After returning to China, there are nightmares, and the official Bian Ji said that he can make six dings, good dreams, and the number of cabinets makes cards. Note: "Liuding, it is said that the god of Liujia is also Ding." If Jiazidian is in the middle, then Ding Mao is a god, and in Jiayindian, then Ding Si is a god and so on. Tang Hanyu's poem "Tune Zhang Ji" said: "The immortal official is six dings, and the thunder and lightning will take the general." Zhang Wanfu's "Teaching the Three Caves Sutra Precepts and Sayings": "Yin and Yang are open, and there are 12,000 objects and gods. The Lord is also Rokko...... Liujia people, a qiē of the gang discipline also. ”

Because Wang Zhong has a godhead, it is best to directly visualize and drive the gods to find out the news!

Those Japanese were disturbed by Wang Zhong, so naturally they wouldn't notice that a few disembodied thoughts fell far behind them!

With the perspective of the six Ding Liujia gods, Wang Zhong was able to take in their every move lightly!

After a few people left the restaurant, they quickly got into a black car and drove quickly out of the city.

It's been slowly embellished not far away!

After about half an hour, their car slowly slowed down, and Liuding Liujia followed them into a guild hall!

Judging by the style and the name of the store written in Japanese, it is supposed to be a temporary guild built by Japanese expatriates to entertain tourists and merchants from within Japan!

When Liuding Liujia walked to the door of the hall, he was suddenly stopped by a force!

I saw two door gods holding weapons rising in the air, looking at the six gods with a fierce face!

Qin Qiong!

Yu Chi Gong!

However, there are some differences between them and the door gods of Middle-earth, and their weapons and clothing have a distinctly Japanese style!

This is obviously not a Chinese door god, but a Japanese door god!

This has something to do with the local culture of Japan, during the Tang Dynasty, Japan sent many missions to China, and the two door gods of Qin Qiong and Wei Chi Gong were transmitted to Japan at this time. But apparently, these two door gods were also given other meanings by the Japanese!

"This is a private venue!"

The two door gods put their weapons horizontally and said without any discussion.

The six Ding Liujia who were instructed by Wang Zhong did not break through. Instead, he took off into the air and observed carefully for a while, only to see two yellowed door gods pasted on the door of the hall, and in front of the door gods were two everlasting lights!

If it weren't for the perennial incense sacrifice, this god would not have such a powerful spiritual power!

However, Wang Zhong did not find nothing this time, at least he had found the nest of the Japanese Jiuju faction, as long as he was more careful, the Japanese Jiuju faction would not be able to make wind and rain in Yangcheng!

After all, this is the territory of the Chinese, and in this era, the Chinese have a very bad impression of the Japanese, and the Japanese are very passive here!

But Wang Zhong has a feeling of being at home like a fish in water!

The largest auditorium in Yangcheng has been filled with elites from all walks of life. They have government officials, ivory tower scholars, business elites, and of course some ordinary public representatives, and they have only one purpose for coming today, that is, the design of CITIC Plaza!

As the largest square in Yangcheng, it will be the new economic, cultural and educational center of Yangcheng. It can be said that it is closely related to people from all walks of life!

There are a lot of people participating in the design today, but everyone knows that there are only two people who really make the decision!

That is Wang Zhong, a feng shui master from Xiangjiang, who also has many memorable designs in Yangcheng. Blue crab paste at the Garden Hotel, Yuzong Lingnan Pavilion of Sun Yat-sen University.

Whether in terms of feng shui meaning or aesthetics, it can be ranked among the top ten buildings in Yangcheng!

Also for this reason. The representatives of Sun Yat-sen University were very inclined to Wang Zhong's design, and if it were not for the wishes of the other classes, they would have wanted to decide that Wang Zhong's design would win!

These people are all old experts and scholars. They have a lot of influence in Yangcheng, they have no rights, but many high-ranking government officials are their students!

Competing with Wang Zhong is the Japanese feng shui master, Kawashima Ichiro, this feng shui master from Japan has a high reputation in Japan, it is said that he is a genius designer, and many people in Japan believe that he can reach the height of Yi Shenggao Island swallowing elephants!

However, many people are not very optimistic about him, because although Chinese Feng Shui and Japanese Feng Shui have the same roots, they have changed a lot!

The earliest record of feng shui in Japan is in 602, when it was introduced to Japan through Guò Korea, and since then, there have been many records of Feng Shui. At that time, there was a "Onmyo-ryo" in Japan, which was an organization that the government managed feng shui, and the feng shui master was called "Onmyoji". Different dynasties in Japan had different capitals: Heijo-kyo and Heian-kyo. Feng Shui was used in the construction of the capitals, and the compass had been invented in China when these capitals were built, but not in Japan, and he used sunlight to determine the bearing. Watanabe studied Heijokyo (once the capital of Japan) from the perspective of environmental impact assessment. Watanabe's book talks about the determination of directions in the Edo period, and there are several concepts that need to be noted: first, astronomy and geography are corresponding words, which later evolved into the concept of feng shui, second, yin and yang, which was a functional department of the government at that time, and third, in the Zhou Dynasty in China, there was "xiangdi, xiangtu", which was also one of the work contents of the "onmyoji". During the Edo period, feng shui became a national policy and was very popular among the people.

At that time, the compass was used in Japan for navigation (like in China, it is also called "magnetic needle", "meridian needle" or "compass"), and later it was also used to build family houses, but the compass used in Japan to see feng shui was much more complicated than the compass used for navigation.

Combined with the existing knowledge of feng shui, the Japanese have made certain modifications to the compass used for navigation and used it in feng shui, and the compass used to see feng shui is more exquisite and complex. A simple compass is used to determine the bearing, and the compass used for measurement is also invented in the Han Dynasty. Tsushima is an island between Korea and Japan, and its status in Japan is similar to that of the vassal states of China, and the terrain of Tsushima was measured by a compass in the 17th century as it is measured by satellites today, and the measurements were very accurate. The use of a compass to measure the terrain was a great invention, and the Asahi Shimbun presented the accurate measurement of Tsushima's terrain with a compass as a "mystery".

The intellectuals at that time had a confused attitude towards witchcraft and feng shui, but the people attached great importance to it, and the importance of Cheng dù was higher than it is now. The feng shui of witchcraft became superstition, but the pan as an invention of science and technology cannot be denied. The scale of the compass is divided into three layers, and the bearings are staggered. There are three souths on the compass, which one is the correct south? The Chinese discovered this problem very early. For example, "noon" is to the right in the second circle and left in the third circle, which is related to geomagnetism, which makes the azimuth illusion, and the compass has a dislocation of 7.5 degrees each, which is also proven in modern science. The phenomenon of misalignment occurs everywhere, and the eastern part of Japan is misaligned by 6 degrees, and the further south you go, the less misalignment there is. Why do you have to look at the earth and feng shui like this? Because to build the capital, you must write down the direction. Due to the relationship of time, the bias must be understood, so the compass uses three circles of heaven, man, and earth to represent each direction. In the Edo period, Japan also used a compass with high accuracy like in China, and now Okinawa in Japan also uses a Chinese compass. The knowledge of the Okinawan Feng Shui masters is not as rich as that of the Chinese Feng Shui masters, and their explanations are somewhat different from those of the Chinese Feng Shui masters.

In the Japanese concept of feng shui, the 24 mountains have their own dooses. Ren: It is advisable to build a warehouse; Zi: It is not advisable to set up a door; Gui: It is not suitable to dig a well; Chou: It is not appropriate to set up a poultry house, a well, or a toilet; Gen: It is not appropriate to set up a shrine or a door; Yin: It is not suitable to build a stove; A: It is advisable to dig a well; Mao: It is not suitable to build a warehouse or a door; B: It is appropriate to dig a well and set up a shrine; Chen: It is appropriate to set up a door; Xun: It is not appropriate to set up a shrine; Si: It is appropriate to repair a well, garden and toilet; C: It is appropriate to set up a door; Noon: it is appropriate to open and not to dig a well; Ding: It is appropriate to build a warehouse; It is not appropriate to build a pavilion or a warehouse; Kun: It is not suitable to build a garden; Shen: It is not appropriate to set up a warehouse or a door. Well; Geng: It is advisable to build a warehouse; You: It is not advisable to set up a door, it is advisable to dig a well; Xin: It is advisable to build a stove; Xu: The house should be convex; Qian: It is advisable to repair the door and well of the room; Hai: It is advisable to build a stove, a well and a toilet.

In terms of the content of Feng Shui, there is a slight difference between the Japanese "family physiognomy" and the Chinese Yang House Feng Shui. In addition to the usual problems such as the location of the house and the location of the house, the content of the "family appearance" in Japan is not the same. It is also often combined with palmistry, face reading and other content. When people go out, the date of departure and the judgment of the direction are also the main content of the family. In Japan, when people build a house, they need to ask a physiognomist (feng shui master) to do the main work of selecting the foundation, choosing the date of construction, and purifying the foundation of the house. The Japanese attach great importance to the Onimon line. There are no doors or toilets on the ghost line. In addition to this taboo, there are generally no windows on the north side of Japanese houses. In the Japanese concept of orientation, the entire orientation of 90 degrees to the southeast is generally considered to be the most auspicious area, and this area is called "Fumon". A few other directions: Hughmen in the north. The east is the disease gate, the south is the Jing gate, the northeast is the ghost gate, the northwest is the heaven gate, and the southwest is the disease gate. Usually, the northeast-southwest line is referred to as the murder line. The northwest-southeast line is auspicious, and the other directions have their own auspicious and evil lines.

Japanese Feng Shui may not be applicable to China!

Moreover, for the Japanese nation, all Chinese people hate it deeply!

If it weren't for the fear that someone would protest against the shady scene, the Yangcheng government, as the organizer, really wanted to automatize Ichiro Kawashima!

The works of Wang Zhong and Ichiro Kawashima were magnified and placed on display boards, with detailed annotations and anticipation of the future!

"Hi, Mr. Wang, it's a pleasure to meet you, my teacher, Mr. Okamoto, has a lot of respect for you!"

Ichiro Kawashima walked up to Wang Zhong, saluted very humbly and respectfully, and said with a smile. Japan is a very strange people, they seem to be polite on the surface, they will greet people when they see them, but they are also the most brutal.

Many people refer to their etiquette as crocodile tears, and when you let your guard down, that's when they show their fangs!

Mr. Okamoto is a first-class designer in Japan, and his book "Partition Design with Yang House Learning" is a model of the combination of cosmic aura and modern architecture, and his design of the home steering wheel is more intuitive and easy to understand than the ancient Chinese compass.

This is also related to the academic atmosphere of Japan, Japan's advanced science and technology, rapid economic development is recognized by the world, but it attaches great importance to the ancient feng shui theory of our country, not only does not exclude, but also many architecture professors of specialized universities are studying astrological feng shui.

Wang Zhong smiled slightly, and didn't say anything, the Japanese know what urine sex the people of the world know!

Ichiro Kawashima stood up a little sneeringly, but his face had long been practiced to perfection, and such humiliation only made him feel a little embarrassed!

After meeting and saying hello, both of them came to each other's designs!

Wang Zhong stood in front of Ichiro Kawashima's design drawings, and he didn't listen to Ichiro Kawashima's gushing introduction, because he didn't believe what Ichiro Kawashima said at all!

The Japanese say that they are friendly, and I am afraid that people all over the world will laugh!

Wang Zhong looked carefully, his brain kept running, and there was an invisible gossip map in his head, wrapping the entire drawing!

The main building is two skyscrapers that look like two sacrificial candles, and in the middle of the building is a circular building that looks like an incense burner!

According to Ichiro Kawashima, the concept of this building is a sacrifice to the ghosts and gods of heaven and earth!

This is the tall buildings on both sides, which are in the shape of candles, and the low ones in the middle don't look like an incense burner?

Kawashima Ichiro's layout means are very clever, he robbed the gas of the crossroads of the Ming Hall, and built multiple steps, so that many people will come to incense themselves, so that they will absorb the gas of the guests, and the mall will be prosperous!

Let customers keep sacrificing themselves, so as to achieve the purpose of attracting customers!

However, Wang Zhong still keenly found the problem, located in the northwest corner of the irregular intersection area, and the most taboo in building a building is next to the irregular intersection. Looking down at the map, you can see the intersections of the building area, and the roads are cluttered and crooked, which will affect Feng Shui.

Usually at the intersection of many intersections, there is a lot of air flow between people and vehicles, and after we inhale such air flow, the heart, pulse, and blood flow will be very fast. If it goes on for a long time, it will affect the health of the human body, and our emotions will also undergo subtle changes.

The roofs of the two towers resemble two sharp blades resting on a circular building, and they are angled inward, which is a sign of self-punishment, although it does not slash outwards and poses no danger to other surrounding buildings. But being at war with oneself is also a very unfavorable symbol.

It can also be seen from the top of the circle that the whole design is very attentive, the selection is a feng shui compass structure, and now many large buildings will use this model, 24 equal divisions, representing the 24 solar terms, and the feng shui master is also called the 24 mountains, which represent the heavenly stem and the hexagram respectively. It is also a representative symbol that feng shui masters often cooperate with architectural designers.

However, the cylindrical building has too many vertical lines to give people the feeling of looking like a birdcage, and when the frame of the birdcage is enlarged, it will form a symbol of "prison". It can create a sense of oppression in the person's body and mind. (To be continued......)