We ate and drank enough, and walked on the muddy dirt road with great interest, and everyone couldn't help but talk and laugh, and the wind of conversation and laughter arose, and unconsciously talked about the topic of the Yellow Crane Tower that we want to go to.

Hu Jiaojiao said curiously: "We traveled all the way to the mountains and rivers, the famous rivers and mountains are close to the bottom of our eyes, I don't know why we have to go to this Yellow Crane Tower today, we also have a lot of famous buildings in the Great Song Dynasty, right? Why do you have such a soft spot for this Yellow Crane Tower?"

Xiao Fei said with a hippie smile: "You don't know this, you are lonely, your hair is long, and your knowledge is short, so let your knowledgeable Brother Xiao Fei give you a careful explanation." As we all know, the Yellow Crane Tower is a well-known historical spot at home and abroad, it is located on the shore of the Yangtze River, the head of the Snake Mountain, backed by the Wuchang City of 10,000 households, facing the turbulent Yangtze River, relatively quaint and handsome Qingchuan Pavilion, at the intersection of the east and west waterways and the north and south land routes. The beautiful scenery of the three towns of Wuhan on the Yellow Crane Tower is vivid, and the splendid mountains and rivers of the vast Shenzhou are also in sight. Due to this unique geographical location, as well as the poems, literary endowments, couplets, plaques, rock carvings and folk tales handed down by the predecessors, the Yellow Crane Tower has become a famous cultural building that relies on each other between mountains and rivers and cultural landscapes, and has always enjoyed the reputation of the world's superb scenery and the first floor of the world's rivers and mountains. Moreover, the Yellow Crane Tower was also used as a famous mountain and holy place of Taoism, and it was the dojo of Lu Dongbin for preaching, practicing and educating. "Daozang: The True Immortal Body of the Past Generations" said that Lu Zu climbed the Yellow Crane Tower on May 20 and ascended to heaven at noon. Therefore, it remains as a miracle of immortals. In the "Quanzhen Evening Altar Lesson Sutra", it is said that the head of the Yellow Crane Tower left holy traces. The architectural characteristics of the Yellow Crane Tower itself are beautiful, unique, due to the influence of Wuchang Chudi culture, in the case of the prevalence of the beam lifting type in the north, it also has the influence of the southern piercing bucket type, it is one of the models of ancient Chinese architecture pavilion architecture. In addition, in order to better achieve the effect of its majesty and ascending to the distance, these pavilions generally choose natural or artificial terraces, and become high-platform buildings in the Qin, Han and even Tang dynasties are one of the commonly used methods to deal with pavilions. Moreover, celebrities such as Cui Hao, Li Bai, Bai Juyi, Jia Dao, Xia Zhu, Lu You, etc. have visited here successively, chanted poems and made gifts. There is also an anecdote allusion that is well known to women and children. Among the many selected poems of the Tang Dynasty, the opening or pressing volume of the Seven Laws Part of "Yellow Crane Tower" is because this poem was called the first of the Seven Laws of the Tang Dynasty by later generations, which is related to an allusion by Li Bai. The Tang Dynasty poet Cui Hao climbed the Yellow Crane Tower to enjoy the scenery and wrote a famous work that has been passed down through the ages - the people of the past have taken the Yellow Crane to go, the Yellow Crane Tower is empty here, the Yellow Crane is gone, the white clouds are empty for thousands of years, the Hanyang tree in the Qingchuan calendar, the parrot island in the grass, where is the sunset township, and the Yanbo River makes people sad. Later, Li Bai also climbed the Yellow Crane Tower, looking at Chutian, open-minded, poetry flourished, poetry flourished, when he was about to write a poem, he saw Cui Hao's poem, this poem describes the beautiful scenery overlooking the Yellow Crane Tower, it is a masterpiece of hanging the ancient nostalgia. The first four sentences are written about the nostalgia of Denglin, and the last four sentences are written about what they see and think when they stand on the Yellow Crane Tower. Although the poem is not harmonious, the syllables are clear and not awkward. It has become a treasure that has been admired by all generations. This poem was very famous at the time, and it was even called wonderful, so he wrote four limerick poems, and sighed to himself: smashing the Yellow Crane Tower with one punch, kicking over the Parrot Island, there is a scene in front of him, and Cui Hao's inscription poem is on the top. Then put down the pen and did not write, and now opposite the Yellow Crane Tower is Li Bai put the pen pavilion. And Cui Hao has made a statement since then. ”

Quicksand also did not show weakness, and scrambled to chatter: "Indeed, among the many poets of the Tang Dynasty, Li Bai, who has formed an indissoluble bond with the Jianghan region, is the first to recommend the Tang Dynasty poetry superstar, known as the poet immortal." Li Bai roamed the Jianghan area for more than ten years when he was a teenager, so he called himself Shao Yangtze River Han. And he said, "I am a madman." These are not the poet's proverbs on the spot, but his heartfelt words. Chushan and Chushui once created a great poet like Qu Yuan in the Warring States Period, and Li Bai's growth is inseparable from the nurturing and cultivation of him by the magnificent mountains and rivers of Chudi. Li Bai's poetry collection contains more than 1,000 poems, including more than 50 poems about the Yellow Crane Tower and Jiangxia and Hanyang, and Wuchang Snake Mountain has left many legends and ruins of Li Bai, including the pen pavilion, the Taibai pavilion, and Li Bai's reading place. Because of Cui Hao's poem "Yellow Crane Tower", it also leads to the eternal story that Li Bai has a scene in front of him, and Cui Hao's inscription poem is on top and puts his pen down. However, people of the past generations have different opinions on whether Li Bai put down his pen because of Cui Hao's poems on the Yellow Crane Tower. Some people think that Li Bai did not put down his pen. Some expressed doubts about the pen. Some expressed regret and regret for Li Bai putting down his pen. Some were not convinced by Cui Shi, and shouted that Cui Shi was not allowed to be on top, as if they were acting rashly. Chen Shi pointed out the origin of this rumor: "Li Bai passed through Wuchang, saw Cui Hao's Yellow Crane poem, and was impressed and did not repeat it. Go and give Jinling Phoenix Terrace. Later, the Zen monk used this incident to make a side: a fist smashed the Yellow Crane Tower, and a kick knocked over the Parrot Island. There is a scene in front of him, and Cui Hao's inscription poem is above. It was originally a word based on this incident, and it was not too white poetry. It has been passed down for a long time, and it is believed to be true. Later generations praised Li Bai's modesty and talent, and specially built a pen pavilion, and there was a crane before the writing building, and there was no poetry after the pen was put down, and Cui Hao's "Yellow Crane Tower" also became the first of the seven laws of the Tang Dynasty by virtue of this allusion. Occasionally, I saw Xin Wenfang's "Biography of Tang Caizi" in an ancient book of Lizhou, and Li Baideng Huanghelou wanted to write a poem, because he saw Cui Hao's work, he held his hand for it, and said: There is a scene in front of me, and Cui Hao's inscription poem is on it. Legends or posterity may not be true. However, Li Bai did write poems twice to create the style of this poem. The first four sentences of his poem "Parrot Island" say: The parrot crosses the Wujiang River in the east, and the name of the parrot is spread on the river on the continent. The parrot flies west to Longshan, and the tree of Fangzhou is He Qingqing. It's the same as Cui Shi. There is also a poem "Ascending Jinling Phoenix Terrace" is also obviously a copy of this poem. For this reason, the poet has a reputation among the people, and this time, Cui Hao's "Yellow Crane Tower" is even more famous. ”

Hu Jiaojiao said with emotion: "I didn't expect Cui Hao, a poet of the Tang Dynasty, to be really powerful, and this poem is even better than that of the poet Li Bai." Xiao Fei said disapprerovingly: "In fact, the grinding of suffering is indispensable for achieving a brilliant life, in fact, Cui Hao's early poems mostly write about girlfriends, which are glamorous and light." After the side of the calendar, the style of poetry is greatly vibrating, suddenly changing the normal body, the wind and bones are awe-inspiring, especially the poems of the side plug are generous and heroic, vigorous and unrestrained, in order to stand out in so many poems that praise the Yellow Crane Tower, not to sing, a blockbuster, so we all have experienced this tempering, after the wind and waves, we will definitely make a great difference, extraordinary. ”

Wang Gongzi was also full of interest, and said with a smile: "It is true, there are many poems about describing the Yellow Crane Tower in the past dynasties, which are popular among the people, countless, and the charm is transcendent, and there is no axe and chisel." If the poets of the previous dynasty did not write about the Yellow Crane Tower, it seems that they are not poets. I am in high spirits today, so I simply spit out the poems I know about the Yellow Crane Tower, including Li Bai's "Sending Meng Haoran to Guangling": the old man left the Yellow Crane Tower in the west, and the fireworks went down to Yangzhou in March. The lonely sail is far away and the blue sky is exhausted, but the Yangtze River skyline is seen. There is Cui Hao's "Yellow Crane Tower" in the Tang Dynasty, and the people of the past have taken the Yellow Crane to go, and the Yellow Crane Tower is vacant here. The yellow crane is gone, and the white clouds are empty for thousands of years. Qingchuan calendar Hanyang tree, fragrant grass and parrot island. Where is the sunset township, and the Yanbo River makes people worried. Among them, Li Bai wrote no less than five poems related to the Yellow Crane Tower, "Listening to the Flute on the Yellow Crane Tower with Shi Lang Zhongqin" - one is to move to Changsha, and look west to Chang'an and not see home. The jade flute is played in the Yellow Crane Tower, and the plum blossoms fall in May in Jiangcheng. Since then, Jiangcheng has become the reputation of Wuhan. There is Li Bai's "Looking at the Yellow Crane Tower" looking at the Yellow Crane Mountain in the east, and the male is half empty. White clouds are born on all sides, and the middle peak leans on the red sun. The rocks and mountains are crossed, and the peaks and peaks are also dense. I am quite familiar with the immortals, and I learned flying art here. There is Li Bai's "Drunk Answer Ding Eighteen with Poetry Mocking the Yellow Crane Tower", the yellow crane high-rise building has been shattered, and the yellow crane immortals have nowhere to go. The Yellow Crane went to heaven to sue the Jade Emperor, but let the Yellow Crane return to the south. The gods are too guarded and then carved, and the new picture is still fragrant. Yizhou laughed at me as a fanatic, and teenagers often came to ridicule me. Who is under the Junping curtain, the cloud is Ding Lingwei of Liaodong. I was amazed to compose a poem, and the white clouds flew around the pen window. Wait for the Ming Dynasty wine to wake up, and look for Chunhui with you. There is Li Bai's "Jiangxia Sending Friends" snow spots and cuiyun qiu, and send Jun Yellow Crane Tower. Yellow Crane Zhen Yuyu, West Flying Imperial State. Feng Wulang □ real, why give away a long trip, wandering and looking at each other, tears under the Han River. The Tang Dynasty writer Yan Boli described in his "Tale of the Yellow Crane Tower" that it is towering, with the Han River on the top and the river on the bottom...... It can be said that it is dangerous, high! There is Li Bai's Yellow Crane Xilou Yue, and the Yangtze River is full of love. The spring breeze is 30 degrees, and the city of Wuchang is remembered. It's hard to say goodbye, and it's a pity to hold the cup. The lake is connected to the happy land, and the mountains are rowed by boat. It is said that Chu people are heavy, and the poem is passed on to Xie Wanqing. I have a song in the waves, and I send a message to the singing. Express the feelings in your heart. Youjia Island's "Yellow Crane Tower" has a high threshold and dangerous eaves, and the lonely clouds and wild waters are dependent together. The green mountains are as long as ever, when will the yellow crane not return? The shore reflects the Xizhou city halfway, and the smoke grows Nanpu trees will be slight. Knowing that the feather guest has no cause to see, the empty envoy is affectionate to Luohui! Han Guang, who has Song Zhi's question, does not distinguish between the heavens, and the boat travels like an immortal. Qingjiang spends a warm day, and the yellow crane makes the smoke clear. There is a land tour of the dragon Que Horn to return to the night, the Yellow Crane Tower drunk I don't know. The exchange of the Han River is misty, and the relics of the Jin and Tang dynasties are separated. There is Lu You's "Yellow Crane Tower" holding the fairy green jade branch, and I suddenly went to the early autumn period. When the corner of Canglong returns, I don't know if I am drunk in the Yellow Crane Tower. The exchange between the Jiang and Han dynasties is insignificant, and the relics of the Jin and Tang dynasties are separated. I like to listen to the flute the most in my life, where the cracked stone pierces the clouds. There is Fan Chengda, who has a Mid-Autumn Festival in the flute, and the yellow crane returns to know the old tour. Hanshu has affection across the Beidou, and Shujiang is speechless and hugs the south building. There is Bai Juyi's Chu Si, the clouds are cold, and the business voice is crisp and orchestral. White flower waves splash Toutuo Temple, red leaf forest cage parrot island. There is Liu Yuxi's dream of doubtful bed, and the boat travels thousands of miles. I don't see the Yellow Crane Tower, and the cold sand and snow are similar. There are Wang Wei's waves under the city, and the yellow crane tower by the river. Zhu Yan will be powdered, the river reflects the long, etc., etc., they are high-spirited, like nature, floating, boundless, singing into the clouds, countless. However, the first place is well-deserved Cui Hao's "Yellow Crane Tower". "Yingkui Rhythm": The first four sentences of this poem are not formal and dual, and the momentum is majestic. Li Bai read it, and didn't dare to ask this building again, but went to give "Dengjinling Phoenix Terrace" also. "Tang Poetry Collection": Liu Houcun Yun: The ancients served kindness. Li Baideng Yellow Crane Tower has the sentence "There is a view in front of you, and Cui Hao's inscription poem is on the top", and he made "Phoenix Terrace" to Jinling. Looking at the two poems today, the real enemy is also chess. Liu Xu Xiyun: Hate is reckless and reckless, and there is a sense of negligence, so it is better than ingenuity. "Art Garden": Cui Langzhong's poem "Yellow Crane Tower", Qinglian is short of breath, and the posttitle "Phoenix Terrace" is the enemy. Those who know say that the first six sentences cannot be appropriate, and the conclusion is deeply sad and generous, and the difference is better than the ear. However, the aftermath is even more different, no matter what the two links can't reach, even the conclusion is also very different. Words and poems must be said to be more than the Fu, such as the sunset township, Xing and the sun, floating clouds, covering the sun, than and Fu also, to think about it, "make people sad" although the three words are the same, which is the right? "Sunset Township", "Yanbo River", this is not pointed, the person who ascends is sad, so it is said that "make people sad", the smoke wave makes it sad, and the guest should be worried, rather make it Qinglian talent, mark the ten thousand years, rather to give the weight of the word, the ruler is short, the inch is long, stealing that this poem is not caught, not one end also, if there is a crime against me, then dare not resign. "Criticism of Tang Poems": Tone of style, unique for a thousand years. "Selected Tang Poems": Li Binzhi said: Cui Hao's poem is from ancient times, and he must never get tired of it. "Tang Poems": Tan Yun: This poem is wonderful in being more than generous, and it is written in everything. Make others act with songs, especially uncomfortable, Yier is too white and respectful. "Selected Pulses of Tang Poetry": The first four sentences describe the reason for the name of the building, how fluent and fresh it is? The last four sentences contain emotional thoughts, how clear and sorrowful? The cover of the yellow crane has no return date, the white clouds are in sight, and the rivers and trees and grasses cannot help but be worried. The scenery is affectionate, and there are no fake axe chisel marks, so it has been popular for thousands of years. Li Mengyangyun: In one go, it is pure and bright, and it is too white, so it is humble. Zhou Jing said: Throughout the story, the sorrow is tragic and wonderful. "Poetry Source Identification": Cui "Yellow Crane", "Yanmen", read it with the voice of Jinshi Palace Shang, and Gai wrote it in his later years. "Tang Fengding": The style of this song is also, and the rhythm is more spiritual. Yun Qing's "Ancient Meaning" is still involved in exercise, which is the highest. "Guanhuatang Selected Poems of Tang Caizi": This poem is written with a vast pen, and the word "Yellow Crane" is written three times in a row. …… The four ignore the "white clouds" are wonderful intentionally or unintentionally, and it is meaningless. Through the explanation, he used to compose poetry, straight up and down to look at the eyes, and saw that the truth was so, so he stood up, picked up the pen and ink, and went forward to the white powder wall at the head of the building, and wrote a line of arbitrary books. Now that the book is finished, I look at it for myself, and I don't understand whether it is good or not. I just feel that there is no need to repair, there is no need to make up, there is no need to make up, there is no need to add, and there is no way to subtract, so I am full of satisfaction, even if I stay and go to rest, but I don't expect someone to see it later, and I can't jump out of its shroud. And the descendants can't jump out, and it's just that it's useless to mend and add or subtract, so they go back to their hands, not to say that they have calligraphy, syntax, and chapters, all of which are occupied, so they can't fight for it. This solution (press: refers to the last four sentences) is wonderful in that it is not implicated in the above, only to rely on the high and far-sighted, do not spit out your own arms, and let the readers make their own way to understand, which is really a copy for everyone. Five or six is just to fall "where is the township" five words, saying that the history here is a tree, here is a bleak continent, the only eye to cut off the township, but I don't know where. He only got the word "sunset" on the sentence, and then ordered the first four sentences and 28 words, and the words shook together, which is a wonderful pen. "Tang Poetry Selection": Pengfei Elephant Travel, amazing and ambitious. From the ancient times, it is a poem on the floor, not a building. A knot is not as good as "Phoenix Terrace", and it is more likely to hinder the anger. "Spring Wine Hall Poems": The critics have no fault of following Taibai as a false voice. Duxi Tan Youxia's four words "more than lenient" are not particularly in the realm of Cui Shi, and can be pushed to understand poetry. If you are not knowledgeable and have a deep temperament, you will shrink and be ashamed, such as seeing the generals. "Deletion and Revision of Tang Poems": Not ancient and unlawful, also ancient and lawful, the swan song of a thousand autumns, why only Li Tang? "Tang Poetry Returns to Eclectic": Wu Jingfuyun: Hanging the past and hurting the present, meaning the work of the pen. "Selected Laws of the Tang Dynasty": The most changeable of this law is the intention to come, and the letter is written, like a divine horse out of the water, let it stumble, no work is clumsy, and the cutting is bad. The character of the predecessors is the first in Tang Law, or it is not inevitable, but there are two Anke. "Revised Tang Poetry Extraction": The first half went straight in one go, but it didn't do anything right, a variant of the law. Five or six "state" category, "grass" and "tree" category, up and down interchangeable into pairs (horn pairs). The first half is the meaning of hanging the ancients, and it comes down out of thin air. "Qingchuan calendar" and "Fangcao Mingming" are born from "white clouds" and "leisurely". The knot gives birth to "Xiangguan" from "Hanyang Tree" and "Parrot Island", see the identity of the author; point out "Jiangshang" and indicate its place; and use "Yanbo" to evoke the word "sorrow", and use the word "sorrow" to draw up the first half. The first half of the four sentences are corrected, the middle two sentences are harmonious, the knot is healthy, and the word "smoke wave" is inserted. Majestic and proud, all with qi to win, straight as the text of the "National Policy", and its law is extremely fine. "Moraine Tang Poems": Seeking it carefully today, it is completed in one go, and the law is ancient, needless to say. That is, the two sentences of "Qingchuan" are clear and exquisite, and no matter how much he works, they are not just looking ahead. And the traces have disappeared, so it is unique through the ages? "Chubaian Poetry Review": This poem is the later seven laws of the wind, and it is carried out with its atmosphere. "Tang Three-Body Poetry Commentary": This style can be compared with Lao Du's "Ascending Yueyang Tower". "Tang Poetry into Law": The rhythm is sprinkling, the rhythm is harmonious, and the Qinglian Immortal is the instant pavilion pen, which has been high for thousands of years. The works of "Phoenix Terrace" have repeatedly drafted this article, Handan is a toddler, and it is missed. The first half of "Parrot Island" is like a god, and the second half is a thousand miles away, and the rhythm is not good. In Cui Shiben's "Dragon Pond Chapter", although Shen Zhi's words and sentences are based on Fan Yun, the tone is self-controlled, Cui hits it well, and it is close to talent. Cover this is the tone of the fluency of the business, and the immortal is the sound of the palace. "Near-body Autumn Sun": Hao Gao emptied, melancholy peerless, this is the same as Taibai's "Phoenix Terrace" with seven words. Gu Taibai is not sticky, he is an idealistic teacher, and he doesn't dare to learn after the process, so he has to push this work alone. "And An Says Tang Poems": The words are-for-tat, so it turns. Fang is a famous player. "Tang Poetry Tailoring": The meaning is like the first, the words are extraordinary, and the pen is written vertically, so it is good at the wonders of the ages. "Seven Words of Tang Poetry on the Notes of the Mountain Full Building": The magic lies in the yellow crane in one place, the yellow crane in another, and the yellow crane in the third, so that the reader does not dislike it, does not feel annoyed, and does not wonder what it means. You Miao is in one yellow crane, then yellow crane, three yellow cranes, and suddenly white clouds, so that readers do not think of its abruptness, do not feel its life, and do not surprise its gratuitous. Why is this enough? It is just that its qi is enough to fill it, and God is enough to carry it. If we talk about the method, then Cui Zhimiao is overpowering, and Li Zhimiao is settling down, how can it be hindered? "Zhao Zhan Yan": Cui Hao's "Yellow Crane Tower", this famous work through the ages, is just a writing practice, a turn in one go. Although the scene was cut off for five or six, the air also spewed down. The same is true for receiving. So precious. This body cannot be re-learned, and learning is tasteless and not strange. Carefully proofreading, it is not as good as the "young woman of the Lu family" to have a law, and it can be a law for eternity. "Yingkui Rhythm Commentary": Feng Shu: What is the sound disease, that is, it is a legal poem, and it is not informal, not to mention duality? Feng Ban: It's really strange. The first half has a thousand miles of momentum. The first four sentences are opened, and there is a tendency of ten thousand jun, Ji Yun: Occasionally get it, and it becomes a perfect tune. But there can be no one, and there can be no two. If you copy it again, it will become a trap. Xu Yinfang: This is a variant of the poem, the first half of which is in the style of ancient poetry, with the ancient pen as the rhythmic poem. Anonymous (B): The first six sentences are overflowing, and the second sentence contains infinite meanings, the first swan song of a thousand autumns. Zhao Xi: This poem is difficult to hear, and its wonder is Yin Fan's so-called "God comes, anger comes, and love comes". "Poetry in a Nutshell": This poem is sung to push the swan, but does not say the reason, and the reader wants to find its advantages but has no way. Commenting on this poem, it is said that "the meaning is like first, and the spirit is beyond the language", Cui Shicheng is enough to deserve it, but the reader has not yet said that it is wonderful. Yu said that there are two advantages: the seven laws can rotate in one go, the five laws are difficult, the seven laws are especially difficult, after the calendar, there are not many experts. Cui Shi is not in the group, if the immortals are empty, and they are not on the ground, it is enough to compete with Li and Du, and their good place is high and superb. The Yellow Crane Tower and the Yueyang Tower are located side by side in the victory of the rivers and lakes, and Du Shaoling and Meng Xiangyang ascend the poems of the Yueyang Tower, all of which are on the magnificent rivers and lakes. When the Yellow Crane Tower is the turn of the Jiang and Han Dynasty, the water and the sky are vast, and the climbers are easy to think about it from this time, and set Cui also specializes in the river view, which may not be able to go out of the range of Du and Meng, and Cui Du thinks about the three words of the Yellow Crane Tower. The first two sentences point to the inscription, saying that the crane goes to the empty building, at first glance, if it is laid out directly, it means that if the immortal crosses the crane, the matter is nothing, and does not want to question it. Therefore, the three sentences are followed by the yellow crane, and there is no hope of coming back, as if the "Song of Long Hatred" is said to ascend to heaven on the ground, and it is not visible. The building is named after the immortal, the immortal goes to the empty building, and the rest is only the white clouds in the sky, and the ears are long for thousands of years. It is said that it looks at the clouds and thinks that the immortal can be solid, and it is unknowable because of the immortals, and it is vast, and the intersection of hundreds of ends, especially the feeling of infinity, not only the three words of the Yellow Crane Tower, but also the ethereal and lofty feelings of the idea. The whole article has been said in the void, five or six sentences from the real writing of what was seen in the building, and the whole article is summarized with the meaning of nostalgia. The first half of the poems are all written in reality, and the second half is written in fiction. Every one of our Great Song Dynasty people, women and children, young and old, is familiar with it, and everyone knows it, it can be seen that this poem is really earth-shattering after the poem is completed, crying ghosts and gods, so throughout the ages, the praise for this poem is really unprecedented, and there is no one after it. "This prince's level of ancient literature is really not blown, he is so proficient in Chinese culture, easy to come, like a piece of cake, easy, it is really breathtaking, he himself is also extraordinary, can be literate and martial, cautious in words and deeds, do things in an orderly manner, not leaking, not to be underestimated, but I have a new doubt in my heart, what is the identity of this guy, it is really a rich son who does not learn and has no skills to go out to play in the mountains and rivers, into a bamboo in the chest, why did the queen mother of Wen Taowu send him to follow me? It really gives me a headache just thinking about it.

Xiao Fei's whispering interrupted my thoughts, and he said to me with a slight smile and said, "Actually, there is Yue Fei's day to ask Ying Ti Rui Brigade to cross Qingheluo with a whip." But he returned and continued the Hanyang tour, crossing the yellow crane. The "Bodhisattva Barbarian Yellow Crane Tower" is reckless and reckless nine schools flow in China, and the heavy line runs through the north and south. The smoke and rain are reckless, and the turtle and snake lock the river. Where does the Yellow River go? There are still tourists. Drink the wine, and the mood is high. One towards Penghai, a thousand years of empty stone room. The golden stove is smoky, and the jade pond is secret. Ancient relics of plants and trees, Tinghan old Zhishu. □ Yu envy climbs, because he wants to keep his leisure, he is also written majestic, and the weather is thousands. It's just a pity that they haven't been born yet. ”

Duan Gongzi also began to speak with great interest, he said casually: "But I personally think it is so, worthy of the name, although there are countless poems praising the Yellow Crane Tower, only this Yellow Crane Tower waves and sand, making gold, dominant, wonderful, meaning first, outside the language, written longitudinally, so good at the wonders of the ages." The reason why "Yellow Crane Tower" has become a masterpiece praised through the ages is mainly because of the aesthetic connotation of the poem itself. The first is the artistic conception beauty of the combination of image and reality in the image. The Yellow Crane Tower is named after the Yellow Crane Mountain in Wuchang, where it is located, also known as Snake Mountain. Legend has it that the ancient immortal son An rode the yellow crane to see the "Qi Harmonic Zhi"; The poem is from the origin of the name of the building, borrowed from the legend to write, and then germinated. Immortals across the crane, this belongs to nothingness, now to do nothing, once gone, there are years of waste, time flies, the immortals have been far away, the ancients do not see the regret; The poet wrote these strokes about the common feelings of the people who climbed the Yellow Crane Tower in that era, with a reckless spirit, sincere feelings, and empathy. The second is the beauty of the magnificent and colorful paintings. There is a painting in the poem, which has always been regarded as an artistic standard for landscape poetry, and there is a poem in the poem, and there is a painting in the poem, just like the poems of the great poet Wang Wei, which are intertwined and mutually reinforcing, and are natural. "Yellow Crane Tower" has reached this wonderful realm. In the legend of the immortal riding the crane, the first couplet depicts the close-up view of the Yellow Crane Tower, implying that the building is pillow on the mountain and the river, and the situation is ethereal. Jaw Lian sighed that the yellow crane was gone forever, depicting the distant view of the Yellow Crane Tower, showing that the building towered into the sky, white clouds were swirling, ethereal and misty, such as the grandeur of climbing to the fairyland. The neck couplet swims in the eyes, directly outlining the bright day scene on the river outside the Yellow Crane Tower. The tail couplet lingers and whispers, indirectly showing the hazy evening scene on the river below the Yellow Crane Tower. On the whole picture shown in the poem, there are alternate close-up, long-range, day-view, and evening views of the Yellow Crane Tower, which are extremely far-reaching, magnificent, magnificent, and meteorological. There are fairy yellow cranes, famous buildings and scenic spots, blue sky and white clouds, clear river sandbanks, green trees and grass, sunset and twilight river, the image is bright and colorful. The whole poem is full of picturesque meaning in poetry, rich in smooth lines, majestic artistic conception, and surging Biden's painting beauty. The text is based on qi, and the first four lines of this poem seem to be said casually, rotating in one breath, and going down with the trend, without the slightest hindrance. The word yellow crane appears again and again, but because of its momentum, so that the reader waving the five strings and seeing Feihong, Cui Hao is based on the principle of poetry to take the intention as the key and not to the word to harm the meaning to practice, so he wrote such a rare poem in the seven laws that is sung into the clouds, catchy, and praised by everyone. In addition, the repeated use of double voices, rhymes, and syllables or phrases results in a sonorous, harmonious, catchy, flowing and changing musical beauty of the poem. The first half of this poem is declension in loose tone, and the second half of the poem is rectified, writing about what you see and feel in the building, and writing about the nostalgia caused by looking at Hanyang City and Parrot Island from the upper floor. If you just put it away and don't accept it, blindly don't stick to the rules, and don't return to the rules, then it is not a poem of seven laws, but a seven ancient poems. This poem seems to be cut in two, but in fact, the text is focused from the beginning to the end, and the middle is just a change of breath. This kind of seemingly discontinuous connection is also the most disciplined from the point of view of the beginning, continuation, turn, and combination of the poem. When Yang Zai's "Number of Poets" discussed the second couplet of the poem, he said: This couplet should be connected to break the problem (the first couplet), and it should be like the pearl of the dragon, holding it but not taking it off. The first four sentences of this poem are exactly like this, narrating the legend of the immortals riding the crane, and the jaw couplet and the broken theme hug each other, and they are all one. Avoiding the meaning of the previous couplet, it wants to change, like thunder breaking the mountain, and the audience is stunned. The metaphor of thunder is intended to illustrate that there should be a sudden change in the five or six sentences of the chapter, which is unexpected. At the turning point of this poem, the style changes from change to correctness, and the realm is completely different from the previous couplet, which just meets the requirements of the law. The yellow crane of the people of the past is gone, giving people a sense of insignificance; suddenly it changes into the grass and trees of the clear river, vividly in the eyes, the vision of Manchuria, this contrast, can not only dye the melancholy of the people who climb the tower and overlook the distance, but also make the literary situation have ups and downs. There are many allusions in the poems, such as "Chu Ci Recruiting Hermits": Wang Sun wanders and does not return, and the spring grass grows green. The words of the grass in the poem also take this to tease out the meaning of where the countryside is at the end and the meaning of returning to the home. The last couplet ends with the nostalgia of the sunset on the Yanbo River, so that the poetry returns to the insignificant and invisible realm at the beginning, which can respond to the front, such as the leopard's tail can wrap around the forehead, which is also very in line with the law of poetry. It is precisely because of the artistic mastery and great success of this poem that it is revered as the swan song of the Yellow Crane Tower, which is understandable. Duan Gongzi said strictly and thoroughly, but I listened to the clouds, he said it so well, these comments appeared in my memory, clearly in the poetry criticism of modern society, colorful, detailed, unique insights, unforgettable, and he said exactly the same as the content inside, not bad at all, I suddenly wondered with joy that Duan Gongzi with an incomparable memory is really also a person in our modern society? That's really good, but it may also be that those ancient people's meticulous comments on this poem have been passed down from generation to generation, and have been passed on to modern society, or the books of modern society published by our Lizhou Publishing House, because there are so many, I don't remember it myself? Although he was close at hand, standing clearly in front of my eyes, it was like a thick fog, so that I couldn't see clearly, I couldn't understand, I could see it in the casual conversation between Xiaofei and me before, and I could also see that he and I had the same feelings about Duan Gongzi, it seems that it should not be underestimated, and I must find an opportunity to find a clear understanding in the future.