Chapter 1228 Yes and No

The post-production of The Last Emperor was easier than expected.

It was originally a 2D movie, and when it was filmed, the composition and structure of the picture were taken into account, and even the sequence of the pictures was also considered, so it was just a cut on the lens.

This kind of post-production is quite easy, mainly because of some artistic requirements.

A movie like "The Last Emperor" cannot be made into a commercial blockbuster.

In Jiangxia's ancient trilogy, the first "Myth" is a purely commercial film, the last "The Last Emperor" is an almost pure art film, and the "Tengwang Pavilion" in the middle is naturally a film that attaches equal importance to business and art.

Jiang Xia has always sought a balance between art and commerce, and his only original film is, of course, to pay equal attention to the two, seeking this balance.

Polishing the script and drawing the storyboards, including the construction of Chang'an City and Tengwang Pavilion, Jiang Xia went to the site many times to investigate to determine the most desired structure.

The movie "Tengwang Pavilion" really poured Jiang Xia's efforts.

Jiang Xia stayed in the capital for two months, and completed the post-production of "The Last Emperor", and Zhang Pengpeng also completed the production of the soundtrack in the film, and spent another week to integrate it, and everything except for the opening and ending company logos was produced.

The entire "The Last Emperor" is just about to be released.

This release date has to wait a few more years, and it is Jiangxia's second movie that has not been released except for "The Matrix".

"The Matrix" is an objective reason, and "The Last Emperor" is a subjective reason.

The result is the same, they are all filmed and not released for the time being.

The construction of Chang'an City has been completed for the most part, and the antique buildings have faintly had the style of a big city with a population of one million.

It's not made by special effects, it's built brick by brick.

Real buildings are better than buildings made of special effects, which should have texture and be real.

Chinese movies once had an excessive pursuit of aesthetic pictures, and the movies created by the ultimate beauty were very gorgeous, and the viewing effect in the theater was very good, and what people may remember was the color.

This evil wind was brought up by "The City Full of Golden Armor".

It's just that "The City Full of Golden Armor" is a gorgeous color shot in real life, and most of the movies are painted with special effects, which gives people a less textured impression than "The City Full of Golden Armor".

The current Jiangxia has long passed the level of pursuing that kind of bright color, and his movie pictures are more realistic and immersive.

Too gorgeous pictures and visual effects will directly give people the feeling that this is a movie, while realistic pictures will make people immersed and better experience the story and movie, rather than enjoying more or being affected by color and visual effects.

Visual effects are a part of the movie, but they can't be the main part of the movie.

Jiang Xia's principle for movies is to tell a story as well as possible, and visual effects serve the story, and the priorities cannot be reversed.

After staying in the capital for two months, Jiang Xia flew directly to Los Angeles.

The post-production of "Batman: Time to War" was produced here, unlike "The Last Emperor", which was pure 2D and did not have many special effects shots, this movie is 3D and has a lot of special effects shots.

When Jiang Xia arrived, post-production was almost complete, with very few shots left.

didn't really look at all the shots, Jiang Xia only looked at a very small number of shots to determine the post-production quality of the film, and didn't care about the rest.

Just as Jiang Xia didn't care about Zhang Luofu filming "Dragon and Phoenix Fight", when Zhang Luofu was filming "Batman: Time to Go to War", he didn't care about what he could shoot, it was Zhang Luofu's business.

Zhang Luo only occasionally came over to supervise the post-production of "Batman: Time to War", and the rest of the time he worked overtime to shoot the scenes of "Batman: The Dark Knight Rises".

The filming plan of the trilogy has reached the final step, and after the filming of "Batman: The Dark Knight Rises", the hero of Batman was born.

As for Batman's subsequent storyline, Jiangxia is ready to open up so that anyone can create it.

Whether it's a penguin, a two-faced, a freezer, a riddler......

All kinds of criminals can appear, as long as they match the setting of Gotham and Batman.

This is an extraordinary superhero, he has super high intelligence, he also has a great bottom line, he is a real superhero.

Heroes don't ask for anything in return, heroes have their own principles, and heroes are even more ruthless to criminals.

The introduction of the three movies is enough to make people know this superhero.

The rest of the story will be left to future generations to write.

After staying in the United States for two weeks, Jiang Xia returned to China and rushed to Chang'an City, which was under construction, to inspect the terrain again and familiarize himself with the building structure again.

After that, Jiang Xia began a long wait.

Wait for the completion of Chang'an City and wait for the Tengwang Pavilion to be built.

The first thing he waited for was the trailer for "Batman: Time to Go to War".

Zhang Luofu's filming followed his script very much, the script was the idea given by Jiang Xia, Zhang Luofu was co-written with other screenwriters, the main creator was Zhang Luofu, and the other screenwriters just made the story a little fuller.

Jiang Xia asked Zhang Luofu to write the script at the beginning, he watched him write it, Jiang Xia knew what the script was like, and he didn't know much about the later improvement, but it shouldn't be bad.

The trailer cut out by Zhang Luofu condensed the story of the first part of Batman.

In the beginning, it was the construction of a giant bat searchlight.

Then there is the scene of Bruce Wayne going to practice in various places, which is retraced in "Batman: The Dark Knight", and the entire story of the first part is retraced in the second part, which is not long, only eight minutes.

Eight minutes in Jiang Xia's hands was enough to tell a story that would take two hours to tell clearly.

Zhang Rove only has two minutes to teaser to attract people to watch the first Batman.

He focuses on Batman's growth, which is not covered in the second trailer and is the most central thing in the first one.

Jiang Xia watched the trailer and didn't have too high expectations for this movie, the trailer was very ordinary, but it was okay and reached the passing line.

Many viewers are paying attention to Batman, after all, "Batman: The Dark Knight", the first in film history, is there, and this achievement alone is enough to attract people to the cinema.

A month later, "Batman: Time to Go to War" was released worldwide under the spotlight.

Jiang Xia also walked into the cinema for the first time.

Go see the sequel to this movie he didn't work on.

At the same time, many people also walked into the theater to watch "Batman: Time to Go to War", also to see what is the difference between a Batman movie without Jiang Xia's participation and a movie with Jiang Xia's participation.