty, it is also quite necessary to release the evil and darkness in your heart, there is darkness and there is light, right?"

Qin Fangge's current lower limit of discipline is already low, and he thinks that she is very reasonable, so he continues to play the game of death and the girl with her, he wants to override her and control her life and death. And Han Wei soon returned to the form of a newborn baby, a beautiful but childlike face, and the most smooth and flawless places, which can especially arouse the desire in the heart of Qin Fangge, the god of death, and want to take her with her, whether it is to the gloomy hell or the holy and bright heaven.

Han Wei didn't need his mercy at all, and stimulated him with words, "Force! Don't forget that you are a god of death, you can't just do this! I really want to experience what it's like to die......

Qin Fangge naturally didn't need to take that kind of sexual suffocation method to stimulate her, and it was completely unnecessary, when dealing with a girl like Han Wei, his devil's hand alone was more than enough. After opening the door to a new world with Han Wei before, she seemed to be more and more obsessed with this way, so much so that she herself wondered if she was born with a tendency to tremble, because she was completely addicted to it and didn't need his reluctance. However, neither Han Wei nor Qin Fangge has much psychological pressure on this, and they see this as a good way to relieve pressure, which is the most constant one for her who takes mystery, death, and sadness as the norm of various negative and even dark emotions.

Of course, this feeling is still quite good, and it also brings her a lot of new experiences, but in such a piano room, it is still daylight, and she doesn't dare to shout it to her heart's content. But it was such a depression that made her feel more excited and stimulated, and it seemed that all the cells in her body were mobilized.

After experiencing the cycle of life and death, although she couldn't use the double bass to communicate with him musically, she still had no problem using words.

The double bass will also be in Qin Fang's singers, and he also often exchanges her double bass playing skills, which will be no exception, and also said that when I was with her just now, it was like playing the double bass, and the inspiration was naturally endless. Han Wei also set up the dV a long time ago, and recorded the bits and pieces of the two together, he composed and played on the double bass this time, and also had in-depth communication and exchanges with her, "This kind of ensemble music pays special attention to emotion, like this d note does not need to be played too pleasing, but if the expression is concerned, it is better to exaggerate, don't learn from me." With such an extended mark, the accent is from the inside out. Underneath such emotional music is a world of emotions. ”

Han Wei nodded to understand that underneath the notes was a world of incomparably rich emotions built by him and her, but it must be made to resonate with reality, otherwise it would not last long.

He also continued to demonstrate and tell her, "Don't start too fast, you won't be able to control it later." ”

"Like here, the blow of fate is coming, so it won't be strong enough, we have to play more aggressively, there is a sudden, intense feeling, don't weaken, pay attention to the crescendo, and the strong and very weak notes should be appropriate. The modulation should be more continuous, don't let the ups and downs be too much, well, this movement, should be played as beautiful as silver filaments in the moonlight. ”

"Don't be too sharp here, think of the nine triplets as a dotted half note. ”

After the warm music of Duan Maimai, the beauty will disappear, and the Grim Reaper will take his maiden to Elysium together. This longbow, don't procrastinate, death and reincarnation are not innocent emotions, but banter. Pay attention to kneading the strings. ”

Han Wei nodded and listened to him carefully, she naturally knew that kneading the strings is an important skill in double bass performance, which can beautify the timbre, add emotion, and strengthen the vitality of the music. Kneading requires three body parts: fingers, wrists, and arms, which are coordinated by pressing up and down. The most important part of kneading the string is to grasp the frequency and amplitude of the upward and downward fluctuations.

A common rule is that the treble can fluctuate up and down slightly, but the frequency is a little faster, and conversely, the bass can fluctuate up and down sharply, but the frequency can be slower. When the tone of the music is high-spirited, the amplitude of the kneading strings should be large and the frequency should be fast, keeping up with the rhythm of the music itself; But when the music is soothing and elegant, the amplitude and frequency should be stable, and when the tone of the music is sad and melancholy, the kneading should be controlled at a gentle frequency and a larger amplitude.

Because the strings are fragile, the strength of the strings directly affects the timbre and also affects the fluency of the whole performance. If he exerted too much force, it would cause his left hand to move poorly, Qin Fangge naturally would not make these mistakes, and he also asked Han Wei to pay attention to the details when he played. ()

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