First of all, we must thank the editor Maple Leaf for his guidance in the early stage and the recommendation and support in the later stage.

And then, of course, all the lovely showmen~ Thank you for your collections, recommendations, comments and rewards!

To be honest, in the first 100,000 words of this book, Crayfish is really exhausted, and every word is written with a feeling of walking on thin ice......

I sincerely pay attention to every Xiu'er's comments and this chapter, for fear of writing about poison or something,

When I recommended it this week, there were a lot of readers, and two problems were indeed exposed, and I tried my best to fix them......

However, recently, some Xiu'er said that the plot of high school was slow-paced, and some Xiu'er said that it was good-looking, which made me a little entangled, and finally ended this plot faster than the original plan

Now, Su Xiaofan began to enter the crew and started to hone from the bottom, and Xiu'er said that the pace was too slow......

This, the crayfish is indeed a little tangled.

I also said before that before I wrote the online article, I was a small director.

Scarecrow bags Mother's Day and Queen's Day commercials, high-profile Liang Hui's hydration commercials and so on...... I'm the writer, director, and editor.

There are so many directorial essays at the starting point, but I believe that few of them should have really been directors, and I think this is my advantage.

So, I wanted to present you with a more realistic "film and television creation scene",

I try to respect everyone who struggles on the set, even if he is just a migrant worker who moves tracks.

I also wrote in the article, don't look at the very simple appearance of pushing the rail car, I was once filming the advertising set of Zhen Caotang (starring Zhu Shimao), the master who pushed the track asked the apprentice to try it, but it turned into a dog, and was scolded by the director on the spot, scolding him for delaying time, and scolding the master for nonsense......

What I want to say is that in the crew, not only the director's photography art needs skills, but in fact, every inconspicuous worker is not as simple as it seems!

Having said all this, I actually want to ask for everyone's opinions.

Do you want to see Su Xiaofan grow into a big director quickly, or do you want to see him go up step by step?

Step by step, isn't the pace slow?

Everyone is welcome to discuss in this chapter of this chapter~