Chapter 1651: Those Fengyun Directors
Tang Jili next to him watched Yin Jun teach Zhou Xingchi like this, and was a little envious.
But there are not many people who can be visited by Yin Jun like this, and then take the trouble to guide them.
is not only teaching in filming, but also in life, is this the treatment that ordinary people can enjoy?
Speaking of which, Tang Jili feels very lucky.
He entered the entertainment industry as a martial artist, and then worked in the circle for four or five years, from martial arts to assistant to assistant director, it took a lot of thought and effort.
Last year, he had a rare opportunity to make a movie for Wu Sicheng's company, which was not high at the box office, but he also made some money.
Just as he was about to make persistent efforts, suddenly someone from Kirin Movie came to the door and said that Junshao had written a movie and wanted him to shoot it.
It's pie in the sky.
Tang Jili held the script and has been pondering it since before the Spring Festival.
Because Yin Jun likes to do it carefully, he also deliberately made storyboard drawings.
After handing in the results, General Manager Yu Zheng watched it for a long time and told him that he could start filming.
Tang Jili was happy and a little nervous.
If you shoot it well, it will be valued by Jun Shao, and in the future, like Yuan Kui, Yu Yunkang, Lin Lingdong, and Chen Xunqi, they will be in charge alone, which will be very majestic.
If he doesn't shoot well, I'm afraid he will be beaten back to his original shape, and it will be difficult to turn over.
originally thought that after the movie was filmed, Yin Jun, who was busy, would go to the editing room to take a look, but he didn't expect to come today, which really caught Tang Jili off guard.
Tang Jili is a smart person, and through Yin Jun's demeanor and actions just now, he can see the main purpose of Yin Jun's coming today.
Liu Dehua and Yin Jun are the most familiar and invisible, otherwise Yin Jun would not hand over the little princess of the Guan family in his arms to him and let him take him to play.
This in itself is a form of trust.
Zhou Xingchi is the same.
Don't look at Yin Jun's encouragement and beating as soon as he came up, but have you seen Yin Jun treat a few people like this?
If he didn't value this young man, how could he act like this?
In contrast, Zhou Xingchi seemed a little stuffy, as usual at the scene, and didn't talk much.
But Tang Jili also knew that as long as Zhou Xingchi was not stupid, he could hear Jun Shao's cultivation of him.
Thinking about so many things in his heart, Tang Jili's face still kept showing a listening smile.
Tang Jili, who is in his 50s, is a handsome guy, let alone when he was young.
Yin Jun looked at him and felt that it was a waste for this guy not to star in literary films.
"Director Tang ......" After Zhou Xingchi finished speaking, Yin Jun asked Tang Jili, "Do you think it's strange, why would I ask someone like you who only has a simple assistant director experience to make a movie?"
"Jun Shao, just call me Lizai. Tang Jili said very politely.
Then he said, "I don't know why, but since you are willing to give me a chance, then I will definitely do my best every step and try not to disappoint you." ”
"As long as you are willing to give all your strength, you will not let me down. Yin Jun patted him on the shoulder, "I think people rarely make mistakes, perform well, don't let everyone down! As long as you succeed, there will be more and more opportunities in the future, and you will get more and more!"
"Yes!"
Tang Jili took a long breath and said seriously: "I will give my life to treat my works religiously!"
For him, that's the heaviest promise.
Since Yin Jun values him so much, how dare he not work hard?
In life, if you can seize an opportunity, you can change your fate.
Isn't it time to change your fate?
"Relax a little, not so exaggerated. Yin Jun said, "The most important thing for us as directors is to establish our own style and make ourselves one of the best in this aspect, so that we can achieve a career...... If it's an arbitrary switch of styles, that's not a good thing. ”
"Yes. ”
Tang Jili replied respectfully.
He knew that Yin Jun was teaching himself and teaching himself experience.
At the same time, he also knew that Yin Jun's words were not necessarily correct.
For ordinary directors, even excellent directors, it may be like this, but for Yin Jun, it is completely wrong.
Since Yin Jun's debut, there have not been many movies, but there are a lot of themes involved.
Action movies, youth films, drama films, and so on, there are all of them.
With Yin Jun's unique screenwriting talent, such a genius can basically shoot anything.
Even if one day, someone told Tang Jili that Yin Jun was going to make a horror movie, Tang Jili would not doubt that Yin Jun would be able to make the first horror film in history.
But worship is one thing, but Tang Jili will definitely not be so self-conscious, and he thinks that he can do it.
The reason why a genius is a genius is because it is different from ordinary people.
Tang Jili knows that he is a little talented, but he must also work hard to get ahead.
You must not compare with Yin Jun, otherwise you will not be comfortable with yourself!
Tang Jili was born in 60 years, and he is only 2 years older than Yin Jun's age in this life.
A 24-year-old young man, although he has been in the film and television industry for four or five years, was suddenly promoted to become a director, and he directed Yin Jun's book, if you want to say that he has no pressure, he must be bragging.
But Tang Jili is also a person who has gone abroad to see the world, and his answer is neither humble nor arrogant, which makes people very comfortable to listen to.
Yin Jun still admires Tang Jili's directing talent very much.
The director of "Red Fan Zone" is him, although the whole movie is led by Cheng Long, but he can shoot that kind of taste, but it is just right for Cheng Long's advantages.
He is also the director who has worked with Cheng Long the most, and has made 5 movies for Cheng Long.
"Zodiac" was also filmed by him.
Xiangjiang is so much the director of the moment, Tang Jili's style is also obvious, that is, the combination of witty and action.
Cheng Long's movies are very good-looking and tasteful, but the problem is that he makes too few movies, at best one a year when he is young.
It's only after I get old that I shoot two or three films a year.
But at that time, it was already making pension money, and the excitement was greatly reduced, not as good as the peak period.
Therefore, Yin Jun decided to train Tang Jili and let him make more Cheng Long-style movies, the sooner the better.
This is conducive to genres like "kung fu comedy", which will become a signboard of Chinese movies earlier.
Otherwise, even if the teenager is thirsty for talent, he will not promote a 24-year-old director who has never directed alone.
There is only one Cheng Long, but superstars like Yuan Biao and Hong Jinbao can also take Cheng Long's place to some extent.
Moreover, Tang Jili's role is definitely not only in the movie.
There are not many directors of Xiangjiang who go to the United States to mix well, but Tang Jili has two consecutive American dramas, and he can be far ahead in the number of viewers and praise, which is a real ability.
There is nothing else, there are a lot of scripts Yin Jun.
Especially in American dramas, there are thirty or fifty in Yin Jun's safe, and all of them are super classics.
The American director Yin Jun doesn't like it very much, half of the Americans who can be used in American dramas are made by him pinching his nose, how can he still let the American director dominate everything?
"Happy Hotel", the trump card of ABC, even if Tang Shuxuan did not shoot it himself, the director and producer in charge of the specific shooting are Chinese, which proves Yin Jun's attitude.
If it's just to make money, American dramas don't mean anything to Yin Jun at all.
Let the Americans get used to seeing the faces of the Chinese people in TV dramas and movies, so that they can accept and understand Chinese culture, and have more respect for each other, this is the purpose of Yin Jun.
Yu Yunkang and Chen Xunqi are filming in the United States, but they are still too weak.
After a few years of training, Tang Jili can just fill in new strength.
Thinking of American dramas, Yin Jun also thought of several other Xiangjiang directors who have excellent achievements in Hollywood movies and American dramas.
Feng Delun, who is only 10 years old now, does not need to mention, he has not had the ability to be an excellent director for 20 years.
First of all, of course, is Yuan Kui of the Hong family class, who until 2018, was still filming back and forth between Hollywood and China.
Although he is not a first-rate director in Hollywood, he can still be regarded as a second-rate.
This is already the youngest and most stable person in Hollywood.
Wu Yusen is a typical anticlimactic person, such a good start of "Operation Broken Arrow" and "Mission Impossible 3", he actually made a strange thing like "The Wind Whisperer", and finally left in disgrace.
It's a pity.
During Cheng Long's years in Hollywood, Xiangjiang movies were really rotten, so Hong Jinbao took the Hong family class to do martial arts instruction for Cheng Long.
Then the Americans saw that Hong Jinbao was talented in this area, so they asked him to direct an American drama, and the ratings were quite good, ranking in the top five that year.
But there is really a big gap between Hong Jinbao's filming concept and the Americans, so he reluctantly made another film, and he left directly.
Here's another one.
The other is called Yu Rentai.
is the one who filmed "Huo Yuanjia" for Li Lianjie.
But his specialty is not to make action movies, but horror movies.
He used to work as a production assistant in the news department at ABC, and he is still familiar with American dramas.
So after the decline of Xiangjiang movies, Yu Rentai went directly to the United States and filmed amazing horror films such as "Ghost Bride" and "Freddy vs. Jason".
Yin Jun felt that if Yu Rentai continued to develop, he would not necessarily be much worse than the first generation of grandmaster Wen Zhiren.
Now Yu Rentai is making movies in Xiangjiang, and this year's "Aura Compelling" filmed by Zhou Yunfa and Ye Qianwen is his work, and the box office and reputation are very good.
Yu Rentai's age is also 34 years old, which is the time to be useful.
Yin Jun was about to finish the things in hand, so he recruited Yu Rentai to the United States to do his old business in horror films.
The script is ready for him, and the three horror movies will definitely scare horror movie lovers.