Xiao Feifei is an actor, even if she is a director, she has no real systematic learning and practice with the crew.

Strictly speaking, her current situation is similar to Zhao Kuo, which is more than enough in theory, but it is still a little worse in practice.

As far as Lin Mu knows, the director she has close contact with is Xiao Er, she really watched her film at close range, as for Lou Ye at the beginning, when she came to that ghost place, it was so cold that you could freeze when you peeed and turned your head, and besides, she was not familiar with Lin Mu, and there was that kind of relatively intimate scene.

It was an unimaginable experience for a calm and mature woman like her, who had a well-organized plan for her life and was full of a sense of order.

To tell the truth, it was good that she didn't blow up when she knew Lou Ye's arrangements for those scenes, not to mention that she had to go and see how Lou Ye filmed, don't be funny!

Xiao Er's filming has always been full of Lin Mu, and sometimes even Lin Mu and Zhou Gongzi are together.

In later generations, people often like to say that so-and-so person supported a play, how and how it was.

Lin Mu and Zhou Gongzi unceremoniously said that they are completely worthy of this sentence in terms of acting skills, and with such a background and lineup, they can recruit Xiao Er's casual shooting style.

When Xiao Er was filming with Lin Mu and Zhou Gongzi, he mostly talked about what kind of scene he was going to shoot today, basically not talking about the drama, and filming directly.

Because the script was written by Lin Mu, and the acting skills of the two of them were up to standard, they were able to play like this.

And regardless of the big pattern of Xidong, from beginning to end, all the named characters add up to hundreds of people back and forth, and some of them are young people who are close to the characters in terms of image because they have to consider the image, and their acting skills are not at the same level at all.

Coupled with the tone of the times, the things that are filmed together are probably equivalent to a few LV999 gods running to the novice village, and it is also the same feeling as the characters of the ancient online game running to the World of Warcraft.

This problem does not only exist here in Feige, but also in the original Wuwen Xidongli.

Color, light, and filters.

The female director of the original version should be the same as Fei Ge who is filming for the first time, and she is too impatient.

They are all eager to show their talents to everyone, just like Ning Hao, who shot crazy stones back then.

However, at that time, Ning Hao had enough background and ability to support the completion of the stone and hand over a complete answer sheet.

Feige here, even though Lin Mu loves her and loves her, it is undeniable that she has certain flaws in her profession as a director.

In his memory, even if Fei Ge doesn't make this one, he will make a movie that he has prepared for a long time, and love has an afterlife.

Love has an afterlife is probably the story of a person's unfinished ghost, and it is also the first and only film in the history of mainland cinema since the millennium that there is such a thing as a ghost and has not yet been harmoniously and successfully released.

In the history of Chinese films, there are commercial movie templates such as A Chinese Ghost Story and Happy Ghost, as well as literary film models such as Rouge Buckle, but Xiao Feifei made that scene a stream of consciousness and couldn't understand it.

More than 20 million investment, 2 million box office, not to mention the loss of the production company and investors, scrapped a copy in the follow-up production, it is said that she also took her house in the capital, including savings.

Sometimes thinking too much is actually not good.

Although Xiao Er is really a director, she is very pure.

In her, a story is a story, and the meaning and perception are incidental, if you understand it, you will read it, and if you can't understand it, the storytelling nature of the story is enough to catch you and continue to read.

In addition to the leftover is king, Xiao Er's movie has no lower than 6.5 reviews on the Internet, and the worst box office also makes the company make a little money, which is the best difference.

……

Getting back to business, Lin Mu listened to Xiao Feifei's words, groaned for a moment, sighed, and reached out to pat her arm.

"The crew is very big and there are a lot of actors!"

"Due to the background of the two of us, I think there are definitely not a few Nortel students in the entire crew this time, right?"

Xiao Feifei bowed his head slightly when he heard this, "Hmm!"

Hearing this, Lin Mu sat up straight and clapped his hands, "Then the problem is here!"

"Actors from Yeluzi, famous actors from Nortel, rookies, group performances, dragon sets, everyone's level is not at the same level, and the style and habits of performance are not on the same level, if the director does not find such a balance, the old actors may be able to adjust themselves, so what about the newcomers?"

Lin Mu said, pinching the thumb and index finger of his right hand together, pinching a line, and making a gesture.

Xiao Feifei frowned and thought about it when he heard this, and Lin Mu continued to speak.

"I'm not a director, but I'm a screenwriter, and I've seen a lot of directors filming. ”

"The story was born from me, that is, from the hands of the screenwriter, but those are words, they are very abstract, and the real picture that people can see comes from you, the director!"

"If you let the actors play on their own, what's the point of the storyboard that you've spent more than half a year preparing?

Fei Ge seems to have gotten the point that Lin Mu said at this point, and now it is really transparent.

"I see!" she nodded abruptly.

Lin Mu was relieved when he saw her, but after thinking about it, "Since I said it today, I will say all the problems that I can still see in one go." ”

"There's also the issue of the use of color and filters. ”

"I didn't pay much attention to it before, but today I looked at the scene a little bit, including the lens from the photographer's side, and found a problem. ”

"A story is a story, and the world is still such a world, even if you really need to use color to metaphorize something, those are done in post. ”

"When filming the scene at the end of the film, I recall that the light and shadow of your picture at that time were very clear, and with a faint cold light tone, I understand your thoughts, you probably want to use this color as a metaphor for the indifference and even deception between people in the real society. ”

"But have you considered a problem, you have no problem using cold light colors, but when Zhang Guoguo's father led Li Xiang to bring out Chen Peng, I found that you had abandoned the cold light tone, and instead began to use warm light tones. ”

"That era is sensitive, but it is undeniable that it is history, the story that happened on the same level, warm or cold, I think you should consider the coordination of the whole story and the unity of the picture, rather than playing with light and shadow. ”

"This thing, the national teacher can play with it, but you can't!"

This problem is not only committed by Fei Ge, but also the director of the original version, and it is more serious.

Lin Mu pointed out so many problems with Xiao Feifei in one breath, but Fei Ge was not angry, frowned and began to think, thought for a while, and opened the previously filmed material on the monitor and began to play back.