When it comes to copper art, Qin Huai can be said to be confident.

After all, he has been preparing for so long, and since the beginning of the dish, Qin Huai has been spending a lot of effort on research.

Coupled with a flash of inspiration, there is an idea to break through the 7,000-year-old copper building process.

If successful, Qin Huai will definitely be able to create a new process, which can change the blockage of the copper art industry today.

As far as Qin Huai knew.

Both domestically and internationally, there are improvements that use reactions to color bronzes.

But that is only a small change attached to the lost wax method or the model method, and it is not a liberation of the art form.

All in all, bronze casting has been on the decline since it reached its peak thousands of years ago.

And Qin Huai, even if he continues the path of the ancients, is just a swan song of thousand-year-old skills.

Since Qin Huai.

The bronze casting process will continue to decline.

Therefore, although the road is long, Qin Huai has been seeking up and down, trying to cut through thorns and thorns to find a new path.

The molten copper moldless casting method, in fact, is the natural method of Taoism in another way.

The flow of imitation magma, the solidification of imitation magma, and the waves that roll up thousands of piles of snow are the source of Qinhuai's inspiration.

Think of it this way.

Qin Huai mixed the newly purchased clay with water, which was used to fire porcelain, although it was a bit violent, but Qin Huai could not find a substitute, so it was the only way.

The clay is beaten into blocks.

One hundred centimeters long.

Fifty centimeters wide.

Thickness ten centimeters.

Then.

Qin Huai used a knife to carve out the desired topography, and then poured the reddish copper, which flowed slowly from high to low.

If it is from Shen Fu's perspective, it is the plain where the moon and the river flow, and there is a calm storm.

Suddenly.

At the end of the ground level, a hot dragon appeared, it was so red that it was hot, and it didn't fit in with the surrounding background, like a divine dragon that had fallen into the mortal world, raging in the river cut out by Qin Huai.

The copper river is turbulent.

Extinguished.

If Qin Huai dumped urgently, the Red River would be like a valley cracking, and the copper dragon would also be a little manic, the copper liquid would splash, and the heat would overflow.

Sometimes, the molten copper flies into the air, but it solidifies a little, loses its fluidity, and accumulates on the shore.

Waiting for the next wave to stack.

One by one, the waves are piled up and solidified under the traction of nature.

The waves are engraved with a very regular trace of time, a bit similar to a volcanic pattern, which is pleasing to the eye and comfortable at a glance.

That's beauty.

When the copper liquid solidifies, the short time difference is recorded by the copper waves, even after a thousand years or two thousand years, you can see the clues.

It can be inferred that Qin Huai poured the copper liquid, and you can guess the angle of Qin Huai when he poured the copper liquid, so that we can understand what Qin Huai was thinking at that time.

Wang Xizhi's "Orchid Pavilion Preface" has clouds: although the world is different, so Xinghuai, its cause is one, and those who read it later will also feel Sven.

Articles can be flirtatious.

A work of art can also be meaningful.

I have to say.

This method of creation is completely different from the image loss wax method, and there is no need to depict every detail in a hurry.

Not to mention calculating everything to the subtlety.

Just follow the feeling, control the speed of pouring the molten copper, and let the molten copper bloom its own part of the brilliance and variety in a few strokes.

……

The copper liquid is cold.

Qin Huai pried the work out of the clay that had dried and cracked, and washed it.

It's like two trees.

Two welcome pines on the top of the Yellow Mountain, the branches are twisted, like the strange trees growing in the bonsai, and the branches and leaves are like Ganoderma lucidum, as if there are auspicious clouds entangled, just like the things in the fairy family.

Even if it hasn't been polished yet.

This work made Qin Huai very satisfied.

Of course.

Polishing is still very necessary!

Because polishing is like makeup, beautifying and slimming the face, it can turn a four-point beauty into an eight-point, and an eight-point beauty becomes a country and a city.

If the copper tree in front of him is an eight-point beauty, then Qin Huai's polishing skills can make them immortals.

Thereupon.

Qin Huai took the coarse sandpaper and began to polish, occasionally taking a small chainsaw to cut off the unsatisfactory part, on the one hand, to make the picture more three-dimensional, on the other hand, to streamline the copper tree, but also to take the appropriate value, to achieve an increase of one point is full, and one point less is not enough just right.

……

The Copper Tree Forge ends.

Qin Huai took out the wax model and began to carve the next part.

The two copper trees are dryly placed, lacking charm, what Qin Huai wants to do is to demonstrate their magnificence.

Wrist flying.

A wax model in the shape of a deer appears in front of you.

Coating materials, melting wax, pouring copper paste...... Coherent.

Qin Huai stood up and stretched his waist for a long time.

In the evening.

The condensation of the copper deer is finally completed.

Qin Huai spent half an hour welding the two immortal trees on the head of the bronze deer.

Look at this time.

A deer soul quietly ran from the void.

Blend into the shell of a bronze deer.

Its limbs have the beauty of dynamic delivery, the lower jaw is slightly tabled, the small ears are erected, vivid and lifelike, and there are a few fluffy nicks on the body, as if there is a breeze blowing.

The breeze blows, mixed with moist moisture, and it is intoxicating.

It is as if you can smell the faint fragrance of the forest and the whispering of living creatures.

See whales when the sea is blue.

When the forest is deep, I see deer.

This is a deer, not a simple deer.

It is the elf of the forest.

Ganoderma lucidum grows on the head, auspicious clouds surround the head, and all the aura of a forest gathers on the top of the head.

The golden light is dazzling and charming.

When the forest is deep, I see deer.

There is a soul when the art is high.

The body of the deer is realistic, and the horns are freehand.

Plausible and false, illusory and realistic, gradually blurred, gushing out a unique artistic atmosphere.

……

Qin Huai looked excited.

Holding a bronze deer about 1.6 meters high, he slowly walked into the living room.

Placed in front of the two small ones of Shangya River.

The eyes of the two small black gems were attracted by the bronze deer for the first time, crawling under the deer, drilling over and over, and trying to stand up and grab the deer's horns.

But he is not tall enough, so he can only make a laborious babbling sound.

This scene reminded Qin Huai of a certain legend.

Saying:

In one country, the minister rebelled, and the king died, but the little prince, who was a baby, was secretly sent away, but during the pursuit, the escort was seriously wounded and died in the wilderness.

The little prince was lying alone in swaddling clothes, uncertain about his life and death.

It didn't starve to the wilderness, though.

Instead, it was raised by wolves until eighteen years later, when it returned to the kingdom with vengeance and became king.

The two small ones are played under the copper deer, and there is indeed a sense of picture waiting to be fed.

……

"I love the dreamy horns on its head, like a fairy tree, and it always feels like the guardian of the forest, or the spirit of the forest. It is good-looking, with a golden head, full of freehand poetry. ”

Shang Ya stroked the copper tree.

Although it is copper, it is golden, like gold, beautiful and expensive!

"This is just the beginning...... There are a lot of ideas that I haven't incorporated yet. ”

The corners of Qin Huai's lips raised slightly, this skill has just begun.

But.

As the artistic language created by Qin Huai, it is destined to be stunning and brilliant from birth.

For example, "Seeing a Deer in the Deep Forest" in front of you.

In today's copper art works with a thousand copper sides, this bronze deer, with two bright golden trees surrounded by fairy clouds on the top of the head, can definitely be called unparalleled in the world.

For Qin Huai, there is still room for improvement in the molten copper moldless forging process.

But for Tonglu, it is already gorgeous!