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On the contrary, Fang Xiping could also comment on Qin Fangge's composition and performance level, and asked him if it was a nocturne composed by himself, why he had never heard of it before.

Qin Fangge nodded, taking the achievements of the great musician Chopin as his own.

Fang Xiping said that his nocturne was no worse than Goethe's nocturne, and Qin Fangge's performance level had surpassed Su Yunfei and Zhou Jia by a lot. He also asked Qin Fangge if he had any ideas about going to the international piano world to develop, and said that his appearance was not bad, and he could compose music by himself, so he must be better than them.

Qin Fangge said that he had no plans at the moment, but he still wanted to follow Mr. Zhou and study hard at the Huaxia Conservatory of Music.

Fang Xiping wondered what his parents were like, Qin Fangge had such a talent, and if he wanted to be a parent like Su Yunfei and Zhou Jia, he wished he could send them abroad as soon as possible and sign an award to perform on a global tour of the record. Some parents threaten to jump off the building, and Fang Xiping has seen too much.

Qin Fangge replied with a smile, "I always think that I am lucky, and my parents respect my own choice. ”

Fang Xiping naturally would not persuade him to go abroad to participate in the piano competition and win the grand prize, it can be seen that Qin Fangge really loves music, and he also has his own mature opinions, and the most rare thing is that he is quite restrained. If you want to change to someone else, practice piano and learn vocal music, you just want to become famous, this motivation is not simple, and in the end, even if you become famous, it is just a performance machine and a singing machine.

Qin Fangge played Chopin's nocturne again, because he felt that using Chopin's ballades, etudes, waltzes and other works would definitely not help Fang Xiping sleep, and there might be a chance to change the nocturne.

It's a pity that it backfired, Fang Xiping was quite interested in his creative ability, and Qin Fangge bragged that it was written when he practiced the piano at night.

Seeing that the effect of these two nocturnes was not good, Qin Fangge had to think about whether the timing was wrong. Because it was morning, Fang Xiping had just exercised, and he was full of energy, where would there be a lot of sleepiness. In the case of nocturne, the effect of playing at night is definitely the best.

But now that he's fine, it's better to practice the piano and play a few more types of tunes.

Qin Fangge also made a killing move and began to play Bach's music.

Bach's music is said to be the most curative of insomnia, especially his famous composition, the Goldberg Variations. It is said that it was originally composed for a Russian count who suffered from insomnia, and was written to play for a young man named Gothenburg, who played this variation when the count lost sleep, for which he received a gold cup filled with 100 gold louis.

True or not, it's a pretty good story. No matter how great a musician is, he has to live a mortal life. And at that time, Bach was not taken seriously by the music industry, he had more than 20 children, and the composer's salary was small, so it was not easy to maintain the livelihood of such a large family.

However, Qin Fangge did not play the "Goldberg Variations" for the first time, but planned to use the preludes and fugues of Bach's 12 Equal Temperament Piano Pieces to test it to see if it had any effect.

He played the first piece, a prelude and fugue in C major, which was later adapted as "Ave Maria", which of course has a strong religious connotation. When Deng Hongmei was listening to Qin Fangge playing this tune, she asked him if he had such a question as faith.

Today, when Fang Xiping heard Qin Fangge play this piece, he also raised the same question. The form of the prelude and fugue, Fang Xiping is naturally known, after the Renaissance in the Baroque period, a magnificent polyphonic music.

This prelude played by Qin Fangge is exquisite, pure, tranquil, and bright, and full of beautiful expectations.

This also really makes people have a reverie in this regard, Fang Xiping's music appreciation level is absolutely first-class, and he can naturally hear it.

Qin Fangge was still the same as he replied to Deng Hongmei, explaining that he was modeled after the musical style of the Baroque period, when religious music and classical music were transitional, and many musicians were originally church personnel. As for Qin Fangge's own beliefs, he said that he believes in music the most.

Fang Xiping can also accept such a statement about him. At Fang Xiping's age, he still has some thoughts on the issue of faith, after all, there are so many irresistible factors in this world, like an invisible hand controlling it behind his back.

But Fang Xiping had no intention of interfering with other people's beliefs, Qin Fangge said his favorite music, from his serious and firm expression and sincere tone, he could hear that Qin Fangge was not lying.

He didn't know Qin Fangge's experience, but Qin Fangge himself had even experienced death, and when he said these words in his heart, he was naturally sincere and warm, unquestionable.

Zhou Xiuying quickly asked Fang Xiping to eat, and Qin Fangge could obviously see that they basically had little hope for such a thing as playing the piano to treat insomnia. But he still has to try hard, if he can really help Fang Xiping sleep well, it will really be a good thing with immeasurable merits!

When they were eating breakfast, Qin Fangge was not playing Bach's music, and in Bach's twelve piano pieces, like the first one, there were actually quite a lot of religious-style tunes. For example, the prelude in E flat minor is quite solemn, with a melodic melody that seems to speak of noble emotions, and the fugue part is in the style of an old Gregorian chant, with a shimmering holy light.

But after Qin Fangge finished playing the first prelude and fugue, seeing that Fang Xiping still didn't have any special reaction, he didn't continue to play the prelude and fugue, nor did he play Bach's music, but instead played the "Waltz of Flowers" that he took out to the group of girls in Jinse Huanian two days ago.

He thinks that at this time, it is good to play some romantic and beautiful piano music, and playing such tangled songs during dinner is not suitable for the atmosphere.

Sure enough, his choice still achieved quite good results.

Zhou Xiuying and Fang Xiping, an old couple, can feel the youthful and lively, cheerful and bright, romantic and timeless emotions in the sound of the piano. Through the sound of the piano, the scenes depicted by Qin Fangge and the emotions conveyed by Qin Fangge feel like the scenes of their youth.

It seems that in the blink of an eye, they are already old, and they have been together for so many years, and the passion of their youth has slowly faded, but that feeling is still buried in the bottom of their hearts. was woken up by Qin Fangge with such a piano sound, Fang Xiping reached over and held the hand of this wife who was three years older than him, although it was already full of wrinkles, it still made him feel like first love.

After Qin Fangge finished playing the melodic "Waltz of Flowers", he played the childlike "Puppy Waltz". Zhou Xiuying had already heard this song when she was in the examination room, but Qin Fangge played it at this time, which made her feel different. It's really the kind of innocence that comes from the heart, never erased.

Then, Qin Fangge really seemed to be practicing the piano, and played Strong's showmanship "Butterfly", which was purely to amuse them, watching his fingers fly back and forth on the keys like a flower butterfly wearing flowers, and then listening to the pleasant sound of the piano, for the two old people, it was quite enjoyable.

Then Qin Fangge played Goethe's second ballade, which was purely about a love story. It's quite similar to the story of Romeo and Juliet, that is, a bunch of men and women of the younger generation in the rival family, but they fall in love with each other and can only date secretly. Then they were naturally discovered by their respective families, beat the mandarin ducks, did not allow each other, and made other marriage contracts for them. But two young people are loyal to love, have endured a lot of hardships, suffered a lot, and with their belief in love and courage, they overcame secular prejudices, and finally got together in a singable and crying story.

When Qin Fangge was practicing this song, he was even thinking that if such a love story background is placed in modern times, according to the taste of these rotten girls now, it is estimated that it is the story of two men breaking through many obstacles and finally living happily together.

Qin Fangge's thoughts were not in vain, at least the smiles on the faces of Fang Xiping and Zhou Xiuying were obviously more and brighter. Especially when Qin Fangge played these familiar tunes, he could also play a taste that other pianists couldn't express, which made the two of them feel even happier and honored.

After Zhou Xiuying had breakfast, Qin Fangge's piano performance came to an end, and she hurried up to give Qin Fangge a lesson.

Zhou Xiuying's 60-year career in art teaching is not in vain, and she has accumulated quite a wealth of teaching experience. She also decisively decided to save energy and physical strength, changed the location of teaching to her own home, and made a special trip to play songs for Qin, and did a lot of preparations.

In this morning, Zhou Xiuying was practicing her ideas.

And with a deeper understanding of Qin Fangge, Zhou Xiuying felt that Qin Fangge, this guy, simply had the most perfect body of human beings. Because when teaching him the previous opera singing methods, Qin Fangge could easily meet the standard, and even did better than she expected.

This also makes Zhou Xiuying's ideas and practices more daring, and the standards are also set high, and she is really ready to make Qin Fangge a new generation of opera gods.

Even, she is going to study a new way of singing specifically for him. However, new singing methods, new standards, all take time to complete. After a preliminary estimate, she decided to complete it in a year. And before that, Qin Fangge still has to lay a good foundation, first learn the inherent things, his current opera singing foundation is actually very weak, and he has no experience in working with the opera troupe orchestra, he has never even performed opera on stage.

Although Zhou Xiuying is not worried about his psychological quality, according to her experience over the years, only the stage can really train people.