Cheng Xiaolou's old students sing and enjoy the strengths of many families, and there are many differences between them and the old students in this world.

Whether it is on the earth in the previous life or in the Chinese country of this world, Lao Sheng has a pivotal position in Liyuanxing.

The singing and playing of the four skills of Peking Opera may be different for other professions, but in the profession of old students, singing skills occupy a very important position in the performance system of veteran actors in Peking Opera.

For opera fans, an important factor to measure the level of an old actor is singing, Peking Opera singing art is mainly composed of voice control, singing melody, voice skills, word processing, vocal and emotional combination and other aspects, if a Peking Opera veteran actor wants to have superb singing art, he must work hard in these aspects, practice comprehensive singing skills.

If you only have a voice and lack skilled cavity skills, if you have mature cavity skills and a messy voice, or if you have both voice and skills but don't pay attention to the plot and engage in liberalism in singing, you can't become an excellent Susheng master.

After 30 years of ups and downs in the pear orchard, Cheng Xiaolou has his own unique understanding and views on the art of Peking Opera and the various situations in the world, which makes him have strong personal characteristics no matter which play he is singing.

The key to the outstanding and world-famous of many famous veteran artists is that they have meticulous and in-depth research and mature and unique techniques in these aspects.

Compared with some senior masters, Cheng Xiaolou may be nothing.

However, in today's gradual decline of Peking Opera art, it is modest to say that Cheng Xiaolou is one of the few geniuses who has obvious advantages in these aspects without any major defects.

His moist and mellow sound quality, Yuannuo's melodious timbre, plain and natural, quiet and moving singing melody, unprecedented movement skills, delicate and accurate four-tone rhyme, and the noble style of voice and emotion have created a high-standard singing system that is unique to the pear garden.

Cheng Xiaolou was a child under the strict teaching of his grandfather, specializing in traditional old student repertoire, which laid a solid foundation for him, and later traveled the world, visited famous teachers, and was taught the most orthodox Peking Opera old student singing techniques.

In those wasted years, he created a unique singing style that was fresh and melodious, elegant and timeless according to his own conditions and combined with the singing advantages of other old-fashioned genres.

Every singer dreams of having a good voice that is not bad in King Kong, the voice is the capital of singing, the so-called "one sound covers a hundred ugliness", a good voice can deal with the past even if it is almost in other aspects, but it is very difficult to do this.

Because the physiological conditions of each person are different, it determines that their vocal quality is different, and none of the old Peking Opera actors have the same voice foundation, which is related to the traditional sound raising vocal method of Peking Opera, which produces the sound with their own specific sound quality and timbre, some sound quality is wide and solid, some are rich, some are high-pitched, and the timbre is sweet and bright, and some are dark, which are different.

According to the common vocal requirements of Peking Opera, it is generally divided into the original sound and the resonant sound, the original sound is divided into two kinds: true sound and false voice, the resonant sound is also known as the modified sound, the pronunciation of the old students is mainly based on the original sound, supplemented by the modified sound, the original sound depends on talent, and the modified sound depends on the day after tomorrow to find.

Cheng Xiaolou belongs to the typical type of grandfather who appreciates and eats, not only the unique conditions of the original sound. After experiencing ups and downs and decades of life experience that are different from ordinary people, he really calmed down to polish himself, especially with a subtle control ability that other people can't imagine.

If it weren't for that, how could he really be a perfect student.

Every successful person, in addition to God's favor, is more important than their own efforts.

If Cheng Xiaolou only knew how to eat his old books and did not have more than 30 years of polishing, he would never have achieved today's achievements, let alone such a breathtaking Peking Opera attainment.

The so-called ability to control the voice does not lie in the loud voice and low pitch, but in the ability to refine and combine the original tone and resonant sound when singing, and the ability to control the stability of voice quality and timbre continuity.

In the art of singing for veteran students in Peking Opera, the highest requirement for the voice is to sing a specific vocal melody with constant sound quality and original timbre, rather than considering the height, width, and sound pressure intensity of the actor's voice.

For example, Yu Pai old students have extremely high requirements for voice control, and there are specific specifications for the lips, laryngopharynx, tongue, teeth, cheeks, and palate parts when singing, and the mouth shape requirements for pronunciation are extremely strict, and the positioning is accurate and does not allow the slightest change.

In contrast, due to the lack of such high-standard exercise, veteran actors of other genres often press the larynx during the cavity, and cannot maintain the consistency of the timbre and sound quality of the voice throughout the singing cavity.

When Winter Emperor Meng Xiaodong was singing, there was absolutely no phenomenon of suppressing the throat when she was talking, even if she was in a bad state, there was absolutely none.

Meng Xiaodong was trained by Mr. Yu himself that he was able to always maintain the stability of his voice.

This is also the charm of the Yu School's art that is high and low and fascinates all beings.

Although Cheng Xiaolou has never been personally instructed by Mr. Yu, he is also extremely demanding on himself in terms of voice control, so in this regard alone, even compared with the Winter Emperor Meng Xiaodong, he is not inferior.

In addition to learning opera from his grandfather since he was a child and visiting many famous Peking Opera teachers to study, Cheng Xiaolou also specially studied opera with a folk master who has a deep knowledge of music theory and rhyme.

The folk Peking Opera master, who was not well-known in Liyuanxing, specially instructed him on how to skillfully use the skills of nasal resonance, oral and nasal resonance according to Cheng Xiaolou's pronunciation characteristics, and realized the free conversion of nasal and postnasal sounds, forming his distinctive pronunciation characteristics of oral and nasal resonance.

Especially when it is used in rhymes such as the pre-words, the slender ruts, the Boduo ruts, the Gu Tu ruts, the Zhonggong ruts, the Renchen ruts, and the Huidui ruts, it is particularly good-sounding.

Cheng Xiaolou's true and false voice ability is very high, and the combination is particularly proficient, and his unique bubble sound is sung with a combination of large and small voices, which is transparent and crisp and bright, and few people in the pear orchard line in his previous life can stand out from the right.

And his middle palace voice is soft and translucent, seemingly effortless, but it can sound through the roof tiles, resounding through the audience. It is both round and crisp, clear and bright, and he is very good at using resonant sounds, so Cheng Xiaolou can transmit the sound far away even without the help of audio equipment.

To be honest, Cheng Xiaolou's voice can be described as wonderful, his voice can not only be pure and detailed, but also simple and bold, full of grain.

Otherwise, how could he switch freely between Xue Pinggui and Wang Baochuan's singing voices in the play "Wujia Po".

It is precisely because of Cheng Xiaolou's salty and sweet singing, his varied singing voice, his unique skills and his own understanding of Peking Opera, coupled with the few new operas that have never appeared in this world, that he can quickly become popular in such a short period of time and become a hot upstart in the pear orchard industry.

Although there are some coincidences and external factors in this, the iron must be hard after all.

Without anything really powerful, no matter how lucky you are, you can't get this far in such a short time.

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