Chapter 155: The Confused Administrator [Asking for Tickets and Subscriptions]

The news is bombarded outside, and Zhang Chu himself has returned home to face the computer, and if he wants to write a book in five days, he must hurry up every minute.

The big words "Life of Pi" appeared in the center of the document, but now Zhang Chu is working on an outline, planning how the whole article should be written.

This step can be omitted by copying, but the problem is that Zhang Chu is working hard to optimize and modify it.

There are many bloated parts of the animals introduced at the beginning of the original work, and at the same time, the beliefs and explanations of various religions are also cumbersome, and what Zhang Chu has to do is to condense and refine these contents.

He decided to divide the whole part into three parts, one of which was the "author's" interview with Patel, the middle-aged Pie, in Canada, and Pai recalled his experiences in India as a young man, including the origin of his name, how he became a co-believer in all three religions, and the first encounter with Richard Parker when he opened a zoo in his family.

This part of the original book takes a lot of pen and ink, and the description is more superficial than superficial, which makes people feel long and boring.

Even if the original author is Indian, this is not a life experience that cuts into the bone marrow, and it is as dispensable as scratching the itch in the shoe.

Of course, Zhang Chu has not lived in India, but he knows that he can promote his strengths and avoid his weaknesses, since this part of the content is boring, difficult to write, and has no special effect on writing, it is better to focus on the second part!

In the second part, he wants to write about the young pie family taking many animals to Canada by boat, but the riben cargo ship they are on is caught in a big storm in the Pacific Ocean, which is the biggest attraction of fantasy rafting.

16-year-old Pie survives at sea, battling wits with Richard Parker, and this process of training the tiger is also the process of Pie from a teenager to an adult.

The general trend of the plot is still the same as the original and the movie, but Zhang Chu feels that he should be able to use a more accurate and credible description to describe the dangers and obstacles that can be encountered in survival at sea.

The description of this voyage in English is certainly wonderful, but in Chinese it is bound to have a different flavor.

Since he writes the book in the first person "I", the necessary mental activities are indispensable, which is a certain challenge for Zhang Chu, and he must put himself in his shoes to think about what kind of actions and thoughts he will have in that environment.

The third part is the interview with the staff of the insurance company and the cargo ship company after Pie was rescued and the final conclusions, although this part does not require much ink and ink, but it is a chapter that sets the tone of the whole story.

When the cruel and bloody details are told, all the light, dreamy, strange and magnificent things in front seem to be reversed, and the whole story instantly becomes heavy!

This ending must be done well, and if it is confiscated, then the shock brought by "Youth Pi" will drop several notches.

If the reader believes in the existence of tigers, then this is a story of adventure, a story of coming-of-age, and a rather legendary story.

If the reader does not believe that tigers exist, then this is one of life's most extreme tragedies, a tragedy that a teenager must make up a Bengal tiger to forget.

The idea of seeing people and wisdom is quite a bit of Zhuangzi's philosophical connotation of the invisible elephant and the loud voice, and Zhang Chu really wanted to express this kind of thinking.

[I'm Pi, drifting in a lifeboat in the Pacific Ocean, with the only company being a 450-pound adult Bengal tiger.] How so? It's hard to say, don't mention it. Now I have only one thing on my mind: how to deal with this tiger named Richard Parker. 】

This is what Zhang Chu wrote in the preface, which is obviously intended to attract the reader's curiosity and make them want to open the content to see what is going on.

Why are you with tigers?

Why do tigers have the same name?

[Plan No. 1: Pull him off the lifeboat.] What's the good of that? The tiger is a strong swimmer, and he'll climb back and put it on, and make me pay for my betrayal. 】

Zhang Chu did not use the word "it" to refer to acting Richard Parker, but used "he", which can better highlight the significance of Richard Parker to Richard.

[Plan 2: Attack him with all the weapons you can find......

Plan Seven: Keep him alive. 】

The content of the prologue writes about the loneliness and desperate fear of the party, and he would rather be accompanied by a tiger than drift alone on the sea!

Zhang Chu's choice of "Life of Pi" is actually quite risky, if he really wants to write a film that is completely to the taste of the judges, then there are too many things in the system for him to choose from.

Not to mention far away, let's just write some award-winning works of the previous Lu Xun Literature Award and Contradictory Literature Award, can it still make the judges of good Chinese literature bear to give bad reviews?

But this kind of pure literature can only conquer the hearts of these judges, but it cannot win the hearts of the majority of readers.

Serious literary works belong to the elite category of literature, often containing a heavy tone and serious thinking about the times, most of the time only after winning various influential awards can be known to the public, just like Mo Yan's, if it wasn't for his "promise" to become famous, how many people have really seen it?

Ordinary works pursue entertainment, do not need to pursue depth, do not need readers to think, although the range of readers is wider, but the connotation is slightly weaker, this type of book is undoubtedly difficult to impress the judges.

Therefore, Zhang Chu chose "Youth School" in the middle of these two types of literature, it is not a story told by Chinese, but the things contained in it are common to all mankind, and we cannot use a narrow eye to hostile it!

……

The Chinese Writers Network is the official website of the China Writers Association, and it is also the online submission address of "Chinese Good Literature".

Located in the office building in Dongcheng District, Yanjing City, there is a department dedicated to operating the writers' network, who are mainly responsible for updating relevant news, maintaining the normal operation of the web page, and so on.

Kang Zhengqing is mainly responsible for the editing of content, but recently he has another task, that is, to maintain the page of good Chinese literature essays.

The biggest advantage of working here is that it is leisurely, there is not too much intrigue, and the work intensity is not large, and the salary is quite good.

"This essay is coming to an end, so I can finally work less. Kang Zhengqing picked up the teacup in his hand, took a sip and checked the submission link.

How come it was that after one night, so many more people registered accounts, and poems, essays, short stories, novellas, scripts, long stories, and so on were all submitted.

That's more than the number of contributors who announced the link in the first place!

"What's the matter, who's going to help us with the publicity?"

Kang Zhengqing was confused, and then briefly checked the email accounts that were registered with the Chinese Writers Network.

It turned out that so many of them were the mailboxes of the education system of Yenching University, Kang Zhengqing was a little confused, Yanjing University students organized a group to participate in the competition, is it an attempt to win all the rankings of this essay competition?

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