Where will the future of Peking Opera go, Cheng Xiaolou didn't understand it after thinking about it all night.

Although the road ahead is confusing and bumpy, what needs to be done still has to be done.

The fire of the Three Kingdoms gave him another glimmer of hope and hope.

After practicing morning exercises the next day, Cheng Xiaolou published the previously sorted out "The Legend of the White Snake" on Yanhuang.

Compared with the Three Kingdoms, "The Legend of the White Snake" can only be regarded as a short story, and the total is less than 100,000 words.

The story content and character settings of the entire book are basically adapted by him from the TV series "The Legend of the New White Lady".

The original script of the Peking Opera "The Legend of the White Snake" came from the late Ming Dynasty's "Warning to the World".

Legend has it that during the Shaoxing period of the Southern Song Dynasty, a snake demon who had been cultivated for a thousand years turned into a beautiful woman named Bai Suzhen, and her maid Xiaoqing, met Xu Xian, an apprentice in a pharmacy, in the West Lake of Hangzhou, and took shelter from the rain in the same boat, fell in love at first sight, and then became husband and wife.

After marriage, the two experienced a lot of rights and wrongs, but the white lady frequently appeared strange, and Xu Xian always didn't understand the reason. Fahai, a senior monk of Jinshan Temple in Zhenjiang, who came in search of demons, gave Xu Xian a bowl and asked him to cover his wife with this bowl. After the white and green quilts were singled, their original forms were revealed, and they turned into white snakes and herring fish that had become enlightened for thousands of years.

Fahai then took the bowl and put it in front of the Lei Temple Peak, and let people build a seven-level pagoda on it, called Lei Feng, and always put the white snake and herring in the tower. The white snake that has practiced for thousands of years does not hesitate to break jade for love, which is enough to move heaven and earth.

Xu Xian was finally moved by love, bravely abandoned the constraints of feudal etiquette and religion, and sincerely accepted the "snake demon", but in the end, he failed to let them come together due to Fahai's prevention.

But when Cheng Xiaolou rewrote the script, he beautified the whole story, and was more inclined to the TV series of "The Legend of the New White Lady" that he had watched.

In his book "The Legend of the White Snake", Bai Suzhen is a demon and an immortal, but he is not willing to become a demon or an immortal.

Her ideals are the most ordinary and the most brilliant, she just wants to be an ordinary person.

However, it is not easy to be a man, heaven and earth do not allow it, and she is destined to be a person. Bai Suzhen was enlightened by Guanyin Bodhisattva because of the cause and effect more than a thousand years ago, and came to the world to find Xu Xian to repay her kindness, but when she tasted the taste of being a human being, it was difficult to give up that relationship, that kind of human happiness, so she grabbed Xu Xian as her love.

In Cheng Xiaolou's pen, Xu Xian may be regarded as an important creator of Bai Suzhen's tragedy.

He is a human being, but he does not really understand the nobility of human beings, and he does not have a heart that embraces all things and accepts all beings.

As the saying goes, "useless is a scholar", Cheng Xiaolou's Xu Xian is pedantic, conservative and naïve. Bai Suzhen's persistence is in sharp contrast to Xu Xian's weakness.

Whether it is Peking Opera or from the beginning, White Snake is the undisputed protagonist, and the overall story direction is all around the character of Bai Suzhen.

Just like the name of the TV series - the legend of the new white lady, it is the legendary story of the white snake Bai Suzhen.

Yan Huang, who suddenly appeared, suddenly won 3 million registrants, and even received more than 30 million tips in one day.

This caused an uproar in the entire network industry, and the high-level executives of Singularity, Zhongheng, and Penguin Books were greatly shaken, and they immediately found someone to check out Yan Huang.

When they learned that it was the strong appeal of the famous Peking Opera actor Cheng Xiaolou Cheng, they completely understood what was going on.

It is precisely because of this that the talents in those circles suddenly discovered how terrifying the influence and appeal of a real big horn is.

After all, although the Peking Opera industry is about to come to an end in their opinion, the emaciated camel is still bigger than the horse, and the fans in hundreds of millions of units still exist.

Just when the giants of the three major Internet industries were considering whether to invite a corner to endorse the website, or also invite some characters with some writing to come in to write, Cheng Xiaolou's second book "The Legend of the White Snake" achieved results, and their eyes were red when they saw it.

In less than a day, a medium-length novel of less than 100,000 words received more than 10 million hits and more than 100,000 book reviews.

It has directly pushed the number of registered people of Yanhuang to four million, almost on an equal footing with industry giants such as Singularity and Zhongheng.

Although "The Legend of the White Snake" continues the free route of the Three Kingdoms, fans are not stingy with rewards, and there are very few pieces of one or two, and most of them are five or ten yuan rewards.

Those who are familiar with Cheng Xiaolou are even more rewarded with 50,000 yuan, and the people who are rewarded with 51,000 yuan can't be counted.

Especially the friends who are very close to him, Sydney Gun, are basically 500,000 or 1 million rewards.

Liu Fengying was even more exaggerated, as soon as she made a move, it was a reward of 10 million, which not only shocked Cheng Xiaolou himself, but also shook the entire Internet industry again.

Boss Liu's reward also attracted reports from seven or eight online media and professional pear orchard media, and even Yan Huang and "The Legend of the White Snake" were on the hot search.

In the next few days, the number of registered people in the background of Yanhuang increased rapidly at a rate of hundreds of thousands every day.

Pan Yu's movements were also very fast, and he sent out the essay and recruitment announcement the next day.

In just three days, the website has more than 3,000 registered writers, more than 500 new works, and the editorial and operation teams are basically in place.

Of course, Cheng Xiaolou's "The Legend of the White Snake" and "Romance of the Three Kingdoms" are still placed in the most obvious recommendation position on the homepage of the website.

In the first few days, Cheng Xiaolou personally supervised it, and everything that has nothing to do with Peking Opera will not be reviewed, if it were not for this mandatory requirement, Yan Huang's works would be at least twice as many as they are now.

After seeing that the website was gradually on the right track according to his own requirements, Cheng Xiaolou finally breathed a sigh of relief.

He knows better than anyone what kind of character his senior brother is.

Before handing over the website to Pan Yu to take care of, Cheng Xiaolou set a dead rule for him.

First, the website never charges or contracts, and the copyright of each copy belongs to the creator himself.

Second, each copy published on the website must contain elements of Peking Opera.

Third, the reward and later copyright income received by Yan Huang will not exceed 50% at most.

If Pan Yu violates the above three points when operating the website, Cheng Xiaolou will even close the website and stick to the rules he has set.

From the very beginning, the value of Yan Huang's existence was not to make money, but to use it as a platform to present the stories of those classic repertoire in his mind to the world in the form of words, which can be regarded as another way of inheritance and dissemination of Peking Opera.

。 Stealing incense