Well, there is such a thing...... "Wang Xiaoqiang was surprised.

"Yes, we Sea Beast Clan, when we see you cultivators, we have a grudge in our hearts, which is why I did it to you. ”

That sea dragon road.

"Then why don't you continue to attack us?"

"Because you are too powerful, you are the most powerful cultivator I have ever seen, and I am not your opponent at all, so I am willing to bow down......"

"Hehe, you know each other. Wang Xiaoqiang said with a smile.

Qiao Zhi listened to the conversation between this man and a beast, and had a feeling of time and space reversal, this, this is too strange, the beast can speak, and what this man and beast are talking about is cultivation?

Xiuzhen?

Isn't that something from an online novel, why did it appear in the conversation between this man and a beast, listening to the meaning of the sea beast, it seems that this Wang Xiaoqiang is a cultivator, and he is an extremely powerful cultivator.

Qiao Zhi turned her beautiful eyes and stared at Wang Xiaoqiang tightly, extremely surprised, this, is this still the Wang Xiaoqiang I know?

At this time, the sea beast said again, "Cultivator, what is your name?"

Wang Xiaoqiang saw that this sea beast was not evil, so he also replied, "My name is Wang Xiaoqiang, and this is my wife, my name is Qiao Zhi." ”

"Uh, Wang Xiaoqiang, Qiao Zhi, hello, you didn't come to the bottom of the sea to find treasures, right?"

Wang Xiaoqiang said, "That's not it, we're mainly here to play, of course, if we encounter treasures or something, we won't let it go." ”

"Okay, Wang Xiaoqiang. For your friendliness, I'll take you somewhere. There is treasure there. The sea dragon said. 、

Hearing this, Wang Xiaoqiang and Qiao Zhi's eyes lit up. Then they looked at each other and finally agreed.

So, this big beast led the way and led the two to find the treasure.

Although this sea dragon has a large body, it is very agile and very fast when it really swims.

Soon, the sea dragon brought the two to the wreck of a shipwreck.

Judging by the volume of the wreckage. It's a huge ship, and it looks a bit like a Chinese ship.

Seeing this, Wang Xiaoqiang and Qiao Zhi were a little excited, so Wang Xiaoqiang immediately drove the Lingquan submarine into the wreck to check, and the first thing that caught his eye was a large pile of porcelain......

Except for the bottom layer of porcelain, which is damaged, the remaining porcelain is quite well preserved, and the patterns on the porcelain are quite exquisite, with flowers, birds, insects and fish on them. It's all vivid.

And to be sure, it was porcelain from China.

"It seems to be Yuan Qinghuaye......" Qiao Zhi stared at the patterns on those porcelains with her eyes tightly, and said in surprise.

"Judging by the appearance of this shipwreck, it is certainly not a modern shipwreck. The porcelain on this is definitely not a modern handicraft, such a lot. If you take it away, you will definitely be able to buy it for a lot of money. Wang Xiaoqiang said. However, there was no great surprise on his face, after all, he must not be the little farmer he used to be. Money is really nothing to him.

"Oh, Xiaoqiang, look at that box, it seems to be clothes or something like that......"

When Wang Xiaoqiang looked at it, he saw a crack in a box carved with a hundred birds and phoenix patterns, and it seemed to be cloth or something like that, but Wang Xiaoqiang couldn't believe it, "No, if it was clothes, it should have rotted a long time ago." As he spoke, an aura hand struck over and pulled the box open, and then the aura hand reached inside, grabbed the fabric, and pulled it out to take a look.

Sure enough, it was really clothes, fabrics and the like, and it was silk, to be sure...... Gorgeous silk.

Seeing this, Wang Xiaoqiang and Qiao Zhi were stunned, not because of the beauty of the fabric, but because of how the fabric could be kept in the seawater for so long......

China has a desert Silk Road and a maritime Silk Road, and it is not uncommon for these silks to appear on this shipwreck. However, if you want to understand why these silks have been in the sea for so long without decaying, I am afraid that you will have to wait outside to find an expert to identify them.

As soon as his mind moved, Wang Xiaoqiang put these silks into the Sumeru ring, and then put the pile of complete porcelain into the Sumeru ring, and finally searched in the wreckage of the shipwreck, and found sixteen jars of wine, which were well sealed. Wang Xiaoqiang moved his mind and included the sixteen altars in the Sumeru ring.

In addition to these wines, Wang Xiaoqiang also found some exquisite antiques, one of which was a jar, which looked very good.

This jar is about 25cm high, about 30cm wide, with a wide circle of feet at the bottom, a short neck with a straight mouth, a slightly thicker lip, a round belly with sloping shoulders, a gradual widening below the shoulders, and gradually closing under the abdomen.

As soon as she saw this jar, Qiao Zhi couldn't help but exclaim, "This, this jar seems to be Yuan Qinghuaye, it seems that this ship should be a shipwreck in the Yuan Dynasty, otherwise it would be a ...... in the Ming and Qing dynasties."

"That's right, this is the Yuan Qinghua Guiguzi Descending Mountain Picture Jar," Qiao Zhi said. Guiguzi descending the mountain picture jar, is the use of imported cobalt material to draw the blue and white ornamentation, a total of four layers, a layer of neck decorated with water ripples, two layers of shoulders decorated with entwined branch peonies, three layers of abdomen for the "Guiguzi down the mountain" theme ornament, four layers of lower part for the deformation of the lotus petal pattern inside the painting Chenbao, commonly known as "eight yards". The theme picture depicts the story of Sun Bin's master Guiguzi, who, at the repeated request of the envoy of Qi Su Dai, promised to go down the mountain to rescue the famous generals of Qi who were trapped by Yan, Sun Bin and Dugu Chen. Ghost 'Guzi sat in the car pulled by a tiger and a leopard, leaning forward slightly, his demeanor was calm, extraordinary as a fairy, and he was in the middle of the strategizing and winning thousands of miles away. A group of people and mountains, trees and stones constitute a spectacular and beautiful landscape character painting. The whole blue and white ornament is colorful, the picture is full, sparse and dense, the main and secondary are distinct, and they are integrated. The character portrayal is smooth and natural, full of charm, the mountains and rocks are dyed heartily, the pen is fine, very perfect, just as Mr. Sun Yingzhou said: "The porcelain of the Yuan Dynasty is 'quite fine'".

"Xiaoqiang, it seems that we are going to send another sum, this jar has been auctioned for 200 million......"

"So let's say. There are a lot of bottles here, all of which should be Yuan Qinghua. Wang Xiaoqiang pointed to the large pile of bottles and cans.

"Hmm. You can't be wrong," Qiao Zhi said with certainty. Think about it too. This shipwreck is also a few years old, so there will be no fakes.

"With these Yuan Qinghua alone, we can buy dozens of billions. Qiao Zhi said happily.

Yuan blue and white is the most dazzling scenery of Chinese porcelain.

Yuan blue and white porcelain opened up a new era of transition from plain porcelain to colored porcelain. Its magnificence and majesty, the style of painting is bold, the painting is varied, and the traditional aesthetic taste of the Chinese nation is very different, it is really a wonderful flower in the history of Chinese ceramics. At the same time, it also made Jingdezhen the center of the porcelain industry in the medieval world. The blue and white porcelain of the Yuan Dynasty is represented by Jingdezhen. It is exquisitely made and rarely handed down, so it is extremely precious, and is roughly divided into three stages according to the time: the Yanyou period, the Zhizheng period and the late Yuan period, among which the "Zhizheng type" is the best

Yuan blue and white porcelain is generally divided into two tones, one is gray-blue, lighter, and the other is dark blue, which is more gorgeous. In the traditional concept, the gray and blue color is a domestic material. The blue one is an imported material. Imported green material is used for large, medium or small yuan blue and white materials, and domestic cobalt materials are only used for medium and small tools.

Imported cobalt material, that is, Su Ma Liqing, the composition of imported cobalt material in the Yuan Dynasty is low manganese and high iron. It contains sulfur and arsenic, no copper and nickel, and is different from the green material composition of Tang and Song Dynasty blue and white and Ming blue and white. The painted blue and white ornaments are intense and deep, with more glossy spots of purple-brown or black-brown. Some black-brown spots show a "tin glow". "Tin light" is a natural sheen that appears in black-brown spots with a concave and convex feel. It is due to the change of blue and white raw materials in the kiln when they are melted with the glaze during the high-temperature firing process. Modern imitations of Yuan blue and white also appear in the "tin light", but the observation of the imitation of the "tin light" seems to be a silver-gray piece pasted on the blue-black spots, some of the spots are denser, giving people a sense of stiffness.

In addition, the color of Su Ma Liqing has the following characteristics: it is a bright indigo blue, slightly purple with different Cheng dù, and some are very elegant violet. There are shades of color, the outline lines are darker, and the coloring is lighter. There are blue-black or blue-brown spots in the accumulation of green material, and the glaze is concave and matte. The green material is fine and even, and the edges of the lines are slightly haloed. Some of them are dense in color, with radial dispersion, and blue-black crystals or crystallization lines are seen, which should be caused by coarse green material particles. In the early Ming Dynasty, there was a similar phenomenon on Yongle and Xuande blue and white.

Yuan blue and white used domestic green material, its composition is high manganese, high alumina, and the same imported material is very different, the depicted blue and white pattern is blue gray or blue black, see the light color gradation, the accumulation of green material has blue-brown or yellow-brown spots, black-brown spots are less, such as the manganese content is too high when the blue and white pattern is slightly reddish in the blue, the glaze is concave and light.

From the bottom of the large piece of artifact or the section of the remnant, it can be observed that the tire color is not white enough, and the tire quality is coarse and has small pores. Although the composition of alumina was added to the tire of Yuan blue and white porcelain and the firing temperature was increased, the porcelain process was still not as delicate as that of Qing Dynasty porcelain. When the Yuan porcelain is made of zuò, the tire mud is not refined enough, and most of the utensils are not glazed at the bottom, and the sand support firing method is adopted, and the so-called sand bottom is formed after firing. The edge of the sand bottom often appears sticky sand or iron spots, and a small amount of utensils are sintered into iron oxide red due to the iron contained in the fetal soil, commonly known as "flint red". Small utensils such as bowls and goblets are generally not kiln red, and although the lids of large utensils such as large jars and large bottles are exposed, they are not kiln red. There are also some plates with a lighter iron-red sand base that the craftsman has deliberately painted, with traces of swirling lines.

Yuan Dynasty Jingdezhen bottles, cans and other types of utensils, the use of segmented tires, and then with tire mud bonding, the surface of the adhesive is often protruding, giving people a sense of unevenness, the outer wall marks are polished, but the inner wall marks are still clearly visible, the inner side of the neck of the utensils is slightly cut, the inner wall is not trimmed, so the bottom of the device, the abdomen, the mouth and other places of the carcass marks table xiàn are obvious.

The foot edge of the general utensils is irregular and bending, indicating that the Yuan Dynasty did not pay attention to repairing the blank when making tires, so the molding process is rough. However, there are also delicate small utensils, and the fetal quality appears white and delicate. Foot cutting treatment method is common to cut the outer wall of the foot end of the foot obliquely, and the width and thickness of the sole of the foot are mostly digging feet, and digging feet are deep and shallow. The ring foot of the utensil is not very neat and curved. Spiral cutting marks can be seen at the bottom of the vessel, the bottom of the large bottle and large jar is coarser and sparse, and the cutting mark of the plate and bowl is finer and denser. Kiln sand is glued to the bottom and inside and outside of the ring foot, and some has been melted into the glaze. (To be continued......)