Three laughs in 1964

In 1993, Tang Bohu ordered autumn incense

Thirty years ago, she was a talented and beautiful woman

Thirty years later, inferior people

An elegant and elegant

A worldly amorous

Laughing with tears or Xingchi

Bitterness is not enough to stop Hua'an

Don't want to be otherworldly and isolated

I only know that there is love wandering in my heart

The king of comedy with confidence

Laughing and scolding half-life

Raise your eyes to see the flies camp and the dogs and all living beings

Bow your head and laugh at a madman

Why should you be drunk in a dream of life

It's just because there are too many broken tears

The sad past turned into laughter

People say I don't have a heart or lungs

Splash ink and talk and laugh

Dress up and retreat from strong enemies

Think carefully about the flying paper kite

The dignified man roasted his wings

Autumn fragrance is confused and does not feel love

Love is strong, Hua'an fell asleep

The identity is fake, and the love is true

Tang Yin is the most infatuated

There are so many women in the world

Spring, summer, autumn and winter smell themselves

The boat sank and people could not cross

Wangcai Xiaoqiang is miserable

Lots of laughter along the way

Now it's half a hundred

Xingzi Xingye runs tricks

Yes, I am, you are sentient beings

2019.1.25

A star fan's self-talk

It turned out that Stephen Chow's "Tang Bohu Dots Autumn Fragrance" was a remake, and in 1964 there was a "Three Smiles" that told the story of Tang Bohu's autumn incense.

Because the film was made in 1964, it was not so nonsensical and funny as it is now, but a plot of a talented and beautiful woman.

30 years later, Stephen Chow's interpretation has been reshaped under the framework of the original work, making Tang Bohu's image more vivid and interesting, expressive, and unforgettable.

Stephen Chow's "Shaolin Football" is also similar to a Hong Kong kung fu football-themed movie in the 70s.

The same theme has been interpreted by Stephen Chow and has become a unique existence with great characteristics. I believe that where there are Chinese people, there is Stephen Chow, who brings as much laughter to the world as tears.

Everyone sees themselves, others, hope, disappointment, the future, the present, helplessness, bitterness, and love in Stephen Chow's movies.

I saw friendship, I saw success, I saw failure, I saw beauty, I saw ugliness, I saw sadness, I saw mediocrity, I saw reality, I saw ghosts, I saw epiphany.

I saw the depth, the unrestrained, the introverted, the struggle, the loss, the loneliness, the loneliness, the darkness, the light, and the road.

I saw despair, I saw adults, I saw children, I saw tears, I saw laughter, I saw madness, I saw calm, I saw struggle, I saw pain.

I saw chic, I saw the downfall, I saw the wind and rain, I saw the rainbow, I saw the powerlessness, I saw the rise, I saw the ordinary, I saw the greatness.

Every feeling that is written will flash back to the image of Stephen Chow's works in my mind. It's not a pile of words, this is Stephen Chow in Han Sen's eyes, and Stephen Chow in his heart.

He doesn't know what others think in their hearts, he is willing to make Stephen Chow the first, the strongest, and not one of them.

Maybe the real Stephen Chow lives in isolation, doesn't like to deal with people, and focuses on filming. But Stephen Chow in Han Sen's mind is a totem.

The characters he plays are like living people around you, you are familiar and strange, you like and hate, you admire and envy, you are close and estranged, you agree and dislike, you envy and dislike.

Without so many classic characters, our growth will be surrounded by all kinds of brain-dead dramas, making us doubt our own tastes, question why the world is so boring, and be tortured by these cultural garbage after a hard day's work.

Every time Han Sen watches Stephen Chow's movies with Lin Rouer, he will be awakened to the memories of his youth. Sometimes I don't do anything, and it's also a pleasure to lie on the sofa and watch Stephen Chow's movies and giggle.

After watching too many Stephen Chow's movies, you will slowly begin to learn to think, thinking about the people in the play, the plot in the play, the things in the play, and what you want to express in the play, there are too many hidden between the lines.

Some people also say that there is no need to over-interpret Stephen Chow's movies, but in fact, he didn't think about it so much.

It doesn't matter, sometimes good work can bring more than the work itself. It's like Stephen Chow just thinks he's an actor, and acting well is his business, it's not a big deal.

But his works still entered the hearts of hundreds of millions of people, took root and sprouted, some became trees, some bloomed, some took scriptures, and some enlightened.

If there is no expressive interpretation, the audience will not have emotional resonance, and no matter how good the idea is, it needs a platform and carrier, otherwise it will be ethereal, and Stephen Chow's movie is the perfect carrier.

Han Sen felt that the process of pursuing Ning Xian'er was a bit like Tang Bohu's autumn fragrance, and he regarded himself as a low-level subordinate, in order to pursue the goddess in his mind, he could do anything, it was okay to say that I was Tang Bohu, it was okay to say that I was Hua'an, and it was okay to say that I was a low-level subordinate.

Don't care about the details, only pay attention to the truth, except for you in your eyes, everything else is illusory.

Nowadays, many people can't let go of their bodies when they fall in love, they are afraid of failure, they are afraid of rejection, they are afraid of being sad, and they are afraid of being sad.

You dare to write as much script as you have the ability, Han Sen started as a rural guy, no money, no looks, no family background, no background, and a flat-headed commoner.

But he was not disheartened because of his disadvantages, but concentrated his advantages, and after reading for a few years, he can be regarded as a lost little scholar.

The result is that Ning Xian'er spent a wonderful college time with this little scholar, if you don't even dare to think about it, then let alone do it. Everyone's life is interpreted by themselves, don't blame yourself for getting a bad script, you have to ask yourself if your level can be performed well.

If you get better and better, at the end you can even decide how to write the script and become the director of life.

Han Sen and Lin Rouer's emotional drama Han Sen can be regarded as a director, he is not satisfied with other people's doubts about himself, bravely follows his script, and finally hugs the beauty.

If you have nothing, at least have a little courage to dare to fight for a relationship for yourself.

There are a lot of Tang Bohu around him, a lot of spring, summer, autumn and winter incense around him, a lot of martial arts around him, a lot of King Ning around him, a lot of Mrs. Hua around him, a lot of Hua Taishi around him, and a lot of Hua'an around him.

There are a lot of boatmen rocking the boat, a lot of Zhuzhishan around, a lot of paper kites around them, a lot of prosperity around them, and a lot of Xiaoqiang around them.

There are many Jiangnan four Y heroes around him, many pomegranate sisters around him, many face-grabbing scholars around him, and many imbecile sons around him.

Almost every role can be remembered clearly, and sometimes there is no difference between the leading role and the supporting role, they are all starring, they are all remembered, they are all excellent.

I believe that everyone who has watched Tang Bohu and order Qiuxiang can remember more than 5 characters.

At some stage in our lives, our roles may switch between these individuals, sometimes Hua'an, sometimes Zhu Zhishan, sometimes Qiuxiang, sometimes Sister Pomegranate.

Whose dreams have warmed your life, and whose dreams have embellished your life.