"Sifan" comes from Cheng Xiaolou's previous life in China's Qing Dynasty court masterpiece "Persuading Jinke Nuns to Go Down the Mountain", and after the playwright's adaptation and the interpretation of different servants, it gradually became "The Story of the Sea of Evil".

"Persuasion of Kindness Jinke", 2o volumes, 1 volume, unauthored, written by Zhang Zhao of the old Qing Dynasty, etc.

"Persuasion of Kindness" is a festival drama performed by the Qing court at the end of the year or other festivals. Originated from the widely circulated "Mulian Ji", "Mulian Ji" is the "Great Tibetan Bon Biography", which is the deeds of the Venerable Gandharan in the Western Regions to save his mother, and pretended to be a matter of the Tang Dynasty, also known as "Mulian Saves Mother".

The purpose of this adaptation is completely different from that of the folk performance, which is intended to talk about loyalty and filial piety and punish people's hearts. Among them, the endless plots of gods and Buddhas and ghosts coincide with the customs of exorcising ghosts and eliminating epidemics in the wax moon, chasing yin and welcoming yang, and the whole drama has a total of 24o.

In fact, many of the stories in "Quanshan Jinke" come from the previous dynasty or even a long time ago.

"Sifan" has been adapted and refined, and finally formed a nun Sekong who has been a monk in Xiantao since she was a child, burns incense and recites Buddha all day long, is impatient with loneliness, and wants to go down the mountain to find a good couple. So he looked depressed, secretly complained about the Buddha, and finally took off his robe, buried the scriptures, abandoned the wooden fish, threw the cymbals, and went down the mountain to return to the final version.

There is only one character in the whole play, the little nun Sekong, through her tone, expression and figure, expressing the little nun's yearning and pursuit of mortal life and love.

Of course, many people in later generations also endowed this play with various critical ideas and yearning for freedom and love for various purposes.

Not only in the earth in the previous life, but even in the other world of China where we are now, when Cheng Xiaolou's play came out, those fans who loved Peking Opera itself were attracted by this kind of story with nuns as the protagonists that had never appeared.

At the same time, I was also impressed by his unique singing voice and very good eyebrows, eyes and figure.

Ordinary theater fans simply like this play, but those Liyuan seniors, playwrights, and drama critics are different.

They immediately began to analyze the play "Sifan" from all angles.

Not only from the aspects of music cards, keys, plots, singing, performances, and accompaniment, but also from the extended meaning.

In the writings of those seniors who like to support Cheng Xiaolou, "Sifan" expresses the depressed mood and positive spirit of resistance of thousands of nuns who are forced to become monks, their yearning for secular life, and their bold pursuit of freedom and love.

It is quite a bit of the meaning of the interpretation of various poems by the teachers in the classroom of elementary school students.

Could it be that when the ancients wrote poems and lyrics, they really thought so much and wanted to criticize this and pursue that?

Can't people be whimsical, drink too much, be inspired, and splash ink?!

No matter what others think, anyway, Cheng Xiaolou himself is extremely disdainful of those so-called high hats that pursue criticism at every turn.

People like Yang Wei who can't wait for Cheng Xiaolou to get out of the pear orchard world immediately are all kinds of belittling the play "Sifan", not because of the obscene words he sings that bring bad to children, or because of his various insults to Buddhist monks.

Every time he saw this kind of remarks, Cheng Xiaolou couldn't wait to spit in the faces of those people and scold the extremely vulgar 'I insulted your sister!'

It has been sung very clearly in the play, Sekong is because her parents believe in Buddhism, and she was weak and sick when she was a child, so she was sent to the nunnery as a little nun, at that time she couldn't even speak, she couldn't even walk, how could she choose by herself, and where did she come from.

It's not normal for people to grow up and be sensible, and they don't want to be nuns.

He didn't choose to become a monk on his own initiative when he became an adult, and he wasn't sold into a nunnery by human traffickers.

There are only three days to get together, and even if Cheng Xiaolou has the heart to fight with those people, he doesn't have the time and strength.

After recording "Sifan", he only slept for two or three hours, and then he devoted himself to the creation, arrangement, accompaniment, and recording of the second play.

Just when many people were still immersed in the shock of "Sifan", Yang Wei and the group of sailors under him were still overwhelmingly trying to make biased remarks and continue to smear Cheng Xiaolou.

At twelve o'clock the next night, the most eye-catching recommendation cover of the Voice of Liyuan page was changed on time.

Different from yesterday's handsome and special bald little nun image, today's Cheng Xiaolou is dressed in an arrow suit, carrying a sword at his waist, his eyes are resolute and cold, and a strong heroic aura is undoubtedly revealed even through the computer screen.

Next to his stills full of strong heroic spirit, there are two big brush characters full of murderous atmosphere - night run!

What links does a play need to go through from the creation of the script to the final recording, how many people are needed to cooperate in the middle, and how long does it take, as a drama critic who has been in the pear orchard industry for more than ten years, Yang Wei is naturally a clear man.

Originally, he thought that Cheng Xiaolou would be able to make a crazy "Sifan" in such a short period of time, which was already his limit.

Even if it rotates twenty-four hours in a row, it will be the third night at the latest to have a second play.

As for completing all three plays, even if he watched the "Sifan" sung by Xiaolou with his own eyes, Yang Wei never believed that he could really do it.

At the same time, when he saw the promotional poster of Cheng Xiaolou's new play on the Voice of Liyuan page again, he was so frightened that he almost thought that he had hit a ghost at twelve o'clock in the middle of the night.

"Oh my God! How is this possible! Is that kid really a fine animal?!"

"Yesterday's "Sifan" was a loophole, and he was the only one singing on stage in the whole play, saving the rehearsal link, and it was already against the sky to be able to record it in such a short time. In today's martial arts play, he can't still sing a one-man show on stage alone!"

Yang Wei was about to go crazy, and he screamed again and again in the study alone, which scared his well-ripe little lover and thought that he had fallen into evil.

Anyone who knows a little about Peking Opera, as long as he sees the appearance on Cheng Xiaolou's poster, can guess that this must be a martial arts drama.

Danjiaoer Tsing Yi Opera is tailor-made for it in the script, and there may be a possibility that someone can sing it.

But in the martial arts drama, Yang Wei has never seen or even heard of a play that is sung by one person in the audience.

"I don't believe that you have really become a fine animal!"

Taking a hard breath, Yang Wei ruthlessly poked at Cheng Xiaolou's latest martial arts drama "Night Run".

When the gongs and drums beat together, his whole heart was uncontrollably clenched, and he didn't even dare to blink his eyes.

What he wants to see most now is that Cheng Xiaolou is shoddy and indiscriminate.

。 m.