The curtain opened, and Xu Qian Shi Ran walked out in the expectant eyes of everyone.

I saw that his face was handsome, and the corners of his mouth were slightly upturned.

"Xu Qian!"

"Xu Qian!"

The shouts continued.

Xu Qian walked to the middle of the stage, and then greeted the host politely: "Brother Han, hello hosts." ”

There was immediately another round of applause at the scene, which was endless, which was amazing!

"Haha, you've finally come out, I believe the audience has been waiting. ”

Brother Han said.

Next, Brother Han began to ask: "Xu Qian, you have successfully directed two movies, what made you embark on the road of directing?"

Xu Qian replied with a smile: "It's interest, I'm very interested in the director, because I feel that the director is great, and it seems that he is creating a world!"

Brother Han nodded.

He then asked: "Your first film "Those Years" broke many records, and "My Girlhood" broke the record of mainland film history, how did you do it?

This is also what many people are curious about?

Because it is not uncommon for a director like Xu Qian to be able to succeed in his first film!

It's rare for his first film to achieve such a high box office, or even unique.

Therefore, many people are envious and jealous of him, and at the same time, they are very curious about how he did it?

Xu Qiandao: "Actually, there is no secret, just shoot carefully, find the correct positioning, and do a good job of investigation." ”

Brother Han felt that what Xu Qian said was too concise and to the point.

"Can you elaborate on that?"

Brother Han asked.

"The so-called serious shooting is to make serious preparations, keep improving when shooting, first of all, the actor's acting skills must pass, and secondly, the director can reasonably control the situation and so on. ”

"The so-called doing a good investigation is to investigate the trial scope of the film first, and the two films I shot are both youth films, and these films are basically suitable for the post-80s and post-90s, so I will try to shoot something that can resonate with them. ”

Brother Han nodded and said: "Don't say it's those post-80s and post-90s, even I, the post-60s, have resonated with "Those Years"!"

Xu Qian continued: "The so-called good positioning is the distinction between commercial films and literary films, I know that I shoot commercial films, so I try to cater to the audience, try to be easy to understand, rather than "seeking risks" and "seeking curiosity". ”

In fact, Xu Qian feels that the difference between commercial films and literary films is mainly in two aspects.

One is the story aspect.

Commercial films are almost popcorn, as long as people are happy and worried.

Literary films are different, they pay more attention to human nature, pay more attention to epics, and hope to see the big from the small, and everything will trigger countless big truths, and then give people a warning.

The second is the character of the character, and the character of the commercial film is not outstanding.

The characters of literary films are very extreme and crazy, because the more extreme the character, the more crazy the human nature can be highlighted!

Brother Han was a little surprised by Xu Qian's answer.

Because even though many directors are making commercial films now, they don't have this kind of "I am honored to make commercial films".

Many directors want to make an epic masterpiece in their hearts, which will be famous for eternity and eternity.

Everyone has a dream of a master in their hearts!

。。。。。。。。。

Xu Qian has no prejudice against literary films in his heart, after all, he also likes to watch "Farewell My Concubine" and "East Evil and West Poison"!

He feels that both literary and commercial films are necessary.

You can't always watch popcorn movies, you can also watch some literary films to shock your soul and cultivate your sentiments when appropriate, and literary films are not without a market, which is the favorite of many literary youth!

In the same way, you can't always watch literary films, you can't shake your soul every day, it's enough to shock once a month, and any more is worthless.

Xu Qian feels that commercial films and literary films have to be prioritized.

Obviously, commercial films should be the mainstay, because it conforms to the public aesthetic and can protect the market!

Literary films should be dependent on commercial films.

。。。。。。。。

Brother Han is the kind of host who asks if he wants to, and he said to Xu Gan: "Xu Qian, you should also be regarded as an academic, I remember that academic directors usually like to shoot literary films, but why are you different." ”

Xu Qian is indeed an academic!

Because he is a student of Yenching Film Academy!

To be honest, he has almost forgotten that he still has such an identity!

This identity is dispensable for him!

The Yenching Film Academy used to be ashamed of him, but now it's the other way around.

Of course, Yenching Film Academy will not grovel to him.

After all, Yenching Film Academy has produced countless big directors and big names over the years!

For example, Chen Xuanli!

Compared with them, although Xu Gan's current achievements are brilliant, they will not make the film academy kneel and lick him.

Of course, although he didn't kneel and lick Xu Qian, he also retained his student status, after all, he went out from the film academy.

。。。。。。。。

As for why academics like to make literary films?

Because that's what they learned in school, the fifth-generation directors have taken a good lead, and the fifth-generation directors led by Chen Xuanli have created a so-called "master era"!

Those masters have indeed made some works that have attracted the attention of the world, and these masters have either exposed the darkness of society or reflected the changes of the times, and they are all complete fighters.

Of course, there is also a bad point in these films, that is, the light exposes the darkness, and the light says "China is ugly", but there is no hope and no light, which also leads to many netizens complaining about these masters, thinking that they are damaging China's image!

Of course, these comments are biased, because they do not think about the problem from the background of the times at that time, and if they put themselves in that era, they may not be better than those masters!

These masters have merit and deeds, but in the end they have made some achievements.

Compared with the fifth-generation directors, the sixth-generation directors can only use four words to describe "what thing?"

They also shoot literary films, but most of them pursue "extreme metamorphosis", "pursue a ***", and express themselves excessively.

This also caused them to almost break the Chinese market.

When someone criticizes them.

They also looked at others with contempt: "You don't understand me!"

"You guys are coercion, you can't understand my movie!"

I guess they can't even understand their own movies!

Apparently they have a very wrong perception!

That is, the film that you can't understand is a literary film!

In fact, this is not the case, literary films are not so narrow-minded!

It is precisely because of the existence of these people that many people discriminate against and even despise literary films!