I asked about my doubts, and Majera said: "Azan, the country of Siem Reap at that time was not Thailand now, my great-grandfather and great-grandmother were slaves, you should know the nature of slaves, you have to serve the master all your life, you can't have your own life, and the letter also said that the owner of the house, Kun Pitak, is a man with a strong desire to control, and he doesn't like others to betray him, so they can only secretly fall in love." ”

It turns out that the meaning of slave is equivalent to selling himself to the master, and everything he does must be done with the consent of the master, just like the love between the eunuch and the palace maid in the ancient Chinese court.

I picked up the old photos in the tin box and looked at them, the photos are all photos of the owner Kun Pitak and the woman, the women in each group photo are different, and each photo is the homeowner Kun Pitak sitting and standing with a woman, looking at the intimacy of the woman and Kun Pitak should be husband and wife, it is normal to take a few wives with the status of Kun Pitak, and the Kun Pitak in the photo is also in different periods, there are photos in their twenties, and there are also photos in their thirties and forties and fifties, it seems that these women are his wives in different periods, there are actually as many as seven, and they are all very beautiful, this Kun Pitak Yanfu is not shallow。

Han Fei leaned over and looked at the photo, immediately frowned, and said curiously, "Brother Luo, don't you think there's a problem?"

I wondered, "What's the problem?"

Han Fei didn't answer directly, but asked me to help him ask the owner of Marjera, Kun Pitak, how many wives he had, so I had to help ask.

Marjela said that there was only one mentioned in the letter.

I seemed to understand what Han Fei meant, and asked, "Mr. Margera, when did your great-grandfather and great-grandmother work as housekeepers and servants for Khun Pitark, or how old was Kun Pitak at that time?"

"The letter said that Khun Pitak was in his forties at the time. ”

In other words, Khun Pitak only had one wife when he was forty or fifty years old, and Marjela's great-grandparents didn't know how many wives Khun Pitak had before, and if that was the case, then this thing would be even more strange, so where did Kun Pitak's previous wife go, didn't they live together?

Marjela seemed to know what I was thinking, and said, "Azan, I've seen these photos too, do you think they're all his wives?"

I nodded and said, "Otherwise, the photo was taken in the garden behind the green house, and judging by the intimacy of the group photo, it is very likely that they are husband and wife." ”

"At first I thought the same thing, but I didn't think it was possible, it was normal to have several wives during the Siem Reap period, and if it was a husband and wife, then my great-grandparents should be able to see them in the green house," said Majla, "At first I thought the same thing, but I thought it was impossible to think of it, and it was normal for me to marry a few wives, and if it was a couple of women he played with when he was young, the letter introduced the life of Khun Pitak, saying that he lived in luxury, but from beginning to end it was only mentioned that he had only one wife, and the other women did not even mention it, maybe it was the woman he played with when he was young." ”

"It's rare for a woman to play with you to bring them into the house, and by the way, since there are these pictures in the tin box, did the letter mention them?" I said.

Marjela shook her head blankly and said, "I don't know much about that." ”

I motioned for the tin box and asked, "Do you know how your great-grandfather's tin box came from?"

Marjela still shook her head: "I don't know, how can an inconspicuous tin letter mention it, I know what you are thinking, Azan, I have also thought about this question, my great-grandfather is just a housekeeper, how can there be a photo of the owner and the woman, right?"

I nodded and said, "Yes, that's what it means, to be honest, these photos belong to the privacy of the homeowner, Kun Pitak, your great-grandfather can't have it, I suspect that this iron box is not your great-grandfather's at all, it is likely to be the homeowner's Kun Pitak!"

Marjera wondered, "This doesn't seem right, if it's the owner of the house, Kun Pitak, why is there a letter written by my great-grandfather?"

It's a really contradictory question, and it's hard to figure out what's going on for a while.

At this time, Han Fei, who had been looking at the photo on the side, seemed to have found something, and motioned for me to look at the photo again, and he said, "Brother Luo, what do you have in common with the photo of these women and Kun Pitak?"

I took the photos and looked through them carefully, but I didn't find anything.

Han Fei said: " When I was bored in college, I read some books about small movements and micro-expressions, people's limbs and expressions can't deceive people, these women's expressions are almost exactly the same, they are all fake smiles, when smirking, people will subconsciously tighten their facial muscles, the most important thing is to look at the eyes, the real smile can be seen from the eyes, you see the woman's eyebrows and muscles around the eyebrows in the photo do not move, only pull the lower part of the face and the lower part of the eyelid, and you see that the right toes of these women are facing outward, which reflects their true heart, they don't want to take pictures, and even want to run away, they are forced to take pictures。 ”

I frowned and said, "What a mess. ”

Han Fei said: "Brother Luo, this is not a mess, this is psychology, it is very reliable." ”

I thought for a moment and asked, "Can you be sure that these women were forced to take pictures?"

Han Fei said firmly: "At least eighty percent of it is certain." ”

I sighed and said, "Well, even if I can be sure that they were forced to take pictures, it has nothing to do with what I'm trying to solve now." ”

Han Fei said: "Although it seems to be unrelated at the moment, I feel that this finding will definitely have an effect with in-depth investigation." ”

Marjera told everything she knew, but our understanding of the Green Room was still very limited, what would be the connection between the white-clothed Yin Spirit Kun Bitak in the Green House, the moving vines, the pair of red eyes, what happened in the Green House, all of this was shrouded in fog.

Majella was tired from talking too much at the beginning of his illness, and his wife asked him to lie down and rest, and then came to me and saluted, saying, "Azan, didn't you say that my husband still has a small amount of resentment in his body, please help me get rid of it, I don't know which Buddha Azan worships, I want to ask you to go home and worship it well, so as to repay Azan for your great kindness." ”

I waved my hand and said, "I don't need to take these little things to heart, I'll get rid of them for Mr. Marjella." ”

Although the few grievances used to convey information are almost negligible, and they will not cause much harm to people, but grievances are always grievances, how much will make people grumpy, or it is better to expel them, I leaned on the side of the bed and planned to chant to help Marjera get rid of the grievances in his body, but before removing them, I hesitated, and decided to try to sense the grievances in his body again, maybe there will be new discoveries, just like the police never only examine the evidence once, I also want to re-examine!