"Do you still need compliments?"

Old Mr. Yan shook his head with a smile, and the meaning of his words was self-evident.

However, Mr. Yan didn't speak just now because he was also shocked by Qin Huai's work.

The whole work reveals a sense of wonder and magnificence.

It is different from any of Qin Huai's previous works, nor is it different from the works of any other jade carvers.

It's a one-of-a-kind piece.

First of all.

From an aesthetic point of view, this work is based on geometric aesthetics, and while pursuing simplicity, it also finds a balance and harmony in the opposition between black and white, yin and yang.

A variety of aesthetic concepts are kneaded together, but they do not conflict at all.

A work that can show an aesthetic concept can be regarded as a masterpiece, and Qin Huai has both.

Secondly.

It is no exaggeration to say that this work vividly expresses the traditional Chinese philosophical speculation.

The yin fish is the tail of the yang, and the yang fish is the tail of the yin.

Opposites.

The sexes are attracted to each other.

Yin and yang go hand in hand.

Heaven and man are one.

These laws are the core of Chinese brush and ink culture.

If we open the history of Chinese brush and ink art for 2,000 years, we will find that both the tools of pen and ink art and the form of pen and ink art are following the dialectical laws mentioned above.

For example, a brush.

It is composed of soft hairs, but it is not soft and weak, but it is full of bones, soft and hard.

Although it shows people with a soft attitude, it has the ability to penetrate the back of the paper and enter the wood.

As the core tool of brush and ink art, it involves yin and yang, softness and rigidity, and follows the speculative concept of Chinese philosophy.

When the ancients created calligraphy, they would also uphold the dialectical unity idea of 'counting black is counting white, and counting white is counting black'.

The rice paper is plain white, the ink is pure black, black and white penetrates, and the opposition is the unity of heaven and man.

So Qin Huai's work is actually very remarkable.

The organic blend of Chinese aesthetics and Chinese philosophy, with the rich heritage of thousands of years as the backbone, and the coming prosperity as the flesh and blood, this is the appearance of Qin Hezhou.

If future generations will admire this era, then Qin Hezhou will be an unavoidable figure.

Old Mr. Yan put his hand on Qin Huai's back, smiled with relief, and the wrinkles on his face stretched:

"I think it can be called the quintessence of concentrated Chinese aesthetics and the brilliance of Chinese philosophy. ”

Mr. Yan's tone was gentle and concise.

After speaking, he looked around, as if to say, I praised Qin Huai like this, do you have no opinion?

Hearing this, all the old gentlemen present were dumbfounded.

'Concentrate the essence of Chinese aesthetics and show the brilliance of Chinese philosophy'?

"Impartial, to the point. ”

After dozens of seconds, Mr. Xu finalized Mr. Yan's comment.

This jade carving of Qin Huai is worthy of the comment of 'concentrating the essence of Chinese aesthetics and showing the brilliance of Chinese philosophy'.

"Well, that's appropriate. ”

A group of old gentlemen bowed their heads in agreement.

"Hahaha, a few old gentlemen praised it falsely. ”

Qin Huai laughed heartily and modestly.

Shang Ya pursed her red lips, and couldn't bear to look directly at Qin Huai's expression of being cheap and obedient.

Well, Qin Huai is really happy.

I was so happy that I got carried away.

Zhuangzi has a saying:

Therefore, the one who is in the fish gets the fish and forgets the fish;

The speaker cares so much, and he forgets to speak.

It means that the purpose of the fisherman is to catch the fish, and to get the fish, forget about the fishing tools.

Speaking is for expression, then I know the righteousness, and I might as well forget the language itself.

Zhuangzi's words are not derogatory in themselves, but praise.

Tie Ning, chairman of the Writers' Association, also has an essay called "You Get Carried Away in the Fog", which is about Qin Huai's state at the moment - taking off the mask, being honest and honest.

……

……

In the evening, the old gentlemen were gone.

But for the next seven days, the old gentlemen came to Qin Huai's house every day.

The purpose is to admire this jade carving.

They tasted it for seven days, and then it gradually became less and less.

Day 10.

Qin Huai sent the work to the Yinsheng Auction House.

"Really want to sell?"

Shang Ya blocked it many times, but Qin Huai insisted on selling.

"It has to be sold. The glory of the past can be lost, and as soon as I saw it lately, it began to swell. So I'm going to sell it, out of sight and out of mind, and try to climb the top again. ”

Qin Huai's eyes were blazing, although he had a vague premonition that it would be a little difficult for it to surpass this jade carving in the past two years......

After all, this jade carving really consumed too much aura for him.

After forty days of decadent failure, I suddenly realized that the creative momentum climbed from the trough to the peak, and under the ups and downs, I was so excited that I forgot about things.

How difficult it is to repeat it again.

This work can be said to be a rest of Qinhuai's jade carving creation.

As for how long it will be paused, it depends on Qin Huai's ability!

"Well, when you say that, selling seems like the right choice. ”

Shang Ya nodded his head.

Qin Huai's little brother has a youthful vigor and refuses to admit defeat.

It seemed that Qin Huai's little brother was burning.

There is no wood.

Some people say that serious men are the most handsome.

But Qin Huai's little brother is no longer serious, he is more handsome than serious, which makes her heart flutter.

- Shang Ya began to attack herself again, her eyes fell on Qin Huai, and the corners of her lips smiled a little stupidly.

"This auction is a special exhibition, there is only one auction item, and it will be on display for ten days before the auction starts. ”

Regarding the arrangement of the Yinsheng Group, Qin Huai did not understand at first.

However, Xu Pei said that the early momentum must be sensational, and this auction will meet wealthy people such as Southeast Asian Chinese......

Anyway, there are a lot of capital operation arrangements.

In short, Xu Pei said, Qin Huai doesn't have to worry, he must maximize the benefits.

So Qin Huai could only wait for ten days.

Nothing to do.

Qin Huai often went to the Purple Mountain to 'listen to lectures'.

Sometimes I will go to the Jinling Museum to take a walk and see the Qin nuclear boat in the eyes of others.

During this period, Qin Huai also attended a meeting of the Chinese Folk Artists Association.

Speaking of which, Qin Huai has never participated in a meeting since he joined the association, as the vice chairman of the council, how can he be embarrassed!

In the meeting, Qin Huai also encountered a series of very distinctive folk cultural skills such as paper-cutting, shadow puppetry, branding painting, face sculpture and so on.

Every traditional skill is rare and brilliant, and the heirs of these intangible cultural heritage have more experience than Qin Huai.

Therefore, Qin Huai had the idea of seeing these traditional skills.

On the last day, Qin Huai came to the exhibition hall where the jade carvings of the Taiji diagram were displayed.

Because of the auction of this jade carving, other auction items had to make way for Qin Huai, and in a huge exhibition hall, there was only one solitary display cabinet.

The exhibition hall is full of collectors, and there are businessmen and magnates who are rarely seen.

With a finger in your hand, you are either rich or expensive.

The influence of Qin Hezhou's fame shows the horror.

"Mr. Qin!"

In the crowd, Zhao Daoyuan saw Qin Huai with sharp eyes, and couldn't help shouting.

For a while, countless spectators turned their heads to look at Qin Huai.

"Qin Hezhou is here. ”

"That's Qin Hezhou. ”

"The young man in white is Qin Hezhou. ”

Someone began to point out.

"Mr. Qin, I just arrived today, and I met you, fate. ”

Zhao Daoyuan laughed dumbly.

He had friends who walked around the exhibition hall for nine days, but he didn't see Qin Huai's shadow, and as soon as he came, Qin Huai immediately appeared.

A bit of fate!

"Mr. Qin's work has reached a higher level. ”

A bald head suddenly came out of the crowd, and it turned out to be Ning Zhiyuan of Jade Carving Bay.

Immediately, Suhang Jiangran, Jingdezhen Li Yun, and Shuchuan Dao'an all came over, and it turned out that not only collectors gathered, but also gangsters in the industry.

The appearance of these gangsters made Qin Huai raise his eyebrows in surprise: "Why are you here too?"

"Join in the fun. ”

Jiang Ran snorted coldly.

"Mr. Qin is already in demand, his influence has grown by leaps and bounds, and the popularity of this auction is comparable to that of a national awards ceremony. ”

Li Yun said enviously.

At the age of twenty-two, it is a super selling point in itself, Qin Huai is almost a child in the traditional cultural circle at this young age.

It's rare!

Therefore, collectors came to hunt for curiosity and were impressed by Qin Huai's strength, because Qin Huai's influence rose against the storm.

"The juniors were flattered. ”

Qin Huai rubbed his eyebrows, a little flustered, and when he saw the lacquer master Gan Yi nodding at him, he smiled back, and he really felt flattered.

……

……

"Come, come, I'll introduce you to a few. ”

Zhao Daoyuan: He has always liked to introduce friends to Qin Huai.

"This ...... Minister of Culture. Li Wu, Minister Li!"

"Qin Hezhou, right? ”

The other person held out his hand.

Ha?

Minister of Culture?

Qin Huai was stunned.

One second.

Five seconds.

Ten seconds.

Minister Li hung his hand in the air in surprise. The first time we met, was it so embarrassing?

He didn't expect Qin Huai to be clubbed still.

Seeing this, Zhao Daoyuan immediately pushed Qin Huai: "Minister Li, don't care, my brother is often distracted." ”

Only then did Qin Huai reach out and hold the hand of the Minister of Culture.

"Minister of Culture, in charge of the State Administration of Cultural Heritage, the Palace Museum, and the National Museum, Mr. Qin understands what I mean, right?"

Minister Li clenched his palms meaningfully.