The sun was setting, Zhang Chu separated from his friends after having dinner in the school cafeteria, those people played ball, self-study, self-study, reading, participating in club activities, and he had to drive back to pet the cat and write a book by the way.

The house of more than 100 square meters is not big, but Matcha is still a little lonely at home alone, Zhang Chu touched its chin with his hand, pinched its raised paws in his hand, and said jokingly: "Matcha, or I'll find you a few male pets, right?" What kind of handsome cat do you like, or what kind of beautiful girl you like, I'll buy it back for you." ”

Matcha lay on its back on Zhang Chu's lap, it tilted its head and couldn't understand what the shovel officer was saying, and stretched out its claws to face Zhang Chu.

Sometimes it's really too quiet at home, "Buy a parrot?"

This idea somehow came out of Zhang Chu's mind, he directly took out his mobile phone and wrote it down in the memo, which can not only find a companion for matcha but also make the family more angry, which seems to be a good idea.

It's just that he looked down at the matcha with its mouth open and its tongue out, and its sharp teeth looked a little sharp, and if it could catch a mouse in the room, would it kill the parrot too?

This is a serious problem!

After teasing the matcha for a while, Zhang Chu also stood up and entered the study, he is not a plaything, and today's task is still 20,000 words.

He planned to write "Farewell My Concubine" within a week, write the first draft in five days, and then use two days to revise and make a revised version, and then it would be barely finished.

For many people, revision is almost a second creation, and even the time and effort spent on revision is much greater than that of the first creation.

However, this is not too difficult for Zhang Chu, and it will be much easier to have the original book as a directional reference.

The sound of the mechanical keyboard tapping soon sounded in the study, and soft music flowed from the impression.

[Bitch, son ruthless,

The drama is meaningless.

Bitch, son should be affectionate in bed,

Drama can only be righteous on stage. 】

This sentence summarizes the full text, and all the content is simply distilled, "Farewell My Concubine" actually tells the story of the bitch and the play, but the truth is not as this text says.

Seeing the following words, readers may find that these two sentences are clearly the opposite!

It represents a kind of emotion of the author, who should be a ruthless bitch, but has a sense of affection.

Everyone has their own things to attach to, dolls are attached to the umbilical cord, children are attached to their mothers, and women are attached to men.

The charm of the bitch is only in the bed, and she dies when she leaves the bed, and the charm of the drama is only on the stage, and she dies again when she gets off the stage.

The world just wiped off the face of the fat powder.

[He is Yu Ji, and he who plays against him is an overlord. The overlord is the thing that Yu Ji is attached to. The king was exhausted, and when he was at the end of his rope, she could not live. But that's just a play. In the end, they didn't die.

How do you say it?

Ahem, he's the man he loves the most...... It's hard to start from the beginning.

The pink glow has not yet appeared, so let's tune the strings and play the huqin first. In the middle of the scene, the gentleman who sat down to play the single-skin snare drum and the left-handed board seemed to be ready. Knowing that neither of them will implement it, but they still can't help but shoot other people's stories with the old confused joy.

The lights are dim. Only a line of streamer, accompanied by a babbling sound, the red curtain was raised——]

At the beginning, it was directly pointed out that the two Peking Opera actors who played Yu Ji and the overlord had a transcendent love affair with each other, but they only said that he loved him the most, and did not say that he was also his favorite.

Here Zhang Chu did not keep the same as the movie, but chose the beginning of this general tone, this different love story may be more attractive.

Moreover, the big red curtain at the beginning of the drama performance is opened to describe the way of describing the text, which skillfully integrates the elements of Peking Opera and does not look abrupt at all!

As soon as the following pen turns, it comes to the eighteenth year of the Republic of China, that is, the winter of 1929.

Zhang Chu had never written a literary work with the Republic of China period before, but fortunately, he had simulated it many times in his mind, and now he is typing quite fast and has not stopped.

[The bridge is between Zhengyangmen and Yongdingmen, the east is the Temple of Heaven, the emperors of the Ming and Qing dynasties, every year to the Temple of Heaven to worship, all pass through this bridge, they compare the bridge to the mortal world, the south of the bridge is considered the heavenly realm, so this bridge is regarded as the world, a pass in the sky, plus it is the "Son of Heaven" gone, it is called "Tianqiao". Later, the Qing Dynasty was gone, and the flyover fell into the dust and was no longer exclusive to the Son of Heaven. A small market gradually formed here, and there are teahouses, rice shops, and Yitan on both sides of the bridge. There is a bird market in the west of the bridge, and there is a pass. There are all kinds of snack stalls, as well as artists who pick cakes on the floor. It's lively and thriving. 】

In a few simple words, the lively old Yanjing City style is displayed on the text, and a few strokes make people vaguely see the era left from the feudal society.

The lives of the people at the bottom are vaguely visible, although there are newsboys shouting that the Northeast Army is under martial law and that the Japanese devils are going to fight, but the common people don't even have time to fill their stomachs, how can they care about who fights?

The prostitute holding the child becomes the protagonist of this chapter, and from her journey, life in the market becomes more and more dynamic, and it seems that words have become images in front of her.

Storytellers, jugglers, wrestlers, shakers, tricks, meat crosstalk, big bows, strong pills, hard qigong, it's not lively!

This is the place where Xiaodouzi and Xiaoshi met for the first time, Xiaoshi and others performed the scene after the Monkey King's brain pan peach meeting, who knew that the child had missed the performance, which caused the dissatisfaction of the ruffians.

In the end, Xiao Shi performed a bald head and broken bricks to save a little dignity, and this figure was remembered by the child holding his mother's hand.

Master Guan is very satisfied with Xiaodouzi's body and face, but this kid has six fingers on his right hand!

How can a singer of Peking Opera have such a costume?

Wouldn't it scare the audience when you went out?

But Xiaodouzi's mother not only knelt down, but even worked hard to chop off her son's extra finger!

Chop up the blood and bones, chop open a road of life and death!

Zhang Chu used "a big red paper spread out" to describe the blood at the scene, isn't the blood flowing like a big red paper?

The more colorful, the more ironic.

Just like Yanhong said, if there is a three-inch wide way to live, she will not become a prostitute, she sold herself to support him.

"Babble~ah~ah~woo~"

The sound of luck training sounded in the morning light, and it was not so simple to become a corner.

This chapter is very long, 12,000 words.

When Zhang Chu finished writing and found that the time had come to half past eleven in the evening, he twisted his neck, dragged the document to the front, and then began to read it seriously to see if there was anything that needed to be modified.

Writing and revising while writing, and changing after writing, writing is inseparable from revision.