Isn't it okay?

Try to understand my heart a little bit.

If you still can't do it,

It's okay to keep reading him,

As long as you can stay with me.

……

"Wow~Good singing~Good singing~" Kim Yina clapped her hands and walked in and handed Cheon Myung-hoon a glass of pear juice.

Although Qian Mingxun felt strange, he still thanked him and took it: "Are you going to be my assistant, Sister Ina?"

"I'll be nice to you, right!" Jin Yina glared at Qian Mingxun: "Let me be your assistant, you're so beautiful!"

"Then what does this mean, why are you suddenly being nice to me?" Qian Mingxun shook the cold drink in his hand: "It's not me who likes it......"

"Ah......h Dare you say that it's over, isn't it!" Jin Yina raised her hand and hammered it twice on Qian Mingxun's back. But not angry, but shy.

Kim Ina is a lyricist and is part of the Nega Network. The company and Loen are in a partnership, and they are becoming more and more inseparable.

Jin Yina and several other writers have signed exclusive contracts with Loen. Although the nominal position is only an agent, it is no different from his own people.

Sooner or later, this company will be merged, and it will only be a few formalities. Jin Yina has been working at Loen for more than a year, and her immediate boss is Zhao Yongzhe.

And the most interesting thing is that the two are a little ambiguous!

Jin Yina took the initiative to express her favor, while Zhao Yongzhe seemed to be hindered by his identity and didn't want to mess with the relationship between men and women in the company, especially since the two were still direct subordinates.

But Zhao Yongzhe did not refuse sternly, but was afraid that he would not be able to help but waver, so he deliberately avoided this matter. But in the same composition department, where can you hide if you look up and don't see you down?

Undeterred, Kim Ina took a more aggressive offensive. She said among the female staff that she would have a relationship with the team leader within half a year.

This trick is a trick that only people in love will do. As the saying goes, women chase men with a high probability of success. What's more, Jin Yina is already a beauty, even if she debuts as an artist, it is enough.

After Kim Yina announced this, it will inevitably reach Kim Yong-chul's ears. Every time the two meet in the future, even if it's just to say hello, it may make each other think about it.

That's where psychological suggestion comes in. Although Qian Mingxun had nowhere to perform, he was still amazed by this move. So after becoming close to Jin Yina, I teased her with this stalk from time to time.

After a while, Jin Yina got tired. Sitting down at the desk, he took out a notebook and a pen, and asked with a straight face: "You just sang Huixing's "Can't Why", do you like this style......?

Cho Yong-chul postponed Cheon Myung-hoon's return plan and wanted to write a song for him himself. As a member of the composition department, Jin Yina must of course keep up with the pace of her superiors!

Nothing to do, be courteous, either treacherous or thief. Cheon Myung-hoon saw through her mind now. didn't rush to answer, half-squatted in front of Jin Yina: "Sister Ina, Zhao Yongzhe, Qian Mingxun, please choose!321......"

Jin Yina was stunned for a moment, and sighed helplessly: "Of course I chose you!wuli Mingxun sings well, looks handsome, and can compose!It will definitely be much better than him in the future~"

"I'm a little embarrassed, but I'm telling the truth!" Cheon Myung-hoon nodded with satisfaction. Since hosting the station, my skin has also thickened a lot.

"For the sake of this glass of pear juice, I've been interviewed by Nuna!"

Jin Yina also stopped going around in circles and went straight to the point: "Then let's hurry up, what type of music do you like?"

……

Timbre is very important for a singer, even more than singing skills in a sense. After all, the role of timbre accounts for a large proportion of the good sound in the general public's concept.

For example, the voice of a male duck and the voice of a broken gong are really difficult to be recognized by the public. And if a person's voice is very good, everyone can easily associate her with singing. So timbre is a stepping stone to becoming a singer, and it also decides to limit future development.

But human timbre is not static, because timbre is a composite concept. By definition, pure tones have no timbre, and only the vibration of objects can distinguish timbre.

Although there is only one vocal cord in the human voice, the structure of the resonance cavity is also fixed. But with control and adjustment, it is possible to change the tone. For example, the personal skills of variety shows often have vocal cord imitation.

Vocal cord mimicry achieves a similar timbre, but only at a certain frequency band. It's barely enough to say a few words, but it's almost impossible to sing with full dedication. Because the vocal cords are not relaxed at this time, but very tense and stiff.

Timbre is not simply the control of the vocal cords, but the result of the collaboration of all resonant organs. People's emotional changes can affect physical functions, so it is very important to grasp the feelings in singing.

Through "Snow Flower", "Sister is My Woman", and "Dreamer", Cheon Myung-hoon showed three different timbres. This adds a lot of uncertainty to Kim Yong-chul's creation.

If you want to find the most suitable way to make your voice, it is useless to simply listen to one person sing. Unless the other party is really wrong. So in order to find out Cheon Myung-hoon's traits, Kim Yong-chul conducted a series of tests on him.

Qian Mingxun's mid-bass, even Li Xianji can't find a problem. Of course, Kim Yong-chul couldn't find it. No matter how he sings, he can only be admired. Leave it to Cheon Myung-hoon to control it himself.

Therefore, if you want to find the problem of Qian Myung-hoon, you must expose your own problems when you can't control it well. And the forbidden area that singers are most afraid of is also the inherent limitation of human beings, that is, the vocal change area.

The live car accident is a problem that plagues every singer, and the broken sound is not actually because he can't sing, but because of the sudden loss of control of the vocal cords. Even if you are a natural high-pitched monster, there is a limit to what a true voice can do. If you want to go up, you have to change your singing.

This change is the voice change point, and the common voice change point of human beings is collectively called the voice change area. The voice change zone must be converted between true and false tones, but true and false tone conversions can occur anywhere.

If the process is not controlled smoothly, there will be a broken sound. The breaking sound is not necessarily an abrupt stop, but more of a sudden change in timbre, giving people a very awkward sense of impact.

Cracks are obvious changes that there is simply no way to hide. But there are many subtle changes that are not easy to notice. After all, the way of vocalization has changed, and there will be differences in timbre.

Sometimes, although I barely sang a higher note, it was completely different from the previous tone. And such a voice is very unpleasant, and it is not even a singing anymore.

Qian Mingxun's super talent, of course, will not end here. Following Zhao Yongzhe's various instructions, he played a good game in the voice change area, left and right, but until he was out of breath and his throat was dry, Zhao Yongzhe still had nothing to gain.

Almighty? perverted!

In Zhao Yongzhe's view, Qian Mingxun is omnipotent. Of course, omnipotence does not mean invincibility, although it is close to full score in all aspects, there are still some non-humans with explosive combat power.

In terms of voice control, Cheon Myung-hoon is a non-human existence. Although some people have a wider vocal range than him, and some people's voices are more resistant to wear and tear, they can support heavy performance singing.

Popular songs don't need dizzying tricks, and they don't need suffocating super-high notes. Those are just icing on the cake, not the essence of the singer. If you have the energy to practice, but not having it is not a defect.

Therefore, the direction of Qian Mingxun's future efforts is still the two points that Li Xianji told him: to understand life more and accumulate singing experience. There is also exercise to strengthen the breath.

Zhao Yongzhe gave a more specific definition from the perspective of a producer: resonance.

In fact, this is a pun, and there are two ways to interpret it: emotional resonance and sound resonance.

Emotional expression and breath are closely related, especially sad and sad songs, which need to be set off by continuous breath. And the resonance of sound is even more so, if there is not enough air in the resonance cavity, what can resonate with the vocal cords?

If you have a strong breath as a support, even a simple song can be sung with a heartfelt feeling. That's a higher level of sound texture, and others can't imitate it. Even if that person's timbre is exactly the same as that of Cheon Myung-hoon.

So I studied in the studio for a long time, but it turned out to be that Cheon Myung-hoon was asked to exercise. Zhao Yongzhe instantly turned into a fitness coach and taught a lot of effective advice.

"OKOK, I know Brother Yongzhe!" Qian Mingxun had a bitter face: "I don't sleep an hour less at night, can't I go for a run?"