Yin Jun has a very good relationship with Toshio Suzuki.

As the editor-in-chief of Kirin Semi-Monthly, and as a very responsible person, Toshio Suzuki often went to the headquarters of Kirin Weekly to learn from experience, and often stayed for several days at a time.

Every time Yin Jun meets, he will invite him to a meal and talk about the current situation and development direction of the Japanese comic industry.

Although Toshio Suzuki knows that this is because the Japanese anime market is the largest in the world and the most profitable sales place for Kirin Weekly, Yin Jun's courteous and kind attitude still makes him feel very broken.

And Yin Jun is very reasonable, he is very familiar with the entire comic animation industry chain in Japan, which is probably related to his attention to intelligence collection on weekdays.

So it's no wonder that "Kirin Weekly" will sell so well in Japan, because Yin Jun already understands Japan's preferences very well!

If Yin Jun was just a very famous genius a few years ago, then the current Yin Jun is almost the top three super-rich people in Japan.

Such a big man still treats himself the same as before, without the slightest arrogance, of course Toshio Suzuki can feel it.

It's really rare to see people who have achieved such a big career, but can still maintain their hearts.

So after getting this creative script this time, Toshio Suzuki made a special call to Yin Jun and expressed his doubts.

"Why didn't you take such a good story to Kirin Weekly to serialize it, but handed it over to us?" Toshio Suzuki, the editor-in-chief of Kirin Semi-Monthly, asked very bluntly.

He wouldn't believe that Yin Jun didn't have the energy to make this comic.

Because even a super immortal classic like "Slam Dunk" was given by Yin Jun to the creative, story and character settings, and then handed over to the screenwriters and artists of Kirin Culture.

These screenwriters and artists who have been tempered for four or five years are already familiar with understanding Yin Jun's story and meaning.

For the market, they can accurately grasp the minds of readers and create comics that meet market expectations.

The story given by Yin Jun is obviously a very good and very interesting story.

If you take it to "Kirin Weekly", I dare not say that it will surpass classics such as "Ke Lan", "Slam Dunk", and "Saint Seiya", but it is not impossible to become a super-first-class comic.

With such a big piece of fat, how could Yin Jun be willing to take it out?

Even if Yin Jun is willing to take it out, will the Qilin Culture Headquarters be willing to do it?

What is the reason why it is not for a cartoonist in China, but for a well-known cartoonist in Japan?

Judging from Toshio Suzuki's understanding of Yin Jun, although this genius is kind and willing to help people, he is a person with a strong sense of family and country.

For the sake of his motherland, Yin Jun did not fight with others in Xiangjiang, nor did he suppress those who thought differently from him.

As soon as this aspect is involved, the genius will immediately turn into a cruel and ruthless tyrant, beating others to the brink of embarrassment.

The same is true for cooperation.

For example, in animation production.

Obviously, Toei Animation's production level in Asia is one of the best and the quality is the best, but Yin Jun still chose to let the Huhai Art Film Studio in the mainland produce half of the animation.

Even if the artists and animators there were outdated, Yin Jun didn't care and sent them to Japan and the United States to study.

Even if the various equipment there is incomplete and very simple, Yin Jun simply donated the latest equipment to the past, sparing no expense.

In this case, even if Yin Jun wants to let cartoonists from other companies draw them, he can find cartoonists from Huhai Fine Arts Film Studio in China!

There's a tradition of manga there, too!

Things are a little obviously wrong, so Toshio Suzuki naturally wants to ask clearly.

With his relationship with Yin Jun and his understanding of Yin Jun, I believe that Yin Jun will not hide it.

Although Toshio Suzuki is about to take charge of an animation production studio and will no longer be in charge of Kirin Semi-Monthly, Yin Jun will definitely not ignore it.

Besides, this animation production studio is also wholly invested by Yin Jun, with an initial investment of 1 billion yen, so Toshio Suzuki was not exiled, but was entrusted with a heavy responsibility.

Hearing Toshio Suzuki's question, Yin Jun really didn't hide it, "Mr. Suzuki, the first reason is that I think the style of this manga artist is very suitable for my story." The second reason is that Japan is already the world's largest manga market, and if all my comics occupy the market, I am afraid it will cause a lot of trouble.

Therefore, I should support a few more Japanese and local manga artists, even if they only cooperate with me, it will be more acceptable in name. Whether you believe it or not, the comics industry is always full of heroes, and I look forward to the day when other people's comics can surpass me and become the number one in the world. ”

Toshio Suzuki smiled bitterly when he heard this, "It's a good idea that you want to support the newcomer, but if anyone can surpass you, at least until I die, it will definitely be out of sight!"

His words are very serious and sighing, and they are absolutely sincere, without the slightest falsehood and flattery.

Yin Jun's worries can't be said to be too unnecessary.

Fans of Japanese and Ben comics, of course, worship and like Yin Jun's comics very much, but if they are instigated by people with various intentions, it will still cause some trouble.

That's why Yin Jun insisted on cooperating with Tokuma Bookstore to make Tokuma Bookstore grow and develop.

This is also the reason why Yin Jun would rather divide his interests and be tied to the Asahi Group.

The stronger your partner, the more your own interests are guaranteed.

Not to mention anything else, the animation industry, even in an online society like 2020, has not collapsed in Japan, at most it has weakened a lot, which is worth a lot of energy from Yin Jun.

The markets of developed countries, with a population of more than 100 million, cannot be discarded.

One of the reasons why Toshio Suzuki admires Yin Jun very much is Yin Jun's willingness.

He is willing to share the huge profits with others, which can unite many people.

Including what Yin Jun said, letting a Japanese cartoonist draw his creative script is also a way to share profits.

From another point of view, Yin Jun's last sentence was too modest.

Even if someone else can produce a shocking comic, even if he is so amazing that he can publish two equally first-class comics, it is absolutely impossible to have a third one.

Here's how people have summed up the comic book industry for decades.

Generally, a cartoonist, the most outstanding must be only one comic, at most two.

The rest of the works are either repeating their own classics, or slowly falling silent in the process of continuous innovation, until they retire.

But Yin Jun is different!

As soon as people came up, it was 13 super-first-class and first-class comics to start.,In such three or four years,And every year to keep 3 comics added.,And it's all varied.、All-encompassing.,There are all kinds of genres.。

It's not scary to have all kinds of categories, but the scary thing is that Yin Jun can do super well in any category!

Sports, Fighting, Adventure, Hilarious, Detective...... Wait, which one doesn't have a super-first-class classic?

If you use a popular saying in the mainland in later generations, Yin Jun started directly at the end of victory, how do you compare with others?

So this summary is ineffective for Yin Jun.

But for other writers, it's still valid.

Therefore, Toshio Suzuki said without hesitation that he would definitely not be able to see it before he died.

Anyway, Toshio Suzuki understood the meaning of Yin Jun's comic script, so he called the young man who Yin Jun valued very much over today, and solemnly handed over Yin Jun's script setting to him.

"Araki-kun, this script is one of the best manga ideas I've ever seen, please treat it well and don't let down Mr. Yin Jun's expectations of you. Toshio Suzuki said.

"Yes!"

Toshiyuki Araki also took the script and setting book with both hands solemnly, "I will definitely work hard and not disappoint Mr. Yin Jun and Editor-in-Chief Suzuki!!"

After taking Yin Jun's script setting, Araki Toshiyuki's hands trembled a little.

Looking down at the name, "JoJo's Bizarre Adventure" ......

The meaning of these Chinese words, Araki Toshiyuki can still guess, after all, Chinese kanji and Japanese kanji, the meaning is basically the same.

It's a story of adventure!

Araki Toshiyuki was suddenly very excited, and he couldn't wait to open it and take a look.

This excited young man must not know that this work is the most famous work in his life and it will accompany him for a lifetime.

It's just that the name of his work was not the current pen name Araki Toshiyuki, but a different name.

Called

Hirohiko Araki!

Yes!

He is Hirohiko Araki, one of the top 10 manga artists in Japan.

A "JoJo's Bizarre Adventure" made him popular all over the world, and at the same time, it was also highly praised.

In this regard, he is very similar to another top 10 manga artist - Masami Sadada.

Both of them are comics that have won the world, and they are also a comics, which made them famous in the history of comics.

The difference is that Masami Sadada's manga is full of justice and friendship, while Araki Hirohiko's manga is very vicious and full of all kinds of incredible.

is also because this comic does not conform to the mainstream social concept, and later on, there are also many darkening things, so for a long time, it is the same underrated work as "Death".

However, the success of JoJo's Bizarre Adventure is also obvious to all.

The most wonderful thing about it is that Araki Fei Lu Yan added the superpower of "stand-in" to the characters in it.

This kind of "stand-in" was later used in many comic works, and they were all brilliant.

With this one, Araki Fei Lu Yan is a figure who belongs to the category of the originator of the mountain.

And Araki Fei Lu Yan also has a big advantage, he painted "JoJo's Bizarre Adventure" for decades, the time spanned hundreds of years, except for a little chaos for a while, the big picture did not collapse!

That's pretty remarkable!

Many cartoonists don't know how to draw halfway through their drawings, and the storyline is completely a mess, so they end in a hurry, and they are the ones who are commonly known as the unfinished.

Araki Fei Lu Yan can still draw within his own framework for 30 years, and he can still draw so vividly and interestingly, I am afraid that only the authors of the three major migrant worker comics can be compared with him.

Yin Jun didn't have time to paint "JoJo's Bizarre Adventure" for thirty years.

In addition, what he said to Toshio Suzuki was true, so he simply took out one and gave it to Araki to see how it went.

Anyway, he still has twenty or thirty classic comics in his hand, and he is not afraid of not having them at all.

The most classic ones, Yin Jun will definitely not take them out to others, such as "Naruto", "One Piece", "Gintama", "Attack.Giant", etc., these must contribute every bit of strength to "Kirin Weekly".

The second-class works will be taken out.

Besides, although Araki Fei Lu Yan is a manga artist, the creativity and copyright of "JoJo's Bizarre Adventure" are still Yin Jun's.

The biggest piece of cake was still eaten by Yin Jun, and only a little benefit was given to Araki Fei Lu Yan, and it could make him grateful to Dade, so what's the difference?

More importantly, it is also a release of attitude.

Yin Jun is using this to tell the cartoonists that you can also draw my scripts in the future, just like those screenwriters of Kirin Culture did.

Regardless of whether someone can get Yin Jun's script in the end, at least this carrot, Yin Jun is hanging in front, which is more or less an incentive for these cartoonists!

To be able to write the work of the king of comics, no matter how you put it, it is a great honor!

……

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