"I'm ugly, you just found out. Chen Ziang was speechless, and he didn't comfort this little girl.

Xiao Nizi's eyes widened, and she looked left and right at Chen Ziang.

And then......

The more I look at it, the more sad I cry, this is not her son.

The quality of the video picture is not very good, and Chen Ziang is not very photogenic, and he has been really tired recently, exposed to the wind and sun, and his beard is unkempt.

Saying that he is ugly is actually not ugly, but he is no longer the appearance that Kuan Dandan used to like.

"The beard is shaved off, and the skin is white...... "Xiao Nizi said as she wiped her tears.

"You don't care about me, your sister doesn't care about me, she likes me like this. Chen Ziang originally wanted to tidy himself up tonight, but he definitely had to refuse.

"Hmph, you won't recognize people when you put on your pants!" Kuan Dandan pouted and whispered.

Chen Ziang was anxious: "Don't talk nonsense to me, I don't!"

Kuan Dandan poked his head over, got closer to his phone, and then whispered: "Don't worry, I won't tell others that you rub ......."

", if you want me to die, just say it, anyway, what you say, others will definitely choose to believe you. Chan interrupted Kuan Dan Dan and hung up the video call.

If you can't afford to provoke it, you can afford to hide.

Within two days, Chen Ziang set off for Youzhou, but the photographer did not go back, but continued to go to some places in Sujiang Province to continue shooting exterior scenes.

After returning to Youzhou, Chen Ziang began to get busy again.

Rehearsals for the Yongcheng International Folk Song Festival have begun, but the theme song arrangement has not yet been fully finalized.

In the theme song selection at the beginning of October, there was no accident, and the song submitted by Chen Ziang was almost unanimously approved and elected as the theme song of this year's folk song artist.

He even heard Wang Yin say that it was possible to be positioned as a permanent theme song.

Because everyone thinks this song is so good.

The theme song arrangement was handed over to Chen Ziang to deal with, and he had communicated with Wang Yin and Xu Ran on the phone before, but there were some things that could not be done on the phone.

When he came back this time, he just wanted to solve this matter.

Wang Yin did not urge him, but helped the organizer delay the time.

Wang Yin is not only a great singer, but also a cadre with a civilian military rank, and his influence in the Chinese music scene is said to be the second, and no one dares to say that he is the first.

She has been engaged in music for more than 20 years and specializes in ethnic vocal music, but with the development of the times and her own continuous changes, she has her own singing style and artistic characteristics.

Her inheritance, expansion and re-creation of traditional folk music, the beauty of the timbre of the fusion of true and false voices, the beauty of the breathing flow, the beauty of the temperament of the voice, etc., make her have her own strong artistic charm, and her singing can well arouse the resonance of the audience, which is loved by the audience all over the country.

In the past two years, Chen Ziang has made progress, but Wang Yin has made even greater progress, and her singing is said to be a unique musical culture, and many theorists in the music industry have studied it.

Chen Ziang has 100% respect for the teacher, even with adoring eyes.

There is an old saying that listening to your words is better than reading for ten years.

Most of the time, he doesn't have to deliberately learn anything from Wang Yin, just chatting, Wang Yin occasionally mentions a few words about music, and he benefits a lot.

As a big national country, China has a profound foundation in national music, and Wang Yin has studied it for so many years, so naturally Chen Ziang can not catch up.

"Teacher, what do you think of joining this chanting part?" In the Boyu Entertainment recording studio, Chen Ziang said to Wang Yin.

Wang Yin came over today to participate in the arrangement and began the trial recording.

Wang Yin tried to chant for a while, but she actually felt good.

Lan Yeqing listened from the sidelines, a little dumbfounded.

She watched the whole process today.

Chen Ziang said that whatever he added, Wang Yin could easily come and achieve it one by one.

If it were himself, Lan Yeqing felt that it was okay, but he had to practice for a long time.

For example, in terms of breath, Lan Yeqing found that he could achieve death, but he couldn't reach Wang Yin's ease at all.

Wang Yu was also on the side, secretly surprised, she rarely saw Wang Yin practicing songs and recording songs.

That talent is really innate, and some people can't practice it for a lifetime.

The arrangement was finalized, and Chen Ziang breathed a sigh of relief.

When recording vocals, singers such as Xu Ran, Xu Jiahui, and Su Yimi came to watch, and the last one burst into tears.

Still don't look at it.

That's the real singer, the artist.

The more I look at it, the more I feel that I am sinful, and I am simply making money, cheating and drinking and deceiving the world.

At the same time, everyone was silent and respectful of Wang Yin.

The shadow of music can be vaguely found in the labor scenes of ancient times. With the development of the times and the progress of society, Chinese folk music has begun to innovate and develop.

According to the development needs of the times, Wang Yin has integrated traditional Chinese folk songs, rap, opera singing and other arts, and at the same time borrowed and absorbed Western music theories, combining Chinese and Western music to form her own unique singing style and artistic characteristics.

Of course, there are many more voices in this era, but the most representative and influential is Wang Yin. She integrates science, nationality and the times, and successfully interprets the art of national singing, pushing China's national vocal music to maturity, and then being recognized by the international vocal music community.

In the eyes of the masses, Wang Yin is an "evergreen" in the vocal music industry and even the music industry, and her elegant and refined, national characteristics, elegant singing style, and artistic characteristics of beautiful timbre, charm, and temperament have immeasurable value in the history of the development of Chinese national vocal music. In particular, in the past two years, Wang Yin has built a bridge between Chinese and Western cultures by cross-border singing methods such as national singing and classical and pop music.

The study of Wang Yin's singing style and artistic characteristics is of great significance for understanding and enriching national music.

After recording the song, Chen Ziang asked Wang Yu and Lan Yeqing to stay.

"Let's have dinner together, I'll let the teacher take you flying. Chen Ziang said to Wang Yu and Lan Yeqing.

Wang Yu and Lan Yeqing's eyes lit up.

Wang Yin did not refuse Chen Ziang, and promised to have dinner with Chen Ziang.

At the dinner table, Wang Yu didn't care about it, and seriously asked Wang Yin about some music questions.

Wang Yin said with a smile: "China's national vocal music has a long history, which needs to be carefully organized, studied and inherited. For example, Chinese opera, folk arts, folk songs, etc., each have their own characteristics in terms of singing methods, and we should draw nourishment from them, extract the essence, and conscientiously summarize and improve. However, we need to do this work with a developmental, scientific attitude. China's national vocal music is not only scientific, but also has national characteristics, and this kind of singing should be welcomed, recognized, and liked by the vast number of Chinese audiences, and should also have a sense of the times. Our task is to apply the universality of scientific singing methods to the particularity of Chinese national vocal performance and singing, and ultimately reflect the vocal training system with Chinese characteristics. ”

Wang Yu, Lan Yeqing and Chen Ziang listened carefully, Chinese national vocal music is constantly improving its own music theory system, and Wang Yin's contribution is very huge.

Her singing style was originally the inheritance of the traditional national style, and finally began to explore, earlier and farther than Wang Yu.

"Don't underestimate traditional opera, I have borrowed a lot of the essence of it now. Opera has been circulating in China for thousands of years, it has a mature stage art, integrating art, acrobatics and other forms of performance, a wide variety of types, including music, singing, dialogue, dance, etc., can be said to be a concentration of 'singing, reading, doing, playing' as a whole. The rap in opera is different from Western opera and dance drama, and opera has its own unique artistic charm, such as: the performer's figure, flexibility, etc. As a traditional culture, Chinese opera can be said to be a household name, and the emergence of Chinese national vocal music is, to a certain extent, an innovative form of opera. Wang Yin did not skimp on her own exploration experience, and told Wang Yu about her own experience.

Wang Yu was thoughtful, Wang Yin had a mellow singing voice, especially her flexible figure, which many people didn't notice.

The more he got in touch with Wang Yin, the more shocked Lan Yeqing became, Wang Yin's talent and hard work are really not something ordinary people can do.

Wang Yin is also willing to say more because Wang Yu and Lan Yeqing are in Chen Ziang's company.

Otherwise, she might as well go back and teach the people in her art troupe.

Wang Yin's strength is that the more he comes into contact, the more powerless the singers feel.

Traditional Chinese folk music pursues elegance and refinement. Wang Yin not only mastered some knowledge of traditional opera, but also learned the singing skills of other outstanding national singers, combined with one of her various singing styles - elegant and refined.

When Western music entered China and pop songs began to appear in large numbers, Chinese traditional folk music also began to try to change, so that the field of music education, music theory, and music creation began to expand the scope of Chinese folk music, such as technical innovation, style orientation, etc. Wang Yin's singing also began to change appropriately in such a social background, and began to integrate Western music knowledge in retaining the advantages of national vocal music, so as to better integrate with world music and expand the popularity of Chinese music.

Now, Wang Yin's singing style has matured, and she has her own unique singing style in terms of voice expression and singing skills. Her soft voice, smooth breathing, and easy breathing control can resonate well with the masses, especially her middle vocal area is round, easy and smooth, and expressive, and the high vocal area is bright, accessible, and overtones. In this way, her singing style shows the soft and delicate timbre of folk songs, and at the same time has the penetrating singing resonance of Western vocal music.

And Wang Yu is now not only borrowing from Western music, but also beginning to explore her own national singing path, trying to combine Western symphony with national singing, so that people can feel the national atmosphere and local color, and feel the dignified and elegant Western symphony in the process of appreciation.

But this road, she has only started walking for a long time, but Wang Yin has been walking for several years and has come a long way.

If Wang Yu is allowed to hold two concert venues and two different styles now, she will not be able to do it, but Wang Yin has a degree of control and is comfortable with her performance.

Wang Yin's singing style broadens the traditional national vocal style, and at the same time gives her a new style of singing on stage.

At the dinner table, Chen Ziang completely became a passerby.

Wang Yu and Wang Yin discussed the most, and Lan Yeqing asked some questions from time to time.

Chen Ziang was a little embarrassed, he was not thinking about this now, he was afraid that after joining in, Wang Yin would have hope for him.

He didn't dare to meet Wang Yin too much, because he was afraid that Wang Yin would think that he would turn back and teach him.

So what does he do?

He was afraid of disappointing his teacher's expectations, and it would be impossible for him to inherit the mantle of the teacher in his life.

"Times are changing, and traditional folk singing styles need to be recreated. Wang Yin said to Wang Yu and Lan Yeqing: "The society is constantly progressing, and people's living standards and the breadth of knowledge make their appreciation of music continue to improve, and Chinese folk music has to start to develop in a scientific direction." In the process of singing, I have now begun to incorporate some advantages of other singing methods, such as bel canto singing, on the basis of retaining the folk singing method. Furthermore, it is concluded that the representative and scientific national singing method of the Chinese nation not only has the characteristics of clear pronunciation, flexible breath and sweet voice of traditional folk songs, but also has the advantages of wide vocal range, unified vocal area and mixed voice of bel canto singing. For example, in the process of singing "Dragon Boat Tune", through such a scientific singing method, the words are clear, the feelings are sincere, and the bass area is high, so that people can clearly know what story the music work tells, and then it is easy to form a specific picture in the brain, coupled with the brisk rhythm, which can well stimulate the resonance of the audience. ”

Wang Yu nodded, humbly taught.

She knew very well that Wang Yin's attempt had promoted the scientific development of mixing skills.

National music itself represents a certain symbol of a nation and a country, and China is a big national country, and any music can more or less show its national character. As a national vocal singer, Wang Yin's nationality is the soul of her singing style.

However, she recreated the traditional ethnic singing style, that is, innovated, and changed the singing from the auditory and visual aspects, so as to convey to the audience a full range of ethnic music that can meet the needs of the public's taste. For example, the innovative singing of "Little Back Basket" can allow people to have a deeper understanding of the scenes and ethnic customs of the little girl's life in Xiangxi.

Chen Ziang listened, although he pretended not to be very attentive, but he was actually very serious, and he admired the teacher in his heart.

For anything to be sustainable, it has to keep up with the times. As a thing closely related to people's lives, music is a product of the times in some respects, and its music is different in different eras, and it has the characteristics of the times. In this way, if music wants to meet people's appreciation needs, it is necessary to make its singing contemporary, and then attract the attention of the public. Wang Yin's songs clearly highlight this style, and she begins to incorporate the elements of the times into her musical works, sometimes showing the audience new songs with a cheerful rhythm and in line with the spirit of the times, which is refreshing.

Lan Yeqing was very envious of Wang Yin's true and false voice fusion timbre beauty.

On the basis of maintaining her own style and personality, Wang Yin can sing in the form of falsetto as the lead singer and real voice as the supplement.

The starting point of this kind of singing is that such mixed sounds are closer to the national language, that is: the pronunciation is clear, the pronunciation is simple, the timbre is easy to express, the audience is easy to grasp, etc., from the sensory aspect, it is easier for the public to accept.

After a long period of practice of true and false voices, Wang Yin's singing voice has changed, showing the characteristics of true and false voices, and then forming her own unique national characteristic voice.

"Breathing is an important part of the singing process, and how well the breath is controlled directly affects the expression result of singing. The songs I sing are fast and rapid in rhythm, so ventilation is particularly important, and some of my songs are fast-paced and very difficult. However, the free ventilation can make the audience fully feel the smooth breathing, the joy of the mood and so on. The appropriate connection of the breath, deep but not exposed, long and continuous, can show the beauty of the strange breath. Wang Yin said to Wang Yu and Lan Yeqing.

The beauty of breathing smoothly is also one of the unique artistic charms of Wang Yin's singing style.

In addition, Wang Yin also has a beautiful temperament with voice and emotion.

The artistic charm of singing is not only to have good singing skills, but also to have emotions to match. Wang Yin herself has the advantage of singing, coupled with her dancing and opera posture learned in her childhood, and the practical experience of actors, etc., which makes her overall image give people a slim and radiant feeling.

When Wang Yin sings, whether she wears Miao clothes or grand costumes, she can show her unique national atmosphere, and in such a situation, singing songs that coincide with it is easy to bring the masses a sense of temperament and beauty.

After a meal, Wang Yu and Lan Yeqing were convinced by Wang Yin and benefited a lot.

Sent Wang Yin to the car, and after she left, looking at Chen Ziang, Wang Yu wanted to speak and stopped.

Chen Ziang knew what Wang Yu wanted to say, and took the initiative to say: "Do you feel that you are a tyrannical thing? Hey, I also know, but it is impossible for me to stay with the teacher." ”

After sending Lan Yeqing away, Wang Yu and Chen Ziang measured the road, and followed the bodyguards not far behind him.

"Your teacher should be very sad. Wang Yu said.

Chen Ziang was silent for a moment, and sighed: "I know, she said that she only accepted me as a student in her life...... I know she wants to wait for me to turn back. ”

"You can't turn back, your teacher can see it. Wang Yu said that she was a little sad for Wang Yin.

Wang Yin's inheritance, broadening, and re-creation of national vocal music make her singing have a unique style and artistic characteristics.

Her singing is constantly changing and innovating. She dares to innovate national vocal music, dare to go abroad, and bring Chinese national vocal music to the world music stage and to the world.

The singing voice she brings out not only represents her own singing style and artistic value, but also represents the national vocal music of the whole of China.

Such a pioneer must have hoped that there would be more successors, and that there would be a student who would walk her unfinished path for her when she was unable to move forward.