Chen Ziang handed the script to Li Longji.

For more than a year, he has been busiest not studying, nor learning music, let alone acting, but writing songs, scripts, and writing.

wrote that he wanted to vomit, but he didn't know why his memory was so powerful, and as soon as he put pen to paper, he felt "literary thoughts are like urine insipidus", and he was not happy if he didn't write.

But after the pain, there is a deep exhaustion and emptiness.

How can I spend my life on a desk like this?

I used to write product requirements, game planning, and just got rid of it, I had to write variety show plans.

He also wanted to be lazy, but he saw that his mother and father worked so hard, Guan Tongtong worked so hard, and Guan Xinxin was so motivated.

Even if you look at Guan Tianyu, who used to be disobedient, now she is studying hard and does not make Guan Xinxin sad.

Looking at Kuan Dandan again, this little girl has also changed her sex, wild is still wild, but vows to strive to become an existence second only to her sister.

The people around him are so good, Chen Ziang has no reason to relax.

It's too painful to be with a group of excellent people, Chen Ziang thinks.

Leaving Li Longji to read the script, Chen Ziang and Li Qiuting went out to open another room.

"Can you write the script?" asked Li Qiuting after opening the room.

Chen Ziang lay down on the sofa in this lounge without an image, and said tiredly: "It will be a little." ”

Before Li Qiuting could speak, Chen Ziang said again: "The people around me are too good, they don't know how to order anything, I feel like I'm nothing, I'm really tired." It is only with you people that I feel relaxed and happy. ”

Li Qiuting carefully understood Chen Ziang's words, and glanced at him half-loudly: "Don't think I can't hear what you're saying." ”

"What did I say?" asked Chen Ziang.

Li Qiuting didn't help Chen Ziang and walked around the lounge.

She still didn't understand Zhang Baoying's intention to ask her to stay.

Give Chen Zi courage and help out?

"Senior sister, do you want to ask you something?" Chen Ziang said to Li Qiuting lying on the sofa without raising his head.

He and Li Qiuting didn't see each other, and they sent out a song of Ziang, regardless of what the other party asked for money.

It's just that the other party is afraid that it will not be interesting enough to give less, and more makes people feel that the friendship between the two parties is not deep, so she gave a friendship price of 100,000 yuan, which is just right.

"What's the matter?" Li Qiuting walked back, moved a chair, and sat in front of the sofa.

"Do you want to go back to the small screen?" asked Chan.

The small screen is the meaning of the TV circle, and the big screen is the meaning of the film industry.

"Are you coming back to act in a TV series?" Li Qiuting said with a smile: "I didn't think or didn't want to, I think the script is appropriate, and the salary is negotiated, and I don't choose." ”

Many actors who have gone to the big screen don't like to return to the small screen.

The cost of TV dramas is generally lower than that of movies, the remuneration of actors is relatively small, and the hype and publicity in the later stage are not as influential as movies. There is an anchoring effect in people's consciousness, that is, "those who act in TV series are not as big as those who act in movies".

Although American TV dramas are not as good as movies, they are very well paid and very popular, which is not the same as China.

In general, those who act in movies don't want to act in TV series, firstly, because the salary is too small, and another point is the impact caused by this anchoring effect. If a movie star acts in a movie and changes to a TV series, it will set a new "anchor" for everyone, which is equivalent to telling everyone that he is now a "self-lowering value" and a "low-end actor". He has become a "little star" from a "big star". Over time, although it may be possible to get paid for acting in TV, the long-term impression is that the actor is no longer good and has changed to TV series.

"Have you watched "Smiling Proud Jianghu"?" asked Chen Ziang.

"Nope. Li Qiuting was a little ashamed, she had known that Chen Ziang had written it, but she had never read it.

"Oh, look at the script on the table, female number one. Chen Ziang tilted his head and looked at the document on the table.

He printed out more than one copy of the script of "Smiling Proud Jianghu".

"What do you mean?" Li Qiuting was curious: "Can you still choose a heroine for others?"

Chen Ziang said bitterly: "Yes, you don't know how hard I was cheated at the beginning,"

Li Qiuting smiled, picked up the script, and began to look.

In the previous life, Chen Ziang admired several TV series versions of "Smiling Proud Jianghu", which Chen Ziang admired very much was the 1996 version of Lu Songxian and the 2001 version of Li Yapeng.

Both versions can be called classics, relatively speaking, Chen Ziang likes the Li version a little.

The Li version is completely superior to the Lu version in terms of antique scenery, Chinese-style props and costumes, and wonderful martial arts scenes, but that is the factor of the times. Musically, the Li version is majestic and magnificent, while the Lu version is clearer and more melodious, smart and comfortable, each with its own merits.

It is impossible for Director Lu to shoot as heavily as Zhang Jizhong, it is inevitable that the set is relatively small, and it is already remarkable to be able to shoot that level of film and television under this kind of investment.

One of the directors of the Li version is the Hong Kong director Yuan Bin, the film is the product of the combination of Hong Kong's martial arts film culture and mainland classical culture and mainland capital, representing the highest level of martial arts version. It is also one of the iconic films and television with the rise of mainland film and television and the decline of Hong Kong film and television.

The shortcoming of the Li version is that the ending part is completely out of control, and the typical anticlimactic has degenerated into a cliché duel between the good and the bad.

For example, Ren Yingying sat back and watched her father be killed, which is extremely unreasonable!

Lu Songxian and Li Yapeng both have delicate appearances. Lu Songxian strictly follows the original work in details, is meticulous, and has both god and form. Li Yapeng wants to surpass in details and pursue the soul of laughter, but his acting skills are lacking and he is a little pretentious.

As soon as Li Qiuting saw the script, she couldn't stop.

This is an occupational disease.

When I saw the Xu Qing version of Miss Ren written by Ziang, she had the disease of a rude and willful princess, and she had the advantages of being frank and straightforward, daring to love and hate, and a little eccentric.

Li Qiuting was immediately attracted.

This is the character she likes, and she also has such a girl living in her heart.

Looking at it again, the images of each character leap onto the page.

Chen Ziang wrote almost all of the characters in Li's version.

The younger sister is delicate and lovely, from the playful mischief in the early stage to the melancholy and sentimentality after marrying Lin Pingzhi and being betrayed, it is intoxicating. She is a fireproof, anti-theft and anti-senior brother, and she makes Senior Brother Linghu, who loves the country, family and sister, feel troubled, and can be called the most beautiful little sister.

And Lin Pingzhi is the most pitiful person, from the rich son of the brother suddenly broke down and died, chased and killed by Yucang Haimu Peak, and fell into the Huashan faction for Yue Buqun's calculations. From a normal person to a depressed and forbearing, introverted and ruthless, when he wielded a knife from the palace to practice the sword technique to ward off evil spirits, and finally released the anger and hatred in his heart, he became a moody, yin and yang weird and neurotic red-clothed demon. Li's version of Li Xie fully shows the change and distortion of Pingzhi's personality and the sadness of his fate.

Wang Wei's version of Yue Buqun is already amazing, and Weizi's version of Yue Buqun has surpassed it after fully drawing on Wang Wei's interpretation. From the elegant and modest gentleman's sword before swinging the knife, to the scathing, insidious and vicious, and the demon king with orchid fingers after swinging the knife, the two old drama bones are vividly interpreted. Chen Ziang naturally prefers Weizi.

The Li version of the left league leader only reflects his arrogance and domineering, his appearance is too rough, and he is not fully treacherous. And the Lu version of Chen Honglie is a veteran actor in Hong Kong, creating a generation of sinister and sinister and calculating heroes.

The head of the sect is domineering, power-hungry, insidious and vicious, and uses his daughter to tie up Ling Hu Chong to realize his ambitions, but the other has a deep affection for his daughter licking calves. The Lu version can fully express this, and Dong Xiangguo's version of Let Me Do It only sees its evil side, with fewer father-daughter love scenes, few highlights, and a single image, which is attributed to the script. Ren Xianqi's version of Li Liqun's role as Ren My Line has the fullest image, with evil and good.

Both versions of Yilin are beauties, both innocent and flawless, which is distressing. Chen Ziang prefers Lu Ban, just because those big eyes are too innocent.

Shi Guangrong's version of Tian Boguang's dissolute and lustful prodigal behavior is actually simple and kind in his heart, full of a sense of justice, and righteous to his friends, while Tian Boguang in the Lu version is upright and handsome in appearance, too far from the prodigal son.

Sun Xing's version of Tian Boguang, together with Ren Xianqi, Ren Xianqi has simply become a supporting role.

Tian Boguang is a poor man, he didn't want to practice the swordsmanship of warding off evil spirits, and he was actually clicked.

The CCTV version of Yu Guanzhu is played by a master of Sichuan Opera, full of creativity, and kills people with a changing face.

Li's version of the Blue Phoenix is simply sassy to the bone, and it is completely better than the Lu version of the Blue Phoenix.

Lu Banning Zhong played Li Lili is an old drama bone, and in the process of playing, Ning Nuxia's love for her husband, daughter, and Ling Hu Chong is very well expressed. The CCTV version of Ning Nuxia, while showing love, has no lack of feminine spirit, heroic spirit, and lives up to the name of a heroine.

……

is not only addicted to scripts, but Li Qiuting.

Li Longji, who was on the other side of the tea room, also sank into it at this time, forgetting the time.