When all the people who saw this scene were excited and applauded, or were silent and shocked, Cheng Xiaolou in the video did not stop, but turned around with flat fingers on his sleeves left and right and continued to sing: "Whoever is in trouble to save the country will be punished, and it is rare to be in charge of the criminal law."

When singing these two lines, he first faces each other up and down with the palms of his left hands, with a distance of half a foot, and then continues to rotate, and at the same time the left leg turns with his toes, and does not get up from the ground.

When singing "Burnt Sideburns", he makes the same posture on the left and right, but when he closes his appearance, he is different from the previous one, and his hands are pointed up and down to the sideburns of his head, indicating that his temples are chaotic.

When singing "Baggage Depression", Cheng Xiaolou pressed the sword with his left hand, pressed the palm of his right hand on his chest, and stood in a small round field. Then take "this one to win a bucket and turn the sky back", point to the sky in the left corner with his right hand, and turn around to point to the door of the upper field when he reads the word "Gao Yu", gritting his teeth with hatred.

Then he turned back to face the left corner, his hands trembled slightly, the heavier and heavier the shooting swallow up and down, faster and more powerful, the footwork retreated, made waves, both hands pulled apart, raised his left leg to kick the right leg, still kicked out the right leg to the left corner, half turned over, the right leg did not fall, the left hand stretched out, pointed out obliquely under the arm with the right hand, pointed upwards with the right hand, pressed the sword with the left hand, the whole body shook slightly, the eyes were round, the eyebrows were raised upwards as much as possible, the nostrils were slightly exhaled, and the abdomen should not move, so as to be angry, with the spirit of boiling sea water and shaking mountains, in order to show the determination to destroy Gao Yu no matter how powerful he is。

After a snap, Cheng Xiaolou's whole body stopped for a while, not moving at all, his teeth were slightly bitten, his eyes were wide open, his eyes were focused, and he released light, and his whole body of qi and blood was used on the top of his head, as if there was a breath rushing out, and it was a state of "angry crown".

Cheng Xiaolou's three-in-one action uses the essence of short-fighting martial arts drifting, rate, and brittleness to the fullest, and it is very magnificent.

At the same time, at this time, the gongs and drums also slowed down, completely pushing the play "Night Run" to the climax.

The so-called Gui Ling, it is a very versatile Beiqu music card in the Kunqu Opera where Cheng Xiaolou was located in his previous life, and it is also the most familiar music card for actors in Beijing and Kunming, especially martial arts actors.

At the same time, it is also the first piece of the upper board in the Beiqu double-tone new water order couplet, which is almost an indispensable piece of this important piece in this couplet. There are also more music cards in this suite, such as Zhuma Listening, Goose Falling, Gu Fine Wine, Stirring Zheng Pipa and so on.

Zhegui Ling sometimes forms a "north-south suite" with some songs of the southern song, such as Bu Bu Jiao, drunk Dongfeng, etc.

The text of the Gui Ling should be six, four, four, four, four, seven, seven, four, ten sentences and ten rhymes of 48 words, but most legends in this song card often add two four-character sentences after the fifth sentence, forming a large and medium-sized music card of as many as 56 words.

For example, the laurel order of "The Legend of the Righteous Heroes: Fighting the Tiger" only has 13 linings.

Therefore, Zhegui Ling is actually a highly malleable music card that can adapt to the singing of characters in various walks of life and can express various feelings and moods, and it can be used in all kinds of trades.

For example, "Qianzhong Poke, Taxi", "Embroidered Shirts: Beat the Child", "Party Monument, Restaurant", etc.; Wusheng Opera, which is sung by Cheng Xiaolou, is the most representative of "Running in the Night" and "The Story of the Righteous Hero: Fighting the Tiger"; Danxing Opera is represented by "Fisherman's Pleasure, Shameful Father", "The Story of Nanke: The End of Love", "The Legend of the White Snake: Stealing Grass", and so on; Xiaosheng Opera is typical of "The Peony Pavilion: Hard Torture" and "The Story of Jing Hairpin - Male Sacrifice".

In addition to the two major lines of Shengdan, the net line and the ugly line also often use the song card of the Gui Ling. For example, Jingxing's "Nightmare" and Ugly Xing's "Jade Hairpin: Buddha Meeting" and so on.

Although the use of the laurel order is so wide, but its beat form is only four or four beats, it is rare that it breaks through the Beiqu no "gift board" convention, in the "Jing Hai Ji Male Sacrifice" actually appeared with a gift board (eight four beats) of the laurel order to commemorate the deceased wife, Wang Shipeng used it to sing the passion of love and hate, "Male Sacrifice" and the "Night Run" with its great contrast to the relationship actually used this card, which also shows its extensiveness.

In addition to its extensiveness, the words of the Zhegui Order are mostly based on four characters. The original tone is longer, and can be added or deleted, the length is wider, except for the seven character sentences and two sentences, all use four or six sentences, and the style of the five- and seven-word poems is completely different, which is more suitable for laying out the body and expressing the heroic mood.

For example, there is a sentence in "Fighting the Tiger": "Why use your false burden to be afraid of fear, so that I am shy and empty, and I can't hold back the evil spirit", the first three words of each sentence are lining words, and adding lining words is convenient to express different feelings and mentalities. In addition, the four-character phrase is also convenient for dealing with rhythm, and the four-character phrase of Zhegui Ling is often used in many traditional singing passages in this rhythm: the rhythm of these four-character phrases is used interchangeably, and it shows sonorous strength.

At the same time, the musical tonality of Zhegui Ling is very clear and clear.

The key is clear and clear, which determines that it is good to hear, easy to sing, easy to remember, and easy to express different opera feelings and characters in the play, which is unique in Beiqu.

It does not belong to the category of softness, tactfulness, desolation, and lingering, nor does it lose its healthy, passionate, and gorgeous qualities.

Cheng Xiaolou chose this "Night Run" on the martial arts drama, in addition to the charm of the play itself and the saving of the choreography, the most important point is that "Night Run" contains a total of six music cards, including the Gui Ling.

This kind of creative form is very rare in the pear orchard world of China, and it also lays the groundwork for the future introduction of other Peking Opera on the earth.

Otherwise, in terms of difficulty alone, Cheng Xiaolou would not have chosen "Night Run", but would have chosen "Changban Slope", "Borrowing the East Wind" or "Picking a Pulley".

Although the Peking Opera of the Earth has a lot in common with the Peking Opera of the world, and the similarity is extremely high, there are still certain differences in the music and creative techniques.

If you want to successfully bring those classic Chinese repertoire in the past life to this world, the chronological structure and the foreshadowing of the music card are indispensable, otherwise it is easy to cause disconnection or a sense of substitution.

Cheng Xiaolou even thought that after he was busy and free during this time, he would find someone to rearrange "Romance of the Three Kingdoms" and "Water Margin", two very representative classics that are linked to Chinese history and linked to Chinese history, so as to pave the way for future Chinese classic dramas.

For Hua Guo in this world, the earth where he lived in his previous life was the other world. And the content of Peking Opera is linked to historical figures, or characters with a very historical atmosphere.

Therefore, in Cheng Xiaolou's view, whether it is grafting the music card or historical structure of Chinese Peking Opera to this world, implanting this setting into people's hearts is an imperative and extremely time-consuming and energy-consuming thing.

【ps】：

Starting tomorrow, 4 shifts a day, please supervise!

I'm already full-time writing this book, and the subscription is so bad that the money for instant noodles is not enough every day, let alone buying milk powder diapers for my children, so my mentality is not very good these days, and the update has not kept up, please understand!

That's right, this Silver Alliance leader was blown up by me with all my money, not for anything else, just to be determined to do my best to write this book from now on!

。 m.