Section 193 The cultural movement is linked to the national movement, and the cultural context is connected to the national context

"Don't worry, giant wood carvings are not as delicate as pocket wood carvings, and it is even more difficult to dig out the details little by little like the cliff cypress.

It must be bold and bold to chisel the pride of its heart into the wood, and pursue three points into the wood. So you feel that there is a lack of beauty, but when the work is finished, you can watch it. ”

Qin Huai sat beside Shang Ya and wiped his sweat with a towel.

Carving giant wood carvings is particularly physically demanding, requiring you to raise your arms to chisel, or stand on a wooden bench to plan, or even hammer hard.

Therefore, this time Qin Huai was so tired that he sweated like rain.

Although at first glance it looks a little embarrassed, and it is no longer even as elegant as when carving jade, the light in his eyes is still scorching.

After resting for a while, Qin Huai began to chisel the wood non-stop again, covering his ankles with sawdust on the ground.

……

……

At three o'clock in the afternoon, the three apprentices appeared outside the courtyard on time.

Looking inside, the three of them were all stunned, very surprised, what is the master busy with regardless of the image?

Chisel giant wood carvings?

Qin Huai didn't realize the arrival of the three apprentices, but concentrated on carving and carving, moving his arms back and forth, shaving off the edges and corners of the wood.

Perhaps it was too much physical exertion, and the three of them watched for twenty minutes before Qin Huai put down his tools.

Turn around.

was so frightened by the three apprentices that he took two steps back.

Shang Yawan'er and Qin Huai were also engrossed, and the three people behind watched it for twenty minutes, but they didn't know it!

The three apprentices were envious, and the fact that they could focus their attention on one point for a long time, to the point where they could not hear anything outside the window and concentrate only on carving, was a unique talent in itself.

"Master, what kind of wood carvings are you chiseling?"

Lin Li asked curiously, only to see that Qin Huai had already chiseled out eight rough embryos of wooden fists in the courtyard.

Each one was held tightly, and a sense of power came to the face.

What a strange work, the eight giant fists are all highly similar, what does this mean?

"You'll find out later. ”

Qin Huai wiped his sweat and deliberately left a suspense.

He likes to leave a little surprise.

However, Qin Huai, who had been relieved for a while, suddenly remembered that these three people did not come to his house to talk, so he rolled his throat and pointed to the house, with a stern demeanor on his face:

"Go and move the chess table by yourself, practice by yourself, and come back to me if you have any questions. ”

"Gotcha. ”

Lin Mune suppressed the curiosity in his heart, carried out the chess table with Xiaoyu, obediently set up the wooden stool, and then took out his tools.

In front of Lin Li, there was a square glass jar, which was filled with water, and through the glass jar, the four jade stones placed behind him could be clearly seen.

The water is still, the jade is warm, and if the water ripples, the jade will also be broken......

Lin Li memorized all these changes in his mind, and if he couldn't remember them, he drew them on scratch paper.

- Obviously, Lin Oak is studying an improved version of the plane subtraction method.

The so-called improved plane subtraction method means putting the jade carver's gaze into the bottom of the water and observing everything from a different angle.

The jade carved by this method does not have many lines, but it can show the warm beauty of jade to the fullest.

It must be known that the best jade in nature is formed by the river water washed and licked for thousands of years.

- This is called taking the law naturally.

The works obtained naturally by the method are born with a kind of 'aura like being salvaged out of water'.

These days, the more Lin Li studied, the more he felt that Master's ideas were amazing, and with a little understanding, he was so excited that he couldn't sleep, and at the same time, his admiration for Master also went to a higher level.

Master is truly a man of God!

Lin Li sighed.

He has worked hard for so long, and he still needs to rely on water to aid his imagination.

Master, on the other hand, can already conceive directly without assistance.

Master's imagination and image processing ability show that Master's right brain is super developed, and the right brain is developed, which is an essential quality for an artist.

"Come on, Lin Li!"

Lin Li was not defeated, as Qin Hezhou's apprentice, if he was not smart enough, he would work ten times and a hundred times harder, as Qin Hezhou's protégé, he could not lose his master's face in the future!

……

……

Time passes slowly.

Lin Li shook his body like a second ha, and his expression was excited.

And Xiaoyu buried her head on the side to observe the flowers, birds and animals of ancient masters, and learn the charm of ancient paintings.

Xu Yinqing is a lonely sketch.

Shang Ya also spread the notebook on her lap, writing something.

Qin Huai began to carve finely.

Everybody is unusually focused on what is in their hands, and they are flawless and take care of everything else.

What is a little strange is that in Qin Huai's house, there seems to be a calming and quiet power to concentrate on the mind, even though Qin Huai is ping pong on the side, the painting style is extremely harmonious and comfortable.

Maybe that's what the ancients meant when they said that they were scholarly?

——Exudes a kind of craftsmanship that cannot be seen or touched, but can infect people.

……

……

Two hours passed.

The sunset has already set in the west, and the afterglow shines on the courtyard, and the atmosphere is peaceful.

At this moment, the eight giant wood carvings have been fully displayed in front of everyone.

Qin Huai got into the house and after a while brought out a few buckets of natural paint.

Open it and use a brush to paint all the surfaces of the eight giant fists bright red, and then, find five positions on the surface of the fists and brush out five yellow stars.

After the brush is finished, the surface of the fist is like a layer of national flag.

This is ...... A giant fist that symbolizes national hegemony?'

Lin Li couldn't help but get in touch.

I remember that during the Sino-Iranian trade war, the poster in the newspaper was two giant fists against each other, one of which was dyed with the flag of the United States, and one giant fist was dyed with the flag of China.

And at this moment, eight giant fists draped in the Chinese flag appeared in Qin Huai's courtyard.

Qin Huai continued to color, and on the giant fist, he also carved some works in fine relief.

For example, a giant fist is embossed with lacquer works, some giant fists are nuclear carvings, wood carvings, others are porcelain, at the same time, the giant fist also has some oracle bone inscriptions, calligraphy symbols.

The three apprentices seemed to understand.

These eight giant wood carvings express a concept: the promotion and development of traditional skills and culture, attached to the strength of the country!

As the so-called -

The cultural movement is linked to the national movement, and the cultural context is connected to the national context.

The country is strong, and it is natural to use its fists to instill ideas all over the world!

There is no need to deliberately cater to the Western set of artistic standards, and there is no need to rush to export to the outside world.

As long as we have a hard fist, how democracy, freedom, art, and the world's financial rules should be defined and pinched, isn't it up to us?

Qin Huai's works are full of words and meanings.

……

……

"Is the implication that culture is also built on a strong country? If the skin does not exist, Mao will be attached? This kind of expression is really exaggerated, really heroic, and really majestic!"

It's been more than half an hour since class ended, and the students are all drawn in.

Su Yinqing was amazed, and I have to say that the creativity in Master's mind is often eye-catching, even dazzling, and full of dazzling surprises.

"These wood carvings are not delicate and delicate, but they are domineering and leaky, focusing on God and not informal. ”

Lin Li looked surprised, remembering that there was a super jade carving of 5,000 kilograms, called Dayu to control the water.

Dayu water jade carving, weighing five tons, many characters, the flood is monstrous, the beast is soaring, that is called a magnificent!

And Master's work also has an unparalleled domineering.

Retreat can carve a delicate and warm drinking Qingquan tea set, and enter the Chinese giant fist that can cut the domineering side leakage.

Master's mind and courage can only be said to be high mountains.

Lin Li couldn't help but look in admiration.

……

……

And Qin Huai looked at the eight giant fists with satisfaction.

A work of art is actually an expression of the artist's emotions and a statement of his heart.

These eight wood carvings skillfully integrated his belief that the Celestial Empire would regain the world's first place in the world and that traditional culture would once again revive the world.

This work is full of spirit!

Qin Huai dusted off a thin body of sawdust, looked back with his hands, the heat of the creation slowly subsided, and looked up at the sky, oh, unconsciously it was evening.

"Let me see how you progress today. ”

Qin Huai walked to the chess table, full of interest and relaxed.