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Qin Fangge thought about it, there seem to be a lot of works he is best at, Luther, Strong, Christopher, Conrad, etc., can be mastered, not to mention that compared with those international piano masters, it is more than enough to put it on the Southwest Conservatory of Music.

However, he remembered that the purpose of coming to Rongcheng this time was mainly to come to the two professors, who had carefully taught and cultivated him in the past, and now it was time to thank him.

For this reason, he did not buy other gifts, but carefully prepared gifts that were more suitable for them.

"Then I'll play a sonata specially composed for Professor Zeng! There are still some rough and incomplete parts in the exercises, so Professor Zeng should not be surprised after listening to them. Qin Fangge quickly made a decision, his sonata, when he usually practiced the piano and practiced composition to learn various writing techniques, inspiration emerged, first recorded the motive, and then developed the motive into a theme, layer by layer. During this period, he added the inspiration he accumulated, and finally completed the complete work.

Like the song given to Ma Yuqiong before, this sonata in B minor is also completely Qin Fangge's own real original work.

It is said that "if you are familiar with 300 Tang poems, you will be able to chant poetry if you can't recite them", Zhou Xiuying and Deng Hongmei also strongly encouraged him to create, and let him find inspiration when creating. What Qin Fangge gained was not only these two works, but also some fragments, which were put there first and then perfected later.

Zeng Li was too late to be moved, how could he be strange, he was so excited that his beard trembled, and his eyes seemed to glow. Excited, but still a little confused, he said, "Is it really a song written for me?"

This time, I didn't bring any gifts to Rongcheng, so I gave this piece as a gift to Professor Zeng, hoping that Professor Zeng would like it. Qin Fangge nodded, said with a smile, and he also took out another manuscript from his backpack, which he also wrote and painted himself.

Zeng Li stretched out his hands and carefully held the manuscript that Qin Fangge also respectfully handed over with both hands. For a while, the emotions were turbulent, I didn't know what to say, I was a little incoherent, and I only sighed from the bottom of my heart, "I have been teaching students for so long, and no student has ever written a tune for me, Qin Fangge, you are the first! ”

Zhang Jie next to him was a little ashamed when he heard it, but he himself was not a creative talent!

At the same time, he also believes that Qin Fangge is a dead pervert!

Zhang Jie himself put almost all his energy into practicing the piano, but he didn't practice so well that he couldn't get into the top Huaxia Conservatory of Music in the country. Qin Fangge is a good guy, he can still play the piano so well when he is majoring in vocal music, and he can write his own tunes, and he can't let people live!

Regardless of how well he wrote this song!

With his heart, he has already exploded the other students who have been in Li.

After Zeng Li expressed his mind after receiving the manuscript, he couldn't wait to read it first, and didn't let Qin Fangge play this song first.

The name on the manuscript is "Sonata in B minor" and the subtitle, "To Professor Zeng Li".

Just looking at this, it is enough to make Zeng Lixin, who is in his fifties, excited.

Qin Fangge and Zhang Jie also endured their temperament, did not speak, nor did they play the piano first, but only quietly waited for Zeng Li to read the manuscript first.

Zeng Li roughly went through the manuscript, and there were ten pages in total, which is really not a short length.

He is the most well-known professor of piano at the Southwest Conservatory of Music, and he has done too much work such as analyzing works. The first pass is mainly to look at the structure, and the overall effect.

This first time gave him the feeling that Qin Fangge was quite attentive, and there were traces of his revisions on the manuscript, which made Zeng Li regard it as a treasure more and more.

The structure of this sonata is strictly standardized, and it is strictly in accordance with the format of the sonata in classical music. However, when dealing with the specific treatment, there is a slight change, and the theme is a slow movement in B minor that descends first and then ascends, focusing on emotional expression. Judging from the several movements, the melody of the whole piece is quite beautiful, the color of the harmony is quite rich, the rhythm is rich in variety, and various performance techniques are also flexibly used in it. This style is more like a romantic sonata.

More details need to be discovered slowly.

After a cursory browsing, Zeng Li also realized his current environment, and quickly apologized, "I'm sorry, I'm too excited, so I went to read the manuscript." ”

Qin Fangge and Zhang Jie hurriedly said that it didn't matter, Zeng Li asked Qin Fangge, "Can you play it first?"

Qin Fangge smiled and said, "I have to pass Professor Zeng's side." ”

Zeng Li shook his head and said, "Don't be modest, it's good for me to appreciate it, I can't write such a sonata." After a cursory glance, I feel quite good, this gift of yours is really valuable. ”

Qin Fangge replied, "It's good that Professor Zeng is willing to accept it, in addition to professional knowledge, Professor Zeng's quality is also what I admire the most." ”

Zeng Li only smiled slightly, he had reached the age of knowing the destiny of heaven, and he was more interested in Taoist things. Coupled with the fact that he himself has always been a good man, it is not surprising to say that he has no quarrel with the world.

What Qin Fangge wants to express in this sonata in B minor is precisely such an excellent quality of his.

In the past years, Zeng Li's greatest influence on Qin Fangge was not his professional knowledge, but his personality charm.

Zeng Li's character is the most suitable to describe it as good as water!

The theme of this sonata is water that flows slowly and encompasses everything.

Zhang Jie listened to it, but he couldn't see the manuscript, so he could only be anxious. He couldn't go and read the manuscript with Zeng Li, so he could only quietly play Qin Fangge.

After Qin Fangge was ready and brewed his feelings, he began to play this sonata in B minor under his expectant gaze.

The style of this piece also greatly surprised Zhang Jie. He originally thought that a guy like Qin Fangge, who was famous for his dazzling work "Wild Bee Flying", should create works that should be fast and intense.

But what he never expected was that from the beginning, Qin Fangge's performance speed had never been faster.

Although Zhang Jie is a little arrogant, he is not a straw bag, he knows better than many people. Qin Fangge's current extremely slow performance speed is more demanding on a person's piano skills.

Many students like to play fast tunes, as if they can play them with their hands without using their brains. Slow-paced tunes, you don't have to think about it, you know, the most important thing is feelings, which is precisely the hard wound of most people, without the accumulation of feelings, it is really difficult to play well. Looking at the pianists who became famous in the early days, few of them are famous for playing slow tunes. If the accumulation of emotional life is not enough, you can only imitate your imagination, and the effect of this bounce can be imagined.

Take Zhang Jie himself as an example, he plays the most Luther's works. Luther's works are quite difficult, but there are many people who study them, and most of them can understand the emotions. No matter how romantic and affectionate he is, sensitive and melancholy, such feelings can also be played, because most students also have such feelings.

Like the works of Le St. Christopher, Zhang Jie is quite self-aware, not easy to touch, and the most practiced are those well-known works. Christopher's life is a tragedy, he is indeed a rare genius in a century, he is talented, but he has a violent personality, once madly fell in love with a girl, and finally scared people away. He had a love affair with the Duchess, but in the end it became the fuse for him to wander away and wander in a foreign land. In his life, he never got married, participated in workers' riots, fought with people, went hungry, lived in seclusion, and tasted the sufferings of the world. But all this did not defeat him, but instead achieved his great soul, and wrote a brilliant masterpiece against life, fate, and society.

People who have no social life accumulation do not dare to perform his works at all, although everyone has a very high opinion of him. Even well-known pianists have never played Christopher, and some pianists only play Christopher, which feels like two extremes.

Christopher's work, on the other hand, has never been known for its rapid showmanship, and the most important thing in his work is emotion, the kind of emotion that is slow but permeable.

It is precisely because of this that Zhang Jie also recognizes more and more clearly that this guy Qin Fangge is definitely a monster.

In this sonata in B minor, what he attaches the most importance to is the expression of emotions, which is not the kind that ordinary people understand.

Zhang Jie thinks that he is also a person who has listened to countless songs, but he is very confused when he listens to the feelings contained in this song. What are those entangled, slow-swallowing, what are they, it's really tangled with the dead. Don't you want to have some fun?

If it were all like in the second movement, how good would those beautiful and moving melodies be, he is a literary and artistic youth, isn't he entangled and uncomfortable?

But Zhang Jie secretly looked at Zeng Li, when he listened to these movements, he was quite moved, and the feeling seemed to touch something deep in his soul.

When Zhang Jie saw that there were tears in the corners of Zeng Li's eyes, the impulse of 11,000 animals rose in his heart.

This feeling, he and Zeng Li Qin Fangge them, living in two different worlds, Zhang Jie himself, why is not so deeply understood and moved? Is it because of the lack of accumulation in life? This Nima, Qin Fangge is younger than him, even if he is a creator, without the accumulation of life years, he can't create such a profound work!

"This piece is so well written! It has been written to my heart, Qin Fang is so good!" and so on, when Zeng Li listened to the whole song, he burst into tears and couldn't help but let out such an exclamation.

Zhang Jie could only lament in his heart, has he been living in a dream?