Chapter 371: White Sun Fireworks-4
The daytime fireworks scene is divided into three parts.
Part of it framed Zhang Zili's character design, and the other part used supporting roles to outline the image of Wu Zhizhen.
As for the last part, it is a complete reversal, Wu Zhizhen, who has always been a tragic character, has become the final boss, and Liang Zhijun, who has always regarded himself as a villain, has become a tragedy who is willing to sacrifice for love.
As for Zhang Zili...... He is the complex manifestation of human nature, from emotion to desire to human nature.
Each character has its own role, and the most crazy and classic interest of Zhang Zili's character is probably the so-called elderly disco.
As for Lao Zhang, although his role Liang Zhijun does not have many scenes, he still has a certain degree of tension, at least in the hotel.
Liang Zhijun wanted to reach out and touch Wu Zhizhen, but finally retracted his hand, until he died, he didn't think about doing anything to Wu Zhizhen, he loved deeply, but he loved tragedy.
As for Wu Zhizhen at the end, her play has always been quite simple, miserable, tragic, and struggling to support in the covetousness of a group of men, and then until Zhang Zili took her to the Ferris wheel and saw the words "fireworks in the daytime".
Zhang Zili said, "Do you take the initiative to tell me now or tell others later!"
Wu Zhizhen actually understood at this time that the things she had been trying to hide and conceal were still known by Zhang Zili, and at this time she began to reveal her true form and weigh the gains and losses.
Zhang Zili said, "You have to take the initiative." ”
Maybe what Zhang Zili said is that you have to take the initiative to tell the truth of the matter, although this sentence does have some pun on obscurity, but as far as Zhang Zili's words are concerned, there is no lack of this meaning.
However, Wu Zhizhen, she didn't choose to confess, she kissed Zhang Zili, she knew that Zhang Zili had always wanted her, just like other men.
So she picked up her last weapon, beauty, and she tried to use her body to make Zhang Zili nostalgic, thus becoming the second Liang Zhijun.
Zhang Zili himself has that kind of burning flame for Wu Zhizhen, it may be love fire, or it may be yu fire, no one can say clearly.
Wu Zhizhen may have regretted it, and maybe hated Zhang Zili, but in the end he gave in, gave in to Zhang Zili, and gave in to fate.
When he was doing something, Zhang Zili unscrupulously vented his desires, and the fire that had been nowhere to be placed found a place to vent.
However, Wu Zhizhen's indifferent face, hateful eyes, and tears were mixed with it.
She killed people so that she was not at the mercy of men, but after killing a bunch of people, she still embarked on this path, so she may have hatred in her heart.
In the original, the screen flashes away, and then it's the next day.
At this time, Wu Zhizhen may have accepted her fate, her painting style changed abruptly, she began to put on makeup, she naturally said goodbye to Zhang Zili and planned to go to the dry cleaners.
She may feel that she can start a new life, but it is Zhang Zili's colleague who awaits her.
As for who told those colleagues the so-called truth, there is only one sign of all the signs, Zhang Zili.
Why he did it, no one knows, maybe it's because of the guilt of his colleagues, maybe he also senses the horror of this woman, and doesn't want to be the second Liang Zhijun.
Does he love her? Maybe yes, so his heart has always been entangled.
It is also because of this that there is that so-called senior disco.
If you take a closer look at the elderly disco, Lin Mu feels that the reason why the elderly disco will become the finishing touch of Zhang Zili's role is because this elderly disco interprets the whole movie with silent and absurd movements.
From the moment he raised his hand, and then later, for Zhang Zili, he lost something, but maybe he also found something, such as ...... Myself.
……
To get back to the point, to put it bluntly, all the essence of Lin Mu's drama is condensed to the elderly disco, and the other scenes cannot be said to have no bright spots, but they belong to the kind of restrained depression.
And Yu Feihong is the same, he has always been very restrained and restrained, and he has collected all his emotions and emotional acting skills as much as possible on his body, until the scene of the Ferris wheel broke out.
This is also why Lou Ye said Lin Mu, you understand what this scene means.
Is Lin Mu a good person? Yes, Lou Ye is the biggest in the crew, Lin Mu has always opened a small stove for Yu Feihong, including Yu Feihong sneaking into the forest house twice, doesn't he know? No, he knows.
For Lou Ye, whether it is Lin Mu or Senior Sister, it is all something outside the play, and in front of the movie, they are insignificant.
If they can produce something, this is even more pleasing to Lou Ye.
Just like the original Suzhou Creek, this is the case.
Not everyone can be as self-restrained as Chu Qing and almost like a saint.
You and I are mortals, and if we are human beings, we have desires and needs.
What Lou Ye needs is to release the beast in the actor's heart, and then get the picture and performance he needs.
Lin Mu stood at the door of the hotel in a daze, and it wasn't until the little brother who delivered the food outside came that he woke him up.
"Hello, big brother, ask if this guy named Diao Yinan lives here?"
Lin Mu came back to his senses, sighed, and nodded, "Oh, yes, it's the food delivery, right?"
"Yes, yes, yes!" the delivery boy nodded with a smile.
Lin Mu looked back inside, then turned back and nodded, "Cheng, come with me!"
Lin Mu took him to the back, Lao Diao just came out, he came up to receive the things sent, paid the money, and then beckoned everyone to come down to eat.
However, Lin Mu ate with chopsticks for a while, and he didn't see Lou Ye and Yu Feihong, and it wasn't until he was halfway through eating that the two of them came down from upstairs.
Lou Ye took the meal and went to get together with Lao Diao, probably to discuss the filming matters to be held, while Yu Feihong came over with a lunch box, and the photographer sitting next to Lin Mu was a person with eyes, and he gave up his seat when he saw this.
"Sister Hong, sit down, I'm done eating!" The grandson ran away with a lunch box.
Yu Feihong sat down beside Lin Mu, Lin Mu had been looking at her, she looked at Lin Mu and nodded slightly, and then began to eat.
Lin Mu pondered for a moment, and also lowered his head and began to eat.
During the meal, neither of them said a word, until Yu Feihong finished eating, and Lin Mu easily packed up her lunch box.
Yu Feihong then spoke, "Thank you." ”
Lin Mu smiled, didn't say a word, and went out to throw away the garbage.
It's time to put on makeup when you come back from throwing away the garbage, which is explained by Lou Ye, saying that the lighting conditions over there are not good, prepare early, you can shoot when you go, and finish the work early after shooting.
Yu Feihong's makeup was simple, but Lin Mu was a little troublesome, and it took half an hour to finish it.
After getting it done, Lou Ye looked left and right and pondered.
"What, light photography follow me, the rest will rest tonight! Lao Diao, you follow!"
"Lin Mu, senior sister, get in the car!"
After waiting for so long, enduring for so long, and brewing for so long, it has finally come to this moment.
Lin Mu and Yu Feihong glanced at each other, and then boarded the back of the car together.
There weren't many people coming, but they drove two cars.
One car is Lou Ye Lao Diao and the lighting photographer and equipment, and the other is Yu Feihong and Lin Mu, except for the two of them, there is only one driver.
In the dark, the car staggered towards the scheduled filming location.
Bang bang bang......
In this dark and cold night, it was extraordinarily quiet and silent.
In addition to the sound of vehicles rolling on the ice and snow, Lin Mu seemed to hear the sound of a heartbeat.
Bang, bang, bang......
Maybe it's his, maybe it's hers.